Margaret Gillies: Difference between revisions

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In 1852 Gillies was elected an associate of the [[Old Society of Painters in Water Colours]], and was a contributor to its exhibitions for the rest of her life. Her exhibited works included:<ref name="DNB"/>
 
* ''Past and Future'', 1855, and ''The Heavens are telling'', 1856, both of which were engraved;
* ''Rosalind and Celia'', 1857;
* ''Una and the Red Cross Knight in the Cavern of Despair'', ''An Eastern Mother'', and ''Vivia Perpetua in Prison'', 1858;
* ''A Father and Daughter'', 1859;
* ''Imogen after the Departure of Posthumus'', 1860;
* ''Beyond'', 1861;
* ''The Wanderer'', 1868;
* ''Prospero and Miranda'', 1874;
* ''Cercando Pace'', a drawing in three compartments, 1875; and
* ''The Pilgrimage'', exhibited at the Royal Jubilee Exhibition at Manchester in 1887.
 
Her last work was ''Christiana by the River of Life'', exhibited in 1887.<ref name="DNB"/>