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'''Fra Bartolomeo''' or '''Bartolommeo''' {{post-nominals|post-noms=[[Dominican Order|OP]]}} ({{IPAc-en|uk|ˌ|b|ɑːr|t|ɒ|l|ə|ˈ|m|eɪ|oʊ}}, {{IPAc-en|us|-|t|oʊ|l|-}}, {{IPA-it|bartolo(m)ˈmɛːo|lang}}; 28 March 1472 – 31 October 1517), also known as '''Bartolommeo di Pagholo''',{{sfn|Chisholm|1911|p=451}} '''Bartolommeo di S. Marco''',{{sfn|Baynes|1878|p=194}} and his original name '''Baccio della Porta''',{{sfn|Baynes|1878|p=194}} was an [[Italian people|Italian]] [[Renaissance]] painter of religious subjects. He spent all his career in [[Florence]] until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with [[Cosimo Roselli]] and in the 1490s fell under the influence of [[Girolamo Savonarola|Savonarola]], which led him to become a [[Dominican Order|Dominican]] [[friar]] in 1500, renouncing painting for several years.
He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized [[High Renaissance]] style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young [[Raphael]] with the force of revelation".
{{sfn|Hartt|1987|p=477}} He remained friends with Raphael, and each influenced the other.
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