Sabine Chaouche: Difference between revisions

'''Sabine Chaouche''' is a scholar expertwho specializes in the history of theatre, intellectual history (''histoire des idées'') and also, social and economic history.

She studied at the [[University of Oxford]] ([[New College, Oxford|New College]]), where she completed a DPhil in Social and Economic History [http://solo.bodleian.ox.ac.uk/primo-explore/fulldisplay?docid=ORAe83c1570-5f6e-41a4-ba57-587ad3ff443f&context=L&vid=SOLO&lang=en_US&search_scope=LSCOP_ALL&adaptor=Local%20Search%20Engine&tab=local&query=any,contains,sabine%20chaouche&sortby=rank&offset=0] (2017) and at the [[University of Paris-Sorbonne|Université de Paris-Sorbonne]] where she completed a [[PhD]] in Literature and Theatre (1999)<ref>{{cite web|url=http://www.cellf.paris-sorbonne.fr/chercheur/chaouche-sabine |title=Chaouche &#124; Cellf |language=fr |publisher=Cellf.paris-sorbonne.fr |date= |accessdate=2017-04-15}}</ref> and an [[Habilitation à Diriger des Recherches]] (2005).<ref>{{cite web|url=http://www.paris-sorbonne.fr/article/du-spirituel-dans-l-art-theatral |title=Du spirituel dans l'art théâtral. Pensées et écritures du jeu en France au siècle des lumières (1753-1801) - Toutes les soutenances - Université Paris-Sorbonne |publisher=Paris-sorbonne.fr |date=2005-09-08 |accessdate=2017-04-15}}</ref> She taught [[French literature]] and theatre in [[Oxford]] and Kuala Lumpur.

Chaouche is a researcher primarily known for her work in cultural history, but also in intellectual history, as she has extensively examined the concept of the "theatrical," the concept of the "actor," the self in theatre, and more broadly, the philosophy of the Actor in the Age of Enlightenment.<ref>Claudio Vinti, Review on La Philosophie de l'Acteur, Studi Francesi, anno LII, 3.</ref> Her books on [[acting (law)|acting]] and [[declamation]] in the seventeenth and eighteenth centuries have become reference works.<ref>{{cite journal|author=du même auteur |url=https://www.cairn.info/revue-dix-septieme-siecle-2003-2-page-353.htm |title=De l'Art du Comédien |doi=10.3917/dss.032.0353 |journal=Dix-Septième Siècle |date=2007-12-01 |volume=219 |issue=2 |page=353 |accessdate=2017-04-17}}</ref><ref>Michael Hawcroft, Review on L'Art du comédien, Papers on French Seventeenth Century Literature, XXIX, 56, 2002.</ref><ref>« Hors-série "Quoi de neuf Molière" », Le Figaro littéraire, 2014.</ref> She has meticulously analysed an extensive array of acting theories spanning from the 1650s to the 1800s and is regarded as 'one of the most important representatives of current research into the history of the French theatre of the 17th and 18th centuries'.<ref>Konrad Schoell, Review on Chaouche's works and La Philosophie de l'Acteur, Romanische Forschungen, 120:4, 2008.</ref> In recent years, she examined staging, creation, performance, masculinity, and the economy of entertainments.

# ''Molière and After: Aspects of the Theatrical Enterprise in 17^th17th- and 18^th18th-century France''. avec Jan Clarke. ''European Drama and Performance Studies'', vol. 1, n°18, 2022. 413pp.

# ''Economy and Creation of Stage Costumes (16^th16th-19^th19th century). European Drama and Performance Studies,'' vol. 1, n° 20, 2023. 375pp''.''