Al Haig: Difference between revisions

Content deleted Content added
 
(22 intermediate revisions by 17 users not shown)
Line 1:
{{Short description|American jazz pianist}}
{{about|the pianist|the U.S. general & politician|Alexander Haig}}
{{Use mdy dates|date=April 2015}}
Line 14 ⟶ 15:
| years_active = 1944–1982
| label = [[Prestige Records|New Jazz]], [[Spotlite Records|Spotlite]]
| associated_acts = {{ubl|[[Dizzy Gillespie]]|[[Charlie Parker]]|[[Eddie "Lockjaw" Davis]]}}
}}
'''Alan Warren Haig''' (July 19, 1922 &ndash; November 16, 1982)<ref>{{cite book |first=Max |last=Harrison |title=The New Grove Dictionary of Jazz |year=2016 |edition=2nd |editor-first=Barry |editor-last=Kernfeld |editor-link=Barry Kernfeld |volume=2 |publisher=[[Oxford University Press]] |page=128 |isbn=978-1561592845}}</ref> was an American [[jazz piano|jazz pianist]], best known as one of the pioneers of [[bebop]].
 
==Biography==
Haig was born in [[Newark, New Jersey]], and raised in nearby [[Nutley, New Jersey|Nutley]].<ref>[[Marc Myers|Myers, Marc]]. [https://www.jazzwax.com/2019/10/al-haig-plays-jerome-kern.html "Al Haig Plays Jerome Kern"], JazzWax, October 16, 2019. Accessed November 9, 2019. "Born in Newark, N.J., Haig was raised in Nutley, N.J."</ref> In 1940, he majored in piano at Oberlin College.<ref name="Case">{{cite journal |last=Case |first=Brian |date=October 1982 |title=Jazz Pianists – 6 Al Haig |journal=Music & Musicians |page=10}}</ref> He startstarted performing with [[Dizzy Gillespie]] and [[Charlie Parker]] in 1945,<ref name="Scott">{{cite book |first=Scott |last=DeVeaux |title=The Birth of Bebop: A Social and Musical History |page=428 |year=1999 |publisher=[[University of California Press]] |isbn=978-0520216655}}</ref> and performed and recorded under Gillespie from 1945 to 1946, as a member of [[Eddie "Lockjaw" Davis|Eddie Davis]] and His Beboppers in 1946 (also featuring [[Fats Navarro]]), and the Eddie Davis Quintet in 1947, under Parker from 1948 to 1950, and under [[Stan Getz]] from 1949 to 1951. The Gillespie quintet, which included Haig, recorded four 78 r.p.m. sides for Guild Records in May 1945 which are regarded as the first recordings to demonstrate all elements of the mature bebop style.<ref name="Scott" /> He was part of the [[nonet (music)|nonet]] on the first session of [[Miles Davis]]' ''[[Birth of the Cool]]''.
 
For much of the 1950s and 1960s, "Haig was all but a forgotten giant", in Brian Case's words; "Jazz pianism, ever more percussive in a crass simplification of [Bud] Powell's methods, had no room for the crystalline touch and swift, logical turnover of ideas. Haig got by with semi-cocktail piano in New York bars."<ref name="Case" /> Although Haig is best remembered for playing bebop, he spent much of his career playing in non-jazz contexts. His work was the subject of a revival in the 1970s.
 
In 1969, Haig was acquitted of a murder charge. He had been accused of strangling his third wife, Bonnie, at their home in [[Clifton, New Jersey]], on October 9, 1968. He had said in evidence that his wife had been drunk, and had died in a fall down a flight of stairs.<ref>{{cite journal |journal=[[Down Beat]] |title=Al Haig Acquitted Of Wife-Murder Charge |volume=36 |number=16 |date=7 August 1969 |issn=0012-5768}}</ref> Grange Rutan, Haig's second wife, challenged Haig's account in her 2007 book, ''Death of a Bebop Wife''.<ref>{{cite book |title=Death of a Bebop Wife |first=Grange (Lady Haig) |last=Rutan |location=Redwood, New York |publisher=Cadence Jazz Books |year=2007 |isbn=978-1881993421}}</ref> Rutan's book is partly autobiographical, partly based on interviews with friends and family members. She describes Bonnie's story in detail, describingdepicting an underside to Haig that included a history of serial domestic abuse. Rutan observed that several family members sounded alarm bells regarding Haig's violent personality that went unheeded. She quotes bassist Hal Gaylor, who was talking with Haig before a performance at the Edison Hotel lounge in the early seventies, when Haig admitted to him he had caused Bonnie's death.
 
In 1974, Haig was invited to tour Europe by Tony Williams, owner of [[Spotlite Records]] in the United Kingdom. At the end of a very successful tour he recorded the ''Invitation'' album for Spotlite with Bibi Rovère on bass and [[Kenny Clarke]] on drums. This kick-started his re-emergence and, over the next eight years, he built a strong following in Europe and toured several times, recording in the UK and France, and appearing elsewhere. He also recorded for several Japanese labels.
 
Haig died from a heart attack on November 16, 1982, and was survived by his wife Joanne and his sons Alan and Daniel.<ref>{{cite news |url=https://www.nytimes.com/1982/11/17/obituaries/al-haig-58-dead-early-pop-pianist.html |title=Al Haig, 58, Dead; Early Bop Pianist |first=C. Gerald |last=Fraser |newspaper=[[The New York Times]] |date=17 November 1982}}</ref>
 
==Discography ==
Line 94:
|Solo piano
|-
|1976?
|''Duke 'n' Bird''
|East Wind
Line 110:
|-
|1977
|''OrnithologyI Love you''
|[[Progressive Records|Progressive]]
|Trio, with [[Jamil Nasser]] (bass), [[Frank Gant]] (drums)
|-
|1977?
|''A Portrait of Bud Powell''
|Interplay
|Trio, with [[Jamil Nasser]] (bass), [[FrankJimmy GantWormworth]] (drums)
|-
|1977
Line 123 ⟶ 118:
|Sea Breeze
|Some tracks trio, with [[Jamil Nasser]] (bass), [[Jimmy Wormworth]] (drums); some tracks quartet, with Nasser (bass), Eddie Diehl (guitar), [[Frank Gant]] (drums)
|-
|1977?
|''A Portrait of Bud Powell''
|Interplay
|Trio, with [[Jamil Nasser]] (bass), [[Frank Gant]] (drums)
|-
|1977
|''Reminiscence'', ''Ornithology''
|[[Progressive Records|Progressive]]
|Trio, with [[Jamil Nasser]] (bass), [[Frank Gant]] (drums)
|-
|1977?
Line 135 ⟶ 139:
|
|-
|1978?
|''Plays the Music of Jerome Kern''
|Gitanes
|Some tracks duo, with [[Jamil Nasser]] (bass); some tracks solo; one track duo, with [[Helen Merrill]]
|-
|1978
Line 148 ⟶ 152:
|''Expressly Ellington''
|Spotlite
|Quartet, with [[Art Themen]] (tenor sax), [[Jamil Nasser]] (bass), Tony MartinMann (drums)
|-
|1980
|''Blue Manhattan''
|Interplay
|Trio, with [[Reggie Johnson (musician)|Reggie Johnson]] (bass), [[Frank Gant]] (drums)
|-
|1982
Line 179 ⟶ 188:
==External links==
*[http://www.jazzdisco.org/haig/ Al Haig Discography Project]
*{{AllmusicAllMusic |class=artist |id=al-haig-mn0000604469}}
*{{Discogs artist|259078-Al-Haig}}
 
{{Al Haig}}
{{Authority control}}
 
{{DEFAULTSORT:Haig, Al}}
[[Category:American jazz pianists]]
[[Category:American male pianists]]
[[Category:Bebop pianists]]
[[Category:1922 births]]
[[Category:1982 deaths]]
[[Category:American jazz pianists]]
[[Category:American male jazz pianists]]
[[Category:Bebop pianists]]
[[Category:Jazz musicians from New York (state)]]
[[Category:Musicians from Newark, New Jersey]]
[[Category:Oberlin College alumni]]
[[Category:People from Clifton, New Jersey]]
Line 198 ⟶ 208:
[[Category:20th-century American pianists]]
[[Category:20th-century American male musicians]]
[[Category:AmericanMusicians malefrom jazzPassaic musiciansCounty, New Jersey]]