Mirāsy Heritage Management

Did you know that having windows used to be taxed? 🪟 In the past, some governments imposed taxes based on the number of windows a house/ building had. Imagine having to pay extra just for enjoying natural light! Video out now : https://lnkd.in/dGVcjc2F

Manjal Kuli - Holi in Kerala Drenched in the vibrant hues of tradition! From teertham blessings to joyous turmeric splashes, every moment is a celebration of unity and culture. Let's dance to the rhythm of our shared heritage!

Step back in time to the reign of the Satavahanas, a powerful dynasty ruling over the North Deccan and vast regions of Western India. Famed for their prowess in trade, art, and architecture, they strategically expanded their Roman trade network, establishing themselves as dominant maritime traders by the dawn of the Common Era. Around 20 C.E., Greek sailor Hippalus shares tales of daring voyages from Egypt to India, made feasible by harnessing the power of monsoon winds. With their skillful mastery of these winds and navigation techniques, traders set sail across the vast Erythrean Sea, igniting a flurry of maritime commerce and cultural exchange in the age of Satavahanas. Ports like Chaul and Sopara in Maharashtra bustled with Roman vessels laden with precious goods like wine, metals, and gems, destined for trade hubs like Paithan and Tagara. In return, the Satavahanas exported a bounty of spices, textiles, jewelry, grains, and ivory, fostering flourishing trade relations with distant civilizations. The enduring legacy of the Satavahanas is etched in numismatic artifacts, such as the coin of Vashishthiputra Pulumavi adorned with intricate engravings of two-masted ships, a testament to their maritime prowess. Titles like 'Tri-samudra-toya-pita-vahana', embraced by Gautamiputra Satakarni, not only underscore their maritime dominance but also their expansive territorial conquests. Their multifaceted approach to trade and governance left an indelible imprint on Indian history, shaping the socio-economic fabric of the ancient world. Image source: World History Encyclopaedia

Can you envision Poseidon's presence in Kolhapur? Bringing to you the story of how the Greek God came to India ~2000 years ago!

Nestled along India’s Coromandel coastline, the ancient capital of Mahabalipuram beckons with its silent sentinel of stone monuments. Carved over 1300 years ago by the skilled hands of the Pallava Dynasty, these monoliths stand as a testament to the rich tapestry of stories and legends that once gripped the hearts of all alike. Among these towering edifices, two monuments pay homage to the valiant hero of the Mahabharata, Arjuna. The first, a huge cliff face, depicts Arjuna in penance before Lord Shiva, beseeching divine blessings to enhance his prowess in battle. Yet, the second monument, one of the five monolithic stone chariots, seems to lack any connection to Arjuna. But why? Delving into the annals of history, we uncover a startling revelation. In the late 18th century, the monument we now call the Arjuna Ratha bore a different name - it was known as the Sahadeva Ratha, after Arjuna’s youngest brother. Meanwhile, another solitary monolith, perched upon a rocky hill, bore the name of Arjuna, closely linked to the iconic cliff face portraying his penance. However, a tale of theft and transformation unfolded in the early 19th century. The precious linga housed within the original Arjuna Ratha vanished, stolen by a British, leaving behind an empty void. In a poignant gesture, the villagers replaced the linga with an image of Ganesha, the remover of obstacles, signifying their plea for divine intervention in troubled times. With Arjuna’s sacred abode desecrated, his presence at Mahabalipuram shifted. The Sahadeva Ratha was renamed the Arjuna Ratha, welcoming the valiant warrior into its hallowed halls. Thus, through the passage of time and the caprice of fate, the monuments of Mahabalipuram remind us that history is not etched in stone but is a fluid narrative, subject to reinterpretation and rediscovery.

From Vidura to the Indian Independence Movement, this land has seen it all !

Amidst hundreds of naga pratishthas and the whispered tales of Vidura’s wisdom, explore the timeless bond between devotion and myth of the Vidurashwatha Temple in Karnataka.

Discover how the values, traditions, and stories passed down through generations shape not only identities but also impact mental and emotional well-being. Let's embark on a thought-provoking journey with Dr. Zarin Sethna to understand how heritage influences our psyche and contributes to our sense of self. https://lnkd.in/d6iJM5D8

“Leaf-Clad Gondali” - Ptolemy. The Gonds, the largest Adivasi Community in India are of Dravidian origin and can be traced to the pre-Aryan era. Oral narratives, like the Gondwani and Ramayani hold the community together. The Gond’s Idea of Creation tells of the greatest of gods, Badadev, who fashioned the earth and every creature on it. The Gondi people have their version of the Ramayana, known as the Gond Ramayani, derived from oral folk legends. The central character here is Lakshman and the story is about his quest for a bride. It contains a collection of 7 tales, loosely strung together to form a cycle; it's traditionally sung by the Pardhan Gonds on an auspicious occasion. Let us explore the difference between the traditional Ramayana and Gond Ramayani through one of the 7 tales of it. In contrast to the traditional Ramayan, it is here Laxman, not Sita that goes through the Agnipariksha to prove his chastity, moreover, here it is Sita who initially raises the question on the chastity of Laxman. The story is about Laxman and Indrakamani, the daughter of Indra. It takes place after the Rama- Ravana war when Laxman lives separately from Ram and Sita. The lesser-known ritualistic dance forms of gond tribes settled in different parts of India are as follows: In Chhattisgarh, women perform the sua dance, which was named after the word for "parrot". It starts a few days before Diwali and ends with the marriage of Shiva-Parvati (Gaura-Gauri) on Diwali. The Gond men of Maharashtra participate in the Ghursali Dhemasa dance. The Gond tribe of Adilabad observe the courtship dance festival Dandari-Gussadi during Deepavali. Young boys of the community take these opportunities to show off their dancing skills in the hope of gaining a bride. Girls in the villages join them in dance and choose one amongst them to elope with for marriage. Dancing, eloping with partners and mahua drinks are a major part of these rituals. Mahua is considered the "Tree of Elixir" by the Gonds. Song: @hemantpoyam Contents source: @touchthegond @scstrti @jennifer__alphonse Indira Gandhi National Centre for the Arts(IGNCA) Indira Gandhi Rashtriya Manav Sangrahalaya (IGRMS) Indian Institute of Management Ahmedabad IHM Business School INTACH Heritage Academy Azim Premji Foundation Azim Premji University London Business School Center for Heritage Conservation Research Center for Cultural Heritage ® RCCH Centre for Heritage Management Ahmedabad University Mirāsy Heritage Management ICOMOS India International Council on Monuments and Sites (ICOMOS) ICCROM International Council of Museums (ICOM) London Design Festival London Design Biennale Mugdha Sinha Dr Harsha Bhargavi Jonathan Kennedy #culturalheritage #folklore #folkart #folkdance #tribal #sdgs #sustainabledevelopment #sustainabledevelopmentgoals