Nisei
- Episode aired Nov 24, 1995
- TV-14
- 45m
IMDb RATING
8.5/10
4.7K
YOUR RATING
An "alien autopsy" videotape and a murder spark Mulder's search for a strange creature. Scully looks for information about her disappearance.An "alien autopsy" videotape and a murder spark Mulder's search for a strange creature. Scully looks for information about her disappearance.An "alien autopsy" videotape and a murder spark Mulder's search for a strange creature. Scully looks for information about her disappearance.
Paul Anthony McLean
- Coast Guard Officer Peters
- (as Paul McLean)
Roger Allford
- Harbourmaster
- (uncredited)
Carrie Cain-Sparks
- Train Station Clerk
- (uncredited)
Storyline
Did you know
- TriviaThat really is David Duchovny jumping onto the train at the climax of this episode. The stunt took 6 weeks to set up.
- GoofsAfter Mulder pulls his backup weapon and fires a shot, he soon thereafter cocks the hammer back to show how serious he is to the suspect he chased down. The hammer should have already been cocked back after the first shot, since it is a semi-automatic pistol. He would have to have de-cocked it just to re-cock it again.
- ConnectionsReferenced in Alias: Taken (2004)
Featured review
X-noir and the hoax of authority
This is good in how it mines a specific (recurring) idea behind the show, one I've touched on in previous posts.
The episode is reminiscent of previous mythology ones, but season 3 so far is on another level and fittingly this is the most self-aware handling of the theme in the whole series.
The idea is that Mulder is the viewer of a movie that is created around him (that he partially creates?) to supposedly conceal 'truth'. He is on the same footing, indeed fits the same profile, as the intended audience, watching this for spooky revelations. Now look at the introductory narrative device of this: Mulder has purchased an 'alien surgery' video where, apparently, an alien is being operated on by doctors, which is partial cctv footage of the pre-credit sequence we saw moments earlier. What he hasn't seen, and we have, is how the scene ends, with a SWAT team raiding the room killing everyone.
So this starts with Mulder looking at the same images we did, looking to unveil truth. The big questions are of course trivial and the same as every other mythology episode, by now you probably now there is nothing to give away they haven't already: aliens exist. What he hasn't seen in the video, we have: the alien. It's all beating around the bush from there on out.
So this is nice. Mulder like any conspiracy theorist purchases a video which is the truth being suppressed. Every story element from then on is juvenile, as juvenile as the conspiracy notions of UFOlogists themselves. See for yourself.. Mulder and Scully drive to the house of the man who sold the videos, find him killed just moments before. (how he found the video is also fun; nicked it off a satellite dish, these it would be off a Pentagon pc) The killer is still in the house, Mulder chases after him and makes the arrest. Later, they're told he's a high-ranking Japanese diplomat and has to be released, though he's an obvious suspect to homicide. But Mulder keeps his briefcase which, surprise surprise, turns out to contain secret paperwork!
How childishly imagined is all that in its perfect convenience? I mean this not as a putdown but as explication of the narrative dynamics. This is a story a teenager or conspiracy theorist would come up with, where every piece cleanly fits into some authoritative scheme.
The entire episode has Mulder and Scully like teenagers encountering 'adult' figures of some authority (Skinner, X, the senator, the naval officer, etc.), trying to decipher how much in this narrative is a hoax or red herring, wondering who to trust. It's good if you can squeeze into that mindspace.
The episode is reminiscent of previous mythology ones, but season 3 so far is on another level and fittingly this is the most self-aware handling of the theme in the whole series.
The idea is that Mulder is the viewer of a movie that is created around him (that he partially creates?) to supposedly conceal 'truth'. He is on the same footing, indeed fits the same profile, as the intended audience, watching this for spooky revelations. Now look at the introductory narrative device of this: Mulder has purchased an 'alien surgery' video where, apparently, an alien is being operated on by doctors, which is partial cctv footage of the pre-credit sequence we saw moments earlier. What he hasn't seen, and we have, is how the scene ends, with a SWAT team raiding the room killing everyone.
So this starts with Mulder looking at the same images we did, looking to unveil truth. The big questions are of course trivial and the same as every other mythology episode, by now you probably now there is nothing to give away they haven't already: aliens exist. What he hasn't seen in the video, we have: the alien. It's all beating around the bush from there on out.
So this is nice. Mulder like any conspiracy theorist purchases a video which is the truth being suppressed. Every story element from then on is juvenile, as juvenile as the conspiracy notions of UFOlogists themselves. See for yourself.. Mulder and Scully drive to the house of the man who sold the videos, find him killed just moments before. (how he found the video is also fun; nicked it off a satellite dish, these it would be off a Pentagon pc) The killer is still in the house, Mulder chases after him and makes the arrest. Later, they're told he's a high-ranking Japanese diplomat and has to be released, though he's an obvious suspect to homicide. But Mulder keeps his briefcase which, surprise surprise, turns out to contain secret paperwork!
How childishly imagined is all that in its perfect convenience? I mean this not as a putdown but as explication of the narrative dynamics. This is a story a teenager or conspiracy theorist would come up with, where every piece cleanly fits into some authoritative scheme.
The entire episode has Mulder and Scully like teenagers encountering 'adult' figures of some authority (Skinner, X, the senator, the naval officer, etc.), trying to decipher how much in this narrative is a hoax or red herring, wondering who to trust. It's good if you can squeeze into that mindspace.
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- Jul 17, 2013
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