Sabine Chaouche: Difference between revisions

She studied at the [[University of Oxford]] ([[New College, Oxford|New College]]), where she completed a DPhil in Social and Economic History [http://solo.bodleian.ox.ac.uk/primo-explore/fulldisplay?docid=ORAe83c1570-5f6e-41a4-ba57-587ad3ff443f&context=L&vid=SOLO&lang=en_US&search_scope=LSCOP_ALL&adaptor=Local%20Search%20Engine&tab=local&query=any,contains,sabine%20chaouche&sortby=rank&offset=0] (2017) and at the [[University of Paris-Sorbonne|Université de Paris-Sorbonne]] where she completed a [[PhD]] in Literature and Theatre (1999)<ref>{{cite web|url=http://www.cellf.paris-sorbonne.fr/chercheur/chaouche-sabine |title=Chaouche &#124; Cellf |language=fr |publisher=Cellf.paris-sorbonne.fr |date= |accessdate=2017-04-15}}</ref> and an [[Habilitation à Diriger des Recherches]] (2005).<ref>{{cite web|url=http://www.paris-sorbonne.fr/article/du-spirituel-dans-l-art-theatral |title=Du spirituel dans l’art théâtral. Pensées et écritures du jeu en France au siècle des lumières (1753-1801) - Toutes les soutenances - Université Paris-Sorbonne |publisher=Paris-sorbonne.fr |date=2005-09-08 |accessdate=2017-04-15}}</ref> As a [[Reader (academic rank)|Reader]], she taught [[French literature]] and theatre in [[Oxford]]. Her books on [[acting (law)|acting]] and [[declamation]] in the seventeenth and eighteenth centuries have become reference works,.<ref>{{cite web|author=du même auteur |url=https://www.cairn.info/revue-dix-septieme-siecle-2003-2-page-353.htm |title=De l'Art du Comédien |doi=10.3917/dss.032.0353 |website=Cairn.info |date=2007-12-01 |accessdate=2017-04-17}}</ref><ref>Michael Hawcroft, Review on L'Art du comédien, Papers on French Seventeenth Century Literature, XXIX, 56, 2002.</ref><ref>« Hors-série "Quoi de neuf Molière" », Le Figaro littéraire, 2014.</ref> In recent years, she examined staging, the philosophy of performance<ref>Claudio Vinti, Review on La Philosophie de l'Acteur, Studi Francesi, anno LII, 3.</ref> and the economy of entertainments. She has edited almost all the theories on "actio" and [[baroque]] acting from the 1650s to the 1800s and is regarded by Konrad Schoell as "one of the most important representatives of current research into the history of the French theatre of the 17th and 18th centuries".<ref>Konrad Schoell, Review on Chaouche's works and La Philosophie de l'Acteur, Romanische Forschungen, 120:4, 2008.</ref> Her multidisciplinary area of expertise includes the history of [[Consumption (economics)|consumption]] and [[trade]] in nineteenth-century Europe, as well as Oxford students' daily life in the Victorian and Edwardian eras.