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[[File:José_Trinidad_Reyes2.PNG|thumb|243x243px|José Trinidad Reyes]]
'''Honduran Literature''' describes the literature birthed out of Honduras. The literary history of [[Honduras]] is intersects with aspects of political and socioeconomic atmosphere that has long been prevalent in [[History of Honduras|Honduran history]]. In the ''Handbook of Latin American Literature,'' Salgado claims that the birth of Honduran literature begins with [[José Trinidad Reyes|Fray Jose Trinidad Reyes]], who founded the first [[University of Honduras]]. Unfortunately, the proliferation that was seen in other [[Central America
In fact, [[Romanticism]] reaches Honduras at a later date than most other literature in the world, appearing in late nineteenth century and is seen in the work of [[Ramón Rosa|Ramon Rosa]]. Once Romanticism moves into Honduras, the country's literature begins to take off. Authors from this time period are: [[Manuel Molina Vijil]], [[Jose Antonio Dominguez]], and [[Carlos Federico Gutierrez]], who was the author of the first Honduran novel title[[Angelina (1898)|d Angelina (1898)]]. Influenced by the rest of Spanish America, Honduran literature experiments with [[Modernism]]
== The Generation from the Dictatorship/The Generation of 35 (1933-1949) ==
[[File:Roberto_Sosa.jpg|thumb|226x226px|Roberto Sosa]]
Honduran culture throughout the
Author's from the Generation from the Dictatorship include: [[Daniel Lainez]], [[Jacobo Carcamo]], [[Claudio Barrera]], [[Constantino Suasnavar]], [[Alejandro Castro h.]], Matias Funes, [[Miguel R Ortega]], [[Oscar A. Flores]], [[Raul Giberto Trochez]], [[Enrique Gomez]], [[Marcos Carias Reyes]], [[Clementina Suárez|Clementina Suarez]], and [[Argentina Díaz Lozano|Argentina Diaz Lozano]].
== The Founders of the New Literature/ The Generation of 50/Vanguard Generation ==
In the post [[Tiburcio Carías Andino]] Dictatorship the historical-social climate did not change drastically, but the atmosphere in Honduras did experience a shift.<ref name=":1">{{Cite book|title=Literatura Hondurena|last=Paredes|first=Rigoberto|publisher=Editores Unidos|year=1988|isbn=|location=Tegucigalpa, Honduras|pages=74}}</ref>
Being influenced by the [[General strike of 1954]] this generation of authors shined light on a new group of
The new emergence of authors from this generation are as follows: [[Antonio Jose Rivas]], [[Pompeyo Valle]], [[Roberto Sosa (poet)|Roberto Sosa]], [[Nelson Merren]], [[Óscar Acosta|Oscar Acosta]], [[Marcos Carias]], [[Francisco Salvador]], [[Saul Toro]], [[Ramon Oqueli]], [[Hector Bermudez Milla]], [[Oscar Castaneda Batres]], [[Felipe Elvir Rojas]], [[David Moya Posas]], [[Hector Bermudez Milla]], [[Jaime Fontana]], [[Miguel R Ortega]], [[Filadelfio Suazo]], [[Angel Valle]], [[Justiniano Vasquez]], and [[Armando Zelaya]].
== La Generacion de La Guerra/ The Generation from the War ==
Within the time period of the Founder of the New Literature there existed a separate group of authors.These authors claimed to break from the previous styles of writing from their predecessors.<ref name=":2">{{Cite news|url=http://www.elheraldo.hn/vida/597276-220/literatura-joven-y-vanguardista-en-honduras|title=Literatura joven y vanguardista en Honduras - Diario El Heraldo|work=Diario El Heraldo|access-date=2017-11-01|language=es-LA}}</ref>
This generation of authors occurred after the [[Football War]] (1969) between Honduras and El Salvador.<ref name=":2" /> This generation of literature was consequently named after this historical event that impacted Honduran society. Emerging from a state of conflict Bahr explains that the generation hopes to break from the traditional form of literature to theater, narrative, and essay.<ref name=":2" />
Major authors from this generation include: [[Eduardo Bähr|Eduardo Bahr]] (1940), [[Julio Escoto]] (1944), and [[Rigoberto Paredes]] (1948).
== The New Generation ==
Although not directly influenced by a political event, during the late eighties and early nineties there emerges yet another generation of authors. The new generation of authors, which began to include more women, begins to question and write about machismo in the Honduran culture.<ref name=":2" />
Authors from this period include: [[Helen Umaña]], [[Maria Eugenia Ramos]] (1959), [[Galel Cardenas]] (1945), [[Jose Luis Oviedo]], Juana Pavon, [[Jose Adan Castelar]], [[Leticia de Oyuela]], [[Jose Antonio Funes]], [[Marta Susana Prieto]], [[Fabricio Estrada]], Giovani Rodriguez, [[Lety Elvir]], [[Mayra Oyuela]], Salvador Madrid, [[Samuel Trigueros]], and [[Cesar Indiano]].
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