Dodie Smith: Difference between revisions

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===Career after acting===
 
Even though Smith had sold a movie script, ''Schoolgirl Rebels'', using the pseudonym Charles Henry Percy,<ref name="Hile 2004"/> and written a one-act play, ''British Talent'', that premiered at the Three Arts Club in 1924, she still had a hard time finding steady work.<ref name="Hadsel 1982"/> In 1923, she accepted a job in [[Heals (department store)|Heal and Son]]'s furniture store in London and became the toy buyer (and mistress of the chairman, [[Ambrose Heal]]).<ref name="oxforddnb.com">Alan Crawford, [http://www.oxforddnb.com/view/article/33786 "Heal, Sir Ambrose (1872–1959)"] {{webarchive |url=https://web.archive.org/web/20151027171035/http://www.oxforddnb.com/view/article/33786 |date=27 October 2015 }}, ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, retrieved 12 August 2007</ref> She wrote her first staged play, ''Autumn CrocusCrocs'', in 1931 using the pseudonym C.L. Anthony. Its success, and the discovery of her identity by journalists, inspired the newspaper headline, "Shopgirl Writes Play".<ref name="Smith 1979">{{harvnb|Smith|1979}}</ref> The show starred [[Fay Compton]] and [[Francis Lederer]].<ref name="Hadsel 1982"/>
 
Smith's fourth play ''Call It a Day'' was acted by the [[Theatre Guild]] on 28 January 1936 and ran for 194 performances. It ran in London for 509 performances, the longest run of any of Smith's plays to date. American critic [[Joseph Wood Krutch]] compared it favorably to [[George S. Kaufman]] and [[Edna Ferber]]'s play ''[[Dinner at Eight (play)|Dinner at Eight]]'' and [[Edward Knoblock]]'s ''Grand Hotel''. He said the London production "stays pretty consistently on the level of comedy and imposes upon its brittle structure no greater emotional weight than that structure is capable of bearing."<ref name="Hadsel 1982"/>