Russian literature: Difference between revisions

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Science fiction was always well selling, albeit second to [[fantasy]], that was relatively new to Russian readers. These genres boomed in the late 1990s, with authors like [[Sergey Lukyanenko]], [[Nick Perumov]], [[Maria Semenova]], [[Vera Kamsha]], Alexey Pekhov, [[Tony Vilgotsky|Anton Vilgotsky]] and [[Vadim Panov]]. A good share of modern Russian science fiction and fantasy is written in [[Ukraine]], especially in [[Kharkiv]],<ref>{{cite web |url=http://www.ukrainetravel.co/index.php/kharkiv|title=Kharkov Ukraine|website=Ukrainetravel.com|access-date=2017-12-16}}</ref> home to [[H. L. Oldie]], [[Alexander Zorich]], [[Yuri Nikitin (author)|Yuri Nikitin]] and [[Andrey Valentinov]]. Many others hail from Kyiv, including [[Marina and Sergey Dyachenko]] and [[Vladimir Arenev]]. Significant contribution to Russian horror literature has been done by Ukrainians [[Andrey Dashkov]] and [[Alexander Vargo]].
 
Russian poetry of that period produced a number of avant-garde greats. The [[Moscow Conceptualists]] and followers of [[Concrete poetry]], such as mentioned Dmitry Prigov, [[Lev Rubinstein]], [[Anna Alchuk]] and Timur Kibirov, and the members of the Lianosovo group of [[Soviet nonconformist art|nonconformist]] poets, notably [[Genrikh Sapgir]], [[Igor Kholin]] and Vsevolod Nekrasov, who previously chose to refrain from publication in Soviet periodicals, became very influential, especially in Moscow,<ref name="20poets">"Introduction." In ''A Night in the Nabokov Hotel: 20 Contemporary Poets from Russia'', introd. and trans. by [[Anatoly Kudryavitsky]], Dublin: Dedalus Press, 2006, {{ISBN|1-904556-55-8}}.</ref>{{sfn|Kahn|Lipovetsky|Reyfman|Sandler|2018|pp=631–635}} and the same goes for another masterful experimental neo-[[surrealism|surrealist]] [[Chuvash language|Chuvash]] and Russian poet, [[Gennadiy Aygi]].<ref name="20poets" /> Also popular were poets following some other poetic trends, e.g. Vladimir Aristov and Ivan Zhdanov from ''Poetry Club'' and Konstantin Kedrov and Elena Katsuba from ''DOOS'', Aleksandr Yeryomenko, [[Yuri Arabov]], [[Alexei Parshchikov]] and other representatives of the 1970–80s [[Metarealism]], who all used complex metaphors which they called meta-metaphors;<ref name="20poets" />{{sfn|Kahn|Lipovetsky|Reyfman|Sandler|2018|pp=639–641}} in St. Petersburg, members of ''New Leningrad Poetry School'' that included not only the famous [[Joseph Brodsky]] but also [[Viktor Krivulin]], Sergey Stratanovsky and [[Elena Shvarts]], were prominent first in the Soviet-times underground—and later in mainstream poetry;<ref name="accursed" /><ref name="20poets" /> emerged in 1992, the Meloimaginist group related to previous [[Imaginism]] and included such poets and novelists as Russian-Irish bilingual [[Anatoly Kudryavitsky]] and Ludmila Vaturina; among other names, Russian-Israeli author Elena Ignatova, poet and writer Nikolaĭ Baĭtov, the Russian-German poet and scholar Sergey Biryukov with futurist and surrealist background,<ref name="20poets" /> Irina Iermakova, Vitaly Kalpidi, Svetlana Kekova, the Russian-American poet and scholar [[Lev Loseff]], and [[Vera Pavlova]]. Notable poets of younger generation are the 1980s underground surrealist author Dimitry Grigoriev (b. 1960), [[Elena Fanailova]] (b. 1962), [[Dmitry Kuzmin]] (b. 1968), Asya Shneiderman (b. 1968), [[Maxim Amelin]] (b. 1970), activist Alina Vitukhnovskaya (b. 1973),<ref name="20poets" /> Inga Kuznetsova (b. 1974), [[Boris Ryzhy]] (1974–2001), and [[Polina Barskova]] (b. 1976).
 
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