Directed by
Terence Fisher |
Writing Credits
Anthony Hinds | ... | (screenplay) (as John Elder) |
Guy Endore | ... | (novel) |
Cast (in credits order) verified as complete
Produced by
Michael Carreras | ... | executive producer |
Anthony Hinds | ... | producer |
Anthony Nelson Keys | ... | associate producer |
Music by
Benjamin Frankel |
Cinematography by
Arthur Grant | ... | director of photography |
Editing by
Alfred Cox |
Casting By
Stuart Lyons |
Production Design by
Bernard Robinson |
Art Direction by
Don Mingaye | ||
Thomas Goswell | ... | (uncredited) |
Makeup Department
Roy Ashton | ... | makeup artist |
Frieda Steiger | ... | hair stylist |
Colin Garde | ... | makeup artist (uncredited) |
Production Management
Clifford Parkes | ... | production manager |
Second Unit Director or Assistant Director
John Peverall | ... | assistant director |
Dominic Fulford | ... | second assistant director (uncredited) |
Art Department
Peter Allchorne | ... | chargehand props (uncredited) |
Arthur Banks | ... | construction manager (uncredited) |
Margaret Robinson | ... | gargoyles (uncredited) |
Sound Department
Jock May | ... | sound recordist |
Alban Streeter | ... | sound editor |
Special Effects by
Les Bowie | ... | special effects |
Stunts
Jack Cooper | ... | stunts (uncredited) |
Joe Dunne | ... | stunts (uncredited) |
Camera and Electrical Department
Len Harris | ... | camera operator |
Tom Edwards | ... | still photographer (uncredited) |
Ronald Lenoir | ... | set rigger (uncredited) |
Alan McDonald | ... | clapper loader (uncredited) |
Harry Oakes | ... | focus puller (uncredited) |
Costume and Wardrobe Department
Molly Arbuthnot | ... | wardrobe mistress |
Editorial Department
James Needs | ... | supervising editor |
Music Department
Benjamin Frankel | ... | conductor |
Leonard Salzedo | ... | composer: stock music (uncredited) |
Script and Continuity Department
Tilly Day | ... | continuity |