Disabled bodies have been historically marginalised in sporting arenas and spectacles. Assistive technologies have been increasingly featuring in, and changing, sporting landscapes. In some ways recent shifts have made disability more present and visible across many (para) sporting cultures, and yet sport continues to operate on a tiered system that assumes a normative able body. This paper responds to this moment by offering imaginaries of future hybrid performances that critically engage with the politics and possibilities of novel technologies in sporting arenas and their wider impact on disability futures. These were generated from a collaborative ethnography that centred on becoming spectators of the Cybathlon Games. The Cybathlon Games began in 2016 as a global event where people with disabilities compete with technologies such as Brain-Computer Interfaces or robotic Prosthesis. Our imaginings are presented as three speculative fragments in the form of pages ripped from a comic book series, The In/Visibles These fragments and critical reflections are grounded on themes generated through watching the Games together. The purpose of this paper is not to offer predictions or even visions of desirable futures. Rather we present future technologised sporting bodies and spectacles with a view to extend critical posthuman discussions to these arenas. Through this we highlight: (1) The arbitrariness of where to draw the between un/natural performances; (2) The absurdities of unrestricted and open use of performance technologies when hybrid forms and functions are judged through current sporting-humanist values; and (3) The need to stay alert to socioeconomic and political drivers of sporting and disability futures. We offer these three zones of friction to guide further research when navigating the complex and shifting relations between sport, technology and the (dis)abled body now and into the future.
Keywords: Comics and Medicine; Digital Technology; Ethics; Medical humanities; Sports and exercise medicine.
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