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{{Short description|American artist and film-maker (born 1935)}}
{{Infobox artist
| name = Eleanor Antin
| image = Eleanor Antin.jpg
| image_size =
| alt =
| caption = Eleanor Antin, The Twoin Eleanors,''Speaking 1973Portraits''
| birth_name = Eleanor Fineman
| birth_date = {{birth date and age|1935|02|27|mf=yes}}
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| death_place =
| nationality = American
| spouse = [[David Antin]]; 1 child
| children = 1
| awards =
}}
 
'''Eleanor Antin''' (née '''Fineman'''; February 27, 1935) is an American [[performance art]]ist, [[film-maker]], [[installation art]]ist, [[conceptual art]]ist and, [[feminist art]]ist, and university professor.<ref name=Meeker2009/>
 
==Early life and education==
Eleanor Fineman was born in the [[Bronx]] on February 27, 1935.<ref>[http://jwa.org/encyclopedia/article/antin-eleanor "Eleanor Antin"], Jewish Women's Archive; retrieved February 23, 2017.</ref> Her parents, Sol Fineman and Jeanette Efron, were Polish Jews who had recently immigrated to the United States. She had one sister, Marcia, born 1940.<ref name=Meeker2009/>
 
She attended the [[High School of Music & Art|Music and Art High School]] in New York,<ref name=Meeker2009/> [[The New School|New School for Social Research]], and then the [[City College of New York]],<ref name=":2">{{Cite news|url=httphttps://articleswww.latimes.com/archives/la-xpm-1995-04-02/entertainment/-ca-50055_1_art50055-worldstory.html|title=ART : Ever the 'Wicked Little Girl' : Eleanor Antin's works may be on the fringe, but her audience isn't. Her latest alter ego is a demonic little angel.|last=Ollman|first=Leah|date=April 2, 1995|worknewspaper=LA Times|access-date=February 2, 2018}}</ref> graduating in 1958.<ref>{{Cite web|url=http://blogs.getty.edu/pacificstandardtime/explore-the-era/people/eleanor-antin/|title=Eleanor Antin, Artist|website=The Getty|access-date=February 1, 2018}}</ref>
 
ThereAt CCNY she met fellow student [[David Antin]], a poet and art critic who would become her husband in 1961.<ref name=Handy1989/><ref name="aaa.si.edu"/> She studied acting and had some roles, including performing in a staged reading with [[Ossie Davis]] at the first [[NAACP]] convention.<ref name="aaa.si.edu"/> She and her husband moved to San Diego in 1968 with their infant son, Blaise Antin.<ref name=":2" />
 
She taught at the [[University of California at Irvine]] from 1974–791974 to 1979, and from 1979 was a professor of visual arts at the [[University of California at San Diego]].<ref name=DWA1997/>
 
== Career ==
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In 1969, she created a portrait, ''Molly Barnes'', out of "a lush lavender bath rug, a noisy electric Lady Schick razor, a patch of spilled talcum powder and a scattering of pink and yellow pills."<ref name=":1">{{Cite book|title=Theories and Documents of Contemporary Art: Sourcebook of Artist Writings|edition=Second|last=Stiles|first=Kristine|publisher=University of California Press|year=2012|isbn=9780520257184|location=Berkeley|pages=[https://archive.org/details/theoriesdocument0000unse/page/892 892–894]|url=https://archive.org/details/theoriesdocument0000unse/page/892}}</ref> ''Molly Barnes'' was just one of a series of "semantic portraits of people, sometimes real, some-times fictional, [made] out of configurations of brand-new consumer goods" that Antin created.<ref name=":1" />
 
''100 Boots'' is Antin's best-known [[conceptual art|conceptual work]].<ref>{{cite web|title=Eleanor Antin profile|url=http://blogs.getty.edu/pacificstandardtime/explore-the-era/people/eleanor-antin|publisher=Pacific Standard Time at the Getty Center|access-date=May 13, 2014}}</ref> In this project, she set up 100 boots in various configurations and settings,<ref name="Phaidon Editors">{{cite book |last1=Phaidon Editors |title=Great womenWomen artistsArtists |dateyear=2019 |publisher=Phaidon Press |isbn=0714878774978-0714878775 |page=36}}</ref> photographed them, and created 51 postcards of the images that were mailed to hundreds of recipients around the world from 1971-73 to 1973.<ref>{{cite web|title=100 Boots|url=http://blogs.getty.edu/pacificstandardtime/explore-the-era/worksofart/100-boots|publisher=Pacific Standard Time at the Getty Center|access-date=May 13, 2014}}</ref> ''100 Boots'' relied on the recipients to remember and construct the boots' adventures, as the postcards were mailed out at intervals ranging from 3 days to 5 weeks "depending upon what [Antin] took to be the 'internal necessities' of the narrative."<ref name=":1" /> It documents the boots in a mock picaresque photo [[diary]], beginning at the [[Pacific Ocean]] and ending in New York City, where their journey was presented in an exhibition at the [[Museum of Modern Art]].
 
In a famous performance work of 1972, ''Carving: A Traditional Sculpture'', Antin photographed her naked body at 148 successive stages during a month of crash-dieting.<ref name=Stein1989/> The somber, almost classical work is a staple of early feminist art, according to the New York Times art critic Karen Rosenberg.<ref name=":0" />
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From the 70s until the 90s Antin embodied multiple alter egos in a project that she called "Selves" that implemented through several art forms. This project encompassed four videos: ''The King'' (1972), ''The Ballerina and the Bum'' (1974), ''The Adventures of a Nurse'' (1976), and ''From the Archives of Modern Art'' (1987).<ref>{{Cite web|url=https://www.moma.org/artists/8183|title=Eleanor Antin {{!}} MoMA|website=The Museum of Modern Art|language=en|access-date=2018-01-29}}</ref>
 
In 1997, Antin was awarded a [[Guggenheim Fellowship]]<ref>{{Cite web
| url = https://www.gf.org/fellows/eleanor-antin/
| title = Eleanor Antin - John Simon Guggenheim Memorial Foundation
| website = www.gf.org
| access-date = 2024-06-13
}}</ref> for Fine Arts.
 
More recently, Antin completed two large scale photographic series inspired by Roman history and mythology: ''[[The Last Days of Pompeii]]'', 2002, and ''Roman Allegories'', 2005. Her work was profiled in Season Two of the [[PBS]] series [[Art:21]].<ref>{{cite web|title=Eleanor Antin|work=Art in the Twenty First Century|url=https://www.pbs.org/art21/artists/eleanor-antin|publisher=Art21, Inc.|access-date=May 13, 2014}}</ref>
 
She has had dozens of [[solo exhibition]]s and has been represented in countless group exhibitions, including at the [[Hirshhorn Museum]], the [[Museum of Contemporary Art, Los Angeles|Museum of Contemporary Art]] in Los Angeles, the [[Kunsthalle Wien]], and [[documenta]] 12 in Kassel.<ref name="brooklynmuseum.org">{{cite web|title=Elizabeth A. Sackler Center for Feminist Art: Feminist Art Base: Eleanor Antin |publisher=Brooklyn Museum|url=http://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/eleanorantin.php|access-date=May 13, 2014}}</ref> Her work is in the permanent collections of the [[Art Institute of Chicago]], the [[Whitney Museum of American Art]], the [[Museum of Modern Art]], the [[Jewish Museum (Manhattan)|Jewish Museum]], and the [[San Francisco Museum of Modern Art]], among others.<ref>{{cite web|title=Eleanor Antin profile|url=http://visarts.ucsd.edu/faculty/eleanor-antin|publisher=University of California at San Diego|access-date=May 13, 2014|archive-date=August 9, 2014|archive-url=https://web.archive.org/web/20140809054336/http://visarts.ucsd.edu/faculty/eleanor-antin|url-status=dead}}</ref>
 
Her work is largely concerned with issues of identity and the role of women in society.<ref name=Stein1989/> "I was determined to present women without pathos or helplessness," she wrote in a feminist artist statement for the Brooklyn Museum.<ref name="brooklynmuseum.org"/>
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In 2013, Antin published an autobiographical novel, ''Conversations with Stalin'', about "a young girl's struggle to find her way from her crazy dysfunctional family of first generation Jewish Stalinist immigrants", and "her desperate, endearing, often hilarious quest for art, self, revolution and sex, abetted by a kindly avuncular Stalin dispensing bizarre advice."<ref name=Hoberman2014/>
 
Her image is included in the iconic 1972 poster [[Some Living American Women Artists (collage) | Some Living American Women Artists]] by [[Mary Beth Edelson]].<ref name="SAAM">{{cite web |title=Some Living American Women Artists/Last Supper |url=https://americanart.si.edu/artwork/some-living-american-women-artistslast-supper-76377 |website=Smithsonian American Art Museum |access-date=22 January 2022}}</ref>
 
==Selected solo exhibitions==
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* "[[WACK! Art and the Feminist Revolution]]" at the Geffen Contemporary at MOCA, March 4-July 16, 2007, Los Angeles, California.<ref>{{cite web|title=WACK! Art and the Feminist Revolution|url=http://sites.moca.org/wack|publisher=The Museum of Contemporary Art, Los Angeles|access-date=May 13, 2014|archive-url=https://web.archive.org/web/20140605092029/http://sites.moca.org/wack/|archive-date=June 5, 2014|url-status=dead}}</ref>
* "Elles@CentrePompidou: Women Artists in the Collection of the National Modern Art Museum" at the Pompidou Center, March 23-May 23, 2010, Paris, France.<ref name=AntinBio/>
* "State of Mind: New California Art Circa 1970", "[[Pacific Standard Time: Art in L.A., 1945-1980|Pacific Standard Time]]" at the Getty Center, October 1, 2011 – February 5, 2012, Los Angeles, California, and Bronx Museum of Art, June 23-September 8, 2013, Bronx, New York.<ref>{{cite web|last=Deimling|first=Kate|title=The California "State of Mind": A Q&A With Curator Karen Moss|url=http://www.blouinartinfo.com/news/story/911627/the-california-state-of-mind-a-qa-with-curator-karen-moss|publisher=Blouin ArtInfo|date=June 13, 2013|access-date=May 13, 2014|archive-date=February 20, 2014|archive-url=https://web.archive.org/web/20140220161913/http://www.blouinartinfo.com/news/story/911627/the-california-state-of-mind-a-qa-with-curator-karen-moss|url-status=dead}}</ref>
* "Light Years: Conceptual Art and the Photograph, 1954-1977" at the Art Institute of Chicago, December 10, 2011 – March 11, 2012, Chicago, Illinois.<ref name=AntinBio/>
* "Correspondances" at the Espace Culturel Louis Vuitton, February 1-May 5, 2013, Paris, France.<ref name=AntinBio/>
 
== Awards ==
* 1997: [[Guggenheim Fellowship]]
* 1998: National Foundation for Jewish Culture Media Award
* 2003: [[International Association of Art Critics]], Best Gallery Show for "The Last Days of Pompeii"
* 2009: Awarded The Honorary Doctorate of Fine Arts by The School of the Art Institute of Chicago
* 2023: UC San Diego Revelle Medal Award, highest award to an emeritus Professor bestowed annually by the University Chancellor <ref>{{cite web | url=https://www.youtube.com/watch?v=ek5redFCmVw | title=2023 Revelle Medalist: Eleanor Antin | website=[[YouTube]] | date=17 November 2023 }}</ref>== Awards ==
 
==See also==
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==References==
{{reflist|refs=<ref name=AntinBio>{{cite web|title=Eleanor Antin profile|url=http://www.feldmangallery.com/media/pdfs/bios/Antin_bio.pdf|publisher=Ronald Feldman Fine Arts|access-date=May 13, 2014|archive-url=https://web.archive.org/web/20140514114633/http://www.feldmangallery.com/media/pdfs/bios/Antin_bio.pdf|archive-date=May 14, 2014|url-status=dead}}</ref><ref name="aaa.si.edu">{{cite interview|last=Antin|first=Eleanor|interviewer=Judith Olch Richards|title=Oral history interview with Eleanor Antin, 2009 May 8-9|url=http://www.aaa.si.edu/collections/interviews/oral-history-interview-eleanor-antin-15792|date=May 8–9, 2009|work=Archives of American Art|publisher=Smithsonian}}</ref><ref name=DWA1997>{{cite book|last=Spivey|first=Virginia B.|editor=Delia Gaze|year=1997|title=[[Dictionary of Women Artists]], Volume 1|chapter=Antin, Eleanor|publisher=Fitzroy Dearborn Publishers|isbn=978-1-884964-21-3|pages=[https://archive.org/details/dictionaryofwome01gaze/page/193 193–95]}}</ref><ref name=Handy1989>{{cite book|last=Handy|first=Amy|title=Making Their Mark. Women Artists Move into the Mainstream, 1970-1985|editor1=Randy Rosen|editor2=Catherine C. Brower|chapter=Artist's Biographies - Eleanor Antin|publisher=Abbeville Press|date=1989|page=[https://archive.org/details/makingtheirmarkw0000unse/page/238 238]|isbn=0-89659-959-0|chapter-url=https://archive.org/details/makingtheirmarkw0000unse/page/238}}</ref><ref name=Hoberman2014>{{cite journal|last=Hoberman|first=J.|title=Eleanor Antin's Conversations with Stalin|date=2014|journal=Bookforum|volume=20|issue=4|page=46}}</ref><ref name=Knight1999>{{cite news|last=Knight|first=Christopher|title=Picture the Concept... Eleanor Antin, the subject of a 30-year LACMA retrospective, has made a mark playing with ideas in myriad personae. But who is she really?|url=httphttps://articleswww.latimes.com/1999archives/la-xpm-1999-may/-16/entertainment/-ca-37599-story.html|newspaper=Los Angeles Times|date=May 16, 1999}}</ref><ref name=Meeker2009>{{cite encyclopedia |first=Carlene|last=Meeker|date=March 1, 2009|url=http://jwa.org/encyclopedia/article/antin-eleanor|title=Eleanor Antin profile|encyclopedia=Jewish Women: A Comprehensive Historical Encyclopedia|publisher=Jewish Women's Archive|access-date=May 13, 2014}}</ref><ref name=Stein1989>{{cite book|last1=Stein|first1=Judith E.|author2=Ann-Sargent Wooster|title=Making Their Mark. Women Artists Move into the Mainstream, 1970-1985|editor1=Randy Rosen|editor2=Catherine C. Brower|chapter=Making Their Mark - Art with an Agenda|publisher=Abbeville Press|date=1989|pages=[https://archive.org/details/makingtheirmarkw0000unse/page/136 136–38]|isbn=0-89659-959-0|chapter-url=https://archive.org/details/makingtheirmarkw0000unse/page/136}}</ref>
 
<!---<ref>{{cite web|url=http://visarts.ucsd.edu/node/view/491/21 |title=UCSD – VisArts |publisher=Visarts.ucsd.edu |access-date=2011-03-05}}</ref>
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*[[hdl:10020/cifa2012m5|<u>Eleanor Antin Papers</u>]] at Getty Research Institute
*[https://www.aaa.si.edu/collections/interviews/oral-history-interview-eleanor-antin-15792 Archives of American Art, Smithsonian Institution: Oral history interview]
*[https://douglasmesserlifriends.blogspot.com/2022/01/eleanor-antin-on-credit-magnificent.html] Drop That Name, biographical entry by Douglas Messerli
 
{{Feminist art movement in the United States}}
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[[Category:1935 births]]
[[Category:Living people]]
[[Category:People from the Bronx]]
[[Category:City College of New York alumni]]
[[Category:American conceptual artists]]
[[Category:WomenAmerican women conceptual artists]]
[[Category:University of California, San Diego faculty]]
[[Category:American feminists]]
[[Category:American people of Polish-Jewish descent]]
[[Category:FeministAmerican feminist artists]]
[[Category:Jewish American artists]]
[[Category:Jewish feminists]]
[[Category:American women photographers]]
[[Category:20th-century American women artists]]
[[Category:21st-century American women artists]]
[[Category:Artists from the Bronx]]
[[Category:20th-century American women photographers]]
[[Category:21st20th-century womenAmerican photographers]]
[[Category:21st-century American women photographers]]
[[Category:21st-century American feministsphotographers]]
[[Category:21st-century American Jews]]
[[Category:20th-century American women installation artists]]