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Art

  • Davyd Burliuk, Carousel, 1921

    In the Eye of the Storm: Modernism in Ukraine, 1900-1930s review – a small yet blazing act of solidarity

    Rescued from bombarded Kyiv in 2022, wildly dynamic works born out of war, revolution and Stalin’s purges, by artists including Kazymyr Malevych and Sonia Delaunay, attest to Ukraine’s moving spirit of freedom then and now
  • A multicoloured screenprint of Kate Moss

    Top UK auction house told to stop taking buyer’s premium for charity sales

    Bonhams has been forced to clarify how it holds auctions for good causes after complaints about a recent sale
  • A vivid iPad still life of dandelions, buttercups and violets; a red- and purple-toned iPad self-portrait of David Hockney smoking a cigarette, wearing glasses and looking directly at the viewer; still life of a pink lily in front of a window with its blinds drawn.

    My friend David Hockney: Martin Gayford on the prophet of painting

    Thanks to his sharp wit and turn of phrase, the British artist’s voice is almost as distinctive as his line. A new book introduced by the art critic Martin Gayford gathers his musings on art, life, nature, creativity and more
  • Simon Tedeschi and Loribelle Spirovski

    The moment I knew
    The moment I knew: we could barely make eye contact because of the chemistry radiating between us

  • Magalie Lépine Blondeau and Pierre-Yves Cardinal in The Nature of Love.

    Going out, staying in
    From The Nature of Love to Leonora Carrington: a complete guide to this week’s entertainment

  • Barbie: The Exhibition at the Design Museum in London.

    Art Weekly newsletter
    Barbie graces London and the Rokeby Venus heads to Liverpool – the week in art

    Plus Dominique White’s subaquatic sculptures, Lonnie Holley’s salvaged objects and a new Rembrandt at the British Museum – all in your weekly dispatch
  • Bearing witness to survival and growth … 
Being a Part of Her Growth, 2002.

    Lonnie Holley review – America’s wreckage made into magical art

  • Dominique White photographed in front of Deadweight in production, 2024.

    ‘I always want to grapple with an unruly beast’: the ghostly works of Dominique White

  • A meeting of minds … Childish and Emin in the 80s.

    ‘To be totally the focus of someone, who was really into sex, was fantastic’: Tracey Emin and Billy Childish on their blazing romance

    Never was a couple so combustible, but their relationship in the 80s would influence their entire life’s work. In an extract from a new biography of Childish, the pair, who are somehow still friends, give their side of the story
  • Shapeshifts between danger and comfort … How to slip out of your body quietly, 2018.

    Firelei Báez review – bring on the furry ciguapas: magnetic visions of diaspora

  • Delphine Lebourgeois: Punching Love

    ‘I took it personally’: Rejects, the show for artists rebuffed by the Royal Academy

  • Three Tahitians, an 1899 painting by Paul Gauguin

    Artist or monster? Mammoth new Gauguin show reckons with colonial legacy – to limited success

  • Jacqueline de Jong in 1982.

    Jacqueline de Jong, influential avant garde artist, dies at 85

  • Multicoloured striped pieces of cloth hang from the ceiling

    Thai artist gives voice to Myanmar’s Shan refugees at Venice and Bangkok biennales

  • A billboard ad highlighting Wimbledon’s links with Barclays

    Artists target Wimbledon’s ‘strawberries and cream image’ over link to Barclays

  • Detail from election artwork by Katharine Hamnett that reads 'your vote is your most powerful tool'

    Anish Kapoor among artists featuring in youth vote billboard campaign

  • Francis Alÿs, Children’s Game #22: Jump
Rope, Hong Kong, 2020
In collaboration with Rafael Ortega, Julien
Devaux, and Félix Blume

    Francis Alÿs: Ricochets; Anthony McCall: Solid Light – reviews

  • Simon McBurney

    On my radar
    On my radar: Simon McBurney’s cultural highlights

    The actor, director and playwright on a delicious social enterprise, a radical climate movement, and his favourite place to commune with the dead
  • British artist Leonora Carrington in her house in Mexico in 2000.

    Long ignored, at last the surrealist art of Leonora Carrington is getting the attention it’s due

    The artist and writer is celebrated in a new UK show – but why was a woman of such talent so little known in her lifetime, asks her cousin?
  • A Terminal 1 sign with people standing in front.

    ‘Reminder we are all humans’: Glastonbury’s Terminal 1 shows dark side of arriving in UK

    Installation shows experiences of immigration for many as politicians try to exploit issue in run-up to election
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