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He began his career in print journalism, and was the first managing editor of ''[[Cinefantastique]]'', a movie special effects journal where he also published movie reviews. He has written for ''[[Video Watchdog]]'' and ''[[Fangoria]]''. His lengthy career in computer high-tech trade press magazines began at [[International Data Group|IDG]] and then moved to [[Ziff Davis|Ziff-Davis]], and included ''PC Week'' (later ''[[eWeek]]'').<ref>[https://www.eweek.com/networking/cover-story-25-years-of-pc-week-eweek ''Cover Story: 25 Years of PC Week/eWEEK'' Slideshow of the history of PC Week]</ref> Eventually, he worked for [[CNET]], leaving that firm in 1997 in an executive role.<ref name="transmission" /> He is credited with co-creating one of the first commercial websites, in 1993, called ''PC Week Online'', and helped develop an early content format for podcasting ("PC Week Radio"). He has been active as a film producer-writer-director since 1997, and continues to work as a journalist in the high-tech and medical industries. He was an executive producer for Aesthetic TV, an online TV production house, from 2012 to 2017, and has been a regular contributor to ''The Aesthetic Channel''.
Frentzen co-wrote (with [[David J. Schow]]) ''The Outer Limits Companion'' (Ace Books, 1986), and in 1998 published ''Javascript Annotated Archives'' (Osborne/McGraw-Hill, Berkeley), co-written with Henry Sobotka and Dewayne McNair
== Film ==
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