Narration: Difference between revisions

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In the third-person narrative mode, the narration refers to all characters with third person pronouns like ''he'', ''she'', or ''they'', and never first- or second-person pronouns.<ref name="Ricoeur1990">{{cite book|author=Paul Ricoeur|title=Time and Narrative|url=https://books.google.com/books?id=vjBw9NuSkuEC&pg=PA89|date=15 September 1990|publisher=University of Chicago Press|isbn=978-0-226-71334-2|pages=89–}}</ref> This makes clear the narration is done without the need for a narrator who is identified and personified as a character within the story. For the purpose of comparison to stories that have a narrator, third-person narration is described as having an anonymous narrator.
 
Traditionally, third-person narration is the most commonly used narrative mode in literature. It does not require that the narrator's existence be explained or developed as a particular character, as would be the case with a first-person narrator. It thus allows a story to be told without detailing any information about the teller (narrator) of the story. Instead, a third-person narrator is often simply some disembodied commentary, rather than a fully developed character. Sometimes, third-person narration is called the "he/she" perspective,<ref>{{Cite web |url=http://signbook.persiangig.com/document/literature/theory/raavi1.pdf |title=Ranjbar Vahid. ''The Narrator'', Iran: Baqney 2011 |access-date=17 February 2012 |archive-url=https://web.archive.org/web/20121224234336/http://signbook.persiangig.com/document/literature/theory/raavi1.pdf |archive-date=24 December 2012 |url-status=dead }}</ref> and, on even rarer occasions, author/omniscient point of view.{{citation needed|date=April 2020}}
 
The third-person modes are usually categorized along two axes. The first is the subjectivity/objectivity axis, with third person subjective narration involving one or more characters' personal feelings and thoughts, and third person objective narration not describing the feelings or thoughts of any characters but, rather, just the exact facts of the story. Third-person modes may also be categorized along the omniscient/limited axis. A third person [[omniscient]] narrator conveys information from multiple characters, places, and events of the story, including any given character's thoughts, and a third person limited narrator conveys the knowledge and subjective experience of just one character. Third person narration, in both its limited and omniscient variants, became the most popular narrative perspective during the 20th century.