Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
Only includes names with the selected topics
to
or just enter yyyy, or yyyy-mm below
to
1-50 of 553
- Actress
- Producer
Persis Khambatta was born on October 2, 1948 in Bombay, India. When aged 16, as Femina Miss India, she entered Miss Universe 1965, dressed in off-the-rack clothes she bought at the last minute. Khambatta became a model for companies such as Revlon. Her biggest acting break was getting the role of Lieutenant Ilia, the bald Deltan alien in Star Trek: The Motion Picture (1979). This led to roles in Nighthawks (1981), Megaforce (1982) and Warrior of the Lost World (1983). She was considered for the title role in the James Bond film Octopussy (1983), but was passed over in favor of Maud Adams. Khambatta became the first citizen of India to present an Academy Award in 1980. She was nominated for the Saturn Award for Best Actress for her Star Trek role. Khambatta also made guest appearances in many popular American television series. In the early 1980s, she was seriously injured in a car crash in Germany and had to have heart bypass surgery.
A year before her death, she wrote and published a coffee table book titled "Pride of India" which featured former Miss Indias; it was dedicated to Mother Teresa, and part of the royalties went to the Missionaries of Charity. On August 17, 1998, Persis Khambatta was taken to the Marine Hospital in South Mumbai, complaining of chest pains. She died of a heart attack on August 18, 1998 at the age of 49; her funeral was held in Mumbai.- Actor
- Director
- Producer
Born Sahabzade Irfan Ali Khan, in Jaipur, Rajasthan (NW India) January 7, 1967 to a Pashto-speaking Muslim family. Khan's mother, Begum Khan, was from the Tonk Hakim family and his father, Jagirdar Khan, from the Khajuriya village near the Tonk district, ran a tire business.
The Khan family name comes from Turkish and Mongol languages and mean "king" or great leader. Descendants of Genghis Khan (13th century) in central Asia adopted Islam and became the Moghuls, who conquered India for several centuries until British rule.
Irfan was a skilled cricket player. In his early 20's he was selected for the CK Nayudu Tournament (a stepping stone to First Class cricket). He did not turn up for the tournament owing to lack of funds and as a result he focused on acting.
In 1984 he earned a scholarship to the National School of Acting in New Delhi.
He was awarded the Padma Shri, India's fourth highest civilian honor for his contribution to the field of arts.
His portrayal of Paan Singh Tomar in the acclaimed biographical sports drama Paan Singh Tomar (2011) won him the National Film Award for Best Actor and a Filmfare Critics Award for Best Actor. His performance in the BAFTA Award nominated romance The Lunchbox (2013) earned him universal acclaim by the critics and audiences.
Globally, Khan was in The Warrior (2001), The Namesake (2006), The Darjeeling Limited (2007), the Academy Award-winning film Slumdog Millionaire (2008), New York, I Love You (2009), The Amazing Spider-Man (2012), Life of Pi (2012), Jurassic World (2015) and Inferno (2016). As of 2017, his films have grossed $3.643 billion at the worldwide box office. In 2018, Khan was diagnosed with a neuroendocrine tumor.
Khan got married to his wife Sutapa Sikdar, in 1995. She is a Hindu of the Brahmin caste. She is a movie producer, dialogue writer and screenwriter. Among her famous movies are Khamoshi: The Musical (Dialogue Writer, 1996), Supari (Dialogue Writer, 2003), Kahaani (Dialogue Writer, 2003), Madaari (Producer, 2016), Qarib Qarib Singlle (Producer, 2017)
They have two kids: Ayaan Khan, Babil Khan
Unlike most Indian film stars, Irrfan has been outspoken on religion. On Arnab Goswami's talk show, he took on Muslim fundamentalists, including India's Grand Imam. Irrfan Khan argued against "transactional religious interaction" and for "personal religious discovery"..."to discover yourself, to find God". Though he admits he is "not an authority" on the Koran and Islamic Holy scriptures he has bravely stood by his comments despite heavy criticism and even threats of violence. He's aware of the dangers that his frank comments pose to him and his family. His wife commented, "We are very proud of him."- Actor
- Music Department
- Soundtrack
For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.
But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.
Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.
Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).
On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.
Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.
In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.
One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.
Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.
Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.
Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.
As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.
Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.
Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.
Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.
Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.
Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.
Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.
Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage
Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.
As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.- Actor
- Producer
- Second Unit Director or Assistant Director
Shashi Kapoor is one of the leading actors of Indian cinema having appeared in 160 movies - 12 in English and 148 in Hindi. He has appeared in 148 Hindi films - of them played the solo lead hero in 61 films, was lead hero in 53 released multi star cast Hindi films, 2 unreleased multi star film and 21 Hindi films had him in supporting role, worked in 4 films as a child artist and made 7 guest appearances.
Indian actor of Bollywood, Parallel Cinema, and International productions; Shashi Kapoor is the youngest son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shashi grew up traveling around the country with his father's acting trope "Prithvi Theatres." from 1940-59. He began appearing on stage from the age of four. He also began working in films in the early 1940s. As a child, he appeared in 4 films from 1948-53 which includes 2 films of his eldest brother Raj Kapoor as the hero and Sangram, where Shashi played Ashok Kumar.
By 1956, an 18-year old Shashi was both actor and assistant stage manager for "Prithvi Theatre." That year, "Shakespeareana" --a traveling theater group under English actor Geoffrey Kendal, and "Prithvi Theatre" were both booked to play in Calcutta. While checking the audience reaction from backstage, Shashi's glance fell on Jennifer Kendal. Shashi soon learned she was playing Miranda in "The Tempest," and secured an introduction. The two began courting, and expressed a desire to wed. Geoffrey Kendal was uncertain about loosing not only his daughter, but his leading lady and theater manager. He insisted that the couple wait at least two years. Shashi began touring with "Shakespeareana" and in 1958 he again asked for Jennifer's hand in marriage and was again refused. However, Jennifer decided to go against her father's wishes, and in July of 1958, the couple were married in the traditional Indian style in Bombay.
Shashi debuted as a leading man in Yash Chopra's Dharmputra (1961). From 1961-64 his Hindi films with him as the solo heroes were box office flops. But Nanda believed that Shashi does have the potential to be popular leading man and signed happily 8 films opposite him over the period 1962-1968. Except for their first 2 films together and Juaari, other 5 films of the pair Nanda-Shashi turned out to be super-hits from 1965-70.A versatile actor, Shashi worked in both mainstream popular Hindi cinema, art films and in Indian-set English-language films, such as those made by the film-making team Ismail Merchant and James Ivory. He was one of the first Indian stars to go international, as he worked in both British and American films, and directed the Soviet Union co-production _Ajooba (1991) which was a disaster.He tried his hand at English films when his Hindi films were flops from 1961-64 and achieved success in 1963 with 2 commercially successful English movies.He did 6 English films as lead hero till 1983 and then played villain in Deceivers and another lead role in 1993 and rest 4 English films had him in supporting role as narrator/guest appearance from 1987-1998. Shashi started having solo hits opposite Rakhee, Asha Parekh, Sharmila Tagore, Zeenat Aman from 1968-1975 but had a weak period as a solo lead hero from 1974-1978 where he had 13 flops off 24 films as solo lead and this made him accept multi star cast films from 1976-85. He achieved success in multi star films from 1976-84.In the multi star films he did , he was paid more than co-stars Vinod Khanna, Amitabh Bachchan, Jeetendra, Rishi and Randhir Kapoor. But Sanjeev Kumar,Pran and Dharmendra were paid at same rate as Shashi in the films where they were his co-stars. Only Rajesh Khanna was paid more than Shashi in the 2 films they did together. He played supporting role to Rajesh Khanna at peak of his career in Prem Kahani and then in Alag Alag.
He won the Filmfare Best Supporting Actor Award for Deewaar (1975). He won two Filmfare Best Movie Awards for his work as producer and star of Junoon (1979) and Kalyug (1981).He costarred in 11 films with Amitabh Bachchan of which 4 (Deewar,Trishul, Suhaag,Namak Halal) were successful,1 (Kala Pathar)was average hit and rest 6 were flops. Shashi Kapoor did 61 solo lead hero films in Hindi and, of them, 35 were super-hits. Shashi did 55 multi-star cast movies where Shashi was one of the lead heroes and, of them, 33 were super-hits, 20 were flops, 2 remain unreleased.
Shashi and Jennifer had three children; Kunal Kapoor, an actor and ad director, Karan Kapoor a photographer and sometimes actor, and Sanjana Kapoor, an actress who has run Prithvi Theatre in Mumbai since 1993. After his wife Jennifer died of cancer in 1984, Shashi started becoming obese and began taking on fewer roles in films, and shifted his focus to character roles.His first break as supporting actor after he became obese was given by Rajesh Khanna in film Alag Alag where his role along-with the lead pair of the film was appreciated.
In 2010, Shashi was presented with the Filmfare Lifetime Achievement Award.- Actor
- Music Department
- Producer
Born in south Mumbai, Kapoor is the second son of film director and actor Raj Kapoor. He did his schooling with his brothers at Mumbai's Campion School. His brothers are well-known actors, Randhir Kapoor and Rajiv Kapoor.
Rishi Kapoor debuted in his father's 1970 film Mera Naam Joker, playing his father's role as a child. Rishi Kapoor had his first lead role opposite Dimple Kapadia in the popular 1973 film Bobby which became an instant hit among youngsters. He made a popular pairing with future wife Neetu Singh in 1974-1981 but the pair was successful only in films with big casts, since films with Rishi as the lead - like Zehreela Insaan, Zinda Dil, Doosara Aadmi, Anjane Mein, Jhoota Kahin Ka, Dhan Daulat - were box office flops. Rishi Neetu pair was successful in multi-star films like Khel Khel Mein, Kabhie Kabhie, Amar Akbar Anthony, Pati Patni Aur Woh, Duniya Meri Jeb Mein. The only solo hit of the Rishi Neetu was Rafoo Chakkar. Rishi Kapoor got 51 films as the solo lead hero from 1974-1997 but of them 40 were box office flops, and he managed only 11 hits: Bobby, Laila Majnu, Rafoo Chakkar, Sargam, Karz, Prem Rog, Nagina, Honeymoon, Banjaran, Heena and Bol Radha Bol. So, he was offered the role of playing younger brother to lead heroes in movies with big casts from 1977-1994. Rishi Kapoor did 41 films with big casts from 1976-2000 where Rishi was cast as 2nd or 3rd lead hero. Of them, 16 were flops and 25 were hits. He was often offered the role of younger brother to main lead heroes in the multi-hero films he did where his character would be a romantic one and the story would revolve on the main lead hero of the film. In the '90s, his 2 hero films Deewana, Damini and Eena Meena Dika were hits. He got the plum lead hero roles in two-hero films only few times like in Hum Kisi Se Kum Nahin, Badalte Roshtey, Aap Ke Deewane, Saagar then in the '90s with Chandni, Deewana (1992), Damini (1993) and Gurudev (1994); otherwise in the 2 hero films Rishi did in the late 70s and throughout the '80s, it was his other co-star whose character overshadowed Rishi's and the other co-star was appreciated more like in case of Katilon Ke Kaatil, Coolie, Sitamgar, Zamana. After several box office failures from in 1990s, he eventually moved on to supporting roles in the 2000s. In 1999 he directed the film Aa Ab Laut Chalen. His last film as a romantic lead was the 5-year delayed release Karobaar: The Business of Love (2000), which was unsuccessful. He has since then played supporting roles in films like Yeh Hai Jalwa, Hum Tum, Fanaa, Namaste London, Love Aaj Kal and Patiala House. He also appeared in the British films Don't Stop Dreaming and Sambar Salsa. He was paired with Neetu Singh in the film Do Dooni Chaar (2010). Rishi has acted in the movie Chintu Ji in which he plays himself. In 2012 he appeared in a villainous role in Agneepath and in the multi-starer Housefull 2 where he appeared with brother Randhir for the first time.- Actor
- Additional Crew
- Music Department
Om Puri was an Indian actor who has appeared in both mainstream Indian films and art films. His credits also include appearances in British and American films. He has received an honorary OBE.
Puri was born in Ambala, Haryana. His father worked on the railways and served in the Indian Army. Puri graduated from the Film and Television Institute of India. He is also an alumnus of the 1973 class of National School of Drama where Naseeruddin Shah was a co-student.
Puri had worked in numerous Indian films and in many films produced in the United Kingdom and the United States. He made his film debut in the 1976 film Ghashiram Kotwal, based on a Marathi play of the same name. He has claimed that he was paid "peanuts" for his best work. He had collaborated with Amrish Puri as well as Naseeruddin Shah, Shabana Azmi and Smita Patil in art films such as Bhavni Bhavai (1980), Sadgati (1981), Ardh Satya (1982), Mirch Masala (1986) and Dharavi (1992). He had been active in cinema. He was critically acclaimed for his performances in many unconventional roles such as a victimized tribal in Aakrosh (1980) (a film in which he spoke only during flash-back sequences); Jimmy's manager in Disco Dancer (1982); a police inspector in Ardh Satya (1982), where he revolts against life-long social, cultural and political persecution and for which he got the National Film Award for Best Actor; the leader of a cell of Sikh militants in Maachis (1996); as a tough cop again in the commercial film Gupt in 1997; and as the courageous father of a martyred soldier in Dhoop (2003). In 1999, Puri acted in a Kannada movie A.K. 47 as a strict police officer who tries to keep the city safe from the underworld - it became a huge commercial hit. Puri's acting in the movie is very memorable. He has rendered his own voice for the Kannada dialogues. In the same year, he starred in the successful British comedy film East is East, where he played a first-generation Pakistani immigrant in the north of England, struggling to come to terms with his far more westernized children. Om Puri had a cameo in the highly acclaimed film Gandhi (1982, directed by Richard Attenborough). In the mid-1990s, he diversified to play character roles in mainstream Hindi cinema, where his roles are more tuned to mass audiences than film critics. He became known internationally by starring in many British films such as My Son the Fanatic (1997), East Is East (1999) and The Parole Officer (2001). He appeared in Hollywood films including City of Joy (1992), opposite Patrick Swayze; Wolf (1994) alongside Jack Nicholson; and The Ghost and the Darkness (1996) opposite Val Kilmer. In 2007, he appeared as General Zia-ul-Haq in Charlie Wilson's War, which stars Tom Hanks and Julia Roberts. He has worked in Hindi television serials like Kakkaji Kaheen (1988) (roughly meaning "Uncle says") as a paan-chewing 'Kakkaji', which was a parody on politicians, and Mr. Yogi (1989) as a suave 'Sutradhaar' who enjoys pulling the protagonist's leg. These two serials underlined Om Puri's versatility as a comedian. He received critical acclaim for him performance in Govind Nihalani's television film Tamas (1987) based on a Hindi novel of the same name. He essayed comic roles in Hindi films like Jaane Bhi Do Yaaro which reached a cult status, followed by Chachi 420 (1997), Hera Pheri (2000), Chor Machaye Shor (2002) and Malamaal Weekly (2006). His more recent Hindi film roles include Singh Is Kinng, Mere Baap Pehle Aap and Billu. Puri was seen in the role of Mohammad Ali Kasuri in Road to Sangam (2009). In 2010, he appeared in The Hangman. In 2011 he was in the Indian action movie Don 2. He had also worked in Aahat TV Series in some episodes during second season which was aired between 2004-2005 on Sony channel.- Actor
- Second Unit Director or Assistant Director
Sushant Singh Rajput was born on January 21, 1986 in Purnia, Bihar to K. K. Singh and Usha Singh. He has 4 sisters (i.e. Neetu, Meetu, Priyanka & Shweta). He was an Indian television & film actor, dancer and entrepreneur. He became a household name after playing the role of Manav in the TV series, Pavitra Rishta (2009) on Zee TV. He made his Bollywood debut with Kai Po Che (2013), directed by Abhishek Kapoor, which was adapted from Chetan Bhagat's novel, The 3 Mistake of My Life, and then launched himself to soaring heights in the film industry. He also worked in movies like Shuddh Desi Romance (2013), PK (2014), Detective Byomkesh Bakshy! (2015), M. S. Dhoni: The Untold Story (2016), Raabta (2017), Kedarnath (2018), Sonchiriya (2019), Chhichhore (2019) and Netflix film Drive (2019). He died on June 14, 2020 at his Mumbai residence. His last film, Dil Bechara (2020) was released on July 24, 2020 as a free film on Disney+ Hotstar Multiplex.- Producer
- Director
- Additional Crew
Labeled the eternal romantic and with one of the best musical senses in the business, Yash Chopra is arguably India's most successful director of romantic films. Although he made action-oriented films like the ever-popular Deewaar (1975), it is in tackling love and its various aspects that he has been at his best. One of the few remaining commercial Indian directors who started their careers in the 1950s, he has successfully moved with the times from the socially significant Dhool Ka Phool (1959) to the young and cool Dil To Pagal Hai (1997).
Yash Chopra was born in Lahore in 1932, to an accountant in the PWD division of the British Punjab administration, the youngest of eight children. He began as an assistant director to I.S. Johar before working with his elder brother, the legendary B.R. Chopra; while another brother, Dharam Chopra, worked as his cameraman. He was given his first directorial opportunity with Dhool Ka Phool (1959), a melodrama about illegitimacy; it became a hit and even now remains popular today. Encouraged by this success, the Chopra brothers made a few more movies together, the most notable being Waqt (1965), India's first multi-starrer; and Ittefaq (1969), a thriller. On the personal front, Chopra married Pamela Chopra (née Singh) in 1970, and they had two children, Aditya Chopra and Uday Chopra, both working in the film industry today.
In 1973, the Chopra brothers separated, with Yash Chopra founded his studio, Yash Raj Films, and launched it with Daag: A Poem of Love (1973), a successful melodrama about a polygamous man. He then entered one of his best phases with two Amitabh Bachchan classics: Deewaar (1975) and Kabhi Kabhie (1976). These movies set the standard for the 1970s and 1980s, establishing Bachchan as the greatest and most beloved Indian film star of all time. His respective roles--a bitter criminal and a sensitive, brooding poet--are considered to be his greatest performances, although complete opposites of each other.
In the 1980s, Chopra went through a rough time. Two of his melodramas, Silsila (1981) and Faasle (1985); and two action-oriented films, Mashaal (1984) and Vijay (1988), flopped at the box office, although the latter became a critically acclaimed classic years later. However, he made a comeback with his musical love triangle Chandni (1989). The film was a huge success, with great performances by established heroine Sridevi and action hero Vinod Khanna. Then came what critics and Chopra himself considered his best film, Lamhe (1991), a beautiful film about cross-generational love. It couldn't survive the box office, however, due to its incestuous nature.
Parampara (1993), done for an outside producer, was a misfire, but then came the box-office hit and trend setter Darr (1993). Starring the then-débutant Shah Rukh Khan, it showed a sympathetic look at obsessive love and an emotion often overlooked in love--fear--and its success catapulted Khan to super-stardom. In 1995, Chopra turned to production and Aditya Chopra made his directorial debut with Dilwale Dulhania Le Jayenge (1995), which had the longest-running initial release in cinema history. He directed one more film, Dil To Pagal Hai (1997), a love story set against the theater, which became a huge success and a cult hit, before he retired from directing. However, in 2004, he made a grand comeback with Veer-Zaara (2004), a touching cross-border love story, which he said would be his last directorial effort.
The ages of the director and playback singer Lata Mangeshkar, his muse, proved you need to be young, as well as crazy, at heart, to be a true romantic....- Actor
- Producer
- Additional Crew
Rajendra was born in the Punjabi-speaking Tuli family on 20 July 1927, in Sialkot, British India (now located in Pakistan).
After the turbulent years of partition, at the age of 23, Rajendra got his first break in 'Jogan' during 1950. He attained fame in 'Mother India' during 1957, playing the son of Nargis Dutt.
He went on to star in many movies, most of them successful, and earned the nickname of 'Jubilee Kumar'.
He got married to Shukla, and they subsequently became parents of three children, a boy, Manoj, who would subsequently be an actor in his own rights and be re-named Kumar Gaurav, and two daughters.
After offers stopped on lead roles, he turned to character roles, as well as became a producer. He was successful in launching his son's career in 'Love Story'.
His son's marriage was initially arranged with Reema, the daughter of Raj Kapoor, but things did not work out, and his son went on to get married to Sunil and Nargis Dutt's daughter, Namrata, and shortly thereafter he became grandfather of Saachi and Siya.
He also produced another successful movie 'Naam', the star-cast included his son, and Sanjay Dutt.
He attained a PHD and had a title of 'Doctor' prefixed to his name. Known to refuse taking any medication, he succumbed to cancer on July 12, 1999, just a day after his son's 43rd birthday, and just 8 days before his 71st birthday.
His brother was producer Virendra Kumar who produced Mama Bhanja, Raaz etc.
He will always be remembered for his memorable performances in 'Dhool Ka Phool', 'Mere Mehboob', 'Sangam', 'Suraj', 'Arzoo', 'Aman' 'Ganwaar', 'Dil Ek Mandir', as well as 'Saajan Bina Suhagan'- Actor
- Writer
It's difficult to think of Ranjit without a smile on our faces or a chuckle.Lovable, witty, energetic, effervescent.. his uncanny ability to diffuse any difficult situation with a dose of incredible humour. Ranjit was all this and more.In his short lifetime, Ranjit grew into an acting force to reckon with. Growing up under the tutelage of acting stalwarts parents, the legendary Pearl and Alyque Padamsee, the young Ranjit keenly observed his parents' tremendous contribution to Mumbai's Theatre world, and was hooked!This snowballed into an acting career from which there was no looking backWe are truly grateful that thanks to the legacy of Ranjit's work on screen, he will forever be immortalised. Recently, at the 27th Screen Actors Guild Awards 2021, Ranjit was remembered as one of Hollywood's 100 great legends in a bevvy that included among others : Sir Sean Connery, Olivia de Havilland, Kirk Douglas, Cloris Leachman and Christopher Plummer. This lovable fireball first made his presence felt in Basu Chatterjee's "Khatta Meetha". The screen lapped up his delectable presence and it was obvious that a young star was born and was here to stay. Ranjit went on to act with the industry's greats : Amitabh Bachhan, Smita Patil, Rekha, Anupam Kher & Shabana Azmi in widely acknowledged films like Khubsoorat, Kaalia, Kaante, Baton Baton Mein and Chakra.The young unstoppable Ranjit further went on to create impressive inroads in the world of international films and television.He acted in some of Hollywood's biggest ensembles that included Nicolas Caige, Steve Corell, Russell Peters, Richard Gere, Queen Latifah (in the 2006 film Last Holiday) and of course who can forget Ranjit as Rocky in Deepa Mehta's 'Bollywood/Hollywood' for which he was nominated for Best Actor in a supporting role at the 23rd Genie Awards. On international television, Ranjit's impactful presence can be seen in, NYPD Blues, Prison Break, Cosby, The Office (in which he played Vikram the telemarketer briefly hired for the Michael Scott Paper Company). His first screenplay/starring role in 'Sam & Me' won Honourable Mention at the 1991 Cannes Film Festival.Life had great open roads awaiting the brilliant Ranjit. So while we mourn this untimely loss, we as a family will endeavour to find solace and strength in loving memories of our beloved Chottu. We will continue to find comfort in memories of not only his work but also in his delightful humour, cheeky handwritten notes that always had a humorous ring to them, and most memorable of all, that innocent child-like sweet twinkle in his eyes. He left behind his wife Malini and son Avishay (Avi) who is a sports journalist in America.- Actor
- Music Department
- Producer
On Stats Alone, The Most Popular Actor In The History Of Cinema!
The only actor to enjoy near God-like status across the length and breadth of India for a quarter century!
Elected in several expert online polls, as The Greatest Actor In The History Of World Cinema !
With 100+ All-Time Blockbusters- 48 Platinum Jubilee hits + 27 Golden Jubilee hits + 26 Silver Jubilee Hits, & 17 average hits, over 25 yrs.
So these quite wonderful film business websites have come up with a inflation adjusted analysis of few of his random films, which I shall present about now, just to open the eyes of today's audiences, to just the massive quantum of collections, achieved by this one actor alone. They've done this chronologically for just few of his mildly to very successful (~42/125 ie 1/3rd) lead/parallel lead films leaving out vast sums of his other massively successful films , from late 60s to late 90s, & only inflation-adjusted worldwide collection numbers, so audiences of today can get a decent idea.
1. Raaz - 284 Crores 2. Bandhan - 437 Crores 3. Aradhana - 1092 Crores 4. Ittefaq - 266 Crores 5. Doli - 344 Crores 6. Do Raaste - 1014 Crores 7. Kati Patang - 540 Crores 8. Safar - 426 Crores 9. The Train - 284 Crores 10. Sachcha Jhutha - 781 Crores 11. Aan Milo Sajna - 710 Crores 12. Amar Prem - 387 Crores 13. Mehboob Ki Mehndi - 233 Crores 14. Anand - 220 Crores 15. Haathi Mere Saathi - 903 Crores 16. Andaz - 516 Crores 17. Maryada - 581 Crores 18. Dushman - 644 Crores 19. Apna Desh - 492 Crores 20. Shehzada - 223 Crores 21. Daag - 689 Crores 22. Namak Haraam - 212 Crores 23. Aap Ki Kasam - 311 Crores 24. Prem Nagar - 440 Crores 25. Ajnabee - 243 Crores 26. Roti - 388 Crores 27. Prem Kahani - 168 Crores 28. Maha Chor - 143 Crores 29. Mehbooba - 177 Crores 30. Chhaila Babu - 197 Crores 31. Aashiq Hoon Baharon Ka - 146 Crores 32. Muqabla - 175 Crores 33. Amar Deep - 139 Crores 34. Thodisi Bewafai - 143 Crores 35. Kudrat - 174 Crores 36. Fiffty Fiffty - 179 Crores 37. Rajput - 339 Crores 38. Ashanti - 217 Crores 39. Dharam Kanta - 272 Crores 40. Maqsad - 318 Crores 41. Swarg - 85 Crores 42. Aa Ab Laut Chalen - 153 Crores
Have a look at that. And we've just begun checking (a random 1/3rd of his films) !
He was born on 29 December 1942 in Amritsar, Punjab, India, and entered Hindi films in the year 1965 when began shooting for Raaz and did 180 films - 163 feature films and 17 short films. By 2011, he held the record for maximum number of films as solo lead hero and least number of multi star cast films in Hindi Cinema. Of the 163 films - 106 were solo hero films and 22 were multi star films and 29 films had him in special effective guest appearances(though only 97 solo and 20 two hero films only released and 11 unreleased from 1966 till 2013).He ranked first and won the United Producers All India Contest held in 1965 by beating 10000 candidates and the prize of it was acting in films Akhri Khat and Raaz. He first tasted success as an actor with 3 consecutive hit films like Aakhri Khat,Raaz and Aurat.His first brush with super-stardom was when outburst from his fans forced the director to change the story of Baharaon Ke Sapne's ending from a tragic one to a happy one after 1 week of its release. Though Baharon Ke Sapne was average in some centers it was declared flop in most places. In 1969 Rajesh Khanna achieved super-stardom with Shakti Samantha's 'Aradhana" (1969).He became the craze of the nation, and critics across India started calling him the First Superstar of both Indian Cinema (No. 1 Actor) and Hindi Films and remained so alone as the Superstar for 7 years (1969-1976) and had to share the status with Amitabh from 1977-1991 till he left films to join politics in 1991.He overtook his predecessors Dev-Dilip-Raj, Shammi Kapoor,Rajendra Kumar in terms of extreme popularity with audience and critics, quality of performances, variety of roles and films by doing quickly 47 films from 1966-75 which included 36 Golden Jubilee Hits(21 of the 36 were platinum) and 4 silver silver jubilee hits and only 7 flops in 9 years. He also made the world record of having 17 successive super-hits in 3 years from 1969-71 which included 15 consecutive solo super-hit films and 2 two hero films namely Andaz and Maryada. The main difference between him and his predecessors,successors, contemporaries was that Khanna's films ran successfully in whole of India and not just Hindi speaking areas and he did films of every genre simultaneously and has more critically acclaimed films to his credit than all other Hindi Actors of every generation. He stands out even by selection of his films as he regularly did both offbeat alternate cinema along with commercial potboiler films and had success in both.He introduced intelligent cinema to the masses with ease. Those 15 consecutive hit solo lead hero films from 1969-71 were Aradhana, Doli, Bandhan, Ittefaq, Do Raaste, Khamoshi, Safar, The Train, Kati Patang, Sachaa Jhutha, Aan Milo Sajna, Mehboob Ki Mehendi, Choti Bahu, Anand and Haathi Mere Saathi. His next release Maalik flopped ending thereby the record.
Anju Mahendru was his girl friend in 1968-1972, the then aspiring actress but they had breakup in 1972 when Anju was not ready for marriage while Khanna wanted to marry her, and Khanna married his fan Dimple Kapadia in March 1973, 8 months before Dimple's debut film Bobby released in theaters.
Khanna's pairing with Mumtaz always produced much success as they had all of their 8 films together as major platinum jubilee hits.His films with Sharmila Tagore, Asha Parekh, Tanuja, Hema Malini and Zeenat Aman was a favorite with audiences too in 70's.
From 1976 on-wards till 1978, he had 5 box office hits as lead hero(2 silver jubilee hits, 2 platinum hits, 1 average hit), 3 hits in guest appearances, 1 flop in guest appearance and 8 films of him as the main lead flopped unexpectedly although his performances and the film's music were praised by critics and thereby 76-78 is considered his bad phase.
K.Balaji wanted to establish himself in Hindi film industry as a producer and thereby wanted to remake his Tamil film Sivaji Ganeshan starer Dheepam in Hindi. At a time when Khanna's films were not working at the box office, Khanna got this film out of the blue and went on to become a big hit. Khanna bounced back with twin success of Amardeep and Prem Bandhan then again started giving many critically acclaimed and commercially successful films including 35 Golden Jubilee Hits(includes 25 platinum) and 14 SJH starting from 1979 till 1991 and had 9 average hits from 1976-1996. In the 80's his films opposite Tina Munim, Hema Malini, Reena Roy, Rekha, Shabana Azmi, Smita Patil and Poonam Dhillon were big hits.
He produced three films and co-produced 4 films. He had total 105 box office hits(91 as lead hero and 14 in guest appearance) from 1966-1991.He left film industry in 1991 and entered politics by joining the Congress Party in 1991 and became a member of parliament. Khanna was awarded Filmfare Special award in 1991 for having starred in 101 films as the solo lead hero(92 solo film released till 1992 and includes 7 unreleased solos and Anuraag) and having done just 21 two hero films(only 19 released till 1991) but having appeared in 153 films in short span of 25 years between 1966-1991. Has won most number of All India Critics Award for Best Actor for a record 7 times and was nominated for same 10 times.He holds record for being the actor to win maximum BJFA awards for Best Actor - 4 and was nominated the most for it - 25 times.He is still adored and fondly remembered by the masses. Songs from his films adorn the lips of youth and adolescents. He was the first mega-star and has left behind a storehouse of the finest moments in film history.- Actor
- Director
Shamsher Raj "Shammi" Kapoor was the son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shammi's acting career began in 1948, when he joined his father's theatrical company "Prithvi Theatres." Like his father and his brothers, Shammi eventually moved into the world of movie-making. He made his big screen debut in 1953. His earliest films were mostly low-budget swashbucklers and romances that failed to succeed at the box office. Shammi referred to himself at that point in his career as a "male starlet."
In April of 1955, on the sets of Rangin Raaten (1956), Shammi met and fell in love with the actress Geeta Bali. She was an established actress, and he was still struggling in his career. Four months later, Geeta agreed to marry Shammi and they wed in small ceremony witnessed by Hari Walia who produced and directed their next film together Coffee House (1957). The couple had two children, a son Aditya Raj Kapoor born in 1956 and a daughter Kanchan born in 1961.
The film Tumsa Nahin Dekha (1957) was a turning point in Shammi's career. For this film, he cut his hair and shaved off his pencil-thin mustache; creating a new look and persona. The film was a success and was soon followed by more hits. By 1961, Shammi's boisterous shout of "Yahoo!" and his exuberant hip-shaking dance moves, in his first color picture Junglee (1961), had made him a star. His natural talent for dancing and his modern and casual fashion sense brought him comparisons to Elvis Presley, and Shammi became known as the "Rebel Star."
In 1965, while Shammi was filming Teesri Manzil (1966), his wife Geeta fell ill with smallpox and passed away. After months away from the set, Shammi eventually returned to film the song "Tumne Mujhe Dekha." Shammi's success continued and in 1968, his acting talent was formally recognized. He received the Filmfare Best Actor award for his role in Brahmachari (1968).
In 1969, Shammi married Neila Devi from the former royal family of Bhavanagar. Their families had long been friends and they first met when Neila was 9 and Shammi was 19. Neila later recalled that Shammi had pulled her pigtails while she was watching one of his plays from the backstage wings. Shammi's sister-in-law first suggested the match to him. Eventually, Shammi called Neila on the phone to propose. They spent hours talking, and were married the next day.
By the 1970s, Shammi's weight gain and competition from other popular actors was taking a toll on his status as a romantic hero. Andaz (1971) was one of his last hits as a leading man.
Shammi enjoyed directing two films, Manoranjan (1974) and Bundal Baaz (1976). The films met with some critical success but neither did well at the box-office. As the '70s continued, Shammi began transferring his acting talents into supporting roles. He won another Filmfare Award for Best Supporting Actor in Vidhaata (1982).
Shammi took to the Internet early, and was the founder and chairman of Internet Users Community of India. He managed his own website and made online videos to speak directly to his fans. He loved to share stories about his career, his friends, and his famous family: father Prithviraj Kapoor, elder brother Raj Kapoor, younger brother Shashi Kapoor, and their spouses, children, and grandchildren; many of whom work in the film industry.
In later years, Shammi continued to take on supporting roles in film and TV. He was presented with the Filmfare Lifetime Achievement Award in 1995. His last film was the posthumously released Rockstar (2011), in which he appeared alongside his great-nephew Ranbir Kapoor.
The last seven years of his life, he suffered from chronic renal failure and underwent dialysis three times a week. But it never dampened his warmhearted spirit, until the end he continued to share his joy for life. Shammi Kapoor passed away around 5:15 am, August 14th, 2011 at Mumbai Breach Candy hospital.- Nitesh Pandey was born on 17 January 1973 in Nainital, Uttarakhand, India. He was an actor, known for Om Shanti Om (2007), Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara (2012) and Khosla Ka Ghosla! (2006). He was married to Arpita Pandey and Ashwini Kalsekar. He died on 23 May 2023 in Mumbai, Maharashtra, India.
- Actor
- Producer
- Additional Crew
Pran was one of the leading character actors of Indian cinema. He was born on 12 February,1920 at Delhi. Pran was educated at different places namely Kapurthala, Unnao, Meerut, Dehradun and Rampur as his father late Lala Kewal Krishnan Sikand was a Government Civil Contractor for the construction of roads and bridges. Pran started his career by learning photography in Lahore. A chance meeting with a film producer, got him his first break in 'Yamla Jat' in 1940.
Married in 1945 to Shukla, he had two sons Arvind and Sunil, and one daughter Pinky. At partition in 1947, Pran came to Mumbai and restarted his film career after a brief struggle. He acted in over 400 films in a variety of roles. As a villain, in films like 'Ram Aur Shyam' people shuddered with fear and hated him, and yet loved him as the good, unforgettable 'Mangal chacha' in 'Upkar'. He went on to star in films with the leading actors of various decades from Raj Kapoor, Dilip Kumar, Dev Anand, Rajendra Kumar, Rajesh Khanna, Amitabh Bachchan, Dharmendra to Sanjay Dutt, Sunny Deol and Salman Khan. He was among the highest paid and most sought after character actors of his time, starring in some of the biggest and most acclaimed films of all time.
Being a sports lover and a good sportsmen he had his own football team "Dynamos Football Club" which he financed for a number of years in the fifties. Along with his film career he had been engaged in a number of Social activities, including the Chief Minister's Relief Fund, Maratha Sikshan Sanatha, Film Industry Welfare Trust. He had organised charity events and cricket matches, as well as the 'Hope 86' and 'Hope 87' shows for the needy people in the film industry.
Under the patronage of the Late, His Excellency Nawab Ali Yawar Jung, Pran presented a number of charity shows for the refugees of Bangladesh and for the deaf and dumb.
In an illustrious career of over six decades, Pran was bestowed with many awards including 4 Filmfare Awards, Villain of the Millennium honour from Stardust, Padma Bhushan, India's third highest civilian award from the Government of India in 2000 and the DadaSaheb Phalke Award for Lifetime Achievement (highest honour for cinema in India) from the Government of India in 2012. He died on 12 July 2013 at the age of 93 after a prolonged illness in Mumbai's Lilavati Hospital.- Actor
- Producer
- Stunts
Salim Khan Aka Ding Dong, Saleem Khan, Yusuf Khan was born on 20th September 1965 in Holy Family hospital Bandra to an well Rich, Modernized and educated family. His father Mehmood Ismail Khan was an income Tax officer however he had no background in the film industry. Mother was an home maker. Being a only son and from a rich family, he was passionate about bikes from having the best of sports bikes as well as cars at the time. He was married to Shahida Khan an home maker in 1982 in Rajasthan and post which he got his first break when Mr.Subhash Ghai saw him first time at Bandstand performing stunts and gave his card and called him the very next day and was directly offered a role in Hero movie with Jackie Shroff. Before joining the fim Industry he was well knowed as a winner for winning all over maharastra bike race 3 times in a role. Since he started working at an early age he was a college Drop Out. He was always know as a best student in School St. Stanislaus High School and St Andrews college Bandra. He was always close to Film stars, especially Salman khan as he was his childhood friend. Also being close to Devgan Family As his Master was Mr. Veeru Devgan. At work he has done over 400 films as an Actor and more as a stunt man. In the year 2006 he was working for Mr. Salman khan as his mate. In the 2011 he passed away due to heart attack. He will always be remembered in the hearts of his fans for being such a great Stunt Man as well as a great Human being full of joy. Will Miss you !- Actress
- Music Department
Jiah Khan was born on 20 February 1988 in New York City, New York, USA. She was an actress, known for Ghajini (2008), Nishabd (2007) and Housefull (2010). She died on 3 June 2013 in Mumbai, Maharashtra, India.- Actor
- Producer
- Director
Actor, social activist and politician. Sunil Dutt wore many hats and excelled in a plethora of roles that came his way - both on and off screen.
Born on June 6th, 1926, Sunil Dutt grew up as Balraj Dutt in a family that had survived the Partition of India. A student of Mumbai's Jai Hind college, he first started off as radio show host and celebrity interviewer, which led to his first encounter with the glamour world.
Interestingly, wife-to-be Nargis was one of the celebrities he met in the course of his work. Soon, Dutt got a chance to enter the film-world, when director Ramesh Saigal offered him the hero's role in his Nalini Jaywant starrer 'Railway Platform' (1955).
'Ek Hi Raasta' (1956), marked the start of a seven-film long association with B R Chopra. Dutt's true breakthrough came with Mehboob Khan's magnum opus 'Mother India' (1957).
His portrayal of Birju, Nargi's rebellious younger son, portrayed a raw, urgent energy. Dutt's association with Nargis in the movie resulted in a more serious one, when he married her after the release of the film.
Dutt's role in women-oriented films like 'Sadhna' (1958), 'Sujata' (1959) and 'Main Chup Rahungi' (1962) were well-appreciated. Noted filmmakers like Bimal Roy, Hrishikesh Mukherji and B R Chopra dared to defy Sunil Dutt's established rebellious Birju image and cast him as a sensitive lover.
Dutt turned producer in the early sixties with a couple of offbeat movies - 'Yeh Raaste Hain Pyar Ke' (1963), where heroine Leela Naidu has an adulterous relationship and 'Mujhe Jeene Do' (1963) where he played a dacoit.
In his cinematic association with B R Chopra, Dutt gave three big hits in the sixties - 'Gumraah' (1963), 'Waqt' (1965) and 'Humraaz' (1967). He also worked with South Indian filmmakers, which resulted in emotion-heavy, rural-based hits with Nutan like 'Khandaan' and 'Milan'.
In 1967, he had a hat-trick of hits with 'Milan', 'Meherban' and 'Humraaz'. His role of a buffoon in Mehmood's 'Padosan' (1968) was much appreciated.
In 1981, Dutt's world was rocked when his wife Nargis died after a protracted battle with her cancer. He later joined politics and social work.
But the actor in Dutt continued to surface during the last decade with movies with select filmmakers like J P Dutta 'Kshatriya' and Yash Chopra 'Parampara'. His last screen cameo was in Rajkumar Hirani's immensely popular laugh riot 'Munnabhai MBBS', where he played on-screen father to his son Sanjay.- Director
- Editor
- Writer
By no means is he any glamorous director, yet Hrishikesh Mukherjee is one of the most popular and beloved filmmakers in Indian cinema. His magic lay not in the glamor or largeness so often associated with cinema, but in its simplicity and warmth.
He began his career in Bombay, 1951, as an editor and assistant director to Bimal Roy, another great director himself. His first directorial venture, Musafir (1957), centering on an old house where three unrelated stories dealing with birth, marriage and death occur in a series, was a disaster. But director Raj Kapoor was impressed and strongly recommended Hrishida as director for Anari (1959). Starring Kapoor himself and Nutan, the film was a critical and commercial success.
His next film, Anuradha (1960), about an idealistic doctor who neglects his wife to focus on his work, got him the President's Medal Award. But from then on throughout the 1960s decade, none of Hrishida films were particularly distinguishable, barring Asli-Naqli (1962), a Muslim melodrama; Anupama (1966), which was based on a true incident; Aashirwad (1968), a family drama; and Satyakam (1969), about an idealist seeing his dreams crumble after Indian independence.
Then Hrishida made what is considered his masterpiece - Anand (1971). This classic film gave a complex but compassionate look at the balance between hope, fear, life and death and saw Rajesh Khanna's greatest performance as a terminally ill man who wishes to live life to the full before he dies. It was an auspicious beginning to the 1970s, for that time proved to be an exceptionally good time for Hrishida as he gave the public excellent films like Guddi (1971), a semi-satiric look at the film industry and generally considered as Jaya Bhaduri's debut film; Abhimaan (1973), the Bachchans' greatest ever performance together; and Chupke Chupke (1975), a comedy about a newlywed professor's joke on his pompous brother-in-law. These films gave an extremely skilled and detailed look at the middle-class mentality.
Few people understood human nature as well as Hrishida - in all his films he examined their aspects, particularly their failings and foibles and the outworn values people always seem to hold on to. However in the 1980s, the advent of the superstar Amitabh Bachchan and of larger-than-life films saw Hrishida's brand of filmmaking die out. Recently he attempted a comeback with _Jhooth Bole Kauwa Kaate (1999)_, but sadly it was a futile effort as the film was a commercial and critical failure. However, the magic of his films still lingers after three decades, and he will be best remembered for his film Anand (1971), which told that people who die but remain in heart and mind do not die, but become immortal. No one justifies this truth more than Hrishida.- Actor
- Producer
- Music Department
The Grandfather & Great Custodian of Indian Motion Pictures!
Ashok Kumar was one of India's most famous actors for over half a century, from before independence to the cusp of the new millennia!
As a young assistant to Bengali film-maker Himanshu Rai, he got his start in acting by accident when he volunteered to substitute for the lead actor, Jeevan Naya (1936), who fell ill before production on the film Achhut Kanya (1936) was to start. Kumar was terrified of acting in the first place, especially opposite lead actress Devika Rani, known as 'the dragon lady' for her smoking, drinking, cursing and legendary hot temper. After finishing shooting, Kumar continued with overseeing the process of the film with editing, mixing and processing. His unexpected acclaim to his role had him in demand for more acting roles, which he pursued in a few more 'Bombay Talkies' with Devika Rani.
His breakthrough performance was in Kismet (1943) which ran for three years in Bombay and Calcutta and was one of the first Hindi language mega-hits of India and gained him national fame through his charismatic performances and his talented singing. From then onwards, Kumar became a sought-after actor who appeared in over 200 Hindi and a few other Indian language films, playing romantic leads or threatening villains and making Rs.300-400 a month during the 1940s and 1950s.
Although his roles gradually decreased to supporting and minor parts as he got older and suffered more ill health, his popularity in India never diminished and he was often in demand for cameos and live convention appearances. From the 1990s to his death, he lived in a comfortable retirement in Bombay with a slew of Indian films to show for his work.- Actress
- Director
- Soundtrack
Sadhana was born on September 2, 1941 and was named after her father's favorite actress Sadhona Bose. Her father and actor Hari Shivdasani were brothers, and Hari's daughter is actress Babita Kapoor. Sadhana was an only child and her parents made her the center of their lives; in fact, her mother home-schooled her until she was 8 years old. The family fled from Karachi in Pakistan during Post Partition riots. Although they encountered difficult times, their daughter was allowed to see as many as two films a week. When she was 15 years old, she was discovered by some producers who had seen her act in a college play. They cast her in India's first Sindhi film titled Abana (1960), where she played the heroine's younger sister for which she was paid a token of Rps. 1 and the film became a major hit. A photograph of her publicizing the film appeared in a movie magazine. Subodh Mukherji, one of India's leading producers at that time, saw the magazine and gave her the lead role in her first Hindi film Love in Simla (1959), opposite his newcomer son, Joy Mukherjee. The film was directed by another newcomer, R.K. Nayyar, who created her trademark look called 'the Sadhana fringe.' It was modeled after Audrey Hepburn's hairstyle to cover up Sadhana's flaw, her broad forehead. The film became a great success and Sadhana became a overnight star. She also fell in love with the film's director, but she was only 16 years old, and her parents threatened the 22-year-old Nayyar with legal action if he didn't end the relationship. He became scared and backed away.
Sadhana continued making films and became the one of the biggest stars of the 1960s with hits like Mere Mehboob, Hum Dono, and Asli-Naqli. In addition to the 'Sadhana fringe,' she started the trend of the churidar pyjama and kameez with saleem shai in the film Waqt (1965). Her acting in that film was appreciated too, as she was nominated for a Film Fare Award as Best Actress.
Sadhana had stated that she subconsciously modeled her acting style after her idol, Nutan. Most of her films were major hits, and many of them still remembered as all time classics. Her films such as Ek Musafir Ek Hasina, Raaj Kumar, Budtameez and Arzoo were known for their romantic plots and beautiful music, but Raj Khosla, her director in Ek Musafir Ek Hasina, saw an enigmatic, mysterious side to Sadhana and cast her in Woh Kaun Thi (1964). The film became a huge hit with its themes of the Alfred Hitchcock film Vertigo (1958) and gave Sadhana her signature role of the "mystery girl," where her performance kept everyone guessing till the very end. She was nominated for a Film Fare Award as Best Actress, and Khosla later directed her in two more box-office hit suspense thrillers, Mera Saaya (1965)and Anita (1968).
Sadhana also worked well with her leading men, Shammi Kapoor, Sunil Dutt, Rajendra Kumar, and Raj Kapoor. In fact, it was Raj Kapoor who reintroduced her to her first film director, R.K. Nayyar. They fell in love again and wanted to get married. Her mother was against it, since Nayyar wasn't a Sindhi and wanted someone who looked like actor Rajendra Kumar Tuli, but Sadhana was adamant and with her father backing her up, her mother eventually came around. Sadhana and Nayyar married in 1966 and it seemed like she retired from films. At first, she was content to be a housewife and took cooking lessons and became well-known in the film industry for her culinary skills. But she had serious health problems with her thyroid, and she went to Boston for treatment and she recovered, but there was a physical change. The thyroid condition affected the appearance of her eyes. Her husband's financial problems propelled her return to films after a two-year absence and delivered the hit film Inteqam (1969) directed by her husband followed by by another hit film Ek Phool Do Mali (1969). She and Nayyar went through a difficult time when she suffered a miscarriage. Later they had no children. She directed and starred in her last film playing dual roles in Geeta Mera Naam (1974), which was a box office hit. She wanted to end her acting career in Hindi films just as she started, in a starring role as a young heroine. She didn't want to play supporting character roles as a old mother or a bhabhi (sister-in-law), so she retired as an actress and formed a production company with her husband. Their marriage lasted until his death in the 1990s. She closed down the production company and retired, quietly living the life of a widow. The real-life "mystery girl" rarely gave interviews and didn't like to be photographed saying that she wants her fans to remember her as a young, beautiful, heroine. She faced turbulent times in her later years. Sadhana lived as an tenant in an apartment building for many years, when the builder wanted to evict her in 2012. Suddenly, she was thrust into the public eye when she went to the police station to file a complaint against the builder. Several court cases came out of this incident, and the stress took a toll on her fragile health. She also was estranged from her cousin Babita Kapoor because of a family problem. She did keep in touch with her friends Waheeda Rehman, Asha Parekh, Helen, and Nanda Karnataki. She once said that she and Nanda were alike, since they don't step out at public events. However, when Nanda died in 2014, she lost her comrade, and thus she suddenly changed her stance on public events. Just a few weeks later, she invited her relative, actor Ranbir Kapoor, to escort her on the ramp of a fashion show for charity. She wore a beautiful pink sari and took center-stage on the arm of the handsome young Kapoor. She looked cheerful and glamorous being in the limelight with the audience applauding her. That turned out to be her last public event, and the star that she was, she wanted that to be her lasting impression on her fans. It also left a lasting impression on her, since she kept a framed picture of her and Ranbir from that fashion show on her nightstand. A year-and-a-half later, on December 25, 2015, she died from a high fever. Her friends, fans, and the film industry veterans all attended her funeral.- Actress
- Music Department
- Soundtrack
born and raised in Junagad, Ms. Babi was spotted by renowned B.R. Ishara at Ahmedabad University, and he approached her to act in his forthcoming movie, Charitraheen, which was a sequel to Chetna. Her co-star in this movie was none other than renowned Indian cricketer Salim Durrani. Parveen Babi lit up the silver screen with her charming looks and personality from the 1970s.
Among her more memorable movies with megastar Amitabh Bachchan are: Deewar, Namak Halal, Amar Akbar Anthony, and Kala Pathar. Her most glorious moment was when Time Magazine chose to display her photograph on their cover page in 1976, depicting the changing face of Bollywood and Bollywood actresses.
After acting in her last movie, Akarshan, she suddenly disappeared from public view and became more or less a recluse. It is known that she took up interior designing, and had a very close circle of friends.
She then left for the United States of America and was not seen nor heard for about 10 years.
She created a stir when she filed a writ petition in the Bombay High Court, charging several dignitaries, including Bollywood actor, Amitabh Bachchan, for attempting to kill her. This petition was dismissed by the Court for want of evidence.
On Sunday January 22, 2005, neighbors at her Juhu residence noticed that she not collected her milk nor her newspapers from her doorstep for the last three days. The neighbors notified the Secretary of the building, who in turn notified the police.
On Saturday January 22, 2005, a police team opened the door to her apartment with a duplicate key, and found her dead body.
The police believe that the door had been locked from the inside for last three days, and suspect no foul play.
Ms. Babi was an only child in a noble Junagad-based family. Her dad had passed away when she was very young, and her mom also passed away several years ago.- Actor
- Additional Crew
Laxmikant Berde was a renowned Indian actor who made significant contributions to the Marathi and Hindi film industries. He was born in Mumbai, Maharashtra, India. Berde started his career in the entertainment industry in the late 1970s and quickly rose to prominence due to his impeccable comic timing and versatile acting skills.
Laxmikant Berde gained widespread recognition for his work in Marathi theater and cinema. He became a household name with his exceptional performances in plays like "Shantata! Court Chalu Aahe" and "Maanapman." His ability to effortlessly switch between comedic and serious roles showcased his acting prowess and endeared him to audiences.
Berde's foray into Hindi cinema marked another milestone in his career. He became a sought-after actor in Bollywood, especially for his memorable supporting roles in numerous hit films during the 1990s. Some of his notable Hindi films include "Maine Pyar Kiya," "Hum Aapke Hain Koun..!" and "Saajan."
Known for his distinctive style and unique expressions, Laxmikant Berde carved a niche for himself in the industry. His collaboration with fellow actor Ashok Saraf in Marathi cinema was particularly cherished by audiences, and the duo became one of the most beloved comic pairs in the regional film industry.
Tragically, Laxmikant Berde's promising career was cut short when he passed away at the age of 50 on December 16, 2004, due to a kidney ailment. Despite his untimely demise, his contributions to Indian cinema, especially in Marathi and Hindi films, continue to be celebrated, and he is remembered as one of the finest actors in the industry.- Actor
- Music Department
- Director
Jagdeep was born on 29 March 1939 in Datia, Central Provinces, British India. He was an actor and director, known for Andaz Apna Apna (1994), Sholay (1975) and Soorma Bhopali (1988). He died on 8 July 2020 in Mumbai, Maharashtra, India.- Roohi Berde was an actress, known for Come, Embrace Me (1973), Azaad (1978) and Hero (1983). She was married to Laxmikant Berde. She died on 5 April 1998 in Mumbai, Maharashtra, India.
- Actress
- Producer
- Additional Crew
Vidya Sinha was born on 15 November 1947 in Bombay, State of Bombay, India. She was an actress and producer, known for Bodyguard (2011), Krishna-Krishna (1986) and Jeeva (1986). She was married to Netaji Bhimrao Salunkhe and Venkateshwaran Iyer. She died on 15 August 2019 in Mumbai, Maharashtra, India.