Content deleted Content added
→Storage capacity and playing time: The 2006 entry which someone bolted onto the end of the table a few years ago is longer than the 2014/16 entries so those are redundant Tag: references removed |
HirowoWiki (talk | contribs) m Reverted edit by 163.53.145.26 (talk) to last version by Dave-okanagan |
||
(6 intermediate revisions by 4 users not shown) | |||
Line 1:
{{short description|Data format used for audio compact discs}}
{{Use dmy dates|date=October 2021}}
{{Use American English|date=May 2024}}
{{Infobox storage medium
| name = Compact Disc Digital Audio
Line 20 ⟶ 21:
{{optical disc authoring}}
'''Compact Disc Digital Audio''' ('''CDDA''' or '''CD-DA'''), also known as '''Digital Audio Compact Disc''' or simply as '''Audio CD''', is the [[standardization|standard]] format for audio [[compact disc]]s. The standard is defined in the '''''Red Book''''', one of a series of [[Rainbow Books]] (named for their binding colors) that contain the [[technical specification]]s for all CD [[content format|formats]]. CDDA
The first commercially available audio [[CD player]], the [[Sony CDP-101]], was released in October 1982 in Japan. The format gained worldwide acceptance in 1983–84, selling more than a million CD players in those two years, to play 22.5 million discs.<ref>{{cite book |first=Ken C. |last=Pohlmann |date=2000 |title=Principles of Digital Audio |page=244 |publisher=McGraw-Hill |isbn=978-0-07-134819-5}}</ref> In the [[music industry]], audio CDs have been generally sold as either a [[CD single]] (now largely dormant), or as full-length [[Album|albums]], the latter of which has been more commonplace since the 2000s.<ref>{{Cite web |title=1999: The Year the Record Industry Lost Control |url=https://theafterword.co.uk/1999-the-year-the-record-industry-lost-control/ |access-date=2024-05-03 |website=theafterword.co.uk}}</ref>
Line 29 ⟶ 30:
The [[optophone]], first presented in 1931, was an early device that used light for both recording and playback of sound signals on a [[Negative (photography)|transparent photograph]].<ref>{{Cite web|url=https://www.radiomuseum.org/forumdata/users/5100/Funkschau_4Jg_0131_1v1_v20.pdf|title=Das Photo als Schalplatte|language=de|access-date=2 July 2020|archive-url=https://web.archive.org/web/20160404173739/https://www.radiomuseum.org/forumdata/users/5100/Funkschau_4Jg_0131_1v1_v20.pdf|archive-date=4 April 2016|url-status=live}}</ref> More than thirty years later, American inventor [[James Russell (inventor)|James T. Russell]] has been credited with inventing the first system to record digital media on a photosensitive plate. Russell's patent application was filed in 1966, and he was granted a patent in 1970.<ref>{{cite patent |country=US |number=3,501,586 |title=Analog to digital to optical photographic recording and playback system |pubdate=1970-03-17 |fdate=1966-09-01}}</ref> Following litigation, [[Sony]] and [[Philips]] licensed Russell's patents for recording in 1988.<ref>{{cite press release |date=2000 |publisher=Reed College public affairs office |title=Inventor and physicist James Russell '53 will receive Vollum Award at Reed's convocation |access-date=24 July 2014 |url=https://reed.edu/news_center/press_releases/2000-2001/288.html |archive-url=https://web.archive.org/web/20131009170700/https://www.reed.edu/news_center/press_releases/2000-2001/288.html |archive-date=9 October 2013 }}</ref><ref>{{cite web|url=https://web.mit.edu/invent/iow/russell.html |title=Inventor of the Week – James T. Russell – The Compact Disc |date=December 1999 |publisher=[[MIT]] |archive-url=https://web.archive.org/web/20030417162935/https://web.mit.edu/invent/iow/russell.html |archive-date=17 April 2003 }}</ref> It is debatable whether Russell's concepts, patents, and prototypes instigated and in some measure influenced the compact disc's design.<ref>{{cite news |newspaper=The Seattle Times |url=https://seattletimes.com/html/businesstechnology/2002103322_cdman29.html |author=Brier Dudley |title=Scientist's invention was let go for a song |date=29 November 2004 |access-date=24 July 2014 |archive-url=https://web.archive.org/web/20140810225444/https://seattletimes.com/html/businesstechnology/2002103322_cdman29.html |archive-date=10 August 2014}}</ref>
The compact disc is an evolution of [[LaserDisc]] technology,{{r|Immink}} where a focused [[laser]] beam is used that enables the high information density required for high-quality digital audio signals. Unlike the prior art by Optophonie and James Russell, the information on the disc is read from a reflective layer using a laser as a light source through a protective substrate. Prototypes were developed by Philips and Sony independently in the late 1970s.<ref>{{cite web|title=The History of the CD|url=
=== Digital audio laser-disc prototypes ===
Line 123 ⟶ 124:
== Storage capacity and playing time ==
The creators of the CD originally aimed at a playing time of 60 minutes with a disc diameter of 100 mm (Sony) or 115 mm (Philips).<ref name=Immink2 /> Sony vice-president [[Norio Ohga]] suggested extending the capacity to 74 minutes to accommodate the recording of [[Wilhelm Furtwängler]] conducting [[Ludwig van Beethoven]]'s [[Symphony No. 9 (Beethoven)|Ninth Symphony]] at the 1951 [[Bayreuth Festival]].<ref name="PhilBeet" /><ref name="Auto45-6" /> The additional 14-minute playing time
According to a ''[[Sunday Tribune]]'' interview,<ref name="ferguscassidy" /> the story is slightly more involved. In 1979, Philips owned [[PolyGram]], one of the world's largest music distributors
The 74-minute playing time of a CD, which is longer than the 22 minutes per side<ref name="Auto45-7" /><ref name="Auto45-8" /> typical of [[LP record|long-playing]] (LP) [[vinyl album]]s, was often used to the CD's advantage during the early years when CDs and LPs vied for commercial sales. CDs would often be released with one or more [[bonus
Playing times beyond 74 minutes are achieved by decreasing track pitch (the distance separating the track as it spirals the disc). However, most players can still accommodate the more closely spaced data if it is still within ''Red Book'' tolerances.<ref name="Auto45-9" /> Manufacturing processes used in the final years of CD technology allowed an audio CD to contain up to 82 minutes (variable from one replication plant to another) without requiring the content creator to sign a waiver releasing the plant owner from responsibility if the CD produced is marginally or entirely unreadable by some playback equipment. In this final practice, maximum CD playing time crept higher by reducing minimum engineering tolerances.
Line 165 ⟶ 166:
| 82:34<ref>{{Cite web|url=https://www.discogs.com/release/6096529-Taneyev-Vadim-Repin-Ilya-Gringolts-Nobuko-Imai-Lynn-Harrell-Mikhail-Pletnev-Chamber-Music-Piano-Quin|title=Taneyev – Vadim Repin, Ilya Gringolts, Nobuko Imai, Lynn Harrell, Mikhail Pletnev – Chamber Music: Piano Quintet = Klavierquintett • Piano Trio = Klaviertrio|date=1 July 2005|access-date=2 June 2023|website=Discogs.com|archive-date=27 August 2023|archive-url=https://web.archive.org/web/20230827104710/https://www.discogs.com/release/6096529-Taneyev-Vadim-Repin-Ilya-Gringolts-Nobuko-Imai-Lynn-Harrell-Mikhail-Pletnev-Chamber-Music-Piano-Quin|url-status=live}}</ref>
|-
|Chopin & Schumann Etudes
|[[Valentina Lisitsa]]
|[[Decca Records|Decca]]/Universal Classics 478 7697
|2014
|85:16<ref>{{Cite web|url=https://www.amazon.com/%C3%89tudes-Valentina-Lisitsa/dp/B00NVY8VJE|title=Valentina Lisitsa – Études – Amazon.com Music|website=Amazon.com|access-date=1 January 2017|archive-date=1 January 2017|archive-url=https://web.archive.org/web/20170101231453/https://www.amazon.com/%C3%89tudes-Valentina-Lisitsa/dp/B00NVY8VJE|url-status=live}}</ref>
|-
|So80s Presents Alphaville
|[[Alphaville (band)|Alphaville]] (curated by [[Blank & Jones]])
|Soulfood
|2014
|85:10 and 85:57<ref>{{Cite web|url=https://www.discogs.com/Alphaville-Curated-By-Blank-Jones-So80s-Soeighties-Presents-Alphaville/master/780651|title=Alphaville Curated By Blank & Jones – So80s (Soeighties) Presents Alphaville|website=[[Discogs]]|access-date=21 October 2019|archive-date=29 October 2019|archive-url=https://web.archive.org/web/20191029044548/https://www.discogs.com/Alphaville-Curated-By-Blank-Jones-So80s-Soeighties-Presents-Alphaville/master/780651|url-status=live}}</ref>
|-
|Mozart Violin Concertos (Mozart 225 Boxed Set, CD75)
|Various Artists
|[[Deutsche Grammophon]]/Universal Classics 478 9864
|2016
|86:30<ref>{{Cite news|url=https://www.kirkville.com/cds-longer-than-80-minutes-are-becoming-more-common/|title=CDs Longer than 80 Minutes Are Becoming More Common|last=McElhearn|first=Kirk|date=12 May 2017|work=Kirkville|access-date=12 May 2017|language=en-US|archive-date=17 May 2017|archive-url=https://web.archive.org/web/20170517003528/https://www.kirkville.com/cds-longer-than-80-minutes-are-becoming-more-common/|url-status=live}}</ref>
|-
|''[[Bäst of]]''
|[[Die Ärzte]]
|Hot Action/Universal 930 003
|2006
|88:41 on disc 1, 89:07 on disc 2<ref>{{Cite web|url=https://www.discogs.com/Die-%C3%84rzte-B%C3%A4st-Of/release/806980|title=Die Ärzte – Bäst Of|website=Discogs |access-date=31 January 2021|language=en-US|archive-date=21 February 2021|archive-url=https://web.archive.org/web/20210221082151/https://www.discogs.com/Die-%C3%84rzte-B%C3%A4st-Of/release/806980|url-status=live}}</ref>{{rs|reason=Let's find a source that discusses this extraordinary length|date=May 2024}}
|-
|}
|