Chicago Transit Authority (album): Difference between revisions

Content deleted Content added
mNo edit summary
 
(42 intermediate revisions by 27 users not shown)
Line 4:
| artist = [[Chicago (band)|Chicago]]
| cover = CTA album.jpg
| caption = Back cover of LP releasereleases and front cover of CD reissues.
| alt =
| released = {{Start date|1969|04|28}}
| recorded = January 27–30, 1969
| venue =
| studio = [[CBS 30th Street Studio|CBS 30th Street]], ([[New York City]])
| genre = {{hlist|[[Jazz fusion#Jazz rock|Jazz rock]]|[[progressive rock]]<ref name="Hoffmann2004">{{cite book |author=Frank Hoffmann |title=Encyclopedia of Recorded Sound |url=https://books.google.com/books?id=-FOSAgAAQBAJ&pg=PA374 |date=12 November 2004 |publisher=Routledge |isbn=978-1-135-94950-1 |pages=374– }}</ref>|[[blues rock]]}}
| length = 76:32
| label = [[Columbia Records|Columbia]], [[CBS]]
| producer = [[James William Guercio]]
| prev_title =
Line 34:
| rev1 = [[AllMusic]]
| rev1Score = {{Rating|4|5}}<ref>{{AllMusic|class=album|id=r3843/review}}</ref>
 
}}
 
'''''The Chicago Transit Authority''''' is the debut studio album by the Chicago-basedAmerican [[rock and rollmusic|rock]] band [[Chicago (band)|Chicago]] (then, known at the time of release as Chicago Transit Authority). ItThis wasdouble recordedalbum andwas released inon April 28, 1969 and became a [[sleeper hit]], reaching number 17 on the [[Billboard 200|''Billboard'' 200]] by 1971. and''Chicago Transit Authority'' spawningspawned several successful singles, including "[[Does Anybody Really Know What Time It Is?]]", "[[Questions 67 and 68]]" and "[[Beginnings (Chicago song)|Beginnings]]". The album stayed on the ''Billboard'' chart for 171 weeks,<ref name=<ref name= "BB200 Jun75" /> beating the previous record for a rock album's longevity of 155 weeks<ref name=Whitburn /> and has been certified double [[Music recording certification|platinum]] by the [[Recording Industry Association of America|Recording Industry Association of America (RIAA)]].<ref name=RIAA /> For this inaugural recording effort, the group was nominated for a [[Grammy Award]] for 1969 [[Grammy Award for Best New Artist|Best New Artist of the Year]].<ref name=Grammy1969>{{cite web |url=https://www.grammy.com/grammys/artists/chicago |title=Grammy Awards: Chicago |date=March 17, 2014 |website=GRAMMY.com |language=en |access-date=January 17, 2019 |archive-date=March 20, 2019 |archive-url=https://web.archive.org/web/20190320024210/https://www.grammy.com/grammys/artists/chicago |url-status=live }}</ref> The album was inducted into the [[Grammy Hall of Fame]] in 2014.<ref name=GHOF>{{cite web |title=2014 GRAMMY HALL OF FAME® INDUCTEES |url=https://www.grammy.org/recording-academy/press-release/the-recording-academy-announces-2014-grammy-hall-of-fame-inductees |website=www.grammy.org |access-date=2017-01-03 |archive-date=2017-01-31 |archive-url=https://web.archive.org/web/20170131193846/https://www.grammy.org/recording-academy/press-release/the-recording-academy-announces-2014-grammy-hall-of-fame-inductees |url-status=live }}</ref>
 
==History==
Chicago was formed in early 1967, first as Thethe Big Thing, then Chicago Transit Authority when producer [[James William Guercio]] took them on in 1968.<ref>{{cite book |title=Street Player: My Chicago Story |last=Seraphine |first=Danny |publisher=John Wiley & Sons Inc. |year=2011 |isbn=9780470416839 |pages=47–72}}</ref> Their trademark was fusing brass and [[jazz]] with a soulful [[rock and roll]] feel that Guercio thought would prove successful, lobbying for his label to sign the band.<ref name="Ruhlmannp1&2">{{cite AV media notes |title= Chicago Group Portrait (Box Set) |year=1991 |url=http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_1.html |pages=1, 2 |access-date=January 18, 2019 |first=William James |last=Ruhlmann |format=CD booklet archived online |publisher=Columbia Records |location=New York City |url-status=live |archive-url=http://archive.wikiwix.com/cache/20171112155002/http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_4.html |archive-date=November 12, 2017 |df=mdy-all}}</ref>
 
Chicago Transit Authority signed to [[Columbia Records]] late in 1968 and recorded their first album in late January 1969 at CBS studios on 52nd Street in New York City.<ref name="Seraphine 2011 86">{{cite book |title=Street Player: My Chicago Story |last=Seraphine |first=Danny |publisher=John Wiley & Sons Inc. |year=2011 |isbn=9780470416839 |page=86}}</ref> While Guercio had recently produced [[Blood, Sweat & Tears]]' [[Blood, Sweat & Tears (Blood, Sweat & Tears album)|second album]] (which proved to be a huge smash), he did so to raise capital for his band, and to secure the contract with Columbia (which was reluctant at first to have two jazz-rock bands since Blood, Sweat & Tears was already on their roster).<ref>{{cite book |title=Street Player: My Chicago Story |last=Seraphine |first=Danny |publisher=John Wiley & Sons Inc. |year=2011 |isbn=9780470416839 |page=85}}</ref><ref name=Ruhlmannp2>{{cite AV media notes |title=Chicago Group Portrait (Box Set) |year=1991 |url=http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_2.html |page=2 |access-date=January 18, 2019 |first=William James |last=Ruhlmann |format=CD booklet archived online |publisher=Columbia Records |location= New York City |url-status=live |archive-url=http://archive.wikiwix.com/cache/20171112155002/http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_4.html |archive-date=November 12, 2017 |df=mdy-all}}</ref><ref name="Chicago Story">{{cite web |url=https://chicagotheband.com/a-chicago-story/ |title=A Chicago Story – Chicago |website=Chicagotheband.com |language=en-US |access-date=January 17, 2019 |archive-date=October 30, 2018 |archive-url=https://web.archive.org/web/20181030061450/https://chicagotheband.com/a-chicago-story/ |url-status=live }}</ref> By the end of the ''Chicago Transit Authority'' sessions, the band had decided they wanted it to be a [[double album]]. Skeptical, as the band had no track record, Columbia agreed to the concept only if the group would take a royalty cut.<ref name=Ruhlmannp2 /><ref name="Chicago Story" />
Line 51 ⟶ 50:
 
==Musical style, writing, composition==
Keyboardist [[Robert Lamm]], guitarist [[Terry Kath]] and bassist [[Peter Cetera]] shared lead vocals, while [[James Pankow]], [[Lee Loughnane]] and [[Walter Parazaider]] handled all brass and woodwinds ([[trombone]], [[trumpet]] and [[saxophone]], [[clarinet]] and [[flute]] respectively) and [[Danny Seraphine]] played drums. (Parazaider is pictured in the album package playing flute, but doesn't actually play it on the album.) Band members added percussion during sections of a song when they weren't playing their main instrument. For example, on "I'm a Man", Pankow was on cowbell, Parazaider on tambourine, and Loughnane on claves.<ref name="Seraphine 2011 86"/> Lamm, Kath and Pankow were the band's main composers at this time. According to the band's producer, James William Guercio, [[Jimi Hendrix]] was an avowed fan of Kath's playing.<ref name=Ruhlmannp8>{{cite AV media notes |title=Chicago Group Portrait (Box Set) |year=1991 |url=http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_8.html |page=8 |access-date=January 18, 2019 |first=William James |last=Ruhlmann |format=CD booklet archived online |publisher=Columbia Records |location=New York City |url-status=live |archive-url=http://archive.wikiwix.com/cache/20171112155002/http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_4.html |archive-date=November 12, 2017 |df=mdy-all}}</ref><ref name="Chicago Story" /> According to the album's original liner notes, the solo performance of Kath on "Free Form Guitar" was created without the use of any pedals.<ref name=":1">{{cite web|url=http://aln2.albumlinernotes.com/Chicago_Transit.html|title=Chicago Transit|website=aln2.albumlinernotes|access-date=January 19, 2019|archive-date=January 19, 2019|archive-url=https://web.archive.org/web/20190119230810/http://aln2.albumlinernotes.com/Chicago_Transit.html|url-status=live}}</ref> In a nod to Hendrix's guitar expressionism (Hendrix most notably used wah and fuzz pedals),{{citation needed|date=January 2019}} Kath instead plugged directly into his studio amplifier and improvised the entire track in one take for the purpose of pure tone.<ref name=":1" /> "Free Form Guitar" was an influence on the genre of [[noise music]].{{Citation needed|date=January 2019}}
 
The album is one of two not to have any songwriting contributions from Cetera during his tenure in the band, the other being ''[[Chicago V]]''. He started writing songs with the second album, ''[[Chicago (album)|Chicago]]''.<ref name=Ruhlmannp4>{{cite AV media notes|title= Chicago Group Portrait (Box Set)|year= 1991|url= http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_4.html|page= 4|access-date= January 17, 2019|first= William James|last= Ruhlmann|format= CD booklet archived online|publisher= Columbia Records|location= New York City, NY|url-status= live|archive-url= http://archive.wikiwix.com/cache/20171112155002/http://aln3.albumlinernotes.com/Chicago_Box_Set_-_Page_4.html|archive-date= November 12, 2017|df= mdy-all}}</ref>
 
== Recording, and production ==
Because of dealings between the recording company and the group's producer, James William Guercio, the group's studio time was limited to only five days of basic tracking and five days of overdubbing by the recording company.<ref name=Ruhlmannp2 /><ref name="Chicago Story" /> According to Guercio, the album was "done 8-track."<ref>{{cite AV media |people=Guercio, James William (interviewee), Sinclair, Michelle Kath (director) |date=2016 |title=The Terry Kath Experience |type=documentary film |time=18:36}}</ref>
 
According to band member WaltWalter Parazaider, when the group went into the studio to record the album, they " 'found out we knew very little about what we were doing. ... The first song was “Does Anybody Really Know What Time It Is?” We tried to record it as a band, live, all of us in the studio at once.' "<ref name=Ruhlmannp2 /><ref name="Chicago Story" /> Finally it was decided that drums, bass, keyboard, and guitars would be recorded first, and then the horns and vocals.<ref>{{Cite book|title=Street Player: My Chicago Story|last=Seraphine|first=Danny|publisher=John Wiley & Sons Inc.|year=2011|isbn=9780470416839|page=86}}</ref>
 
== Artwork ==
Line 84 ⟶ 83:
{{Track listing
| extra_column = Lead vocals
| headline = Side Oneone
 
| title1 = Introduction
Line 104 ⟶ 103:
{{Track listing
| extra_column = Lead vocals
| headline = Side Twotwo
| title4title1 = [[Questions 67 and 68]]
| writer4writer1 = Lamm
| extra4extra1 = [[Peter Cetera]], Lamm
| length4length1 = 5:03
 
| title5title2 = Listen
| writer5writer2 = Lamm
| extra5extra2 = Lamm
| length5length2 = 3:22
 
| title6title3 = Poem 58
| writer6writer3 = Lamm
| extra6extra3 = Lamm
| length6length3 = 8:35
}}
 
{{Track listing
| headline = Side Threethree
| extra_column = Lead vocals
| title7title1 = Free Form Guitar
| writer7writer1 = Kath
| extra7extra1 = none
| length7length1 = 6:47
 
| title8title2 = [[South California Purples]]*
| writer8writer2 = Lamm
| extra8extra2 = Lamm
| length8length2 = 6:11
 
| title9title3 = [[I'm a Man (Spencer Davis Group song)|I'm a Man]]
| writer9writer3 = [[Steve Winwood]], [[Jimmy Miller]]
| extra9extra3 = Lamm, Cetera, Kath
| length9length3 = 7:43
}}
 
{{Track listing
| headline = Side Fourfour
| extra_column = Lead vocals
| title10title1 = [[The whole world is watching|Prologue, August 29, 1968]]
| writer10writer1 = [[James William Guercio]]
| extra10extra1 = none
| length10length1 = 0:58
| title11title2 = Someday (August 29, 1968)
| writer11writer2 = [[James Pankow]], Lamm
| extra11extra2 = Lamm, Cetera
| length11length2 = 4:11
| title12title3 = Liberation
| writer12writer3 = Pankow
| extra12extra3 = Kath <small>(briefly{{efn|Briefly near the end: “Oh"Oh, thank you dear Lord”)</small>people"}}
| length12length3 = 14:38
| length9 =
| title9 =
| length8 =
| length5 =
| title8 =
| length7 =
| title7 =
| length6 =
| title6 =
| title2 =
| title5 =
| length4 =
| title4 =
| length3 =
| title3 =
| length2 =
| length1 =
| title1 =
| all_writing =
| total_length = 76:32
}}
 
* One part of “South California Purples”’s lyrics consists of parts of the "[[I Am the Walrus]]" Beatles song—particularly the Beatles song’s opening lyric.
 
== Personnel ==
=== Chicago ===
* [[Peter Cetera]] – bass, lead and backing vocals
* [[Terry Kath]] – guitars, lead and backing vocals
Line 189 ⟶ 167:
* [[Danny Seraphine]] – drums, percussion
 
=== Production ===
* [[James William Guercio]] – producer, original liner notes
* [[Fred Catero]] – engineer
* Nick Fasciano – artwork
 
'''==== 2002 [[reissue]]''' ====
* Lee Loughnane – A&R, project supervisor
* David McLees – A&R, project supervisor
Line 213 ⟶ 191:
 
==Charts==
''Chicago Transit Authority'' (Columbia 8) reached No. '''17''' in the US during a chart stay of 171 weeks. It also peaked at No. '''9''' in the UK.
{{col-begin}}
{{col-2}}
Line 220 ⟶ 197:
{| class="wikitable sortable plainrowheaders" style="text-align:center"
|-
! scope="col"| Chart (1969-1971)
! scope="col"| Position
|-
Line 226 ⟶ 203:
| 23
|-
{{album chart|NetherlandsCanada|610|artist=Chicago|album=Chicago Transit Authority|chartid=6040|rowheader=true|access-date=MarchJune 2420, 20212024}}
|-
{{album chart|NorwayNetherlands|86|artist=Chicago|album=Chicago Transit Authority|rowheader=true|access-date=MarchJune 2420, 20212024}}
|-
{{album chart|UKNorway|98|artist=Chicago|album=Chicago Transit Authority|rowheader=true|access-date=MarchJune 2420, 20212024}}
|-
{{album chart|Billboard200UK2|179|artistdate=Chicago19700201|rowheader=true|access-date=MarchJune 2420, 20212024}}
|-
{{album chart|Billboard200|17|artist=Chicago|rowheader=true|access-date=June 20, 2024}}
|}
{{col-2}}
Line 242 ⟶ 221:
! scope="col"| Position
|-
! scope="row"| US ''[[Billboard'' 200]]''<ref>{{cite magazine|url=https://www.billboard.com/charts/year-end/1970/top-billboard-200-albums|title=Top Billboard 200 Albums – Year-End 1970|magazine=Billboard|date=2 January 2013|access-date=March 24, 2021|archive-date=June 3, 2021|archive-url=https://web.archive.org/web/20210603003348/https://www.billboard.com/charts/year-end/1970/top-billboard-200-albums|url-status=live}}</ref>
| 23
|}
 
{| class="wikitable plainrowheaders" style="text-align:center"
|-
! scope="col"| Chart (1971)
! scope="col"| Position
|-
! scope="row"| US ''[[Billboard'' 200]]''<ref>{{cite magazine|url=https://www.billboard.com/charts/year-end/1971/top-billboard-200-albums|title=Top Billboard 200 Albums – Year-End 1971|magazine=Billboard|date=2 January 2013|access-date=March 24, 2021|archive-date=June 4, 2021|archive-url=https://web.archive.org/web/20210604052252/https://www.billboard.com/charts/year-end/1971/top-billboard-200-albums|url-status=live}}</ref>
| 15
|}
{{col-end}}
 
===Singles=Certifications==
{{Certification Table Top}}
{| class="wikitable"
{{Certification Table Entry|type=album|relyear=1969|region=Canada|award=Platinum|certyear=1977|artist=Chicago|title=Transit Authority|access-date=June 21, 2023}}
|-
{{Certification Table Entry|type=album|relyear=1969|region=United States|award=Platinum|number=2|certyear=1986|artist=Chicago|title=Chicago Transit Authority|access-date=June 21, 2023}}
!align="left"|Year
{{Certification Table Bottom|nosales=true}}
!align="left"|Single
 
!align="left"|Chart
==Notes==
!align="left"|Position
 
|-
{{notelist}}
|align="left"|1969
|align="left"|"Questions 67 and 68"
|align="left"|[[Billboard Hot 100|''Billboard'' Hot 100]]<ref name= BBHot100 />
|align="left"|71
|-
|align="left"|1970
|align="left"|"Does Anybody Really Know What Time It Is?"
|align="left"|''[[Billboard (magazine)|Billboard]]'' Hot 100<ref name= BBHot100 />
|align="left"|7
|-
|align="left"|1971
|align="left"|"Beginnings"
|align="left"|''Billboard'' Hot 100<ref name= BBHot100 />
|align="left"|7
|-
|align="left"|1971
|align="left"|"Questions 67 and 68 / I'm a Man"
|align="left"|''Billboard'' Hot 100<ref name= BBHot100 />
|align="left"|24
|}
 
==References==