Template:Twelve-tone technique: Difference between revisions

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Line 1: {{Navbox \|name = Twelve-tone technique \|state = {{{1state\|{{{~~state~~1\|autocollapse}}}}}} \|titlestyle = background:~~tan~~#dbc3a3; \|title = [[Twelve-tone technique]] and [[~~Serialism~~serialism]] \|listclass = hlist \|groupstyle = text-align: center; \|image = [[File:Mutterakkord ~~PNG~~.png\|54px]] \|group1 = Fundamentals Line 14: * [[Derived row\|Derivation]] * [[Hexachord]] * [[Interval class]] * [[Twelve-tone technique#Invariance\|Invariance]] * [[Derived row\|Partition]] Line 25 ⟶ 26: * [[Twelve-tone technique#Transformations\|Prime row]] * [[Retrograde (music)\|Retrograde]] * [[~~Inversion~~Melodic ~~(music)~~inversion\|Inversion]] * [[Retrograde inversion]] * [[Multiplication (music)\|Multiplication]] \|group3 = [[Template:Twelve-tone composers\|Notable<br/> composers]] \|list3 = [[Milton Babbitt]] Line 57 ⟶ 58: [[Trope (music)\|Trope]] \| below = {{icon\|list}} [[List of dodecaphonic and serial compositions]]▼ ~~\| below =~~ ▲[[List of dodecaphonic and serial compositions]] }}<noinclude> {{Documentation}} ~~{{documentation\|content=~~ ~~{{collapsible option}}~~ ~~==See also==~~ {{tl\|Atonality}} {{tl\|Modernism (music)}} *{{tl\|Twelve-tone composers}} ~~[[Category:Music theory templates]]~~ }} </noinclude>