Sculpture of Zimbabwe: Difference between revisions

Support and encouragement has come from many sources.

# Sponsors of a variety of sculpture communities, of which those at Tengenenge<ref>Leyten, H. (1994) "Tengenenge", Kasteel Groenveld, Baarn, Netherlands. {{ISBN|9074281052}}</ref> and Chapungu<ref>Guthrie R (2000) "Chapungu: Custom and Legend – A Culture in Stone". Exhibition Catalogue for [[Kew]] ASIN B001ANIIXW</ref> have been most influential. Further Communities have developed post-independence, for example the Chitungwiza Arts Centre, which was an initiative involving the United Nations Development Programme and the Zimbabwe Ministry of Education and Culture, which provided the land.

# The Zimbabwean Government, especially through its support for the National Gallery, which now has regional centres in Bulawayo and Mutare.

# Patrons who buy works or write forewords to catalogues for international exhibitions. Examples of well-known individuals in this category include [[Richard Attenborough]], [[Richard E. Grant]], and [[Joshua Nkomo]].

*[[:Category:Zimbabwean sculptors]]

 

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[[Category:Shona]]