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{{About|the British modernist author|the American children's author|Virginia Euwer Wolff|the British rock band|Virginia Wolf}}
{{Redirect|Woolf}}
{{Use dmy dates|date=
{{Use British English|date=May 2020}}
{{overly detailed|date=January 2024}}
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== Life ==
===
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{{multiple image
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[[File:Duckworth Stephen Family 1892.jpg|thumb|Duckworth/Stephen Family {{circa|1892}}. Back row: Gerald Duckworth, Virginia, Thoby and Vanessa Stephen, George Duckworth. Front row: Adrian, Julia, Leslie Stephen.]]
Virginia lived at 22 Hyde Park Gate until her father's death in 1904.{{sfn|
Virginia showed an early affinity for writing. By the age of five she was writing letters. A fascination with books helped form a bond between her and her father.{{sfn|Gordon|2004}} From the age of 10, with her sister Vanessa, she began an illustrated family newspaper, the ''Hyde Park Gate News'', chronicling life and events within the Stephen family,{{sfn|Harris|2011|p=18}} and modelled on the popular magazine ''[[Tit-Bits]]''.{{sfn|Lowe|2005|p=vii}} Virginia would run the ''Hyde Park Gate News'' until 1895, a few weeks before her mother's death.{{sfn|Lowe|2005|p=ix}} In 1897 Virginia began her first diary,{{sfn|Woolf|1990|loc=1 January 1898|p=134}} which she kept for the next twelve years.{{sfn|Woolf|1990}}
===== Talland House
In the spring of 1882, Leslie rented a large white house in [[St Ives, Cornwall]].{{sfn|Eagle|Carnell|1981|p=232}}{{sfn|Gordon|2004}} The family would spend three months each summer there for the first 13 years of Virginia's life.{{sfn|Harris|2011|pp=19-20}} Although the house had limited amenities, its main attraction was the view overlooking Porthminster Bay towards the [[Godrevy Lighthouse]].{{sfn|Gordon|2004}} The happy summers spent at Talland House would later influence Woolf's novels ''[[Jacob's Room]]'', ''[[To the Lighthouse]]'' and ''[[The Waves]]''.{{sfn|Wright|2011|p=22}}
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}}
=====
In the 1939 essay "A Sketch of the Past" Woolf first wrote about experiencing sexual abuse by Gerald Duckworth at a young age. There is speculation that this contributed to her mental health issues later in life.{{sfn|Lee|1997a|pp=123-124}} There are also suggestions of sexual impropriety from George Duckworth during the period that he was caring for the Stephen sisters.{{sfn|Lee|1997a|pp=151-156}}
==== Adolescence ====
[[File:Virginia Woolf with her father, Sir Leslie Stephen.jpg|thumb|Virginia and Leslie Stephen, 1902|alt=Portrait of Virginia Woolf with her father Leslie Stephen in 1902, by Beresford]]
Julia Stephen fell ill with influenza in February 1895, and never properly recovered, dying on 5 May, when Virginia was only 13.{{sfn|Bell|1972|loc=Chronology|p=190}} This precipitated what Virginia later identified as her first "breakdown"{{emdash}}for months afterwards she was nervous and agitated, and she wrote very little for the subsequent two years.{{sfn|Harris|2011|p=25}}
Stella Duckworth took on a parental role.{{sfn|Gordon|2004}} She married in April 1897, but moved to a house very close to the Stephens to continue to support the family. However, she fell ill on honeymoon and died on 19 July 1897.{{sfn|Harris|2011|p=28}}{{sfn|Bell|1972|loc=Chronology|p=191}} Subsequently George Duckworth took it upon himself to act as the head of the household, and [[debut (society)|bring Vanessa and Virginia out into society]].{{sfn|Harris|2011|p=29}}<ref name=MP230/> This was not a rite of passage that resonated with either girl; Virginia's view was that "Society in those days was a very competent,
Leslie Stephen died in February 1904, which caused Virginia to suffer another period of mental instability from April to September, and led to at least one suicide attempt.{{sfn|Harris|2011|p=36}} Woolf later described the period of 1897{{endash}}1904 as "the seven unhappy years."{{sfn|Harris|2011|p=32}}
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Although Virginia could not attend Cambridge, she was to be profoundly influenced by her brother Thoby's experiences there. When Thoby went to Trinity in 1899, he befriended a circle of young men, including [[Clive Bell]], [[Lytton Strachey]], [[Leonard Woolf]] (whom Virginia would later marry), and [[Saxon Sydney-Turner]], to whom he would introduce his sisters at the [[Trinity May Ball]] in 1900.{{sfn|Todd|1999|p=12}} These men formed a reading group they named the Midnight Society, which the Stephen sisters would later be invited to.<ref name=Moggridge217/>
==== Gordon Square
[[File:46 Gordon Square London.jpg|thumb|upright|46 Gordon Square| alt=Photograph of 46 Gordon Square, Virginia's home from 1904 to 1907]]
After their father's death, Vanessa and Adrian decided to sell 22 Hyde Park Gate in South Kensington and move to [[Bloomsbury]]. This was a much cheaper area{{emdash}}they had not inherited much and were unsure about their finances. The Duckworth brothers did not join the Stephens in their new home; Gerald did not wish to, and George got married during the preparations, leaving to live with his new wife.{{sfn|Bell|1972|pp=94-96}} Virginia lived in the house for brief periods in the autumn{{snd}}she was sent away to Cambridge and Yorkshire for her health{{snd}}and settled there permanently in December 1904.{{sfn|Lee|1997a|pp=
From March 1905 the Stephens began to entertain their brother Thoby's intellectual friends at Gordon Square. The circle, who were largely members of the [[Cambridge Apostles]], included [[Saxon Sydney-Turner]], [[Lytton Strachey]], [[Clive Bell]] and [[Desmond MacCarthy]]. Their social gatherings, referred to as "Thursday evenings", were a vision of recreating Trinity College.{{sfn|Lee|1997a|pp=204,206}} This circle formed the nucleus of the intellectual circle of writers and artists known as the [[Bloomsbury Group]].{{sfn|Todd|1999|p=12}} Later, it would include [[John Maynard Keynes]], [[Duncan Grant]], [[E. M. Forster]], [[Roger Fry]], Leonard Woolf, and [[David Garnett]].{{efn|In the 1960s Leonard Woolf listed those people he considered to be "Old Bloomsbury" as: Vanessa and Clive Bell, Virginia and Leonard Woolf, Adrian and [[Karin Stephen]], Lytton Strachey, Maynard Keynes, Duncan Grant, E. M. Forster, Sydney Saxon-Turner, Roger Fry, Desmond and [[Molly MacCarthy]] and later David Garnett and [[Julian Bell|Julian]], [[Quentin Bell|Quentin]] and [[Angelica Garnett|Angelica Bell]]. Others add [[Ottoline Morrell]], [[Dora Carrington]] and [[James Strachey|James]] and [[Alix Strachey]]. The "core" group are considered to be the Stephens and Thoby's closest Cambridge friends, Leonard Woolf, Clive Bell, Lytton Strachey and Saxon Sydney-Turner.{{sfn|Wade|2015}}{{sfn|Lee|1997a|p=259}}}}{{sfn|Lee|1997a|p=259}}
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Two days after Thoby's death, Vanessa accepted a previous proposal of marriage from Clive Bell.{{sfn|Lee|1997a|pp=210,226}} As a couple, their interest in [[avant-garde]] art would have an important influence on Woolf's further development as an author.{{sfn|Briggs|2006a|pp=69–70}}
==== Fitzroy Square
[[File:Virginia Woolf and George Bernard Shaw (5025918683).jpg|thumb|upright|29 Fitzroy Square|alt=Photo of 29 Fitzroy Square, Virginia's home from 1907 to 1910]]
In November 1911 Virginia and Adrian moved to a larger house at 38 [[Brunswick Square]], and invited John Maynard Keynes, Duncan Grant and Leonard Woolf to become lodgers there.{{sfn|Lee|1997a|pp=267,300}}{{sfn|Bell|1972|p=180}} Virginia saw it as a new opportunity: "We are going to try all kinds of experiments", she told [[Ottoline Morrell]].{{sfn|Lee|1997a|p=288}} This arrangement for a single woman living among men was considered scandalous.{{sfn|Lee|1997a|p=288}}
===== ''Dreadnought'' hoax =====
{{main|Dreadnought hoax}}
[[File:Dreadnought hoax larger photo.png|thumb|The [[Dreadnought hoax|''Dreadnought'' hoaxers]] in [[Ethiopian Empire|Abyssinian]] regalia, 1910 (Virginia Stephen far left with beard)|alt=Bearded Virginia Woolf in Ethiopian costume 1910, in the Dreadnought Hoax
Several members of the
[[File:VStephenKCox.jpg|thumb|upright|Virginia Stephen (L) with [[Katherine Laird Cox|Katherine Cox]], Asham 1912|alt=Virginia Stephen with Katherine Cox at Asham in 1912]]
During the latter Bloomsbury years Virginia travelled frequently with friends and family, to Dorset and Cornwall as well as further afield to Paris, Italy and Bayreuth. These trips were intended to avoid her suffering exhaustion from extended periods in London.{{sfn|Lee|1997a|p=236}} The question arose of Virginia needing a quiet country retreat close to London, for the sake of her still-fragile mental health.{{sfn|Bell|1972|p=166}} In the winter of 1910 she and Adrian stayed at [[Lewes]] and started exploring the area of Sussex around the town.{{sfn|Lee|1997a|p=236}} She soon found a property in nearby [[Firle]], which she named "Little Talland House"; she maintained a relationship with that area for the rest of her life, tending to spend her time either in Sussex or London.{{efn|Virginia was somewhat disparaging about the exterior of Little Talland House, describing it as an "eyesore" (Letter to Violet Dickinson 29 January 1911) and "inconceivably ugly, done up in patches of post-impressionist colour" (Letters, no. 561, April 1911).{{sfn|Wilkinson|2001}}}}{{sfn|Bell|1972|pp=166–167,227-252}}
In September 1911 she and Leonard Woolf found Asham House{{efn|Sometimes spelled "Asheham" or "Ascham".{{sfn|Woolf|1964|p=56}}}} nearby, and Virginia and Vanessa took a joint lease on it.{{sfn|Lee|1997a|p=311}} Located at the end of a tree-lined road, the house was in a Regency-Gothic style, "flat, pale, serene, yellow-washed", remote, without electricity or water and allegedly haunted.{{sfn|Eagle|Carnell|1981|pp=9-10}}{{sfn|Lee|1997a|pp=311-312}} The sisters had two housewarming parties in January 1912.{{sfn|Lee|1997a|p=311}}
Virginia recorded the events of the weekends and holidays she spent there in her ''Asham Diary'', part of which was later published as ''A Writer's Diary'' in 1953. In terms of creative writing, ''[[The Voyage Out]]'' was completed there, and much of ''[[Night and Day (Woolf novel)|Night and Day]]''.{{sfn|Asham|2018}} The house itself inspired the short story "A Haunted House", published in ''[[A Haunted House and Other Short Stories]]''.{{sfn|Woolf|1964|p=57}} Asham provided Woolf with much-needed relief from the pace of London life, and was where she found a happiness that she expressed in her diary on 5 May 1919: "Oh, but how happy we've been at Asheham! It was a most melodious time. Everything went so freely; – but I can't analyse all the sources of my joy".{{sfn|Asham|2018}}
{{multiple image |header = Houses in Sussex| align = center | direction = horizontal | total_width =800 | float = none
|image1= Little Talland House.jpg|caption1= Little Talland House, [[Firle]] | alt1=Photo of Little Talland House, Firle, East Sussex. Leased by Virginia Woolf in 1911
|image2=Asheham House, nr Beddingham ca. 1914.jpg| caption2 = Asham House, [[Beddingham]] | alt2= Photo of Asham house in 1914
|image3=The Round House, Lewes, 2017.jpg|caption3=The Round House, Lewes |alt3=The Round House in Lewes
|image4=Monk's House, Rodmell, UK.jpg|caption4=[[Monk's House]], Rodmell |alt4=Monk's House in Rodmell}}
While at Asham, in 1916 Leonard and Virginia found a farmhouse to let about four miles away, which they thought would be ideal for her sister. Eventually, Vanessa came down to inspect it, and took possession in October of that year, as a summer home for her family. The [[Charleston Farmhouse]] was to become the summer gathering place for the Bloomsbury Group.{{sfn|Bell|1972|loc=Vol II: 1915–1918}}{{page needed|date=June 2024}}
=== Marriage and war (1912–1920) ===
[[File:Virginia and Leonard Woolf, 1912 (borderless crop).jpg|thumb|upright|Engagement photograph, Virginia and Leonard Woolf, 23 July 1912|alt=Virginia and Leonard on their engagement in July 1912]]
[[Leonard Woolf]] was one of Thoby Stephen's friends at Trinity College, Cambridge, and had encountered the Stephen sisters in Thoby's rooms while visiting for [[May Week]] between 1899 and 1904. He recalled that in "white dresses and large hats, with parasols in their hands, their beauty literally took one's breath away".{{sfn|Lee|1997a|pp=204-205}} In 1904 Leonard Woolf left Britain for a civil service position in [[Ceylon]],{{sfn|Wright|2011|p=40}} but returned for a year's leave in 1911 after letters from Lytton Strachey describing Virginia's beauty enticed him back.{{sfn|Harris|2011|p=47}}{{sfn|Wright|2011|p=50}} He and Virginia attended social engagements together, and he moved into Brunswick Square as a tenant in December of that year.
Leonard proposed to Virginia on 11 January 1912.{{sfn|Lee|1997a|pp=300-301}} Initially she expressed reluctance, but the two continued courting. Leonard decided not to return to Ceylon and resigned his post. On 29 May Virginia declared her love for Leonard,{{sfn|Lee|1997a|pp=301-304}} and they married on 10 August at [[Camden Town Hall|St Pancras Town Hall]]. The couple spent their honeymoon first at Asham and the [[Quantock Hills]] before travelling to the south of France and on to Spain and Italy. On their return they moved to [[Clifford's Inn]],{{sfn|Lee|1997a|pp=317-318}} and began to divide their time between London and Asham.{{sfn|Harris|2011|p=49}}
Virginia Woolf had completed a penultimate draft of her first novel ''[[The Voyage Out]]'' before her wedding, but undertook large-scale alterations to the manuscript between December 1912 and March 1913. The work was subsequently accepted by her half-brother Gerald Duckworth's publishing house, and she found the process of reading and correcting the proofs extremely emotionally difficult.{{sfn|Lee|1997a|p=321-322}} This led to one of several breakdowns over the subsequent two years; Woolf attempted suicide on 9 September 1913 with an overdose of [[Veronal]], being saved with the help of Maynard Keynes' surgeon brother [[Geoffrey Keynes]] who drove Leonard to [[St Bartholomew's Hospital]] to fetch a stomach pump.{{sfn|Harris|2011|pp=52,54}} Woolf's illness led to Duckworth delaying the publication of ''The Voyage Out'' until 26 March 1915.{{sfn|Lee|1997a|p=322}}
In the autumn of 1914 the couple moved to a house on [[Richmond Green]],{{sfn|Lee|1997a|p=325}} and in late March 1915 they moved to Hogarth House, also in [[Richmond, London|Richmond]], after which they named [[Hogarth Press|their publishing house]] in 1917.{{sfn|Lee|1997a|pp=346-347, 358}} The decision to move to London's suburbs was made for the sake of Woolf's health.{{sfn|Lee|1997a|p=346}} Many of Woolf's circle of friends were against the war, and Woolf herself opposed it from a standpoint of pacifism and anti-censorship.{{sfn|Lee|1997a|pp=339-341,345}} Leonard was exempted from the [[Military Service Act 1916|introduction of conscription in 1916]] on medical grounds.{{sfn|Todd|1999|p=13}} The Woolfs employed two servants at the recommendation of [[Roger Fry]] in 1916; Lottie Hope worked for a number of other Bloomsbury Group members, and [[Nellie Boxall]] would stay with them until 1934.{{sfn|Lee|1997a|pp=349-350}}
The Woolfs spent parts of the period of the [[First World War]] in Asham, but were obliged by the owner to leave in 1919.{{sfn|Lee|1997a|p=346,416}} "In despair" they purchased the Round House in Lewes, a converted windmill, for £300. No sooner had they bought the Round House, than [[Monk's House]] in nearby [[Rodmell]] came up for auction, a [[weatherboarded]] house with oak-beamed rooms, said to date from the 15th or 16th century.{{sfn|Woolf|1964|p=61}} The Woolfs sold the Round House and purchased Monk's House for £700.{{sfn|Lee|1997a|p=67}} Monk's House also lacked running water, but came with an acre of garden, and had a view across the Ouse towards the hills of the [[South Downs]]. Leonard Woolf describes this view as being unchanged since the days of [[Chaucer]].{{sfn|Eagle|Carnell|1981|p=228}} The Woolfs would retain Monk's House until the end of Virginia's life; it became their permanent home after their London home was bombed, and it was where she completed ''[[Between the Acts]]'' in early 1941, which was followed by her final breakdown and suicide in the nearby River Ouse on 28 March.{{sfn|Todd|1999|p=13}}
==== Memoir Club ====
{{main|Memoir Club}}
{{multiple image | header = ''Bloomsberries''| align = center | direction = horizontal | total_width = 600 | float = none
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1920 saw a postwar reconstitution of the Bloomsbury Group, under the title of the [[Memoir Club]], which as the name suggests focussed on self-writing, in the manner of [[Proust]]'s ''[[A La Recherche]]'', and inspired some of the more influential books of the 20th century. The Group, which had been scattered by the war, was reconvened by [[Molly MacCarthy|Mary ('Molly') MacCarthy]] who called them "Bloomsberries", and operated under rules derived from the [[Cambridge Apostles]], an elite university debating society that a number of them had been members of. These rules emphasised candour and openness. Among the 125 memoirs presented, Virginia contributed three that were published posthumously in 1976, in the autobiographical anthology ''[[Moments of Being]]''. These were ''22 Hyde Park Gate'' (1921), ''Old Bloomsbury'' (1922) and ''Am I a Snob?'' (1936).{{sfn|Rosenbaum|Haule|2014}}
==== Vita Sackville-West
[[File:Vita Sackville-West at Monk's House.jpg|thumb|[[Vita Sackville-West]] at Monk's House {{circa|1934}}|alt=Photo of Vita Sackville-West in armchair at Virginia's home at Monk's House, smoking and with dog on her lap]]
On 14 December 1922{{sfn|Bell|1972|loc=Vol. II |p=235}} Woolf met the writer and gardener [[Vita Sackville-West]],{{sfn|Todd|1999|p=13}} wife of [[Harold Nicolson]]. This period was to prove fruitful for both authors, Woolf producing three novels, ''To the Lighthouse'' (1927), ''Orlando'' (1928), and ''The Waves'' (1931) as well as a number of essays, including "[[Mr. Bennett and Mrs. Brown]]" (1924) and "[[A Letter to a Young Poet]]" (1932).{{sfn|Hussey|2006}} The two women remained friends until Woolf's death in 1941.
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Virginia Woolf also remained close to her surviving siblings, Adrian and Vanessa.{{sfn|Briggs|2006a|p=13}}
==== Further novels and non-fiction ====
Between 1924 and 1940 the Woolfs returned to Bloomsbury, taking out a ten-year lease at 52 [[Tavistock Square]],{{sfn|Todd|1999|p=13}} from where they ran the [[Hogarth Press]] from the basement, where Virginia also had her writing room.{{sfn|Garnett|2011|pp=52–54}}
1925 saw the publication of ''Mrs Dalloway'' in May followed by her collapse while at Charleston in August. In 1927, her next novel, ''To the Lighthouse'', was published, and the following year she lectured on ''Women & Fiction'' at Cambridge University and published ''Orlando'' in October.
Her two Cambridge lectures then became the basis for her major essay ''A Room of One's Own'' in 1929.{{sfn|Todd|1999|p=13}} Virginia wrote only one drama, ''[[Freshwater (play)|Freshwater]]'', based on her great-aunt [[Julia Margaret Cameron]], and produced at her sister's studio on [[Fitzroy Street, London|Fitzroy Street]] in 1935. 1936 saw the publication of ''[[The Years]]'', which had its origin in a lecture Woolf gave to the National Society for Women's Service in 1931, an edited version of which would later be published as "Professions for Women".{{sfn|Woolf|1977|pages=xxvii–xliv}} Another collapse of her health followed the novel's completion ''[[The Years]]''.{{sfn|Todd|1999|p=13}}
The Woolf's final residence in London was at 37 [[Mecklenburgh Square]] (1939–1940), destroyed during [[the Blitz]] in September 1940; a month later their previous home on Tavistock Square was also destroyed. After that, they made Sussex their permanent home.{{sfn|Lee|1997a|pp=728-730,733}}
=== Death ===
[[File:Handwriting-virginia-woolf-10921544-600-870.jpg|thumb|upright|Woolf's suicide letter to her husband]]
After completing the manuscript of her last novel (posthumously published), ''[[Between the Acts]]'' (1941), Woolf fell into a depression similar to one which she had earlier experienced. The onset of the Second World War, the destruction of her London home during [[the Blitz]], and the cool reception given to [[Roger Fry: A Biography|her biography]] of her late friend [[Roger Fry]] all worsened her condition until she was unable to work.{{sfn|Lee|1997a|pp=725,739}} When Leonard enlisted in the [[Home Guard (United Kingdom)|Home Guard]], Virginia disapproved. She held fast to her [[pacifism]] and criticised her husband for wearing what she considered to be "the silly uniform of the Home Guard".{{sfn|Gordon|1984|p=269}}
After the Second World War began, Woolf's diary indicates that she was obsessed with death, which figured more and more as her mood darkened.{{sfn|Gordon|1984|p=279}} On 28 March 1941, Woolf drowned herself by walking into the fast-flowing [[River Ouse, Sussex|River Ouse]] near her home, after placing a large stone in her pocket.{{sfn|Lee|1997a|pp=747-748}} Her body was not found until 18 April.{{sfn|Lee|1997a|p=752}} Her husband buried her cremated remains beneath an elm tree in the garden of [[Monk's House]], their home in [[Rodmell]], Sussex.{{sfn|Wilson|2016|p=825}}
In her suicide note, addressed to her husband, she wrote:
{{blockquote|Dearest,
I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier till this terrible disease came. I can't fight it any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that—everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.{{sfn|Jones|2013}}{{sfn|Rose|1979|p=243}} }}
Much examination has been made of Woolf's mental health. From the age of 13, following the death of her mother, Woolf suffered periodic mood swings.{{sfn|Garnett|2011|p=114}} However, [[Hermione Lee]] asserts that Woolf was not "mad"; she was merely a woman who suffered from and struggled with illness for much of her life, a woman of "exceptional courage, intelligence and stoicism", who made the best use, and achieved the best understanding she could of that illness.{{sfn|Lee|1997a|p=171}}
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Leonard Woolf relates how during the 30 years they were married, they consulted many doctors in the [[Harley Street]] area, and although they were given a diagnosis of [[neurasthenia]], he felt they had little understanding of the causes or nature. The proposed solution was simple—as long as she lived a quiet life without any physical or mental exertion, she was well. On the other hand, any mental, emotional, or physical strain resulted in a reappearance of her symptoms, beginning with a headache, followed by insomnia and thoughts that started to race. Her remedy was simple: to retire to bed in a darkened room, following which the symptoms slowly subsided.{{sfn|Woolf|1964|pp=75–76}}
Modern scholars, including her nephew and biographer, [[Quentin Bell]],{{sfn|Bell|1972|p=44}} have suggested her breakdowns and subsequent recurring depressive periods were influenced by the sexual abuse which she and her sister Vanessa were subjected to by their half-brothers [[George Herbert Duckworth|George]] and [[Gerald Duckworth]] (which Woolf recalls in her autobiographical essays "[[A Sketch of the Past]]" and "22 Hyde Park Gate"). Biographers point out that when Stella died in 1897, there was no counterbalance to control George's predation, and his nighttime prowling.{{sfn|Gordon|2004}} "22 Hyde Park Gate" ends with the sentence "The old ladies of Kensington and Belgravia never knew that George Duckworth was not only father and mother, brother and sister to those poor Stephen girls; he was their lover also."{{sfn|Woolf|1921|p=
It is likely that other factors also played a part. It has been suggested that they include [[genetic predisposition]].{{sfn|Boeira et al|2016}} Virginia's father, Leslie Stephen, suffered from depression, and her half-sister Laura was institutionalised. Many of Virginia's symptoms, including persistent headache, insomnia, irritability, and anxiety, resembled those of her father's.{{sfn|Lee|1997a|pp=72,102}} Another factor is the pressure she placed upon herself in her work; for instance, her breakdown of 1913 was at least partly triggered by the need to finish ''The Voyage Out''.{{sfn|Lee|1997a|p=321}}
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{{blockquote|As an experience, madness is terrific I can assure you, and not to be sniffed at; and in its lava I still find most of the things I write about. It shoots out of one everything shaped, final, not in mere driblets, as sanity does. And the six months—not three—that I lay in bed taught me a good deal about what is called oneself.{{sfn|Woolf|1929–1931|loc=2194: 22 June 1930; p. 180}} }}
Thomas Caramagno{{sfn|Caramagno|1992}} and others,{{sfn|Koutsantoni|2012}} in discussing her illness, oppose the "neurotic-genius" way of looking at mental illness, where creativity and mental illness are conceptualised as linked rather than antithetical.{{sfn|Jamison|1996}}{{sfn|Caramagno|1992}} [[Stephen Trombley]] describes Woolf as having a confrontational relationship with her doctors, and possibly being a woman who is a "victim of male medicine", referring to the lack of understanding, particularly at the time, about mental illness.{{sfn|Trombley|1980}}{{page needed|date=June 2024}}{{sfn|Trombley|1981}}{{page needed|date=June 2024}}
[[File:Roger Fry - Virginia Woolf.jpg|thumb|upright|A portrait of Woolf by [[Roger Fry]] {{circa|1917}}|alt= Portrait of Woolf in 1917 by Roger Fry]] [[File:StracheyWoolf.jpg|thumb|upright|[[Lytton Strachey]] and Woolf at [[Garsington Manor|Garsington]], 1923|alt=Lytton Strachey with Virginia Woolf 1923 ]]
[[File:Virginia Woolf 1927.jpg|thumb|upright|Virginia Woolf 1927|alt=Portrait of Virginia Woolf 1927]]
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=== Themes ===
Woolf's fiction has been studied for its insight into many themes including war, shell shock, witchcraft, and the role of social class in contemporary modern British society.{{sfn|Harrington|2018}} In the postwar ''Mrs Dalloway'' (1925), Woolf addresses the moral dilemma of war and its effects{{sfn|Floyd|2016}}{{sfn|Bradshaw|2016}} and provides an authentic voice for soldiers returning from the First World War, suffering from shell shock, in the person of Septimus Smith.{{sfn|Church|2016}} In ''A Room of One's Own'' (1929) Woolf equates historical accusations of witchcraft with creativity and genius among women
The sea is a recurring motif in Woolf's work. Noting Woolf's early memory of listening to waves break in Cornwall, Katharine Smyth writes in ''[[The Paris Review]]'' that "the radiance [of] cresting water would be consecrated again and again in her writing, saturating not only essays, diaries, and letters but also ''Jacob's Room'', ''The Waves'', and ''To the Lighthouse''."<ref>{{Cite news|url=https://www.theparisreview.org/blog/2019/01/29/where-virginia-woolf-listened-to-the-waves/|work=The Paris Review|title=Where Virginia Woolf Listened to the Waves|date=29 January 2019|first=Katharine|last=Smyth|access-date=21 January 2021|archive-date=3 February 2021|archive-url=https://web.archive.org/web/20210203232339/https://www.theparisreview.org/blog/2019/01/29/where-virginia-woolf-listened-to-the-waves/|url-status=live}}</ref> Patrizia A. Muscogiuri explains that "seascapes, sailing, diving and the sea itself are aspects of nature and of human beings' relationship with it which frequently inspired Virginia Woolf's writing."<ref>{{Cite book|last=Muscogiuri|first=Patrizia|url=https://books.google.com/books?id=CvMwDgAAQBAJ|title=Virginia Woolf and the Natural World|publisher=Oxford University Press|year=2011|isbn=9781942954149|edition=First|location=UK|pages=258|access-date=1 February 2021|archive-date=18 August 2021|archive-url=https://web.archive.org/web/20210818052523/https://books.google.com/books?id=CvMwDgAAQBAJ|url-status=live}}</ref> This trope is deeply embedded in her texts' structure and grammar; James Antoniou notes in ''[[Sydney Morning Herald]]'' how "Woolf made a virtue of the [[semicolon]], the shape and function of which resembles the wave, her most famous motif."<ref>{{Cite news|url=https://www.smh.com.au/culture/books/the-punctuation-mark-that-causes-so-much-angst-20190919-p52t17.html|work=The Sydney Morning Herald|title=The punctuation mark that causes so much angst|date=27 September 2019|first=James|last=Antoniou|access-date=21 January 2021|archive-date=4 February 2021|archive-url=https://web.archive.org/web/20210204063951/https://www.smh.com.au/culture/books/the-punctuation-mark-that-causes-so-much-angst-20190919-p52t17.html|url-status=live}}</ref>
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{{main|A Room of One's Own}}
Among Woolf's non-fiction works, one of the best known is ''A Room of One's Own'' (1929), a book-length essay. Considered a key work of feminist literary criticism, it was written following two lectures she delivered on "Women and Fiction" at Cambridge University the previous year. In it, she examines the historical disempowerment women have faced in many spheres, including social, educational and financial. One of her more famous dicta is contained within the book "A woman must have money and a room of her own if she is to write fiction". Much of her argument ("to show you how I arrived at this opinion about the room and the money") is developed through the "unsolved problems" of women and fiction writing to arrive at her conclusion, although she claimed that was only "an opinion upon one minor point".{{sfn|British Library|2018a}} In doing so, she states a good deal about the nature of women and fiction, employing a quasi-fictional style as she examines where women writers failed because of lack of resources and opportunities, examining along the way the experiences of the [[Brontë family|Brontës]], [[George Eliot]] and [[George Sand]], as well as the fictional character of [[Shakespeare]]'s sister, equipped with the same genius but not position. She contrasted these women who accepted a deferential status with [[Jane Austen]], who wrote entirely as a woman.{{sfn|Kronenberger|1929}}
=== Hogarth Press ===
{{main|Hogarth Press}}
[[File:Shakespeare Plays hand bound by Virginia Woolf.JPG|thumb|Shelf of [[Shakespeare]] plays hand-bound by Virginia Woolf in her bedroom at [[Monk's House]]{{efn|It has been suggested that Woolf bound books to help cope with her depression, as is hinted at in her writing: "A great part of every day is not lived consciously. One walks, eats, sees things, deals with what has to be done; the broken vacuum cleaner; ... cooking dinner; bookbinding."{{sfn|Sim|2016}}{{page needed|date=July 2024}}}}]]
Virginia had taken up book-binding as a pastime in October 1901, at the age of 19.{{sfn|Bell|1972|loc=Chronology |p=192}}{{sfn|Heyes|2016}} The Woolfs had been discussing setting up a publishing house for some time{{snd}}Leonard intended for it to give Virginia a rest from the strain of writing, and therefore help her fragile mental health. Additionally, publishing her works under their own outfit would save her from the stress of submitting her work to an external company, which contributed to her breakdown during the process of publishing her first novel ''The Voyage Out''.{{efn|Her second novel, ''[[Night and Day (Woolf novel)|Night and Day]]'' (1919), was also published by Duckworth's, but ''[[Jacob's Room]]'' (1922) was published by Hogarth.{{sfn|Heyes|2016}}}} The Woolfs obtained their own hand-printing press in April 1917 and set it up on their dining room table at Hogarth House, thus beginning the [[Hogarth Press]].{{sfn|Heyes|2016}}{{sfn|Zakaria|2017}}
The first publication was ''Two Stories'' in July 1917, consisting of "The Mark on the Wall" by Virginia Woolf (which has been described as "Woolf's first foray into modernism"{{sfn|McTaggart|2010|p=67}}) and "Three Jews" by Leonard Woolf. The accompanying illustrations by [[Dora Carrington]] were a success, leading Virginia to remark that the press was "specially good at printing pictures, and we see that we must make a practice of always having pictures." The process took two and a half months with a production run of 150 copies.{{sfn|British Library|2018c}} Other short short stories followed, including ''[[Kew Gardens (short story)|Kew Gardens]]'' (1919) with a [[woodblock printing|woodblock]] by Vanessa Bell as [[book frontispiece|frontispiece]].{{sfn|Todd|1999|p=13}} Subsequently Bell added further illustrations, adorning each page of the text.{{sfn|British Library|2018d}}
Unlike its contemporary small printers, who specialised in expensive artisanal reprints, the Woolfs concentrated on living avant-garde authors,{{sfn|McTaggart|2010|p=63}} and over the subsequent five years printed works by a number of authors including [[Katherine Mansfield]], [[T.S. Eliot]], [[E. M. Forster]], Clive Bell and Roger Fry. They also produced translations of Russian works with [[S. S. Koteliansky]], and the first translation of the complete works of [[Sigmund Freud]].{{sfn|McTaggart|2010|p=68}}{{sfn|Heyes|2016}} They acquired a larger press in 1921 and began to sell directly to booksellers.{{sfn|Heyes|2016}} In 1938 Virginia sold her share of the company to [[John Lehmann]],{{sfn|Bell|1972|p=250}} who had started working for Hogarth Press seven years previously.{{sfn|Lee|1997a|p=590}} The Press eventually became Leonard's only source of income, but his association with it ended in 1946, after publishing 527 titles, and Hogarth is now an imprint of [[Penguin Random House]].{{sfn|Zakaria|2017}}{{sfn|Heyes|2016}}
The Press also produced explicitly political works. Pamphlets had fallen out of fashion due to the high production costs and low revenue, but the Hogarth Press produced several series on contemporary issues of international politics, challenging colonialism and critiquing Soviet Russia and Italian fascism.{{sfn|McTaggart|2010|pp=72,74}} The Woolfs also published political fiction, including ''Turbott Wolfe'' (1926) by [[William Plomer]] and ''In a Province'' (1934) by [[Laurens van der Post]], which concern South African racial policies and revolutionary movements respectively.{{sfn|McTaggart|2010|p=75}} Virginia Woolf saw a link between international politics and feminism, publishing a biography of Indian feminist activist [[Saroj Nalini Dutt]] and the memoirs of [[suffragette]] [[Elizabeth Robins]].{{sfn|McTaggart|2010|p=71}} Scholar Ursula McTaggart argues that the Hogarth Press shaped and represented Woolf's later concept of an "Outsiders' Society", a non-organised group of women who would resist "the patriarchal fascism of war and nationalism" by exerting influence through private actions, as described in ''Three Guineas''. In this view, the readers and authors form a loose network, with the Press providing the means to exchange ideas.{{sfn|McTaggart|2010|pp=63,65,66,70}}
=== Influences ===
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=== Virginia Woolf and her mother ===
The intense scrutiny of Virginia Woolf's literary output has led to speculation as to her mother's influence, including psychoanalytic studies of mother and daughter.<ref name=MP67/>{{sfn|Rosenman|1986}}<ref name=MH91/><ref name=Hirsch108/>
Woolf's understanding of her mother and family evolved considerably between 1907 and 1940, in which the somewhat distant, yet revered figure, becomes more nuanced and complete.{{sfn|Schulkind|1985|p=13}} She described her mother as an "invisible presence" in her life, and Ellen Rosenman argues that the mother-daughter relationship is a constant in Woolf's writing.{{sfn|Rosenman|1986|loc=cited in {{harvtxt|Caramagno|1989}}}} She describes how Woolf's [[modernism]] needs to be viewed in relationship to her ambivalence towards her Victorian mother, the centre of the former's female identity, and her voyage to her own sense of autonomy. To Woolf, "Saint Julia" was both a martyr whose perfectionism was intimidating and a source of deprivation, by her absences real and virtual and premature death.{{sfn|Caramagno|1989}} Julia's influence and memory pervades Woolf's life and work. "She has haunted me", she wrote.{{sfn|Woolf|1923–1928|p=374}}
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Virginia Woolf is known for her contributions to 20th-century literature and her essays, as well as the influence she has had on literary, particularly feminist criticism. A number of authors have stated that their work was influenced by her, including [[Margaret Atwood]], [[Michael Cunningham]],{{efn|"Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind."{{sfn|Brockes|2011}}}} [[Gabriel García Márquez]],{{efn|"after having read Ulysses in English as well as a very good French translation, I can see that the original Spanish translation was very bad. But I did learn something that was to be very useful to me in my future writing—the technique of the interior monologue. I later found this in Virginia Woolf, and I like the way she uses it better than Joyce."{{sfn|Stone|1981}}}} and [[Toni Morrison]].{{efn|"I wrote on Woolf and Faulkner. I read a lot of Faulkner then. You might not know this, but in the '50s, American literature was new. It was renegade. English literature was English. So there were these avant-garde professors making American literature a big deal. That tickles me now."{{sfn|Bollen|2012}}}} Her iconic image{{sfn|Silver|1999}} is instantly recognisable from the Beresford portrait of her at twenty (at the top of this page) to the Beck and Macgregor portrait in her mother's dress in ''Vogue'' at 44 (see {{harvtxt|Fry|1913}}) or [[Man Ray]]'s cover of ''Time'' magazine (see {{harvtxt|Ray|1937}}) at 55.<ref name=License8/> More postcards of Woolf are sold by the [[National Portrait Gallery, London|National Portrait Gallery]], London than of any other person.{{sfn|Stimpson|1999}} Her image is ubiquitous, and can be found on products ranging from tea towels to T-shirts.<ref name=License8/>
Virginia Woolf is studied around the world, with organisations devoted to her, such as the Virginia Woolf Society of Great Britain,{{sfn|VWS|2017}} and The Virginia Woolf Society of Japan.{{sfn|VWSJ|2023}} In addition, trusts—such as the Asham Trust—encourage writers in her honour.{{sfn|Asham|2018
=== Monuments and memorials ===
[[File:Richmond Riverside, statue of Virginia Woolf (3).jpg|thumb|Statue of Virginia Woolf in Richmond created by Laury Dizengremel]]
In 2013, Woolf was honoured by her alma mater of King's College London with the opening of the Virginia Woolf Building on [[Kingsway, London|Kingsway]]
In 2014, she was one of the inaugural honorees in the [[Rainbow Honor Walk]], a [[List of halls and walks of fame|walk of fame]] in [[San Francisco]]'s [[Castro District, San Francisco|Castro neighbourhood]] noting [[LGBTQ]] people who have "made significant contributions in their fields".{{sfn|Barmann|2014}}
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<ref name="Simpson12">{{harvnb|Simpson|2016|p=[https://books.google.com/books?id=lPE8CwAAQBAJ&pg=PT12 12]}}</ref>
<ref name="Squier204">{{harvnb|Squier|1985|p=[https://books.google.com/books?id=JYU6DwAAQBAJ&pg=PT204 204]}}</ref>
<ref name="hauntedintro">{{harvnb|Woolf|2016a|loc=[https://books.google.com/books?id=XgojDgAAQBAJ&pg=PT5 Introduction pp. 5–6]}}</ref>
<ref name="WoolfEssay4/280">{{harvnb|Woolf|1925–1928|p=[https://books.google.com/books?id=8VFODwAAQBAJ&pg=PT2918 280]}}</ref>
<ref name="ROO3">{{harvnb|Woolf|1929|loc=[https://web.archive.org/web/20080304161901/http://ebooks.adelaide.edu.au/w/woolf/virginia/w91r/chapter3.html Chapter 3]}}</ref>
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==== Biography: Virginia Woolf ====
* {{cite book |last=Bell |first=Quentin |author-link=Quentin Bell |title=Virginia Woolf: A Biography
* {{cite book|last=Briggs|first=Julia|title=Virginia Woolf: An Inner Life|url=https://books.google.com/books?id=_Fn2kILpMkoC|year=2006a|publisher=[[Harcourt (publisher)|Harcourt]]|isbn=978-0-15-603229-2|access-date=13 February 2018|archive-date=11 June 2020|archive-url=https://web.archive.org/web/20200611202335/https://books.google.com/books?id=_Fn2kILpMkoC|url-status=live |ol=7350841M}}
* {{cite book|last=Curtis|first=Vanessa|title=Virginia Woolf's Women|url=https://books.google.com/books?id=lWSzSTjldFkC|year=2002b|publisher=[[University of Wisconsin Press]]|isbn=978-0-299-18340-0|access-date=17 February 2018|archive-date=11 June 2020|archive-url=https://web.archive.org/web/20200611163944/https://books.google.com/books?id=lWSzSTjldFkC|url-status=live}}
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* {{cite book|last=Squier|first=Susan Merrill|title=Virginia Woolf and London: The Sexual Politics of the City|url=https://books.google.com/books?id=JYU6DwAAQBAJ|date=1985|publisher=[[University of North Carolina Press]]|isbn=978-1-4696-3991-8|access-date=1 March 2018|archive-date=11 June 2020|archive-url=https://web.archive.org/web/20200611213403/https://books.google.com/books?id=JYU6DwAAQBAJ|url-status=live}}
* {{cite thesis |last=Streufert |first=Mary J. |date=8 June 1988 |title=Measures of reality: the religious life of Virginia Woolf |type=[[Master of Arts|MA]] thesis |url=http://ir.library.oregonstate.edu/concern/graduate_thesis_or_dissertations/7d278z05s |publisher=[[Oregon State University]] |access-date=30 January 2018 |archive-date=27 January 2018 |archive-url=https://web.archive.org/web/20180127084406/https://ir.library.oregonstate.edu/concern/graduate_thesis_or_dissertations/7d278z05s |url-status=live }}
* {{cite book |last1=Wright |first1=E. H. |title=Brief Lives: Virginia Woolf |date=2011 |publisher=Hesperus Press |location=London |ol=11907594M}}
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* {{Cite ODNB|last=Garnett|first=Jane |id=46943|title=Stephen [née Jackson], Julia Prinsep (1846–1895) |date=23 September 2004}}
* {{Cite ODNB|last=Gordon|first=Lyndall|author-link=Lyndall Gordon|title=Woolf [née Stephen], (Adeline) Virginia|id=37018|year=2004}}
* {{cite encyclopedia|last1=Reid|first1=Panthea|title=Virginia Woolf|encyclopedia=[[Encyclopaedia Britannica]]|url=https://www.britannica.com/biography/Virginia-Woolf|access-date=3 June 2024|year=2024}}
==== Newspapers and magazines ====
* {{cite news|last1=Bas|first1=Marcel|title=Virginia Woolf's Class Consciousness: Snubbing or uplifting the masses?|url=http://roepstem.net/woolf.html|work=Die Roepstem|date=23 January 2008|access-date=7 August 2019|archive-date=7 August 2019|archive-url=https://web.archive.org/web/20190807095740/http://roepstem.net/woolf.html|url-status=live}}
* {{cite news|last1=Bollen|first1=Christopher|author-link=Christopher Bollen|title=Toni Morrison|url=https://www.interviewmagazine.com/culture/toni-morrison|access-date=23 February 2018|work=[[Interview (magazine)|Interview]]|date=1 May 2012|archive-date=24 February 2018|archive-url=https://web.archive.org/web/20180224053212/https://www.interviewmagazine.com/culture/toni-morrison|url-status=live}}
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* {{cite magazine|last=Gross|first=John|author-link=John Gross|title=Mr. Virginia Woolf|magazine=[[Commentary (magazine)|Commentary]]|url=https://www.commentarymagazine.com/articles/mr-virginia-woolf/|date=1 December 2006|access-date=22 February 2018|archive-date=26 January 2018|archive-url=https://web.archive.org/web/20180126185556/https://www.commentarymagazine.com/articles/mr-virginia-woolf/|url-status=live}} [https://web.archive.org/web/20070228055659/http://www.commentarymagazine.com/cm/main/viewArticle.aip?id=10801&page=2 ''archived version'']
* {{cite magazine |last=Haynes |first=Suyin |date=17 December 2019 |title='It Had a Lifelong Effect on Her.' A New Virginia Woolf Biography Deals With the Author's Experience of Childhood Sexual Abuse |magazine=[[Time (magazine)|Time]] |url=https://time.com/5750614/virginia-woolf-biography/ |access-date=26 February 2020 |archive-date=4 January 2020 |archive-url=https://web.archive.org/web/20200104124707/https://time.com/5750614/virginia-woolf-biography/ |url-status=live }}
* {{cite news|last1=Kronenberger|first1=Louis|author-link=Louis Kronenberger|title=Virginia Woolf Discusses Women and fiction|url=https://archive.nytimes.com/www.nytimes.com/books/00/12/17/specials/woolf-room.html|work=[[The New York Times]]|date=10 November 1929|type=Review|access-date=21 March 2018|archive-date=22 March 2018|archive-url=https://web.archive.org/web/20180322082056/https://archive.nytimes.com/www.nytimes.com/books/00/12/17/specials/woolf-room.html|url-status=live}}
* {{cite magazine|last1=Stone|first1=Peter H.|author-link=Peter Hess Stone|title=Gabriel García Márquez, The Art of Fiction No. 69|url=https://www.theparisreview.org/interviews/3196/gabriel-garcia-marquez-the-art-of-fiction-no-69-gabriel-garcia-marquez|access-date=23 February 2018|magazine=[[The Paris Review]]|issue=82|date=Winter 1981|archive-date=25 February 2018|archive-url=https://web.archive.org/web/20180225104343/https://www.theparisreview.org/interviews/3196/gabriel-garcia-marquez-the-art-of-fiction-no-69-gabriel-garcia-marquez|url-status=live}}
* {{cite news|last1=Trilling|first1=Diana|author-link=Diana Trilling|title=Virginia Woolf's Special Realm|url=https://archive.nytimes.com/www.nytimes.com/books/00/12/17/specials/woolf-moment.html|work=[[The New York Times]]|date=21 March 1948|type=Review|access-date=30 March 2018|archive-date=30 March 2018|archive-url=https://web.archive.org/web/20180330211712/https://archive.nytimes.com/www.nytimes.com/books/00/12/17/specials/woolf-moment.html|url-status=live}}
* {{cite news|last1=Wade|first1=Francesca|title=Dangerous liaisons among the Bloomsbury set|url=https://www.telegraph.co.uk/culture/books/bookreviews/11698239/Dangerous-liaisons-among-the-Bloomsbury-set.html|work=[[The Daily Telegraph]]|date=26 June 2015|type=Review|access-date=25 April 2018|archive-date=26 April 2018|archive-url=https://web.archive.org/web/20180426015056/https://www.telegraph.co.uk/culture/books/bookreviews/11698239/Dangerous-liaisons-among-the-Bloomsbury-set.html|url-status=live}}
* {{cite web |last1=Zakaria |first1=Rafia |title=A Publisher of One's Own: Virginia and Leonard Woolf and the Hogarth Press |url=https://www.theguardian.com/books/2017/apr/24/a-publisher-of-ones-own-virginia-and-leonard-woolf-and-the-hogarth-press |website=The Guardian |access-date=9 July 2024 |date=24 April 2017}}
=== Websites and documents ===
* {{Cite web |last=Barmann |first=Jay |title=Castro's Rainbow Honor Walk Dedicated Today |date=2 September 2014 |website=SFiST |url=https://sfist.com/2014/09/02/castros_rainbow_honor_walk_dedicate/ |access-date=13 August 2019 |archive-date=10 August 2019 |archive-url=https://web.archive.org/web/20190810075052/https://sfist.com/2014/09/02/castros_rainbow_honor_walk_dedicate/ }}
* {{cite web |last1=Flood |first1=Alison |title=Virginia Woolf statue fundraiser flooded with donations after Wollstonecraft controversy |url=https://www.theguardian.com/books/2020/nov/13/virginia-woolf-statue-fundraiser-flooded-with-donations-after-wollstonecraft-controversy |website=The Guardian |access-date=29 May 2024 |date=13 November 2020}}
* {{cite web |last1=Guest |first1=Katy |title=A Statue of One's Own: the new Virginia Woolf sculpture that's challenging stereotypes |url=https://www.theguardian.com/books/2022/nov/16/virginia-woolf-sculpture-laury-dizengremel |website=The Guardian |access-date=29 May 2024 |date=16 November 2022}}
* {{cite web|last=Jones|first=Josh|title=Virginia Woolf's Handwritten Suicide Note: A Painful and Poignant Farewell (1941)|url=http://www.openculture.com/2013/08/virginia-woolfs-handwritten-suicide-note.html|website=Open Culture|date=26 August 2013|access-date=18 February 2018|archive-date=24 February 2018|archive-url=https://web.archive.org/web/20180224121612/http://www.openculture.com/2013/08/virginia-woolfs-handwritten-suicide-note.html|url-status=live}}
* {{cite web |last1=Temple |first1=Emily |title=You can finally take a selfie with a full-size statue of Virginia Woolf. |url=https://lithub.com/you-can-finally-take-a-selfie-with-a-full-size-statue-of-virginia-woolf/ |website=Literary Hub |date=16 November 2022}}
* {{cite web|editor1-last=Wilson|editor1-first=J.J.|editor2-last=Barrett|editor2-first=Eileen|title=Lucio Ruotolo 1927–2003|url=https://virginiawoolfmiscellany.files.wordpress.com/2013/09/vwm63summer2003.pdf|website=Virginia Woolf Miscellany|publisher=Southern Connecticut State University|access-date=24 March 2018|date=Summer 2003|archive-date=9 March 2021|archive-url=https://web.archive.org/web/20210309045547/https://virginiawoolfmiscellany.files.wordpress.com/2013/09/vwm63summer2003.pdf|url-status=live}} (includes invitation to first performance in 1935 and Lucio Ruotolo's introduction to the 1976 Hogarth Press edition
* {{cite encyclopedia|title=Woolf|encyclopedia=Collins English Dictionary|publisher= Harper Collins Publishers |url=https://www.collinsdictionary.com/dictionary/english/woolf|access-date=2 February 2018|ref={{harvid|Collins|2018}}}}
* {{cite web|title=Virginia Woolf honoured by new Strand Campus building |url=http://www.kcl.ac.uk/study/international/yourcountry/usa/News/Woolf-building.aspx |website=News|publisher=King's College London |access-date=15 February 2018 |archive-url=https://web.archive.org/web/20150713190253/http://www.kcl.ac.uk/study/international/yourcountry/usa/News/Woolf-building.aspx |archive-date=13 July 2015|date=2 May 2013|ref={{harvid|King's College, London|2013}}}}
* {{cite web|title=Virginia Woolf Society of Great Britain |url=http://www.virginiawoolfsociety.co.uk/index.html |access-date=26 December 2017|ref={{harvid|VWS|2017}} |archive-url=https://web.archive.org/web/20171218033823/http://www.virginiawoolfsociety.co.uk/index.html |archive-date=18 December 2017}}
* {{cite web |title=日本ヴァージニア・ウルフ協会 / The Virginia Woolf Society of Japan |url=http://www.vwoolfsociety.jp/index_en.html |website=The Virginia Woolf Society of Japan |access-date=18 June 2024 |ref={{harvid|VWSJ|2023}}}}
* {{cite web|title=Virginia Woolf Around The World |website=Exhibitions|publisher=[[E. J. Pratt Library]], [[Victoria University, Toronto]]. 2018. |date=January 2017 |url=http://library.vicu.utoronto.ca/collections/exhibitions/virginia_woolf_around_the_world|access-date=14 March 2018 |ref={{harvid|Pratt|2017}}}}
* {{cite web|title=Virginia Woolf – First Editions |url=https://www.harringtonbooks.co.uk/pages/author/306/virginia-woolf/ |publisher=[[Adrian Harrington]] Rare Books|access-date=14 March 2018|ref={{harvid|Harrington|2018}}}}
==== British Library ====
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==== Virginia Woolf's homes and venues ====
* {{cite web|last1=
* {{cite web|title=The Woolfs at Asham House|url=http://www.ashamaward.com/pages/content/index.asp?PageID=71 |website=The Asham Award|publisher=The Asham Trust|access-date=5 March 2018|ref={{harvid|Asham|2018}} |archive-url=https://web.archive.org/web/20180306023300/http://www.ashamaward.com/pages/content/index.asp?PageID=71 |archive-date=6 March 2018}}
=== Images ===
* {{cite web|last1=Fry|first1=Roger|author-link=Roger Fry|title=Landscape at Asheham House, near Lewes, Sussex|url=https://artuk.org/discover/artworks/landscape-at-asheham-house-near-lewes-sussex-220642|website=[[Art UK]] |publisher=[[Arts Council England]]|access-date=10 March 2018|format=Painting|year=1913}}
* {{cite magazine|last1=Ray|first1=Man|author-link=Man Ray|title=Virginia Woolf|date=12 April 1937 |url=http://content.time.com/time/covers/0,16641,19370412,00.html |magazine=Time |access-date=10 March 2018}}
=== Audiovisual media ===
* {{cite AV media|last=Coe|first=Amanda (Producer)|author-link=Amanda Coe|title=Life in Squares|year=2015 |medium = T.V. series (3)|url=https://www.bbc.co.uk/programmes/b0649cyj|location=UK|publisher=BBC}} see also ''[[Life in Squares]]''
* {{cite AV media|last=Lee|first=Hermione|author-link=Hermione Lee|date=13 June 1997b|title=Virginia Woolf |medium=TV |url=https://www.c-span.org/video/?87703-1/virginia-woolf|access-date= 7 March 2018|publisher=[[C-SPAN]]}}
* {{cite AV media |last=Young|first=Eric Neal (Director) |title=The Mind and Times of Virginia Woolf |year=2002|medium=Documentary |url=https://www.imdb.com/title/tt0457593/ |location= USA |publisher= Miramax}} [https://www.college.columbia.edu/core/content/mind-and-times-virginia-woolf-directed-eric-neal-young-2002 excerpt] {{Webarchive|url=https://web.archive.org/web/20171228081505/https://www.college.columbia.edu/core/content/mind-and-times-virginia-woolf-directed-eric-neal-young-2002 |date=28 December 2017 }}
* {{cite
=== By Woolf ===
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==== Short stories ====
* {{cite book|last=Woolf|first=Virginia|author-link=Virginia Woolf|title=The Short Stories of Virginia Woolf|url=https://books.google.com/books?id=XgojDgAAQBAJ|date=2016a|orig-date=1944|publisher=Read Books Limited|isbn=978-1-4733-6304-5|access-date=8 February 2018|archive-date=11 June 2020|archive-url=https://web.archive.org/web/20200611233227/https://books.google.com/books?id=XgojDgAAQBAJ|url-status=live}} see also ''[[A Haunted House and Other Short Stories]]'' & [https://web.archive.org/web/20071017215237/http://ebooks.adelaide.edu.au/w/woolf/virginia/ Complete text]
==== Essays ====
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==== Autobiographical writing ====
* {{cite book |last=Woolf |first=Virginia |author-link=Virginia Woolf |editor-last=Schulkind |editor-first=Jeanne |title=Moments of
** {{cite book |last=Schulkind |first=Jeanne |title=Introduction |pages=11–24 |ref={{harvid|Schulkind|1985}}}}, in {{harvtxt|Woolf|1985}}
** {{cite book |title=Reminiscences |date=1908 |pages=25–60 |ref={{harvid|Woolf|1908}}}}
** {{cite book |
** {{cite book|title=
==== Diaries and notebooks ====
* {{cite book|last=Woolf|first=Virginia|editor-last=Leaska|editor-first=Mitchell A|title=A passionate apprentice: the early journals, 1897–1909|year=1990|publisher=[[Hogarth Press]]|isbn=9780701208455|url=https://books.google.com/books?id=dbRbAAAAMAAJ|access-date=20 April 2018|archive-date=16 December 2019|archive-url=https://web.archive.org/web/20191216212725/https://books.google.com/books?id=DbrbAAAAMAAJ|url-status=live}}
* {{cite book|author=Virginia Woolf|author-mask=1|title=The Diary of Virginia Woolf Volume Three 1925–1930|year=1978|publisher=Harcourt Brace Jovanovich|isbn=9780151255993|ref={{harvid|Woolf|1925–1930}}|url=https://books.google.com/books?id=gijuAAAAMAAJ|access-date=13 March 2018|archive-date=11 June 2020|archive-url=https://web.archive.org/web/20200611235821/https://books.google.com/books?id=gijuAAAAMAAJ|url-status=live}}
==== Letters ====
* {{cite web|title=Shut up in the Dark (Letter 531: Vanessa Bell, July 28, 1910)|url=https://www.theparisreview.org/blog/2017/01/25/107074/|work=[[The Paris Review]]|access-date=10 April 2018|date=25 January 2017|ref={{harvid|Woolf| 1910}}|archive-date=11 April 2018|archive-url=https://web.archive.org/web/20180411025830/https://www.theparisreview.org/blog/2017/01/25/107074/|url-status=live}}
* {{cite book|last1=Woolf|first1=Virginia|author-mask=1|title=The Letters of Virginia Woolf Volume Three 1923–1928|url=https://books.google.com/books?id=9j0JAQAAMAAJ|year=1975|publisher=Harcourt Brace Jovanovich|isbn=978-0-15-150926-3|ref={{harvid|Woolf|1923–1928}}|access-date=30 March 2018|archive-date=11 June 2020|archive-url=https://web.archive.org/web/20200611224806/https://books.google.com/books?id=9j0JAQAAMAAJ|url-status=live}}
* {{cite book|last1=Woolf|first1=Virginia|author-mask=1|title=The Letters of Virginia Woolf Volume Four 1929–1931|url=https://books.google.com/books?id=zifuAAAAMAAJ|date=1979|publisher=Harcourt Brace Jovanovich|isbn=978-0-15-150927-0|ref={{harvid|Woolf|1929–1931}}|access-date=13 April 2018|archive-date=12 June 2020|archive-url=https://web.archive.org/web/20200612002328/https://books.google.com/books?id=zifuAAAAMAAJ|url-status=live}}
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{{refend}}
==External links==
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