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ORCID12th ICCC 2022: Bozen-Bolzano, Italy
- Maria M. Hedblom, Anna Aurora Kantosalo, Roberto Confalonieri, Oliver Kutz, Tony Veale:
Proceedings of the 13th International Conference on Computational Creativity, Bozen-Bolzano, Italy, June 27 - July 1, 2022. Association for Computational Creativity (ACC) 2022, ISBN 978-989-54160-4-2 - Michele Boggia, Sardana Ivanova, Simo Linkola, Hannu Toivonen, Anna Kantosalo:
Casual Poetry Creators: A Design Pattern and Internal Evaluation Measures. 2-6 - Michele Boggia, Sardana Ivanova, Simo Linkola, Anna Kantosalo, Hannu Toivonen:
One Line at a Time - Generation and Internal Evaluation of Interactive Poetry. 7-11 - Mika Hämäläinen, Khalid Alnajjar, Thierry Poibeau:
Modern French Poetry Generation with RoBERTa and GPT-2. 12-16 - Lukas Wertz, Jonas Kuhn:
Adapting Transformer Language Models for Application in Computational Creativity: Generating German Theater Plays with Varied Topics. 17-25 - Hajime Murai, Shuuhei Toyosawa, Takayuki Shiratori, Takumi Yoshida, Shougo Nakamura, Yuuri Saito, Kazuki Ishikawa, Sakura Nemoto, Junya Iwasaki, Shoki Ohta, Arisa Ohba, Takaki Fukumoto:
Extraction of Typical Story Plot Patterns from Genres within Japanese Popular Entertainment Works Fukumoto. 26-33 - Piotr Sawicki, Marek Grzes, Anna Jordanous, Daniel Brown, Max Peeperkorn:
Training GPT-2 to represent two Romantic-era authors: challenges, evaluations and pitfalls. 34-43 - Alex Calderwood, Noah Wardrip-Fruin, Michael Mateas:
Spinning Coherent Interactive Fiction through Foundation Model Prompts. 44-53 - Joe Toplyn:
Witscript 2: A System for Generating Improvised Jokes Without Wordplay. 54-58 - Tony Veale:
Two-Fisted Comics Generation: Comics as a Medium and as a Representation for Creative Meanings. 59-66 - Pablo Gervás:
Generating Plotlines about Attempting to Avert Disasters. 67-71 - Jessica Bielski, Burak Mete, Viktor Eisenstadt, Christoph Langenhan, Frank Petzold, Klaus-Dieter Althoff:
CHASING THE WHITE RABBIT - A case study of predicting design phases of architects by training a deep neural network with sketch recognition through a digital drawing board. 73-77 - Caterina Moruzzi:
The (Artificial) Physicality of Creativity: How Embodiment Influences Perceptions of Creativity. 78-86 - Alla Gubenko, Todd Lubart, Claude Houssemand:
From Social Robots to Creative Humans and Back. 87-95 - Francisco Ibarrola, Oliver Brown, Kazjon Grace:
Towards Co-Creative Drawing Based on Contrastive Language-Image Models. 96-100 - Shin Sano, Seiji Yamada:
D-Graph: AI-Assisted Design Concept Exploration Graph. 101-105 - Janita Aamir, Paul M. Bodily:
Implementation of an Anti-Plagiarism Constraint Model for Sequence Generation Systems. 106-110 - Paul M. Bodily, Dan Ventura:
Open Computational Creativity Problems in Computational Theory. 112-120 - Evana Gizzi, Wo Wei Lin, Mateo Guaman Castro, Ethan Harvey, Jivko Sinapov:
Toward Life-Long Creative Problem Solving: Using World Models for Increased Performance in Novelty Resolution. 121-125 - Patrick Chieppe, Penny Sweetser, Eryn Newman:
Bayesian Modelling of the Well-Made Surprise. 126-135 - Julia Siekiera, Marius Köppel, Edwin Simpson, Kevin Stowe, Iryna Gurevych, Stefan Kramer:
Ranking Creative Language Characteristics in Small Data Scenarios. 136-140 - Vasanth Sarathy, Matthias Scheutz:
BIPLEX: Creative Problem-Solving by Planning for Experimentation. 141-149 - Daniel Brown, Dan Ventura:
Ethics, Aesthetics and Computational Creativity. 150-158 - Anna Jordanous:
Should we pursue SOTA in Computational Creativity? 159-163 - Claire Stevenson, Iris Smal, Matthijs Baas, Raoul P. P. P. Grasman, Han L. J. van der Maas:
Putting GPT-3's Creativity to the (Alternative Uses) Test. 164-168 - Alayt Issak, Lav R. Varshney:
Artistic Autonomy in AI Art. 170-174 - Amy Smith, Simon Colton:
The @artbhot Text-To-Image Twitter Bot. 175-179 - Aaron Hertzmann:
Toward Modeling Creative Processes for Algorithmic Painting. 180-189 - Piotr Mirowski, Dylan Banarse, Mateusz Malinowski, Simon Osindero, Chrisantha Fernando:
CLIP-CLOP: CLIP-Guided Collage and Photomontage. 190-194 - Divyansh Jha, Kai Yi, Ivan Skorokhodov, Mohamed Elhoseiny:
Creative Walk Adversarial Networks: Novel Art Generation with Probabilistic Random Walk Deviation from Style Norms. 195-204 - Emmanouil Vermisso:
Semantic AI models for guiding ideation in architectural design courses. 205-209 - Marvin Zammit, Antonios Liapis, Georgios N. Yannakakis:
Seeding Diversity into AI Art. 210-219 - Daniel Brown, Anna Jordanous:
Is style reproduction a computational creativity task? 220-229 - Sara Cardinale, Simon Colton:
Neo-Riemannian Theory for Generative Film and Videogame Music. 231-235 - Berker Banar, Simon Colton:
Connecting Audio and Graphic Score Using Self-supervised Representation Learning - A Case Study with György Ligeti's Artikulation. 236-240 - Skylar Gordon, Robert Mahari, Manaswi Mishra, Ziv Epstein:
Co-creation and ownership for AI radio. 241-245 - Nancy Fulda, Chaz Gundry:
Conversational AI as Improvisational Co-Creation - A Dialogic Perspective. 246-250 - Renaud Bougueng Tchemeube, Jeff Ens, Philippe Pasquier:
Calliope: An Online Generative Music System for Symbolic MultiTrack Composition. 251-255 - Kieran Maraj, Doug Van Nort:
Intergestura: a gestural agent based on sonic meditation practices. 256-260 - Alison Pease, Margareta Ackerman, Nic Pease, Bernadette McFadden:
A Roadmap for Therapeutic Computational Creativity. 261-270 - Kana Maruyama, Michael Spranger:
Interpretable Relational Representations for Food Ingredient Recommendation Systems. 271-275 - Diarmuid P. O'Donoghue, Conor Brady, Shane Smullen, Gary Crowe:
Novelty Assurance by a Cognitively Inspired Analogy Approach to Uncover Hidden Similarity. 277-281 - Mei Si:
Word Embedding for Analogy Making. 282-286 - Max Peeperkorn, Rob Saunders, Oliver Bown, Anna Jordanous:
Mechanising Conceptual Spaces using Variational Autoencoders. 287-290 - Brad Spendlove, Dan Ventura:
Competitive Language Games as Creative Tasks with Well-Defined Goals. 291-299 - Guendalina Righetti, Oliver Kutz, Daniele Porello, Nicolas Troquard:
A Game of Essence and Serendipity: Superb Owls vs. Cooking-Woodpeckers. 300-309 - Alessandro Valitutti:
The Word-Weaving Clock: Time Constraints in Word Associations. 310-313 - Xiaomeng Ye, Ziwei Zhao, David Leake, David Crandall:
Generation and Evaluation of Creative Images from Limited Data: A Class-to-Class VAE Approach. 314-323 - Yingtao Tian, Marco Cuturi, David Ha:
Simultaneous Multiple-Prompt Guided Generation Using Differentiable Optimal Transport. 324-332 - Ziv Epstein, Hope Schroeder, Dava Newman:
When happy accidents spark creativity: Bringing collaborative speculation to life with generative AI. 334-338 - Berkeley Andrus, Nancy Fulda:
A Data-Driven Architecture for Social Behavior in Creator Networks. 339-348 - Guanhong Li, Xiaoyun Guo, Takashi Hashimoto:
Noise as a Key Factor in Realizing a Creative Society. 349-353 - Róisín Loughran:
Bias and Creativity. 354-358 - Piera Riccio, José Luis Oliver, Francisco Escolano, Nuria Oliver:
Algorithmic Censorship of Art: A Proposed Research Agenda. 359-363 - Benjamin Fele, Jan Babic, Senja Pollak, Martin Znidarsic:
Evaluation of Curriculum Learning Algorithms using Computational Creativity Inspired Metrics. 364-373 - Anna Kantosalo, Simo Linkola, Tomi Männistö:
How to Report the Contributions of a CC System? 374-378
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