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[[File:Buenos Aires - Boca Juniors - Día del hincha - 131212b.webm|thumb|upright=1.25|Fans of [[Boca Juniors]] chanting "''El que no salta, se fue a la B''" in the streets of [[Buenos Aires]], an example of a chant targeting a rival club (the chant mocks their rival team [[Club Atlético River Plate|River Plate]] who were once relegated to the [[Primera B Nacional|Nacional B]] division.)<ref>{{cite web |url=https://www.clarin.com/deportes/futbol/hinchas-boca-recibieron-river-fantasma_0_NLwZ8hfut.html |title=Los hinchas de Boca recibieron a River con el fantasma de la "B" |date=23 September 2018|work=Clarin}}</ref>]]
 
A '''football chant''' or '''terrace chant''' is a form of vocalisation performed by supporters of [[association football]], typically during football matches. Football chanting is an expression of collective identity, most often used by fans to express their pride in the team they support, or to encourage the home teamthem, and they may be sung to celebrate a particular player or manager. Fans may also use football chants to slight the opposition, and many fans sing songs about their club [[sports rivalry|rivals]], even when they are not playing them. Sometimes the chants are spontaneous reactions to events on the pitch.
 
Football chants can be simple, consisting of a few loud shouts or spoken words, but more often they are short lines of lyrics and sometimes longer songs. They are typically performed repetitively, sometimes accompanied by handclapping, but occasionally they may be more elaborate involving musical instruments, props or choreographed routines. They are often adaptations of popular songs, using their tunes as the basis of the chants, but some are original.
 
Football chants are known to have been used by fans from the late 19th century onwards, but developed into the current popular forms in the 1960s. Football chants can be historic, dating back as early as the formation of the club popularly sung down the years and considered the anthems for these clubs. They may also be popular for only a relatively short time, with new chants being constantly created and discarded. The tradition of football chants vary from country to country and team to team, but some chants are common to many clubs and popular internationally. Football chants may be considered one of the last remaining sources of an oral [[Folk music|folk song]] tradition.<ref>Chris Roberts, ''Heavy Words Lightly Thrown: The Reason Behind Rhym''e, Thorndike Press, 2006 ({{ISBN|0786285176}}) {{Page needed|date=April 2022}}</ref>
 
==History==
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===Early chants===
Football fans' vocalisations came in the forms of cries, chants and songs in the 19th century. [[Battle cry|War cries]] were known to have been used by football fans from the 1880s onwards, with the earliest recorded in Scotland after the [[Scottish Cup]] final of [[1886–87 Scottish Cup|1887]].<ref name=Nannestad /> The first known song that references football, "The Dooley Fitba' Club" later known as "[[Football Crazy|'Fitba' Crazy]]", was also written in the 1880s by James Curran, although it was intended for the [[music hall]] rather than the terrace.<ref name=Nannestad /> It was also recorded in the 1890s that [[Sheffield United F.C.|Sheffield United]] fans had adopted a music hall song, the "Rowdy Dowdy Boys", while [[Southampton F.C.|Southampton]] fans sang a "Yi! Yi! Yi!" chant based on a war cry.<ref>{{cite book|last=Russell|first=David|date=1997|title=Football and the English: a social history of association football in England, 1863–1995|publisher=Carnegie|isbn=978-1859360385|pages=[https://archive.org/details/footballenglishs0000russ/page/58 58–59]|url=https://archive.org/details/footballenglishs0000russ/page/58}}</ref><ref name=Nannestad>{{cite book |chapter-url=https://books.google.com/books?id=QLpYCwAAQBAJ&pg=PA30 |title=Sport, Music, Identities|editor= Anthony Bateman |pages=30–31 |chapter='Bubbles', 'Abe my boy' and 'the Fowler war cry': singing at the Vetch Field in the 1920s|first=Ian |last=Nannestad |year= 2016|isbn=978-1315763149|publisher=Routledge}}</ref> [[Blackburn Rovers F.C.|Blackburn Rovers]] fans were reported to have chanted "We've won the cup before – many a time" before their [[1891 FA Cup Final]] match against [[Notts County F.C.|Notts County]]. Composer Sir [[Edward Elgar]] wrote a football song in honour of the [[Wolverhampton Wanderers F.C.|Wolverhampton Wanderers]] striker, [[Billy Malpass]], after watching a match in February 1898 between Wolves and [[Stoke City F.C.|Stoke City]]. However, the anthem he wrote, "He Banged The Leather For Goal", never caught on among fans on the terrace.<ref>{{cite news |url=https://www.telegraph.co.uk/culture/music/music-news/8026215/Sir-Edward-Elgar-wrote-football-chant-along-with-his-classical-music.html |title=Sir Edward Elgar wrote football chant along with his classical music |first=Richard|last= Alleyne|date= 26 September 2010|work=The Telegraph }}</ref>
 
The oldest football song in the world that is still in use today may be "[[On the Ball, City]]", a song believed to have been composed in the 1890s by Albert T Smith, who became a director of [[Norwich City F.C.|Norwich City]] in 1905.<ref>{{cite news |url=https://www.theguardian.com/football/blog/2016/may/06/the-joy-of-six-football-chants |title=The Joy of Six: football chants |first1=Paul |last1=Doyle |first2= Barry |last2=Glendenning |work=The Guardian |date= 6 May 2016}}</ref> The song was adopted by fans of the club and it is still sung by Norwich's fans.<ref>{{cite web| url=http://www.canaries.co.uk/club/history/| title=Club history| publisher=Norwich City F.C.| access-date=3 May 2016| archive-url=https://web.archive.org/web/20170420215354/http://www.canaries.co.uk/club/history/| archive-date=20 April 2017| url-status=dead}}</ref><ref name=p24>{{cite book | last = Eastwood | first = John |author2=Mike Davage | title = Canary Citizens | publisher = Almeida Books | year = 1986 | isbn = 0711720207 | pages = 24 }}</ref> Such club song may have its origin in the public school system, while others have links with working-class music hall.<ref name=Nannestad /> Other early football chants still sung today include "Pompey Chimes" or "Play up, Pompey" sung by [[Portsmouth F.C.|Portsmouth]] fans since the 1920s (a form of the chant is believed to have been sung at [[Fratton Park]] in 1899, therefore it is arguably older than "On the Ball, City"),<ref>{{cite web |url=http://familyfellows.com/pompey-songs-book.htm |title=Sing Your Hearts Out for the Lads |work=Family Fellows |author1=Brian Fellows |author2=William Fellows }}</ref> and "[[Blaydon Races]]", a [[Geordie]] folk song from 1862, which was adopted by [[Newcastle United F.C.|Newcastle United]] fans in the 1930s.<ref>{{cite book |url=https://books.google.com/books?id=_Hoqp2xO7OEC&pg=PT61 |title=A History of Football in 100 Objects |first= Gavin|last= Mortimer |publisher=Profile Books|date= 2012|isbn=978-1781250617 }}</ref> Some of the songs sung at football ground by the 1920s were modified from popular music hall songs, for example "Kick, Kick, Kick, Kick, Kick it" from "Chick, Chick, Chick, Chick, Chicken" and "Keep the Forwards Scoring" from "[[Keep the Home Fires Burning (1914 song)|Keep the Home Fires Burning]]".<ref name=cox>{{cite book |url=https://books.google.com/books?id=JKbb02bg6zYC&pg=PA212 |pages=211–212|title=Encyclopedia of British Football |editor= Richard William Cox |editor2=Dave Russell |editor3=Wray Vamplew |publisher=Routledge|year= 2002|isbn= 978-0714652498 }}</ref> Chants that referenced players were also heard on the terrace; for example, "Give it to Ballie" chanted by [[Swansea City A.F.C.|Swansea]] fans in reference to a player name Billy Ball who played for the club in 1912-1920.<ref name=Nannestad />
 
Football chants in the early years were club-specific and they were generally friendly or jocular in tone.<ref name=lawn /> Songs with [[sectarian]] overtones, however, had been sung at matches between [[Rangers F.C.|Rangers]] and [[Celtic F.C.|Celtic]] in the 1920s, which became more overtly confrontational in later decades, raising the possibility that sectarianism may have been the origin of oppositional chanting and singing at football matches.<ref name=cox /> Fans of the early period also had a limited repertoire of chants, which become more varied as singing was encouraged by the use of brass bands before games and the community singing movement that arose in the 1920s (the tradition of singing "[[Abide with Me]]" at [[FA Cup final]]s started in this period).<ref>{{cite book |chapter-url=https://books.google.com/books?id=QLpYCwAAQBAJ&pg=PA33 |title=Sport, Music, Identities|editor= Anthony Bateman |pages=33–36 |chapter='Bubbles', 'Abe my boy' and 'the Fowler war cry': singing at the Vetch Field in the 1920s|first=Ian |last=Nannestad |year= 2016|isbn=978-1315763149|publisher=Routledge}}</ref>
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While various elements of football chants were already present in the early period, it was in the 1960s that the nature of football chants started to change and modern football chants emerged to become an integral part of fan culture and experience. The catalyst for the change may be due to a number of factors; one suggestion is the growth and evolution of youth culture in this period which, together with popular music started being played over the public announcement system at matches instead of brass bands, encouraged fans to start their own singing based on popular tunes. Another suggestion is the mixing of fan cultures from different countries through international football matches that started to be broadcast, such as the 1959 England's tour of South America and the [[1962 FIFA World Cup|1962 World Cup]].{{sfn|Irwin|2006|page=165}} The exposure to intense chanting by South American and Italian fans during the 1962 and 1966 World Cups may have encouraged British fans who were previously more reserved to do the same.<ref name=morris /><ref>{{cite book |url=https://books.google.com/books?id=_Hoqp2xO7OEC&pg=PT61 |title=A History of Football in 100 Objects |first= Gavin |last=Mortimer|year= 2012 |publisher=Serpent's Tail |isbn=978-1847659057 }}</ref> They also picked up different type of chants from other countries; [[Liverpool F.C.|Liverpool]] fans for example, may have used a Brazilian chant "Brazil, cha-cha-cha" and turned it into the "Li-ver-pool, [clap, clap, clap]" chant.<ref>{{cite book |url=https://books.google.com/books?id=UEAwDwAAQBAJ&pg=PA162 |title=Savage Enthusiasm: A History of Football Fans |first= Paul |last=Brown |page=162 |date=2017|publisher=Goal Post |isbn=978-0995541221}}</ref>
 
Chants became more extensive in the 1960s, and popular songs became increasingly common as the basis of chants as fans adapted these songs to reflect situations and events relevant to them. Chanting the name of the team, chants for players and managers started to become prevalent.<ref name="luhrs">{{cite web |url=http://etheses.whiterose.ac.uk/12799/1/489131.pdf |title=Football Chants and the Continuity of the Blason Populaire Tradition|first=Joanne|last= Luhrs | pages=51–52 }}</ref> Liverpool supporters, particularly those on the [[Spion Kop (stadiums)|Kop]], were known for modifying songs in the early 1960s to suit their own purposes, and this practice quickly spread to fans of other clubs who created their own versions after hearing these chants.<ref name=morris>{{cite book|last= Morris|first= Desmond|author-link=Desmond Morris|date= 1981|title= The Soccer Tribe|publisher= Cape|isbn= 978-0224019354|chapter= Chapter 43 Tribal Chants |pages= 304–315|chapter-url=https://archive.org/details/soccertribe0000morr/page/304 |chapter-url-access= registration}}</ref> Repertoire of chants credited to Liverpool fans included the rhythmic clapping based on "[[Let's Go (Pony)|Let's Go]]" by [[The Routers]], the chorus from "[[I Shall Not Be Moved|We Shall Not Be Moved]]",{{sfn|Irwin|2006|pages=165–166}} and "[[When the Saints Go Marching In (sports anthem)|When the Saints Go Marching In]]" used to honour [[Ian St John]], chants which were then also adopted by fans of other clubs.<ref name=morris /> Fans of many clubs now have a large and constantly evolving repertoire of chants in addition to a smaller number of songs closely associated with their club.
 
A more controversial aspect of this period of change was that abusive chants targeted at rival team or fans also became widespread.<ref name="luhrs"/> These may be taunts and insults aimed at the opposition teams or players to unnerve them, or obscene or slanderous chants targeted at individuals. A sampling of English football chants in the late 1970s found these types of chants to be the most numerous.<ref name=morris /> Threats of violence may also be made to their rivals in chants; although such threats were rarely carried out, fights did occur which, together with increasing level of [[football hooliganism|hooliganism]] in that period, gave these threats a real edge.<ref name=morris /> Some abuses are racial in nature; for example, [[Antisemitism|anti-Semitic]] chants directed at [[Tottenham Hotspur F.C.|Tottenham Hotspur]] began in the 1960s,<ref name=jc>{{cite web |url=https://www.thejc.com/lifestyle/features/how-tottenham-became-the-jewish-football-team-1.53784 |title=Spurs and the Jews: the how, the why and the when |first1=Martin |last1=Cloake|first2= Alan|last2= Fisher|date=6 October 2016 |work=The Jewish Chronicle |access-date=30 June 2018}}</ref> also against the Argentine club [[Club Atlético Atlanta|Atlanta]] (commonly heard in the 1960s but may have begun as early as the 1940s),<ref>{{cite book |url=https://books.google.com/books?id=Zn-WBAAAQBAJ&pg=PA145 |title= Fútbol, Jews, and the Making of Argentina |first= Raanan |last=Rein|publisher= Stanford University Press |date= 2014|isbn= 978-0804793414 |pages=145–146 }}</ref> and against the Dutch club [[AFC Ajax|Ajax]] in the 1970s.<ref>{{cite book |url=https://books.google.com/books?id=i21W_KN_iUMC&pg=PA196 |title=Understanding Football Hooliganism: A Comparison of Six Western European Football Clubs|first= Ramón|last= Spaaij |pages=196–197 | publisher=Vossiuspers UvA|date= 2014|isbn= 978-0804793049}}</ref> Racist insults directed at black players began to be heard in the 1970s and 1980s in England and Spain when black players started appearing in their leagues in increasing numbers.<ref>{{cite book |url=https://books.google.com/books?id=8TQlDwAAQBAJ&pg=PA150|title=Fan Culture in European Football and the Influence of Left Wing Ideology |editor=Peter Kennedy |editor2=David Kennedy |pages=150–151 |isbn=978-1351668354|date= 2014 |publisher= Routledge }}</ref> Concerns over the abusive nature of some of these chants later led to measures in various countries to control them, for example, the British government made [[Racism in association football|racist]] and indecent chants an offence in the UK in 1991.<ref>{{cite web |url=http://www.legislation.gov.uk/ukpga/1991/19/section/3 |title=Football (Offences) Act 1991 |work=legislation.gov.uk }}</ref> In Italy, the [[Mancino law]] was used to prosecute fans for inciting racism.<ref>{{cite news |url=https://www.varesenews.it/2015/05/racist-chants-against-boateng-pro-patria-fans-acquitted-on-appeal/376209/ |title=Racist chants against Boateng, Pro Patria fans acquitted on appeal |date=30 May 2015 |work=VareseNews }}</ref> Despite efforts to stop them, some chants remain an issue around the world, such as the "''Eh puto''" chant used by Mexican fans,<ref>{{cite web |url=https://remezcla.com/features/sports/mexico-puto-chant-fifa/ |title=Mexico's "Puto" Chant Won't Ever Go Away, No Matter What FIFA Does |first=Gustavo |last=Arellano |work= Remezcla |date=9 November 2017 }}</ref><ref>{{cite news |url=https://mexiconewsdaily.com/news/measures-to-stop-fans-chanting-eh-puto/ |title=Soccer authorities plan measures to stop fans chanting 'Eh puto' |date=21 September 2019 |work=Mexico News Daily }}</ref> and racist chants in many countries.<ref name="nytimes chants">{{cite web |url=https://www.nytimes.com/2019/12/22/sports/soccer/romelu-lukaku-inter-italy-racism.html |title=When the Monkey Chants Are for You: A Soccer Star's View of Racist Abuse |work=The New York Times |first=Rory |last=Smith |date= 22 December 2019}}</ref><ref>{{cite news |url=https://www.bbc.co.uk/sport/football/50212951 |title=Bulgaria fans' racism: Racist abuse of England players leads to stadium ban |work=BBC |date=29 October 2019 }}</ref><ref>{{cite news |url=https://www.dw.com/en/italy-footballer-mario-balotelli-threatens-to-quit-match-after-racist-chants/a-51099367 |title=Italy footballer Mario Balotelli threatens to quit match after racist chants |date=3 November 2019 |work=DW}}</ref><ref>{{cite news |url=http://www.ipsnews.net/2003/03/argentina-bolivian-immigrants-complain-of-racist-football-chants/ |title=ARGENTINA: Bolivian Immigrants Complain of Racist Football Chants |first= Marcela |last=Valente |work=IPS News Agency }}</ref><ref>{{cite news |url=https://www.theguardian.com/football/2015/mar/02/player-walks-off-peru-racist-abuse-fans |title=Player walks off pitch in Peru over racist abuse from fans|agency=Reuters |date= 2 March 2015 |vianewspaper=The Guardian }}</ref>
 
===International spread===
As the sport of football spread to other countries, so did its associated fan culture of football chants. Many countries, however, have developed their own tradition of football songs and chants; for example, most Italian clubs have their own official hymns, often written specially for the club by a prominent singer or composer who is a fan of the club.<ref>{{cite web |url=http://www.goaldentimes.org/football-chants-in-italy/ |title=A Brief History of Football Chants in Italy |first= Tilak|last= Dutta |date= 7 March 2016|work=Goalden Times}}</ref><ref>{{cite web |url=https://forzaitalianfootball.com/2016/05/serie-a-anthems-official-songs-of-all-20-top-flight-clubs/ |title=Serie A Anthems: Official Songs of All 20 Top-flight Clubs|work=Forza Italian Football |date=5 May 2016}}</ref> Many countries also have football chants dating from the early part of the 20th century,<ref>{{cite web |url=https://kajahlsved.com/2015/11/16/heja-grabbar-friskt-humor-det-ar-det-som-susen-gor/ |title=Heja grabbar, friskt humör, det är det som susen gör!|work= Musik, sport & allt där emellan |date=16 November 2015}}</ref><ref>{{cite journal |journal= Literatura y Lingüística|url=https://scielowww.conicytredalyc.clorg/scielopdf/352/35201003.php?script=sci_arttext&pid=S0716-58111997001000003pdf |title=Las voces del fútbol. Análisis del discurso y cantos de cancha|first= Lelia Mabel |last=Gándara|year = 1997|doi=10.4067/S0716-58111997001000003 |volume=10|issue = 10|pages= 43–66 |doi-access=free}}</ref> and clubs such as [[Real Madrid CF|Real Madrid]] may have an official club song as early as 1903.<ref>{{cite web |url=https://www.eurosport.es/futbol/historias-eurosport-el-curioso-origen-de-las-mocitas-madrilenas-y-otras-canciones-del-clasico_sto7167864/story.shtml |title=El curioso origen del himno de las mocitas madrileñas, en historias Eurosport|work=Eurosport |lang=es |date=2 March 2019 |first=José Manuel|last=Antequera }}</ref> Football chants created in different countries may be specific to the local culture. Hand-clapping chants were popular in South American countries such as Brazil before it spread to other countries.<ref name=morris /> Some chants originated from other sports; for example, the "two, four, six, eight!" chant that was used for sports in the United States from the early 20th century was adopted by football fans in the UK in the 1950s.<ref name=cox /><ref>{{cite web |url=https://slate.com/human-interest/2018/06/2-4-6-8-the-history-of-two-four-six-eight-who-do-we-appreciate.html |title=Two, Four, Six, Eight, Who Do We Appreciate? A modern history of childhood, in one postgame cheer |first= Rebecca |last= Onion |date=4 June 2018|work=Slate }}</ref> The "Olé" chant from [[bullfighting]] is believed to be first used in Brazil for [[Garrincha]] in 1958,<ref>{{cite web |url=https://www.goal.com/en-gb/news/he-had-left-the-ball-behind-the-day-garrincha-gave-ole-to/1w1jfqscn3a1v1n9zdy91icukr |title='He had left the ball behind' – The day Garrincha gave 'Ole' to football|first=Tauan |last=Ambrósio |work=Goal |date=20 September 2018}}</ref> and one version of the "[[Olé, Olé, Olé]]" chant was first heard at a league game in [[Spain]] in 1982,<ref name="yahoo sports">{{cite web |url=https://sports.yahoo.com/blogs/soccer-dirty-tackle/soccer-chants-of-the-brazil-world-cup-explained-221127198.html |title=Soccer chants heard at the Brazil World Cup explained |first=Alex|last= Baker|date=21 June 2014|work=Yahoo Sports}}</ref> while another version quickly spread around Europe in 1986 and became widely popular around the world.<ref name=VRT>{{cite web |url=https://www.vrt.be/nl/over-de-vrt/nieuws/2020/09/30/selah-sue-opent-jubileumreeks-van-belpop/ |title= Canvas brengt jubileumreeks van Belpop |work=VRT |date=30 September 2020 }}</ref><ref>{{cite web |url= https://focus.knack.be/entertainment/muziek/hoe-wijlen-showbizzproducer-roland-verlooven-de-wereld-aan-een-voetballied-hielp/article-column-921065.html|title=Hoe wijlen showbizzproducer Roland Verlooven de wereld aan een voetballied hielp |date=11 March 2017 |work=Focus }}</ref>
 
As football fans travel to other countries on away international matches, and international broadcasts of football matches are common, fans from around the world often picked up chants from other clubs and countries, and some chants spread in an organic manner and become popular internationally. An example is the chant based on "[[Seven Nation Army]]" by [[The White Stripes]] – it was first adopted by fans of Belgian [[Club Brugge KV]] in 2003, their chant was then picked by Italian fans, and it was made an unofficial anthem for the [[Italy national football team]] in the [[2006 FIFA World Cup]], following which it spread to other football clubs around the world as well as beyond football into other sports and events.<ref>{{cite news |url=https://www.ft.com/content/7cb66182-94bb-11e7-83ab-f4624cccbabe |archive-url=https://ghostarchive.org/archive/20221210/https://www.ft.com/content/7cb66182-94bb-11e7-83ab-f4624cccbabe |archive-date=10 December 2022 |url-access=subscription |title=The story behind 'Seven Nation Army', an anthem of the World Cup football terraces |first=Helen |last=Brown |date=11 September 2017 |work=Financial Times}}</ref><ref>{{cite web |url=https://www.cbc.ca/radio/q/blog/how-a-white-stripes-song-became-the-biggest-soccer-anthem-of-all-time-1.4733900 |title=How a White Stripes song became the biggest soccer anthem of all time|first=Jennifer |last=Van Evra|date=5 July 2018 |work=CBC}}</ref>
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A wide variety of football chants exist, some of the more popular ones may be grouped into the following types:<ref name=morris /><ref name="luhrs2"/>
 
*{{unordered list| Anthems – These are songs that are closely associated with a club, and are commonly sung by fans to express their collective identity. Unlike other types of chants that are variations of widely-used chants, these songs tend to be unique to a particular club.<ref name="luhrs2"/> The best-known example may be "[[You'll Never Walk Alone]]" sung by Liverpool fans, although it has also been adopted by a few other clubs such as Celtic and [[Borussia Dortmund]].<ref>{{cite web |url =https://www.bundesliga.com/en/news/Bundesliga/noblmdwp-you'll-never-walk-alone-at-borussia-dortmund-429300.jsp |title='You'll Never Walk Alone' at Borussia Dortmund |first=Chris|last= Mayer-Lodge|work=Bundesliga}}</ref> Other notable club anthems include "[[Blue Moon (1934 song)|Blue Moon]]" ([[Manchester City F.C.|Manchester City]]), "[[I'm Forever Blowing Bubbles]]" ([[West Ham United F.C.|West Ham United]]), "[[No one likes us, we don't care]]" ([[Millwall F.C.|Millwall]]),<ref name="luhrs2">{{cite web |url=http://etheses.whiterose.ac.uk/12799/1/489131.pdf |title=Football Chants and the Continuity of the Blason Populaire Tradition|first=Joanne|last= Luhrs | pages=98–99 }}</ref> "[[Stern des Südens]]" ([[Bayern Munich]]), and "[[Cant del Barça]]" ([[FC Barcelona|Barcelona]]).<ref>{{cite web |url= https://bleacherreport.com/articles/678665-world-football-listing-the-top-10-football-songs-of-all-time|title=World Football: Listing the Top 10 Football Songs of All Time|first=Mitch |last= Hubble|date=12 May 2011|work=Bleacher Report }}</ref> Some anthems are written specially for the club, for example "[[Marching On Together]]" for [[Leeds United F.C.|Leeds United]], and more recently "[[Hala Madrid y nada más]]" for [[Real Madrid C.F.|Real Madrid]],<ref>{{cite news |url=https://eu.usatoday.com/story/life/music/2014/06/02/redone-nets-another-hit-with-real-madrid-soccer-anthem/9882317/ |title=RedOne nets another hit with Real Madrid soccer anthem |first=Edna|last= Gundersen | work=USA TODAY |date=2 June 2014}}</ref> but many are popular songs that for whatever reason have become identified with the club.
[[File:Chelsea fans chanting at Tottenham stadium.webm|thumb|upright=1|[[Chelsea F.C.|Chelsea]] fans chanting after an away win with 3 different examples of chants; their first chant simply repeats the name of the club, the second praises their manager ("Super [[Frank Lampard]]"), the third a version of the "[[Olé, Olé, Olé]]" chant]]
 
* Engagement with the team – These chants come in various forms. They may be expression of pride or loyalty in the club or team, or identity as fans of the club. At the simplest, the chants may just be repetitions of the name of the team, often with clapping (e.g. clap, clap, clap 3×, clap 4×, [''name of club'']), or they may identify themselves, e.g. "We are the [''name for fans or home stand'']". These also includes songs commonly sung at the club, such as "[[When the Saints Go Marching In (sports anthem)|When the [''name of team''] Go Marching In]]".<br /> The chants may also praise the team, individual players or managers. Typically popular tunes are used for this type of chants, for example, "There's only one [''name of player'']" sung to the tune of "[[Guantanamera]]", "Super [''name of player or team'']", or the "[[Olé, Olé, Olé]]" chant.<br /> The chants may give encouragement to the team, for example, "Come on you [''name of team'']", "[[Vamos (football chant)|Vamos [''name of team'']]]", "Allez [''name of team'']".<br /> They may be expression of confidence and optimism, suggesting that their team will win a game, the league, be promoted, or win a major cup tie at venues such as [[Wembley Stadium|Wembley]].<br />There may also be expressions of dissatisfaction, such as criticism of the team when they are performing poorly, or calling for the manager to resign, and occasionally against the owner of the club.<ref>{{cite news |url=https://talksport.com/football/659553/ole-gunnar-solskjaer-man-utd-fans-chant-glazers-ed-woodward/ |title= Ole Gunnar Solskjaer accepts Manchester United fans are 'disillusioned' as supporters chant against Glazers and Ed Woodward |first= Billy |last=Hawkins|date=23 January 2020 |work=talkSport}}</ref>
| Engagement with the team – These chants come in various forms. They may be expression of pride or loyalty in the club or team, or identity as fans of the club. At the simplest, the chants may just be repetitions of the name of the team, often with clapping (e.g. clap, clap, clap 3×, clap 4×, [''name of club'']), or they may identify themselves, e.g. "We are the [''name for fans or home stand'']". These also includes songs commonly sung at the club, such as "[[When the Saints Go Marching In (sports anthem)|When the [''name of team''] Go Marching In]]".
 
The chants may also praise the team, individual players or managers. Typically popular tunes are used for this type of chants, for example, "There's only one [''name of player'']" sung to the tune of "[[Guantanamera]]", "Super [''name of player or team'']", or the "[[Olé, Olé, Olé]]" chant.
 
The chants may give encouragement to the team, for example, "Come on you [''name of team'']", "[[Vamos (football chant)|Vamos [''name of team'']]]", "Allez [''name of team'']".
 
They may be expression of confidence and optimism, suggesting that their team will win a game, the league, be promoted, or win a major cup tie at venues such as [[Wembley Stadium|Wembley]].
 
There may also be expressions of dissatisfaction, such as criticism of the team when they are performing poorly, or calling for the manager to resign, and occasionally against the owner of the club.<ref>{{cite news |url=https://talksport.com/football/659553/ole-gunnar-solskjaer-man-utd-fans-chant-glazers-ed-woodward/ |title= Ole Gunnar Solskjaer accepts Manchester United fans are 'disillusioned' as supporters chant against Glazers and Ed Woodward |first= Billy |last=Hawkins|date=23 January 2020 |work=talkSport}}</ref>
[[File:North London derby 2010.04.14-ver2.ogv|thumb|Example of an insulting chant – [[Tottenham Hotspur F.C.|Tottenham]] fans chanting to [[Sol Campbell]] who had joined their rivals [[Arsenal F.C.|Arsenal]] ("Stick Sol Campbell up your Arse") while celebrating [[Ledley King]]]]
 
* Insults, threats or expressions of hatred or mockery directed at the opponents – There are large variations in this type of chants. The chants may target the team (for example, "Stand up if you hate [''name of team'']", "You're shit").<br /> Chants may be aimed at individual players or managers, and these can range from the amusing to the offensive or obscene. For example, "[[Who Ate All the Pies?]]" may be used against a player considered fat,<ref>{{cite book |url=https://books.google.com/books?id=AyGtDwAAQBAJ&pg=PT12 |title=Shall We Sing a Song For You?: The good, the bad and the downright offensive – Britain's Favourite Football Chants |first= Alex |last=Shaw |year= 2011 |publisher=John Blake Publishin |isbn=978-1843586470 }}</ref> or racist chants directed at black players.<ref name="nytimes chants" /> Chants may sometimes reflect players or managers in the news, or they may be made-up accusations directed against them that can be sung in either a humorous or offensive manner.<ref name=morris /><br /> Chants may target fans or home grounds of the opponents (e.g. "My garden shed is bigger than this" or "Is this a library"),<ref>{{cite news |url= https://www.liverpoolecho.co.uk/sport/football/football-news/10-football-chants-fans-should-10761982 |title=10 football chants that fans should stop singing immediately |date=23 January 2016 |work=Liverpool Echo |first=Paul |last=Philbin}}</ref> and may also refer to events in their rivals' club history, sometimes in highly offensive manner.<ref>{{cite web |url=https://www.sportskeeda.com/football/5-most-disrespectful-crowd-chants-football/3 |title=5 of the most disrespectful crowd chants in football |first=Scott |last=Newman|date= 16 June 2017|work=Sportskeeda}}</ref><ref>{{cite news |url=https://www.scmp.com/sport/soccer/article/2136872/you-only-sing-when-theres-dying-lyrics-about-tragedies-are-fair-game |title=You only sing when there's dying: Lyrics about tragedies are fair game for some Manchester United and Liverpool fans|first=Andy |last=Mitten|date= 12 March 2018 |work=South China Morning Post}}</ref> Fans may also use parodies of their rivals' anthems, for example, singing "sign on, sign on ... you'll never get a job" to the tune of "[[You'll Never Walk Alone]]" started at a time when there was high unemployment in Liverpool.<ref name="luhrs2"/><ref>{{cite news |url=https://inews.co.uk/sport/football/football-opinion/sign-on-song-liverpool-everton-chant-wolves-crystal-palace-189494 |title=It's time for the 'Sign on' chant aimed at Liverpool and Everton fans to die off |first=Will |last=Magee |work=iNews |date= 23 August 2018 }}</ref>
| Insults, threats or expressions of hatred or mockery directed at the opponents – There are large variations in this type of chants. The chants may target the team (for example, "Stand up if you hate [''name of team'']", "You're shit").
* Reactions to events that happened on the pitch or off the pitch, these may be in celebration of a goal (e.g. "two-nil") or aiming to disrupt, or are expressions of boredom. They may also be comments about the officials such as the referees (e.g. "the referee's a wanker"),<ref>{{cite magazine |url=https://www.newyorker.com/news/letter-from-the-uk/the-disastrous-arrival-of-video-replay-in-english-soccer |title=The Disastrous Arrival of Video Replay in English Soccer |first= Sam |last=Knight|date=2 November 2019|magazine=The New Yorker }}</ref> or the policing.<ref name=morris />
 
* Atmospheric chants – Sounds aimed at creating interest or excitement in the game without any specific message, such as long drawn-out "oooooh" and "arrrrrgh", or "la la la la la ..."<ref name=morris />
Chants may be aimed at individual players or managers, and these can range from the amusing to the offensive or obscene. For example, "[[Who Ate All the Pies?]]" may be used against a player considered fat,<ref>{{cite book |url=https://books.google.com/books?id=AyGtDwAAQBAJ&pg=PT12 |title=Shall We Sing a Song For You?: The good, the bad and the downright offensive – Britain's Favourite Football Chants |first= Alex |last=Shaw |year= 2011 |publisher=John Blake Publishin |isbn=978-1843586470 }}</ref> or racist chants directed at black players.<ref name="nytimes chants" /> Chants may sometimes reflect players or managers in the news, or they may be made-up accusations directed against them that can be sung in either a humorous or offensive manner.<ref name=morris />
 
* Insults, threats or expressions of hatred or mockery directed at the opponents – There are large variations in this type of chants. The chants may target the team (for example, "Stand up if you hate [''name of team'']", "You're shit").<br /> Chants may be aimed at individual players or managers, and these can range from the amusing to the offensive or obscene. For example, "[[Who Ate All the Pies?]]" may be used against a player considered fat,<ref>{{cite book |url=https://books.google.com/books?id=AyGtDwAAQBAJ&pg=PT12 |title=Shall We Sing a Song For You?: The good, the bad and the downright offensive – Britain's Favourite Football Chants |first= Alex |last=Shaw |year= 2011 |publisher=John Blake Publishin |isbn=978-1843586470 }}</ref> or racist chants directed at black players.<ref name="nytimes chants" /> Chants may sometimes reflect players or managers in the news, or they may be made-up accusations directed against them that can be sung in either a humorous or offensive manner.<ref name=morris /><br /> Chants may target fans or home grounds of the opponents (e.g. "My garden shed is bigger than this" or "Is this a library"),<ref>{{cite news |url= https://www.liverpoolecho.co.uk/sport/football/football-news/10-football-chants-fans-should-10761982 |title=10 football chants that fans should stop singing immediately |date=23 January 2016 |work=Liverpool Echo |first=Paul |last=Philbin}}</ref> and may also refer to events in their rivals' club history, sometimes in highly offensive manner (see Tragedy chanting below).<ref>{{cite web |url=https://www.sportskeeda.com/football/5-most-disrespectful-crowd-chants-football/3 |title=5 of the most disrespectful crowd chants in football |first=Scott |last=Newman|date= 16 June 2017|work=Sportskeeda}}</ref><ref>{{cite news |url=https://www.scmp.com/sport/soccer/article/2136872/you-only-sing-when-theres-dying-lyrics-about-tragedies-are-fair-game |title=You only sing when there's dying: Lyrics about tragedies are fair game for some Manchester United and Liverpool fans|first=Andy |last=Mitten|date= 12 March 2018 |work=South China Morning Post}}</ref> Fans may also use parodies of their rivals' anthems, for example, singing "sign on, sign on &nbsp;... you'll never get a job" to the tune of "[[You'll Never Walk Alone]]" started at a time when there was high unemployment in Liverpool.<ref name="luhrs2"/><ref>{{cite news |url=https://inews.co.uk/sport/football/football-opinion/sign-on-song-liverpool-everton-chant-wolves-crystal-palace-189494 |title=It's time for the 'Sign on' chant aimed at Liverpool and Everton fans to die off |first=Will |last=Magee |work=iNews |date= 23 August 2018 }}</ref>
 
*| Reactions to events that happened on the pitch or off the pitch, these may be in celebration of a goal (e.g. "two-nil") or aiming to disrupt, or are expressions of boredom. They may also be comments about the officials such as the referees (e.g. "the referee's a wanker"),<ref>{{cite magazine |url=https://www.newyorker.com/news/letter-from-the-uk/the-disastrous-arrival-of-video-replay-in-english-soccer |title=The Disastrous Arrival of Video Replay in English Soccer |first= Sam |last=Knight|date=2 November 2019|magazine=The New Yorker }}</ref> or the policing.<ref name=morris />
 
*| Atmospheric chants – Sounds aimed at creating interest or excitement in the game without any specific message, such as long drawn-out "oooooh" and "arrrrrgh", or "la la la la la ..."<ref name=morris />}}
 
===Tragedy chanting===
Tragedy chanting involves chanting about an opposition club's tragedies or tragic events that happen in their home cities.<ref>{{Cite webnews|url=https://www.bbc.com/news/newsbeat-64796080|title=Liverpool v Manchester United: What is 'tragedy chanting'?|date=4 March 2023|via=www.bbc.co.uk}}</ref> Instances in English football include exchanges between Manchester United and Leeds United fans,<ref>{{Cite web|url=https://inews.co.uk/sport/football/leeds-man-utd-tragedy-chanting-eradicated-2146479|title=Tragedy chanting is a stain on English football and must be eradicated immediately|first=Daniel|last=Storey|date=13 February 2023|website=inews.co.uk}}</ref> and between Manchester United and Liverpool fans.<ref>{{Cite web|url=https://www.bbc.com/news/newsbeat-19663132|title=United and Liverpool fans warned over tragedy chants|date=21 September 2012|viawork=www.bbc.co.ukBBC News}}</ref><ref>{{Cite webnews|url=https://www.theguardian.com/football/2023/mar/04/erik-ten-hag-jurgen-klopp-fans-stop-tragedy-chanting-liverpool-manchester-united|title=Jürgen Klopp and Erik ten Hag united in urging fans to stop 'tragedy chanting'|first=Andy|last=Martin|newspaper=The Observer |date=4 March 2023|via=The Guardian}}</ref> Subjects of the chants have included the [[Munich air disaster]], the [[Heysel Stadium disaster]], the [[Hillsborough disaster]], the [[2000 UEFA Cup semi-final violence|murder of two Leeds fans in Istanbul]], the [[Bradford City stadium fire]], the [[2019 English Channel Piper PA-46 crash|death]] of [[Emiliano Sala]], the [[Grenfell Tower fire]], and the [[7 July 2005 London bombings]]. However, some tragedy chants have also spread to international competitions. During the [[2016 UEFA Euro]] in [[France]], English fans began chanting about [[Daesh|ISIS]], which came months after the [[November 2015 Paris attacks]]. During the [[2022 FIFA World Cup|2022 World Cup]], some English fans began to chant and mock the [[September 11 attacks]] during a match against the United States. Some Mexican fans have also been reported to have chanted [[Osama bin Laden|Osama]] during matches against the United States in the early 2000s.
 
==Spoken chants==
[[File:Alte Försterei Fanchoreografie Union Berlin.jpg|thumb|upright=1.1|left|The supporters of the football club [[1. FC Union Berlin]] are known for their chant "Eisern Union" (Iron Union).]]
 
Some chants are spoken, sometimes accompanied by percussion. These chants may simply consist of the name of the team and/or words of encouragement. The chants may also be in a call-and-response format. For example, [[Chile national football team]] fans will do a routine whereby one group of fans will chant "Chi-Chi-Chi", and another group will respond "Le-Le-Le".<ref name="yahoo sports" /> For the [[Indonesia national football team]] one group of fans will chant "In-Do-Ne-Sia" with an [[air horn]] and hand clap in response. "Garuda Di Dadaku" is sung by fans when Indonesia plays at home.{{citation needed|date=December 2016}}
 
Popularised at the [[Sydney Olympics]] and used by Australian football supporters everywhere is the "[[Aussie Aussie Aussie, Oi Oi Oi]]" chant between two groups of supporters. It is a derivation of Welsh rugby chant "[[Oggy Oggy Oggy]]", which was also adapted by [[Chelsea F.C.|Chelsea]] supporters in tribute to [[Peter Osgood]].<ref>{{cite web| first=Luba| last=Vangelova| title=Oi, Oi, Oy| work=CNN Sports Illustrated| date=27 September 2000 | url=http://sportsillustrated.cnn.com/olympics/news/2000/09/27/sydney_scene/| archive-url=https://web.archive.org/web/20131105192340/http://sportsillustrated.cnn.com/olympics/news/2000/09/27/sydney_scene/| archive-date=5 November 2013| url-status=dead}}</ref><ref>{{cite news|title=Oggy! chant 'came from Cornwall'|url=https://www.walesonline.co.uk/news/wales-news/oggy-chant-came-from-cornwall-2297991|work=Wales Online|date=26 March 2018|access-date=6 July 2018}}</ref> A version "Zigger Zagger Oi Oi Oi" has been suggested to be based on a German toast "''Zicke zacke zicke zacke hoi hoi hoi''".{{sfn|Irwin|2006|page=35}}
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===Fighting chants===
{{anchor|You're Gonna Get Your Fucking Head Kicked In}}
"You're Gonna Get Your Fucking Head Kicked In", sometimes pluralised to "You're Gonna Get Your Fucking Heads Kicked In", is a football chant originating in England. It is also used as a case study in [[psychology]] and [[sociology]].<ref name="agg" /><ref>{{cite book |first=Peter E. |last=Marsh |title=Aggro: The Illusion of Violence |year=1978 |page=24 |publisher=J. M. Dent |isbn=978-0460120265}}</ref> The chant is often used as an intimidatory chant towards the opposing fans rather than as an actual threat of violence,<ref>{{cite book |first=Roger |last=Ingham |title=Football Hooliganism: The Wider Context |page=64 |publisher=Inter-Action Inprint |year=1978 |isbn=978-0904571158}}</ref> but there have been a number of occasions when it has led to a fight between fans.<ref name="agg">{{cite book|title=Aggression in the Sports World: A Social Psychological Perspective |url=https://archive.org/details/aggressionsports00russ |url-access=limited |author=Gordon W Russell|publisher=Oxford University Press|isbn=978-0195189599|year=2008|page=[https://archive.org/details/aggressionsports00russ/page/n44 32]}}</ref> The chant is sometimes used after the opposition have scored. It is now considered to be a dated chant with little current usage in English [[Association football culture|football culture]] despite being in common use in the 1970s and 80s.<ref>{{cite web|last=Turnbull |first=Simon |url=https://www.independent.co.uk/sport/football/news-and-comment/the-last-word-how-the-once-beautiful-game-can-get-rid-of-its-snarling-face-2265709.html |title=The Last Word: How the once beautiful game can get rid of its snarling face |work=The Independent |date=10 April 2011 |access-date=13 June 2012}}</ref>
 
==Chants based on hymns and classical music==
Several football chants are based on [[hymn]]s, with "[[Cwm Rhondda]]" (also known as "Guide me, O thou great redeemer") being one of the most popular tunes to copy. Amongst others, it has spawned the song "[[You're Not Singing Any More|You're not singing anymore!]]",<ref>{{cite journal | last = Caudwell | first =J.C. | title = 'Does your boyfriend know you're here?' The spatiality of homophobia in men's football culture in the UK | journal = Leisure Studies | volume = 30 | issue = 2 | pages = 123–138 | year = 2011 | issn = 0261-4367 | doi = 10.1080/02614367.2010.541481 | s2cid =144386213 }}| access-date =14 February 2012</ref> "We support our local team!", and "I will never be a [[Cardiff Blues|Blue]]!".
 
Various teams have used [[Glory Glory (football chant)|the "Glory Glory" chant]] (used by "[[Tottenham Hotspur F.C.|Tottenham Hotspur]]", "[[Leeds United F.C.|Leeds United]]", "[[Manchester United F.C.|Manchester United]]", etc.), to the tune of the "[[Battle Hymn of the Republic]]". [[Hibernian F.C.|Hibernian]] were the first team to use the song with the release of a record by [[Hector Nicol]] in the 1950s ("Glory Glory to the Hibees").<ref>{{cite web |url=http://www.fansnetwork.co.uk/football/southampton/news/38477/saints-fans-need-to-show-spurs-that-the-original-is-the-best |title=Saints Fans Need To Show Spurs That The Original Is The Best|work=The Ugly Inside |date=23 April 2015 |access-date=18 September 2015}}</ref>
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==Chants based on spirituals and folk songs==
Some chants are based on [[spiritual music|spiritual]]s. "[[We shall not be moved]]" and "[[He's Got the Whole World in His Hands]]" are both used by fans. An example of the latter's use was "He's got a pineapple on his head" aimed at [[Jason Lee (footballer)|Jason Lee]] due to his distinctive hairstyle.<ref>{{cite news|url=http://news.bbc.co.uk/sport1/hi/football/953251.stm |title=Keegan's the hair apparent |work=BBC News |date=2 October 2000 |access-date=17 February 2012}}</ref> The song was later popularised by the television show ''[[Fantasy Football League (TV series)|Fantasy Football League]]''.
 
[[Christmas carols]] have also been used as chants like with the theme of "[[O Tannenbaum]]" by the likes of Manchester United or Chelsea fans.
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==Chants based on popular music==
[[Popular music]] is the most common source of football chants. In the United Kingdom, [[music hall]] songs such as "[[My Old Man (Football)|My Old Man (Said Follow the Van)]]", "[[Knees Up Mother Brown]]", "[[I'm Forever Blowing Bubbles]]", "I Came, I Saw, I Conga'd" and "[[Two Little Boys]]" have long been used as the basis of terrace chants. Popular [[Traditional pop music|standards]] such as "[[Winter Wonderland]]", [[Scott Joplin]]'s "[[The Entertainer (rag)|The Entertainer]]", and the [[Eurovision Song Contest 1958|1958 Eurovision entry]] "[[Volare (song)|Volare]]" are also widely adapted to suit players and managers.<ref name="chiles">{{cite news|url=https://www.independent.co.uk/sport/football/news-and-comment/adrian-chiles-originality-the-key-for-fans-who-always-win-when-theyre-singing-6159926.html |title=Adrian Chiles: Originality the key for fans who always win when they're singing – News & Comment – Football |work=The Independent |date=16 October 2004 |access-date=17 February 2012 |location=London}}{{dead link|date=August 2021|bot=medic}}{{cbignore|bot=medic}}</ref> The [[Music of Cuba|Cuban]] song "[[Guantanamera]]" became popularly used as a chant in the UK as a version by [[The Sandpipers]] charted soon after the 1966 World Cup; it is commonly sung in a large variety of chants, for example in the form of "There's only one [player's name]", or "You only sing when you're winning".{{sfn|Irwin|2006|pages=16–17}}<ref>{{cite magazine |url=https://www.1843magazine.com/culture/how-a-cuban-song-became-a-football-favourite |title=How a Cuban song became a football favourite |first=Katia |last=Chorniki |magazine=1843 Magazine|date=14 June 2018 }}</ref> The tune "[[Tom Hark]]" is often played at many stadiums following a goal by the home team and for chants such as "[[Thursday Nights, Channel 5]]", whilst "[[Que Sera, Sera (Whatever Will Be, Will Be)]]" by [[Doris Day]] is generally reserved for matches where the venue of the final is [[Wembley Stadium (1923)|Wembley Stadium]].
 
The rhythm, rather than the melody, of "[[Let's Go (Pony)]]" by [[The Routers]] is widely used for clapping, drumming or banging by fans worldwide.
 
Music of [[1960s in music|the 1960s]] influenced terrace chants. "[[Ring of Fire (song)|Ring of Fire]]" by [[Johnny Cash]] and "[[That's Amore]]" by [[Dean Martin]] have been used by several sets of fans.<ref>{{cite web|url=http://www.nme.com/news/johnny-cash/23005 |title=Liverpool team up with Johnny Cash &#124; News |work=NME |date=8 May 2006 |access-date=17 February 2012}}</ref><ref>{{cite news| url=http://news.bbc.co.uk/sport1/hi/football/teams/b/brighton/2947211.stm | work=BBC News | title=Zamora ready for the big time | date=18 April 2003 | access-date=2 May 2010 | first=Paul | last=Fletcher}}</ref> "[[Lola (song)|Lola]]" by [[The Kinks]], and "[[Hi Ho Silver Lining]]" by [[Jeff Beck]] have been adapted by several clubs – most prolific of these include [[Aston Villa]], [[Sheffield Wednesday]] and [[Wolverhampton Wanderers]].<ref name="indy">{{Cite journal|url=http://www.highbeam.com/doc/1P2-1734013.html|archiveurl=httphttps://archive.today/20130125142603/http://www.highbeam.com/doc/1P2-1734013.html|url-status=dead|title=Football: The Sweeper|journal= The Independent |location=London |archive-date=25 January 2013}}</ref> "[[All You Need Is Love]]", "[[Hey Jude]]" and "[[Yellow Submarine (song)|Yellow Submarine]]" by [[The Beatles]] are often used.<ref name="indy" /><ref>{{cite news| url=http://www.independent.ie/sport/soccer/irish-fans-no-longer-dreaming-of-a-team-of-gary-breens-82205.html | work=Irish Independent | first=Daniel | last=McDonnell | title=Irish fans no longer dreaming of a team of Gary Breens | date=9 August 2006}}</ref> Songs from musicals have become very popular as football chants, such as "[[Chim Chim Cher-ee]]" from the 1964 musical ''[[Mary Poppins (film)|Mary Poppins]]''.<ref>{{cite news|url=http://elpais.com/diario/2006/10/12/deportes/1160604007_850215.html |title=Kanu, el marcapasos de la 'Premier' &#124; Edición impresa &#124; EL PAÍS |newspaper=El País |publisher=Elpais.com |date=12 October 2006 |access-date=17 February 2012|last1=Quixano |first1=Jordi }}</ref> Some early songs became popular as football chants later, for example the Venezuelan song "[[Moliendo Café]]" popular in early 1960s first became used as a chant in Argentina in the late 1970s, which spread to Italy as "Dale Cavese" chants in 2006 and then later to clubs around the world.<ref>{{cite news |url=https://www.theguardian.com/football/copa90/2016/dec/07/dale-cavese-football-chant-youtube-internet-world |title=Dale Cavese: the football chant that took over the internet and the world |date= 7 December 2016 |work=The Guardian }}</ref>
 
The emergence of [[funk]] and [[disco]] in the 1970s also made its mark on the terraces with songs such as "[[Go West (song)|Go West]]" by the [[Village People]]<ref>{{cite news| url=https://www.independent.co.uk/sport/football/news-and-comment/the-funniest-football-chants-1774361.html?action=gallery&ino=16 | title= The funniest football chants | location=London | work=The Independent | first=Simon | last=Rice | date=19 August 2009}}</ref> and "[[Oops Up Side Your Head]]" by [[The Gap Band]] remaining popular amongst fans. "[[Ain't Nobody]]" by [[Rufus (band)|Rufus]] and [[Chaka Khan]] has been used by Arsenal fans and others. Music popular in the 1980s and 1990s is also used widely. Chants have been based on "[[Just Can't Get Enough (Depeche Mode song)|Just Can't Get Enough]]" by [[Depeche Mode]],<ref>{{cite news|author=Premier League |url=https://www.telegraph.co.uk/sport/football/competitions/premier-league/8436092/Liverpool-v-Manchester-City-live.html |title=Liverpool v Manchester City: live |work=Telegraph|date= 11 April 2011|access-date=17 February 2012 |location=London}}</ref> "[[Love Will Tear Us Apart]]" by [[Joy Division]],<ref>{{Cite web|url=https://www.theguardian.com/football/Observer_Match_Report/0,,-41400,00.html|title=Giggs emphasises gap &#124; Match Reports &#124; guardian.co.uk Football|website=[[TheGuardian.com]]}}</ref> "[[Pop Goes the World]]" by [[Men Without Hats]], the [[Band Aid (band)|Band Aid]] song "[[Do They Know It's Christmas?]]", "Papa's Got a Brand New Pigbag" by [[Pigbag]] and "[[This Is How It Feels]]" by [[Inspiral Carpets]].<ref name="chiles" /> Other chants have used tunes from on pop songs include "[[Three Lions (song)|Three Lions]]", the official England anthem for [[UEFA Euro 1996|Euro '96]] and [[Manic Street Preachers]] song "[[If You Tolerate This Your Children Will Be Next]]".<ref>{{cite web |url=http://weheartfootball.com/2011/07/19/top-5-criminal-footballers-putting-the-laughter-in-manslaughter/ |title=Top 5 Criminal Footballers – Putting the Laughter in Manslaughter « We Heart Football |publisher=Weheartfootball.com |date=19 July 2011 |access-date=17 February 2012 |url-status=dead |archive-url=https://web.archive.org/web/20111004212509/http://weheartfootball.com/2011/07/19/top-5-criminal-footballers-putting-the-laughter-in-manslaughter/ |archive-date=4 October 2011 }}</ref>
 
Fans of a number of different clubs in the United Kingdom have adopted "[[Rockin' All Over the World]]" by [[Status Quo (band)|Status Quo]] as a chant. Liverpool fans sing "[[Scouser]]s all over the world". Arsenal fans sing "[[Bukayo Saka|Saka]] and [[Emile Smith Rowe]]". [[Rangers F.C.|Rangers]] fans sing "Gerrard stopped ten in a row", in reference to the club winning the [[2020-21 Scottish Premiership]] under manager [[Steven Gerrard]] and breaking [[Old Firm|bitter rivals]] [[Celtic F.C.|Celtic's]] nine-year monopoly on the title.
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Fans in England sing "Leeds are falling apart again" to the tune of "Love will tear us apart" by [[Joy Division]] to mock fans of [[Leeds United]].
 
More recent releases to have their music appropriated include "[[Seven Nation Army]]" by [[The White Stripes]], which became highly popular across nations.<ref>{{cite web|last=Siegel|first=Alan|title=How The Song "Seven Nation Army" Conquered The Sports World|url=http://deadspin.com/5875933/how-the-song-seven-nation-army-conquered-the-sports-world|work=Deadspin.com|date=13 January 2012 |access-date=20 January 2012}}</ref> A number of songs became popular in the 2010s, an example being "[[Freed from Desire]]", which is used to celebrate particular players – it was first popularised as "[[Will Grigg]]'s on Fire", then used for others such as "[[Jamie Vardy|Vardy]]'s on Fire" and "[[Antoine Griezmann|Grizi]]'s on Fire".<ref>{{cite news|first= James |last= Whaling |title= Vardy's on fire! Watch England fans adapt Will Grigg chant for Leicester striker |date= 12 June 2016 |newspaper= [[Daily Mirror]] |url= https://www.mirror.co.uk/sport/row-zed/vardys-fire-watch-england-fans-8175728 |access-date= 15 July 2016}}</ref><ref>{{cite news|first= Yannick |last= Vely |title= Euro 2016: "Griezmann's on Fire ..." |newspaper= [[Paris Match]] |date= 26 June 2016 |access-date= 7 July 2018 |url= http://www.parismatch.com/Actu/Sport/Euro-2016-Grizi-s-on-Fire-1004773 |language= fr}}</ref><ref>{{cite news|first= Callum |last= Davis |title= 'Will Grigg's on Fire!' Fan behind the cult chant given a free Wigan season ticket |date= 17 May 2016 |newspaper= [[The Daily Telegraph]] |url= https://www.telegraph.co.uk/football/2016/05/17/will-griggs-on-fire-fan-behind-the-cult-chant-given-a-free-wigan/ |access-date= 30 May 2016}}</ref> An Italian disco song "[[L'estate sta finendo]]" became popular among European clubs such as [[S.S.C. Napoli|Napoli]], [[Juventus F.C.FC|Juventus]], [[FC Porto|Porto]], [[Atlético Madrid]] and others as "Un giorno all'improvviso", later picked up [[Liverpool F.C.|Liverpool]] fans, who created their own version as "Allez Allez Allez" for their [[2017–18 UEFA Champions League]] campaign,<ref>{{cite web|last1=Smith|first1=Rory|title=How an Italian Disco Hit Became Liverpool's Champions League Anthem|url=https://www.nytimes.com/2018/05/23/sports/soccer/champions-league-liverpool.html|website=[[The New York Times]]|date=23 May 2018}}</ref> and it then spread to other British clubs in the 2018–2019 season.<ref>{{cite news |url=https://www.walesonline.co.uk/sport/football/football-news/liverpool-cardiff-city-fans-singing-16161395 |title=Why Liverpool AND Cardiff City fans are singing the Allez Allez Allez |work=Wales Online |date=21 April 2019 |first=Jon |last=Doel }}</ref><ref>{{cite web |url=https://www.football.london/tottenham-hotspur-fc/news/spurs-allez-allez-chant-liverpool-16252656 |title=The brilliant new Spurs chant inspired by Man City victory – and Liverpool fans will hate it |first=Rob |last=Guest|date= 9 May 2019 |work=football.london }}</ref> In late 2017, "[[September (Earth, Wind & Fire song)|September]]" by [[Earth, Wind & Fire]] had a big impact in English stadia.<ref>{{cite web|last=MacInnes|first=Paul|title=When a terrace tune goes viral: the hunt for the source of the September chant|url=https://www.theguardian.com/football/2017/nov/23/terrace-tunes-viral-source-september-chant|work=The Guardian|date=23 November 2017|access-date=30 December 2018}}</ref> In 2022, fans of [[Tottenham Hotspur]] crafted a chant for [[Dejan Kulusevski]] to the tune of [[ABBA]]'s "[[Gimme! Gimme! Gimme! (A Man After Midnight)]]".<ref>{{cite web|last=Burton|first=Chris|title=Kulusevski 'Gimme, gimme, gimme' chant: Lyrics & meaning behind Tottenham fan song|url=https://www.goal.com/en-us/news/kulusevski-gimme-gimme-gimme-chant-lyrics-and-meaning-behind-tottenham-fan-song/blt819f59bed25855e2|work=[[Goal.com]]|date=29 April 2022|access-date=12 December 2023}}</ref>
 
==Chants based on advertising jingles, nursery rhymes and theme tunes==
Football crowds also adapt tunes such as advertising jingles, nursery rhymes and theme tunes. "[[The Farmer in the Dell]]" known in some regions as 'The Farmer Wants A Wife', provides the famous chant of "[[Ee Aye Addio]]", a tune which also provides the first bars of the 1946 be-bop jazz classic "Now's The Time", by alto saxophonist [[Charlie Parker]]. The marching tune "[[When Johnny Comes Marching Home]]" is also used a basis for songs, such as "His Armband Said He Was a Red", sung by Liverpool fans in honour of [[Fernando Torres]] while he was still at the club.<ref>{{cite news| url=https://www.telegraph.co.uk/sport/columnists/henrywinter/2296977/British-clubs-must-savour-Champions-League.html | location=London | work=The Daily Telegraph | first=Henry | last=Winter | title=British clubs must savour Champions League | date=11 April 2008}}</ref> Chelsea fans then adapted the chant to match their own colours when Torres was transferred to the London club in 2011, with "He's now a Blue, he was a Red." Manchester United used the song to describe Torres and his looks too after he missed an open goal. United also used the song about [[John O'Shea]] after he scored a goal against Derby in the Carling Cup in 2009.
The children's song "[[Ten Green Bottles]]" became "[[Ten German Bombers]]", to the tune of "[[She'll Be Coming 'Round the Mountain]]," both songs used by English fans to their main rivals, [[Germany]]. The nursery rhyme "[[This Old Man]]" is sung by both supporters of Manchester United and [[Manchester City F.C.|Manchester City]]. The theme"[[Theme from [[Z-Cars]]" has been used in [[Everton F.C.|Everton]]'s [[Goodison Park]] ground since 1962.<ref>{{cite news |url=https://www.football-stadiums.co.uk/articles/football-anthems/ |title=Football Anthems |work=Football Stadiums }}</ref>
 
[[Theme music|Theme tunes]] which have been used as chants include ''[[Heartbeat (Buddy Holly song)|Heartbeat]]'' and ''[[The Banana Splits]]''.<ref>{{cite web|url=http://www.mirrorfootball.co.uk/opinion/columnists/brian-reade/Brian-Reade-column-Why-Blackpool-boss-Ian-Holloway-is-acting-like-a-used-car-salesman-over-Charlie-Adam-s-transfer-plus-why-Liverpool-fans-should-be-thanking-their-Fulham-counterparts-for-Roy-Hodgson-chants-article684133.html |title=Why Blackpool boss Ian Holloway is acting like a used car salesman over Charlie Adam's transfer, plus why Liverpool fans should be thanking their Fulham counterparts for Roy Hodgson chants| first=Brian |last=Reade |work=Mirror Football |access-date=17 February 2012}}</ref>
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Coventry City former chairman and manager Jimmy Hill, adopted the "Eton Boating song" as the club's official anthem to create Play up Sky blues in the early 1960s. The song has been sung on the terraces ever since and remains one of the most recognisable in English football.{{citation needed|date=September 2020}}
 
Fans of [[Shamrock Rovers]] sing "[[Build Me Up Buttercup]]" by [[The Foundations]].<ref>{{cite web | url=https://www.fanchants.com/de/football-songs/shamrock-rovers-chants/build-me-up-buttercup-2/ | title='Build Me up Buttercup' - Shamrock Rovers FanChants }}</ref>
 
==Country-specific songs and chants==
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== Argentine fútbol chanting ==
[[File:Hinchada de Racing Club.ogv|250px|thumb|thumbtime=30|[[Racing Club de Avellaneda]] fans chanting the famous "''Mi Buen Amigo''" (My good friend)<ref>{{Cite web |date=2021-09-28 |title=El origen de una de las canciones de cancha más populares del fútbol argentino - TyC Sports |url=https://www.tycsports.com/liga-profesional-de-futbol/podcast-origen-canciones-cancha-hinchadas-argentinas--id376913.html |access-date=2024-02-20 |website=www.tycsports.com}}</ref> chant before the start of a match.]]
Eduardo Herrera suggests that soccer chanting in Argentina allows participants to create value around and give meaning to the idea of "aguante," which is "central in the construction of an ideal masculinity." "Aguante" translates to "endurance" or "stamina" in English.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 472.</ref> In practice, aguante is part of a masculine discourse that "divides the world between 'real men' and 'not men.' Garriga Zucal and Daniel Salerno have identified three main signs of ''aguante''. The first is "alentar siempre," which means to show support for the team throughout the entire match by jumping or chanting, even through bad weather or poor performance by the team. Secondly, to show ''aguante'', a man must show up to all the matches, including away games that require long, uncomfortable trips. Thirdly, a fan must withstand confrontation to demonstrate ''aguante'', either through chanting at opposing fans or through physical fights.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 473.</ref>
 
Following the work of Pablo Alabarces and others, Eduardo Herrera suggests that soccer chanting in Argentina allows participants to create value around and give meaning to the idea of "aguante," which is "central in the construction of an ideal masculinity." "Aguante" translates to "endurance" or "stamina" in English.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 472.</ref> In practice, aguante is part of a masculine discourse that "divides the world between 'real men' and 'not men.' Garriga Zucal and Daniel Salerno have identified three main signs of ''aguante''. The first is "alentar siempre," which means to show support for the team throughout the entire match by jumping or chanting, even through bad weather or poor performance by the team. Secondly, to show ''aguante'', a man must show up to all the matches, including away games that require long, uncomfortable trips. Thirdly, a fan must withstand confrontation to demonstrate ''aguante'', either through chanting at opposing fans or through physical fights.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 473.</ref>
 
Participating in chanting or ''cantitos'' is a major way the ''[[Barra brava|barras bravas]]'', or the most important militant groups of fans, can demonstrate ''aguante''. The ''[[Barra brava|barras bravas]]'', who are also known as the ''hinchada militante'', stand throughout the game behind the goal and chant the entire time.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 476.</ref> These groups bring instruments to the matches in order to synchronize the chanting. The most prominent instrument is the ''bombo con platillo'', which is a large bass drum with a diameter of 22-24 inches.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 478.</ref> The ''bombos con platillo'' are often decorated with the team's colors and name and the name of the ''barra'' group, which is distinct from the team name. Along with these drums, other types of drums include Brazilian ''surdo'' drums, ''redoblantes'' (snare drums), and ''repiques''. The ''barras'' often have other percussion instruments, including scrappers, tambourines, cowbells, and agogo bells. In addition to percussion, most ''barras'' have at least three trumpet players, and many teams might add trombones or euphoniums. While the ''bombo'' players are always from the ''[[Barra brava|barras bravas]]'' itself, because of the advanced skill it takes to play the brass instruments, the ''barras'' sometimes hire outside brass players to play during a match.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 470-499.</ref>
 
In the ensemble, one ''bombo'' player serves as the leader of the group, where he leads with exaggerated arm movements that are easy for the players to follow, but the leader of the chanting is often falls to another leader of the ''barras''. They might lead by giving verbal or visual cues to the head ''bombo'' player, or they might just independently start a chant and expect the ensemble to follow.<ref>Herrera, Eduardo. 2018. "Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony." ''Ethnomusicology'' 62(3): 480.</ref>
 
 
==See also==