This is a bibliography of works by the Canadian poet, essayist, translator, classicist, and professor Anne Carson.
Writings
editTitel | Year | Notes | Ref. |
---|---|---|---|
Odi et Amo Ergo Sum | 1981 | Doctoral thesis; "I Hate and I Love, Therefore I Am" |
[1] |
Canicula di Anna | 1984 | Carson's first published poetry | [2] |
Eros the Bittersweet: An Essay | 1986 | A reworking of Carson's doctoral thesis | [3] |
Short Talks | 1992 | 2015 edition includes an introduction by Margaret Christakos, and an afterword by Carson |
[4] |
Glass, Irony, and God | 1995 | With an introduction by Guy Davenport; includes "The Glass Essay" |
[5] |
Plainwater: Essays and Poetry | Includes Canicula di Anna, and selections from Short Talks | [6] | |
Autobiography of Red: A Novel in Verse | 1998 | Based on surviving fragments of the poem Geryoneis by Stesichorus | [7] |
Glass and God | Includes Short Talks, and selections from Glass, Irony, and God |
[8] | |
Economy of the Unlost (Reading Simonides of Keos with Paul Celan) | 1999 | Includes translations of poems by Simonides and Paul Celan | [9] |
Men in the Off Hours | 2000 | Includes epitaphs, poems, verse essays, and drafts of scripts | [10] |
The Beauty of the Husband: A Fictional Essay in 29 Tangos | 2001 | Dedicated to John Keats | [11] |
The Mirror of Simple Souls: An Opera Installation (Libretto) | 2003 | Handmade libretto; art and design by Kim Anno | [12] |
Decreation: Poetry, Essays, Opera | 2005 | Includes The Mirror of Simple Souls | [13] |
Nox | 2010 | Includes translation of Catullus 101 | [14] |
Antigonick (Sophokles) | 2012 | A version of Antigone by Sophocles; illustrated by Bianca Stone; 2015 edition includes an introduction by Carson ("The Task of the Translator of Antigone") |
[15] |
Red Doc> | 2013 | A follow-up to Autobiography of Red | [16] |
Nay Rather | "Variations on the Right to Remain Silent" (with seven translations of Ibycus Fragment 286), and "By Chance the Cycladic People" illustrated by Lanfranco Quadrio |
[17] | |
The Albertine Workout | 2014 | On Albertine, a character in Marcel Proust's In Search of Lost Time; art and design of One Crow Press edition by Kim Anno |
[18] |
Float | 2016 | A collection of 22 chapbooks; includes texts of Nay Rather | [19] |
The Mile-Long Opera: A Biography of 7 O'Clock | 2018 | Libretto by Carson, with prose pieces by Claudia Rankine | [20] |
Norma Jeane Baker of Troy | 2019 | A version of Helen by Euripides, drawing on the life of Marilyn Monroe |
[21] |
The Trojan Women: A Comic | 2021 | A comic-book version of The Trojan Women by Euripides, with artwork by Rosanna Bruno |
[22][23] |
H of H Playbook | About Herakles by Euripides, illustrated by Carson | [24] |
Translations
editTitel | Year | Source material | Notes | Ref. |
---|---|---|---|---|
Sophocles, Electra | 2001 | Electra by Sophocles | With introduction and notes by Michael Shaw | [25] |
If Not, Winter: Fragments of Sappho | 2002 | The poetry of Sappho | With introduction and notes by Carson; 2019 Folio Society edition includes images by Jenny Holzer |
[26] |
Grief Lessons: Four Plays by Euripides Herakles, Hekabe, Hippolytos, Alkestis |
2006 | Herakles, Hecuba, Hippolytus, and Alcestis by Euripides |
With five prefaces, and a text by Carson ("Why I Wrote Two Plays About Phaidra, by Euripides") |
[27] |
An Oresteia Agamemnon by Aiskhylos, Elektra by Sophokles, Orestes by Euripides |
2009 | Agamemnon by Aeschylus Electra by Sophocles Orestes by Euripides |
With four introductions and a note by Carson | [28] |
Euripides, Iphigenia Among the Taurians | 2014 | Iphigenia in Tauris by Euripides | With introduction by Glenn W. Most and Mark Griffith | [29] |
Sophokles, Antigone | 2015 | Antigone by Sophocles | With a note by Carson | [30] |
Euripides, Bakkhai | The Bacchae by Euripides | With a note by Carson ("I Wish I Were Two Dogs Then I Could Play With Me") |
[31] |
Contributions
editBooks and broadsides
editTitel | Year | Publication and notes | Typ | Ref. |
---|---|---|---|---|
"How Bad a Poem is Semonides Fragment I?" | 1984 | Greek Poetry and Philosophy: Studies in Honour of Leonard Woodbury Edited by Douglas E. Gerber |
Scholarship | [32] |
"Syracuse and the Monies of Simonides" | 1989 | Syracuse, the Fairest Greek City: Ancient Art from the Museo Archeologico Regionale 'Paolo Orsi' Edited by Bonna Daix Wescoat |
Essay | [33] |
"Putting Her in Her Place: Woman, Dirt, and Desire" | 1990 | Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World Edited by David M. Halperin, John J. Winkler, and Froma Zeitlin |
Essay | [34] |
"Simonides Painter" | 1992 | Innovations of Antiquity Edited by Ralph Hexter and Daniel Selden |
Essay | [35] |
"Screaming in Translation: The Elektra of Sophokles" | 1996 | Sophocles' "Electra" in Performance Edited by Francis M. Dunn |
Essay | [36] |
"Justice of Aphrodite in Sappho I" | Reading Sappho: Contemporary Approaches Edited by Ellen Greene |
Essay | [37] | |
"Sappho Shock" | 1997 | Dwelling in Possibility: Women Poets and Critics on Poetry Edited by Yopie Prins and Maeera Shreiber |
Essay | [38] |
"The Gender of Sound" | 1998 | Cassandra: Voices from the Inside Edited by Freda Guttman |
Essay | [39] |
"Dirt and Desire: The Phenomenology of Female Pollution in Antiquity" |
1999 | Constructions of the Classical Body Edited by James I. Porter |
Essay | [40] |
"Quadrat I and II" | 2000 | Writers at the Movies: Twenty-six Contemporary Authors Celebrate Twenty-six Memorable Movies Edited by Jim Shepard |
Poetry | [41] |
"Strange Hour, Outcast Hour" | 2001 | The Threepenny Review Broadside designed by Noreen Fukumori; alongside excerpt from "On the Strange, the Weird, and the Uncanny" by Adam Phillips |
Broadside | [42] |
"Answer Scars: My Roni Horn Project, An Optional Comic, by AC" | 2004 | Wonderwater (Alice Offshore) by Roni Horn Includes "Hö Comix" insert by Carson |
Poetry | [43] |
"Soundtrack" | Subtitles: On the Foreignness of Film Edited by Ian Balfour and Atom Egoyan |
Writings | [44] | |
"Introduction" | 2006 | It by Inger Christensen Translated by Susanna Nied |
Preface | [45] |
"Fourth Choral Ode from Euripides' Hippolytos" | Broadside designed by Lettre Sauvage | Broadside | [46] | |
"could", "double", "her", "then", "too" | 2009 | Roni Horn aka Roni Horn: Subject Index Edited by Beth Huseman |
Poetry | [47] |
"The Little Maid and the Gentleman, or, We Are Seven, William Wordsworth" |
2011 | Know the Past, Find the Future: The New York Public Library at 100 Edited by Caro Llewellyn |
Poetry | [48] |
"The Goat at Midnight" | Sixty-Six Books: 21st-Century Writers Speak to the King James Bible In response to the Book of Jude; edited by Christopher Haydon, Rachel Holmes, Ben Power, and Josie Rourke |
Poetry | [49] | |
"Pinplay" | Elliott Hundley: The Bacchae A version of Euripides' The Bacchae, alongside contributions by Christopher Bedford and Richard Meyer; edited by Anne Bremner |
Poetry | [50] | |
"The Withness of the Body" | 2012 | Boat by Laurie Anderson Alongside contributions by Anderson, and Lou Reed |
Poetry | [51] |
"The Artist Searches etc. Water Log" | Jim Shaw: The Rinse Cycle With Robert Currie; edited by Laurence Sillars |
Poetry | [52] | |
"Flotage (Border)" | 2013 | Janet Werner: Another Perfect Day Alongside contributions by David Balzer and John Kissick; edited by Meeka Walsh |
Poetry | [53] |
"Good Dog I, II, III" | 2014 | Jürgen Partenheimer: Das Archiv – The Archive In response to Partenheimer's "Kalliope I, II, III"; edited by the Bayerische Staatsgemäldesammlungen |
Poetry | [54] |
"Bluish" | 2015 | The Blue of Distance Alongside contributions by Rebecca Solnit and Courtenay Finn; edited by Sarah Stephenson |
Poetry | [55] |
"Collaborating on Decreation: An Interview with Anne Carson" | Anne Carson: Ecstatic Lyre Interview with Peter Streckfus |
Interview | [56] | |
"Hack Gloss" | Hack Wit by Roni Horn | Poetry | [57] | |
"This Bird That Never Settles: A Virtual Conversation with Anne Carson about Greek Tragedy"; includes "Quicktime Prometheus" |
The Oxford Handbook of Greek Drama in the Americas Interview with Yopie Prins; edited by Kathryn Bosher, Fiona Macintosh, Justine McConnell, and Patrice Rankine |
Interview & Poetry |
[58] | |
"Sappho Drives Upstate (Fr. 2)" | Freeman's: Arrival Edited by John Freeman |
Poetry | [59] | |
"Suppose a Lone Man" | John Skoog: Slow Return. Värn Alongside contributions by Rainer Fuchs, Klaus Görner, Andréa Tavie Picard and Amalie Smith; edited by Susanne Gaensheimer and Karola Kraus |
Poetry | [60] | |
"Good Dog I, II, III" | Jürgen Partenheimer: Calliope Edited by Anne-Claire Schumacher |
Poetry | [61] | |
"Letter to Krito" | 2017 | Inside: Artists and Writers in Reading Prison Edited by James Lingwood and Michael Morris |
Poetry | [62] |
"Poverty Remix (Sestina)" | 2018 | Beggars by Andrea Büttner Alongside contributions by Christopher P. Heuer and Linda Nochlin |
Poetry | [63] |
"Part II: Handful of Dirt" | Antigone Undone by Will Aitken Juliette Binoche, Anne Carson and Ivo van Hove interview |
Interview | [64] | |
"Do Not Believe Your Thoughts Said Paisios of Mt Athos" | 2019 | The Great Tamer by Dimitris Papaioannou With photographs by Julian Mommert |
Poetry | [65] |
"Unofficial Transcripts of Notes Taken During the Q&A Following the Pig Lake Seminar (Ragnar Contra Nietzsche), April 2019, With Participants Bertolt Brecht, Simon Critchley, Geoff Dyer, Lev Nikolayevich Myshkin, Lou Salomé, Slavoj Žižek" |
2020 | Looking Writing Reading Looking: Writers on Art from the Louisiana Collection In response to Me and My Mother by Ragnar Kjartansson; edited by Stephen Lund |
Poetry | [66] |
"A Rustle of Catullus" | Cy Twombly: Making Past Present Alongside contributions by Jennifer R. Gross, Brooke Holmes, and Mary Jacobus; edited by Christine Kondoleon and Kate Nesin |
Essay | [67] |
Journals and literary magazines
editTitel | Year | Publication | Typ | Ref. |
---|---|---|---|---|
"Some Greeks: Fragments of Greek Papyri" | 1979 | Invisible City | Translation | [68] |
"Aphrodite and After" | 1980 | Phoenix | Scholarship | [69] |
"The Justice of Aphrodite in Sappho Fr. 1" | Transactions of the American Philological Association |
Scholarship | [70] | |
"Wedding at Noon in Pindar’s Ninth Pythian" | 1982 | Greek, Roman, and Byzantine Studies | Scholarship | [71] |
"The Burners: A Reading of Bacchylides' Third Epinician Ode" | 1984 | Phoenix | Scholarship | [72] |
"Conversations with the Confused: Cold Feet" | 1985 | New Muses | Poetry | [73] |
"The Fall of Rome: A Traveller's Guide" | Canadian Literature | Poetry | [74] | |
"Three Poems" | 1986 | North Dakota Quarterly | Poetry | [75] |
"Echo with No Door on Her Mouth: A National Refraction Though Sophokles, Plato, and Defoe" |
Stanford Literature Review | Essay | [76] | |
"Short Talks" | Planetarium Station | Poetry | [77] | |
"Short Talks" | 1987 | Bomb | Poetry | [78] |
"Short Talks" | Southwest Review | Poetry | [79] | |
"Kinds of Water" | Grand Street | Poetry | [80] | |
"Chez l'Oxymoron" | 1988 | Grand Street | Essay | [81] |
"A Dangerous Affair" | The New York Times Book Review | Poetry | [82] | |
"Simonides Negative" | Arethusa | Essay | [83] | |
"Review: The Nature of Early Greek Lyric: Three Preliminary Studies by R. L. Fowler" |
1989 | The Classical Journal | Review | [84] |
"The Life of Towns" | Grand Street | Essay | [85] | |
"Just for the Thrill: Sycophantizing Aristotle's Poetics" | 1990 | Arion: A Journal of Humanities and the Classics |
Essay | [86] |
"Now What?" | Grand Street | Translation & Poetry |
[87] | |
"Short Talks" | The Yale Review | Poetry | [88] | |
"Alphabetic Edge" | 1991 | The Canadian Bookbinders and Book Artists Guild Newsletter |
Poetry | [89] |
"Short Talks" | Descant | Poetry | [90] | |
"Catullus: Carmina translated by Anne Carson" | 1992 | The American Poetry Review | Translation & Poetry |
[91] |
"The Brainsex Paintings: Mimnermos (Translation, Essay, Interview)" |
Raritan | Poetry & Essay |
[92] | |
"How Not to Read a Poem: Unmixing Simonides from Protagoras" |
Classical Philology | Essay | [93] | |
"Water Margins: An Essay on Swimming by My Brother" | Descant | Poetry | [94] | |
"The Truth About God: Seventeen Poems" | 1993 | The American Poetry Review | Poetry | [95] |
"Catullus: Carmina" | Pearl | Translation & Poetry |
[96] | |
"Your Money or Your Life" | Yale Journal of Criticism | Essay | [97] | |
"Mimnermos: The Brainsex Paintings: A Translation of the Fragments of Mimnermos of Kolophon" |
Quarterly Review of Literature: Contemporary Poetry Series |
Poetry & Essay |
[98] | |
"The Glass Essay" | 1994 | Raritan | Poetry | [99] |
"The Autobiography of Red" | Columbia: A Magazine of Poetry & Prose | Poetry | [100] | |
"The Fall of Rome: A Traveller's Guide" | Pequod | Poetry | [101] | |
"The Gender of Sound: Description, Definition and Mistrust of the Female Voice in Western Culture" |
Resources for Feminist Research | Essay | [102] | |
"The Gender of Sound" | Thamyris | Essay | [103] | |
"Hero" | Index: The Montreal Literary Calendar | Poetry | [104] | |
"Red Meat: What Difference Did Stesichorus Make?" | 1995 | Raritan | Essay | [105] |
"Economy" | Village Voice Literary Supplement | Poetry | [106] | |
"Short Talk on Chromoluminism" | The New York Times | Poetry | [107] | |
"Shoes: An Essay on How Plato's Symposium Begins" | The Iowa Review | Essay | [108] | |
"TV Men: Hektor" | Raritan | Poetry | [109] | |
"The Truth About God: Six Poems" | 1996 | The American Poetry Review | Poetry | [110] |
"Simonides and the Art of Negative Attention" | Brick: A Literary Journal | Essay | [111] | |
"That Strength", "Methinks the Poor Town Has Been Troubled Too Long", "Visit" |
Parnassus | Poetry | [112] | |
"Jaget" | Chicago Review | Poetry | [113] | |
"TV Men: Tolstoy" | Raritan | Poetry | [114] | |
"TV Men: Artaud" | The Iowa Review | Poetry | [115] | |
"Natures" | Exquisite Corpse | Poetry | [116] | |
"TV Men: Akhmatova (Treatment for a Script)" | Colorado Review | Poetry | [117] | |
"Writing on the World: Simonides, Exactitude and Paul Celan" | Arion: A Journal of Humanities and the Classics |
Essay | [118] | |
"Anne Carson: The Matrix Interview" | Matrix | Interview | [119] | |
"Ice Blink" | 1997 | Raritan | Poetry | [120] |
"Gift", "Lines", "That Strength", "Would Be Her 50th Wedding Anniversary Today", "Methinks the Poor Town Has Been Troubled Too Long" |
Ambit Magazine | Poetry | [121] | |
"Despite Her Pain, Another Day" | The New Yorker | Poetry | [122] | |
"Lines" | The New Yorker | Poetry | [123] | |
"TV Men: Antigone (Scripts 1 and 2)" | The Paris Review | Poetry | [124] | |
"Economy, Its Fragrance" | The Threepenny Review | Essay | [125] | |
"Artaud Script / Artaud Week" | Trois | Poetry | [126] | |
"TV Men: Lazarus" | Parnassus | Poetry | [127] | |
"Irony is Not Enough: Essay on My Life as Catherine Deneuve" |
Seneca Review | Poetry | [128] | |
"Why Did I Wake Alone Among the Sleepers (Visibles and Invisibles in Simonides and Celan)" |
Seneca Review | Essay | [129] | |
"A Symposium on Translation" | The Threepenny Review | Essay | [130] | |
"A ___ with Anne Carson" | The Iowa Review | Interview | [131] | |
"Chaldaic Oracles 1" | The Iowa Review | Poetry | [132] | |
"Shadowboxer" | Chicago Review | Poetry | [133] | |
"A Talk With Anne Carson" | Brick: A Literary Journal | Interview | [134] | |
"Ordinary Time: Virginia Woolf and Thucydides on War" | Brick: A Literary Journal | Poetry | [135] | |
"TV Men: Akhmatova (Treatment for a Script)" | Colorado Review | Poetry | [136] | |
"Father's Old Blue Cardigan" | The New Yorker | Poetry | [137] | |
"New Rule" | The New Yorker | Poetry | [138] | |
"Handbook for William (Liber Manualis) by Dhuoda, translated by Carol Neel" |
1998 | Brick: A Literary Journal | Review | [139] |
"Strange Hour (Outcast Hour)" | The Threepenny Review | Poetry | [140] | |
"All Debts Owed to Death: Economy in Simonides and Celan" | Parnassus | Essay | [141] | |
"Hopper: Confessions" | Raritan | Poetry | [142] | |
"Ordinary Time: Virginia Woolf and Thucydides on War" | Fence | Poetry | [143] | |
"Semaine d'Artaud" | Conjunctions | Poetry | [144] | |
"TV Men: Lenz in China" | Descant | Poetry | [145] | |
"No Port Now" | The New Republic | Poetry | [146] | |
"TV Men: Thucydides in Conversation with Virginia Woolf on the Set of The Peloponnesian War" |
The Threepenny Review | Poetry | [147] | |
"Helen" | Boston Review | Poetry | [148] | |
"Victory Must Be Supremely Glorious Experience Said a Woman to the Duke of Wellington" |
Boston Review | Poetry | [149] | |
"False Sail" | The Threepenny Review | Poetry | [150] | |
"Old Home" | Metre | Poetry | [151] | |
"And Kneeling at the Edge of the Transparent Sea I Shall Shape for Myself a New Heart from Salt and Mud" |
The New Yorker | Poetry | [152] | |
"Essay on What I Think About the Most" "Essay on Error (2nd Draft)" |
1999 | Raritan | Poetry | [153] |
"Economy, Its Fragrance" | Brick: A Literary Review | Poetry | [154] | |
"Longing, a Documentary" | Brick: A Literary Review | Poetry | [155] | |
"Oedipus' Nap" | The Threepenny Review | Poetry | [156] | |
"TV Men: Akhmatova (Treatment for a Script)" | PN Review | Poetry | [157] | |
"The Idea of a University (after John Henry Newman)" | The Threepenny Review | Essay | [158] | |
"Her Beckett" | The Paris Review | Poetry | [159] | |
"Nothing For It" | The Paris Review | Poetry | [160] | |
"My Show" | The Paris Review | Poetry | [161] | |
"Betty Goodwin Seated Figure with Red Angle" | Artforum | Poetry | [162] | |
"Interview with Anne Carson" | Satellite | Interview | [163] | |
"PWInterview: Anne Carson" | 2000 | Publishers Weekly | Interview | [164] |
"Longing, a Documentary: Shot List" | The Threepenny Review | Poetry | [165] | |
"Four Poems from 'The Beauty of the Husband'" | London Review of Books | Poetry | [166] | |
"Fragment 96 LP" | Jubilat | Translation | [167] | |
"Dhuoda's Mirror" | The Threepenny Review | Review | [168] | |
"Decreation: An Opera in Three Parts" | Parnassus | Poetry | [169] | |
"Simonides and the Art of Negative Attention" | Brick: A Literary Review | Essay | [170] | |
"Fragment 98a, 98b" | The Globe and Mail | Translation | [171] | |
"Bindings" | Satellite | Poetry | [172] | |
"from Decreation: An Opera in Three Parts" | Fence | Poetry | [173] | |
"Heloise and Abelard: A Screenplay in 11 Scenes" | 2001 | Black Warrior Review | Poetry | [174] |
"Guillermo's Sigh Symphony" | New Delta Review | Poetry | [175] | |
"Longing, a Visual Primer" | Art on Paper | Poetry | [176] | |
"TV Men: Beckett" | The Threepenny Review | Poetry | [177] | |
"Opposed Glimpse of Alice James, Garth James, Henry James, Robertson James and William James" |
The Threepenny Review | Poetry | [178] | |
"from Sleep Plan" | Brick: A Literary Review | Poetry | [179] | |
"Frusta: Houseman, Sappho, Stoppard and the Uses of Cold Water" | Lincoln Center Theater Review | Poetry | [180] | |
"Foam (Essay on Rhapsody): On the Sublime in Longinus and Antonioni" | Conjunctions | Poetry | [181] | |
"Foam (Essay on Rhapsody): On the Sublime in Longinus and Antonioni", "The Day Antonioni Came to the Asylum" |
Brick: A Literary Review | Poetry | [182] | |
"When Words Don't Fail" | Artforum | Poetry | [183] | |
"Beauty Prefers an Edge" | Poets and Writers | Interview | [184] | |
"Stanzas, Sexes, Seductions" | The New Yorker | Poetry | [185] | |
"Woman of Letters" | Canadian Writer’s Yearbook | Interview | [186] | |
"High Class(ical), An Interview with Poet and Classicist Anne Carson" | Satellite | Interview | [187] | |
"Decreation: How Women Like Sappho, Marguerite Porete, and Simone Weil Tell God" |
2002 | Common Knowledge | Poetry | [188] |
"Opposed Glimpse" | Harper's Magazine | Poetry | [189] | |
"Guillermo's Sigh Symphony" | London Review of Books | Poetry | [190] | |
"The Mirror of Simple Souls: An Opera Installation Libretto" | The Kenyon Review | Poetry | [191] | |
"And Reason Remains Undaunted" | The Threepenny Review | Poetry | [192] | |
"Ode to the Sublime Monica Vitti" | London Review of Books | Poetry | [193] | |
"Outwardly His Life Ran Smoothly", "Longinus' Dream of Antonioni" |
Raritan | Poetry | [194] | |
"Swimming in Circles in Copenhagen: A Sonnet Sequence for Peter, Martin & Pejk" |
Five Fingers Review | Poetry | [195] | |
"Swimming Circles in Copenhagen: A Sonnet Sequence", "Spring Break: Swallow Song" |
London Review of Books | Poetry | [196] | |
"Euripides to the Audience*" | London Review of Books | Poetry | [197] | |
"Kant's Question About Monica Vitti" | London Review of Books | Poetry | [198] | |
"Ice-Pleasure" | Canadian Journal of Psychoanalysis | Poetry | [199] | |
"TV Men: Tolstoy" | Tolstoy Studies Journal | Poetry | [200] | |
"Blended Text" | Fence | Poetry | [201] | |
"Detail from the Tomb of the Diver" | 2003 | The Believer | Poetry | [202] |
"Gnosticism-I" | The New Yorker | Poetry | [203] | |
"Guillermo's Sigh Symphony" | Canadian Literature | Poetry | [204] | |
"Gifts and Questions: An Interview with Anne Carson" | Canadian Literature | Interview | [205] | |
"Swimming at Noon Always Reminds Me of Marilyn Monroe – Etruscan Saying" |
Convivium | Poetry | [206] | |
"Stanzas, Sexes, Seductions" | Canadian Literature | Poetry | [207] | |
"Beckett's Theory of Tragedy", "Beckett's Theory of Comedy" |
London Review of Books | Poetry | [208] | |
"The Mirror of Simple Souls: An Opera Installation" | Ruminator Review | Poetry | [209] | |
"Totality: The Color of Eclipse" | Cabinet | Poetry | [210] | |
"How to Like 'If I Told Him A Completed Portrait of Picasso' by Gertrude Stein" | 2004 | The Threepenny Review | Essay | [211] |
"Decreation: An Excerpt from an Opera in Three Parts" | Landfall | Poetry | [212] | |
"Every Exit Is an Entrance (A Praise of Sleep)" | Prairie Fire | Essay | [213] | |
"Lots of Guns (An Oratorio for [4] Voices)" | Gulf Coast | Poetry | [214] | |
"Anne Carson, The Art of Poetry No. 88" | The Paris Review | Interview | [215] | |
"The Day Antonioni Came to the Asylum (Rhapsody)" | The Paris Review | Poetry | [216] | |
"Detail from the Tomb of the Diver (Paestum 500-543 B.C.) Second Detail" |
Decipherment of Linear X | Poetry | [217] | |
"Water, Still" | Prairie Fire | Poetry | [218] | |
"On Discovering at Dinner that Adam Zagajewski and I Share a Birthday" | 2005 | London Review of Books | Poetry | [219] |
"Two Translations of Aeschylus' 'Agamemnon' 1072-1330" | London Review of Books | Translation | [220] | |
"The Beat Goes On" | The New York Review of Books | Translation | [221] | |
"Zeus Bits" | London Review of Books | Poetry | [222] | |
"Shot List" | Michigan Quarterly Review | Poetry | [223] | |
"On Evil and Suffering in Modern Poetry" | 2006 | The Threepenny Review | Essay | [224] |
"Grasscolored: A Threat Documentary" | Subtropics | Poetry | [225] | |
"Zeus Bits" | Harper's Magazine | Poetry | [226] | |
"Beuyskreuz" | Conjunctions | Poetry | [227] | |
"Two Poems by Emile Nelligan" | London Review of Books | Translation | [228] | |
"Walks for Boys and Girls" | London Review of Books | Poetry | [229] | |
"Hekabe" | The American Poetry Review | Translation & Preface |
[230] | |
"Epilogos, from It" | The American Poetry Review | Poetry & Preface |
[231] | |
"O Ister" | The New York Review of Books | Poetry | [232] | |
"Alive That Time" | 2007 | London Review of Books | Poetry | [233] |
"More Zeus Bits" | Bomb | Poetry | [234] | |
"Triple Sonnet of the Plush Pony" | London Review of Books | Poetry | [235] | |
"Émile Nelligan: 'Crows,' 'Funeral Marches,' 'Hospital Night Dream,' & 'Night Confession'" |
Gulf Coast | Translation | [236] | |
"Deer (Not a Play)" | London Review of Books | Poetry | [237] | |
"Excerpt from An Oresteia" | 2008 | Tin House | Translation | [238] |
"Short Talk on Someone Coming Out of a Tomb Laughing" | Reading Between A&B | Poetry | [239] | |
"Necks" | The New York Review of Books | Poetry | [240] | |
"Variations on the Right to Remain Silent" | A Public Space | Essay | [241] | |
"Tag" | The New Yorker | Poetry | [242] | |
"Twelve-Minute Prometheus (After Aiskhylos)" | London Review of Books | Poetry | [243] | |
"Contempts" | 2009 | Arion: A Journal of Humanities and the Classics |
Essay | [244] |
"Burners Go Raw" | London Review of Books | Poetry | [245] | |
"Finally April and the Birds Are Falling Out of the Air with Joy" | Boston Review | Poetry | [246] | |
"Life of Spinoza" | Chicago Review | Poetry | [247] | |
"Wildly Constant" | London Review of Books | Poetry | [248] | |
"Epithalamium NYC" | The New Yorker | Poetry | [249] | |
"Peril" | The Threepenny Review | Poetry | [250] | |
"Wildly Constant" | The Oleander Review | Poetry | [251] | |
"Good Dog" | 2010 | London Review of Books | Poetry | [252] |
"Hang It Up" | Granta | Poetry | [253] | |
"Instructions for Folding" | Paperbag | Poetry | [254] | |
"Who Were You" | PEN America: A Journal for Writers and Readers |
Poetry | [255] | |
"Prometheus Bound: An Excerpt from the Play by Aischylos" | The Wolf | Poetry | [256] | |
"The 'Ode to Man' from Sophocles' Antigone" | The New Yorker | Poetry | [257] | |
"Sonnet of Addressing Gertrude Stein", "Drop't Sonnet" | London Review of Books | Poetry | [258] | |
"Sonnet Isolate" | London Review of Books | Poetry | [259] | |
"[Wife of Brain]" | The Awl | Poetry | [260] | |
"[3 Fragments of Mimnermos]" | The Nation | Translation | [261] | |
"Epitaph for Ben Sonnenberg" | The Nation | Poetry | [262] | |
"Letters: By Our Readers and Anne Carson" | The Nation | Letter | [263] | |
"Powerless Structures Fig. 11 (Sanne)" | 2011 | Poetry Review | Poetry | [264] |
"Merce Sonnet", "Sonnet of the English-Made Cabinet with Drawers (in Prose)" |
London Review of Books | Poetry | [265] | |
"Sonnet of Exemplary Sentences From the Chapter Pertaining to the Nature of Pronouns in Emile Beneviste's Problems in General Linguistics (Paris 1966)" |
The Nation | Poetry | [266] | |
"O Dad" | The New Yorker | Poetry | [267] | |
"Ghost Q & A" | A Public Space | Poetry | [268] | |
"Candor" | Bomb | Poetry | [269] | |
"Glove" | London Review of Books | Poetry | [270] | |
"O Hap" | The Threepenny Review | Essay | [271] | |
"Powerless Structures Fig. 11 (Sanne)" | 2012 | The New Republic | Poetry | [272] |
"No One Could Relax around Jezebel" | London Review of Books | Poetry | [273] | |
"We Point the Bone: An Essay on Threat" | Tin House | Essay | [274] | |
"An Interview with Anne Carson" | Brick: A Literary Journal | Interview | [275] | |
"A Fragment of Ibykos Translated Six Ways" | London Review of Books | Translation | [276] | |
"Red Excerpts" | 2013 | Harper's Magazine | Poetry | [277] |
"Song of Your Pluck" | The American Reader | Poetry | [278] | |
"Two Poems from Red Doc>" | PEN Poetry Series | Poetry | [279] | |
"Eras of Yves Klein" | The New Republic | Poetry | [280] | |
"Bakxai 370-432" | Michigan Quarterly Review | Translation | [281] | |
"Maintenance" | Denver Quarterly | Poetry | [282] | |
"Krapp Interviews the Glass Technician" | Boston Review | Poetry | [283] | |
"Short Talk on Herbology" | The New Yorker | Poetry | [284] | |
"By Chance the Cycladic People" | London Review of Books | Poetry | [285] | |
"108 (Flotage)" | Washington Square Review | Poetry | [286] | |
"Short Talk on the Withness of the Body" | The New Republic | Poetry | [287] | |
"The Designated Mourner by Wally Shawn, Final Production, NYC, June 2013" | London Review of Books | Poetry | [288] | |
"Merry Christmas from Hegel" | 2014 | Gulf Coast | Poetry | [289] |
"Onions" | The Threepenny Review | Poetry | [290] | |
"Ancient Words, Modern Words: A Conversation with Anne Carson" | World Literature Today | Interview | [291] | |
"Pronoun Envy" | The New Yorker | Poetry | [292] | |
"108 (Flotage)" | Fence | Poetry | [293] | |
"Krapp Hour" | Granta | Poetry | [294] | |
"The Albertine Workout" | London Review of Books | Poetry | [295] | |
"Krapp Hour (Act 2)" | 2015 | Granta | Poetry | [296] |
"A Rehearsal for Life" | The Times Literary Supplement | Poetry | [297] | |
"Linnaeus Town" | Boston Review | Poetry | [298] | |
"Each Day Unexpected Salvation (John Cage)" | The New Yorker | Poetry | [299] | |
"Dave's, Lake Michigan, Early June" | London Review of Books | Poetry | [300] | |
"Five Questions with Anne Carson" | Washington Square Review | Interview | [301] | |
"Uncle Harry: A Lyric Lecture with Chorus" | The White Review | Poetry | [302] | |
"Salon" | The Paris Review | Poetry | [303] | |
"Little Racket" | The New Yorker | Poetry | [304] | |
"We've Only Just Begun" | 2016 | Harper's Magazine | Short story | [305] |
"1 = 1" | The New Yorker | Short story | [306] | |
"What to Say of the Entirety" | The New York Review of Books | Poetry | [307] | |
"Back the Way You Went" | The New Yorker | Short story | [308] | |
"Tom and TV" | London Review of Books | Poetry | [309] | |
"Laps for Fat Wal" | The New York Review of Books | Poetry | [310] | |
"Fate, Federal Court, Moon" | 2017 | London Review of Books | Poetry | [311] |
"Saturday Night as an Adult" | The New Yorker | Poetry | [312] | |
"Stacks" | PAJ: A Journal of Performance and Art |
Poetry | [313] | |
"Interview with Anne Carson" | The White Review | Interview | [314] | |
"Eddy" | The Paris Review | Poetry | [315] | |
"Clive Song" | The New Yorker | Poetry | [316] | |
"God Among Men" | Harper's Magazine | Translation | [317] | |
"Short Talk on My Headache" | 2018 | London Review of Books | Poetry | [318] |
"The Persians" | The Fabulist | Translation | [319] | |
"Flaubert Again" | The New Yorker | Short story | [320] | |
"Ardor (Aghast)" | Granta | Poetry | [321] | |
"War Song" | The New York Review of Books | Poetry | [322] | |
"Short Talk on Homer and John Ashbery" | The New Yorker | Poetry | [323] | |
"Nostos" | 2019 | Harper's Magazine | Poetry | [324] |
"On Davey" | London Review of Books | Poetry | [325] | |
"Fox" | Harper's Magazine | Poetry | [326] | |
"The Keats Headaches" | The Times Literary Supplement | Poetry | [327] | |
"First Choral Ode from Norma Jeane Baker of Troy (A Translation of Euripides’ Helen)" |
London Review of Books | Poetry | [328] | |
"An Evening With Joseph Conrad" | The New Yorker | Flash fiction | [329] | |
"Ich bin doch kein Centrefold" | The Times Literary Supplement | Poetry | [330] | |
"Final Choral Ode from Norma Jeane Baker of Troy (A Translation of Euripides’ Helen)" |
London Review of Books | Poetry | [331] | |
"Visitors Rev. 4" | Granta | Poetry | [332] | |
"Troys and Girls" | 2020 | Harper's Magazine | Poetry | [333] |
"1 x 30" | London Review of Books | Poetry | [334] | |
"Lark" | London Review of Books | Poetry | [335] | |
"Short Talk on Kafka on Hölderlin" | The New York Review of Books | Poetry | [336] | |
"The Sheer Velocity and Ephemerality of Cy Twombly" Includes translations of Catullus 101 |
Literary Hub | Essay & Translation |
[337] | |
"Oh What A Night (Alkibiades)" | London Review of Books | Poetry | [338] | |
"Sure, I Was Loved" For Dimitris Papaioannou |
2021 | The Times Literary Supplement | Poetry | [339] |
"Life" | The New Yorker | Poetry | [340] | |
"Four Talks" |
2022 | London Review of Books | Poetry | [341] |
"Keeping Quiet: A Brief Interview with Anne Carson" | The Collidescope | Interview | [342] | |
"On Snow" | London Review of Books | Poetry | [343] | |
"What I Like about You, Baby" | London Review of Books | Poetry | [344] | |
"Poor Houdini" | 2024 | The New Yorker | Short story | [345] |
Anthologies and collections
editPublication | Year | Contribution(s) | Ref. |
---|---|---|---|
The Best American Essays 1988 Guest edited by Annie Dillard |
1988 | "Kinds of Water" | [346] |
Performance and Reality: Essays from Grand Street Edited by Ben Sonnenberg |
1989 | "Chez l'Oxymoron" | [347] |
The Best American Poetry 1990 Guest edited by Jorie Graham |
1990 | "The Life of Towns" | [348] |
The Best American Essays 1992 Guest edited by Susan Sontag |
1992 | "Short Talks" | [349] |
The Journey Prize Anthology 6: Short Fiction from the Best of Canada's New Writers Edited by Douglas Glover |
1993 | "Water Margins: An Essay on Swimming by My Brother" | [350] |
Paper Guitar: 27 Writers Celebrate 25 Years of Descant Magazine Edited by Karen Mulhallen |
1995 | "The Fall of Rome: A Traveller's Guide" | [351] |
Wild Workshop: Three Poems Anne Carson, Kay Adshead, Bridget Meeds |
1997 | "The Glass Essay" | [352] |
Writing Home: A PEN Canada Anthology Edited by Constance Rooke |
"No Port Now" | [353] | |
The Pushcart Prize XXII: Best of the Small Presses Edited by Bill Henderson |
"Jaget" | [354] | |
The Best of the Best American Poetry 1988-1997 Guest edited by Harold Bloom |
1998 | "The Life of Towns" | [355] |
The Best American Poetry 1998 Guest edited by John Hollander |
"TV Men: Antigone (Scripts 1 and 2)" | [356] | |
The Forward Book of Poetry 1999 Edited by Geordie Greig |
Selections from Glass and God | [357] | |
In Brief: Short Takes on the Personal Edited by Judith Kitchen and Mary Paumier Jones |
1999 | "Very Narrow" | [358] |
The Oxford Book of Stories by Canadian Women in English Edited by Rosemary Sullivan |
Selections from "The Anthropology of Water" | [359] | |
The Griffin Poetry Prize Anthology: A Selection of the 2001 Shortlist Edited by Esta Spalding |
2001 | Selections from Men in the Off Hours | [360] |
The Best American Poetry 2001 Guest edited by Robert Hass |
"Longing, a Documentary" | [361] | |
15 Canadian Poets X 3 Edited by Gary Geddes |
"The Glass Essay" | [362] | |
The New Long Poem Anthology Edited by Sharon Thesen |
"The Glass Essay" | [363] | |
The Matrix Interviews – Moosehead Anthology Issue 8 Edited by R. E. N. Allen and Angela Carr |
Carson interview with Mary di Michele | [364] | |
The Best American Poetry 2002 Guest edited by Robert Creeley |
2002 | "Opposed Glimpse of Alice James, Garth James, Henry James, Robertson James and William James" |
[365] |
The Norton Anthology of Modern and Contemporary Poetry Edited by Jahan Ramazani and Richard Ellman |
2003 | "The Glass Essay", "XI ('TV is presocial, like Man.')" from "TV Men", "Epitaph: Zion", "Lazarus Standup: Shooting Script", and "Stanzas, Sexes, Seductions" |
[366] |
The Next American Essay Edited by John D'Agata |
"Kinds of Water" | [367] | |
Great American Prose Poems: From Poe to the Present Edited by David Lehman |
"Short Talks" ("On Waterproofing", "On Orchids", "On Hedonism", "On Shelter") |
[368] | |
The Anchor Book of New American Short Stories Edited by Ben Marcus |
2004 | "Short Talks" | [369] |
The Best American Poetry 2004 Guest edited by Lyn Hejinian |
"Gnosticism" | [370] | |
The Norton Anthology of Poetry Edited by Margaret Ferguson, Mary Jo Salter, and Jon Stallworthy |
2005 | "New Rule" and "Sumptuous Destitution" from Men in the Off Hours; "He She We They You…" from The Beauty of the Husband |
[371] |
The Norton Anthology of English Literature Edited by Stephen Greenblatt et al. |
2006 | "Hero" from "The Glass Essay" | [372] |
The Norton Anthology of Literature by Women Edited by Sandra Gilbert and Susan Gubar |
2007 | Extract from "The Glass Essay, and "Lazarus Standup: Shooting Script" | [373] |
Touchstone Anthology of Contemporary Creative Nonfiction: Work from 1970 to the Present Edited by Lex Williford and Michael Martone |
"The Glass Essay" | [374] | |
The Greek Poets: Homer to the Present Edited by Peter Constantine, Rachel Hadas, Edmund Keeley, and Karen Van Dyck |
2010 | Selections from If Not, Winter: Fragments of Sappho | [375] |
Modern Canadian Poets: An Anthology Edited by Todd Swift and Evan Jones |
"Essay on What I Think About Most", "Father’s Old Blue Cardigan", "Funeral Marches", and "Night Confession" |
[376] | |
Ways of Reading: An Anthology for Writers Edited by David Bartholomae and Tony Petrosky |
2011 | "Short Talks" | [377] |
Fathers: A Literary Anthology Edited by André Gérard |
"Father's Old Blue Cardigan" | [378] | |
The Best American Poetry 2012 Guest edited by Mark Doty |
2012 | "Sonnet of Exemplary Sentences From the Chapter Pertaining to the Nature of Pronouns in Emile Beneviste's Problems in General Linguistics (Paris 1966)" |
[379] |
Greek Tragedies II Edited by David Grene and Richmond Lattimore; third edition edited by Mark Griffith and Glenn W. Most |
2013 | "Iphigenia among the Taurians" | [380] |
The Complete Greek Tragedies: Euripides III Edited by David Grene and Richmond Lattimore; third edition edited by Mark Griffith and Glenn W. Most |
"Iphigenia among the Taurians" | [381] | |
The Griffin Poetry Prize Anthology 2014 Edited by Robert Bringhurst |
2014 | Selections from Red Doc> | [382] |
The Best American Poetry 2014 Guest edited by Terrance Hayes |
"A Fragment of Ibykos Translated Six Ways" | [383] | |
Short: An International Anthology of Five Centuries of Short-short Stories, Prose Poems, Brief Essays, and Other Short Prose Forms Edited by Alan Ziegler |
"Short Talk on Sleep Stones" | [384] | |
Imaginarium 3: The Best Canadian Speculative Writing Edited by Sandra Kasturi and Helen Marshall |
2015 | "Wife of Brain" from Red Doc> | [385] |
Modern Poets One: If I'm Scared We Can't Win Emily Berry, Anne Carson, Sophie Collins |
2016 | Selections from Plainwater, Autobiography of Red, Men in the Off Hours, The Beauty of the Husband, Decreation, Red Doc>, and Float |
[386] |
Measures of Astonishment: Poets on Poetry Presented by the League of Canadian Poets |
Every Exit is an Entrance (A Praise of Sleep) Lecture presented as part of the Anne Szumigalski lecture series (2004) |
[387] | |
The White Review Anthology Edited by Ben Eastham and Jacques Testard |
2017 | "Uncle Harry" | [388] |
The Serving Library Annual 2017-2018 Edited by Francesca and Stuart Bertolotti-Bailey, Angie Keefer et al. |
"Nell" | [389] | |
The Norton Anthology of Poetry Edited by Margaret Ferguson, Tim Kendall, and Mary Jo Salter |
2018 | "New Rule" and "Sumptuous Destitution" from Men in the Off Hours; "Lines" and "Some Afternoons She Does Not Pick Up the Phone" from Decreation |
[390] |
The Penguin Book of the Prose Poem: From Baudelaire to Anne Carson Edited by Jeremy Noel-Tod |
"Merry Christmas from Hegel", and selections from Short Talks | [391] |
Major sources
edit- Meyer, Paul (2016). She] ⟨Ha?⟩ She (PDF). Toronto: University of Toronto. Retrieved 26 August 2020. [Doctoral thesis]
- Rae, Ian (September–December 2011). "Verglas: Narrative Technique in Anne Carson's 'The Glass Essay'". ESC: English Studies in Canada. 37 (3–4): 163–186. doi:10.1353/esc.2011.0054. ISSN 1913-4835. S2CID 162188548. Retrieved 26 August 2020.
- Wilkinson, Joshua Marie, ed. (2015). Anne Carson: Ecstatic Lyre. Ann Arbor: University of Michigan Press. ISBN 978-0-472-05253-0.
- Willard, Thomas (2011). "Anne Carson". In Canfield Reisman, Rosemary M. (ed.). Critical Survey of Poetry: British, Irish and Commonwealth Poets. Pasadena, California: Salem Press. pp. 225–228. ISBN 9781587657559. Retrieved 26 August 2020.
References
edit- ^ Carson, Anne (1981). Odi et Amo Ergo Sum. Toronto: University of Toronto. [Doctoral thesis; under the name Anne Carson Giacomelli]
- ^ — (1984). Weiss, Renée; Weiss, Theodore (eds.). "Canicula di Anna". Quarterly Review of Literature. Contemporary Poetry Series 6. 25. Princeton: 4–39.
- ^ Eros the Bittersweet:
- — (1986). Eros the Bittersweet: An Essay. Princeton, New Jersey: Princeton University Press. ISBN 9780608027401.
- — (1998). Eros the Bittersweet. Champaign and London: Dalkey Archive Press. ISBN 978-1-56478-188-8.
- — (2014). Eros the Bittersweet: An Essay. Princeton, New Jersey: Princeton University Press – Princeton Legacy Library (paperback). ISBN 9780691602851.
- — (2016). Eros the Bittersweet: An Essay. Princeton, New Jersey: Princeton University Press – Princeton Legacy Library (hardback). ISBN 9780691632308.
- ^ Short Talks:
- — (1992). Short Talks. London, Ontario: Brick Books. ISBN 978-1-77131-342-1.
- — (2015). Short Talks. London, Ontario: Brick Books Classics. ISBN 978-1-77131-342-1.
- ^ — (1995). Glass, Irony, and God. New York: New Directions. ISBN 978-0-8112-1302-8.
- ^ Plainwater:
- — (1995). Plainwater: Essays and Poetry. New York: Alfred A. Knopf. ISBN 0-679-43178-0.
- — (2000). Plainwater: Essays and Poetry. New York and Toronto: Vintage. ISBN 978-0-375-70842-8.
- ^ Autobiography of Red:
- — (1998). Autobiography of Red: A Novel in Verse. New York: Alfred A. Knopf. ISBN 0-375-40133-4.
- — (1999). Autobiography of Red: A Novel in Verse. New York and Toronto: Vintage. ISBN 978-0375701290.
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- — (2016). Autobiography of Red: A Novel in Verse. Toronto: McClelland & Stewart. ISBN 9780771018138.
- ^ — (1998). Glass and God. London: Jonathan Cape. ISBN 9780224051170.
- ^ — (1999). Economy of the Unlost (Reading Simonides of Keos with Paul Celan). Princeton: Princeton University Press. ISBN 0-691-03677-2.
- ^ — (2000). Men in the Off Hours. New York: Alfred A. Knopf. ISBN 978-0-375-40803-8.
- ^ — (2001). The Beauty of the Husband: A Fictional Essay in 29 Tangos. New York: Alfred A. Knopf. ISBN 9780375408045.
- ^ — (2003). The Mirror of Simple Souls: An Opera Installation (Libretto). St. Joseph, Minnesota: One Crow Press – The Literary Arts Institute of the College of St. Benedict.
- ^ — (2005). Decreation: Poetry, Essays, Opera. New York: Alfred A. Knopf. ISBN 978-1-4000-4349-1.
- ^ — (2010). Nox. New York: New Directions. ISBN 978-0-8112-1870-2.
- ^ Antigonick (Sophokles):
- — (2012). Antigonick (Sophokles). New York: New Directions. ISBN 9780811219570.
- — (2012). Antigonick (Sophokles). Toronto: McClelland & Stewart. ISBN 9780771019999.
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- ^ — (2013). Red Doc>. New York: Alfred A. Knopf. ISBN 9780307960597.
- ^ — (2013). Nay Rather. London: Sylph Editions (with the Center for Writers and Translators at the American University of Paris); The Cahiers Series, Number 21. ISBN 978-1-90963103-8.
- ^ The Albertine Workout:
- — (2014). The Albertine Workout. New York: New Directions [Poetry Pamphlet #13]. ISBN 978-0-8112-2317-1.
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- ^ — (2016). Float. New York: Alfred A. Knopf. ISBN 978-1-101-94684-8.
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- ^ — (2019). Norma Jeane Baker of Troy. London: Oberon Books. ISBN 9781786827616.
- ^ — & Bruno, Rosanna (2021). Euripides' The Trojan Women: A Comic. New York: New Directions. ISBN 9780811230797.
- ^ Briefly reviewed in the June 21, 2021 issue of The New Yorker, p.61.
- ^ Carson, Anne (2021). H of H Playbook. New York: New Directions. ISBN 9780811231237.
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- ^ —; Currie, Robert (2012). "The Artist Searches etc. Water Log". In Sillars, Laurence (ed.). Jim Shaw: The Rinse Cycle. London: Baltic Centre for Contemporary Art in collaboration with Koenig Books. pp. 136–137. ISBN 978-3-86335-277-6.
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- ^ — (2015). "Bluish". In Stephenson, Sarah (ed.). The Blue of Distance. Aspen Art Press: Aspen. pp. liii–lvi. ISBN 9780934324700.
- ^ —; Streckfus, Peter (2015). "Collaborating on Decreation: An Interview with Anne Carson". In Wilkinson, Joshua Marie (ed.). Anne Carson: Ecstatic Lyre. Ann Arbor: University of Michigan Press. pp. 214–221. ISBN 978-0-472-05253-0.
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- ^ — (22 June 1995). "Short Talk on Chromoluminism". The New York Times: A27.
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- ^ — (Winter 1996). "Simonides and the Art of Negative Attention". Brick: A Literary Journal (53): 4–7.
- ^ — (1996). "'That Strength', 'Methinks the Poor Town Has Been Troubled Too Long', 'Visit'". Parnassus. 21 (1–2): 30–32.
- ^ — (1996). "Jaget". Chicago Review. 42 (2): 38–41. doi:10.2307/25304108. JSTOR 25304108.
- ^ — (Spring 1996). "TV Men: Tolstoy". Raritan. 15 (4): 10–16.
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- ^ — (1996). "Natures". Exquisite Corpse (57): 16.
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- ^ —; Di Michele, Mary (1996). "The Matrix Interview". Matrix (49): 10–17.
- ^ — (Winter 1997). "Ice Blink". Raritan. 16 (3): 49.
- ^ — (1997). "'Gift', 'Lines', 'That Strength', 'Would Be Her 50th Wedding Anniversary Today', 'Methinks the Poor Town Has Been Troubled Too Long'". Ambit Magazine (147): 9–11. JSTOR 44341723.
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- ^ — (Spring 1997). "Economy, Its Fragrance". The Threepenny Review (69): 14–16. JSTOR 4384608.
- ^ — (1997). "Artaud Script / Artaud Week". Trois. 12 (2): 144–157.
- ^ — (1997). "TV Men: Lazarus". Parnassus. 22 (1–2): 9–22.
- ^ — (1997). "Irony is Not Enough: Essay on My Life as Catherine Deneuve". Seneca Review. 27 (2): 16–46.
- ^ — (1997). "Why Did I Wake Alone Among the Sleepers (Visibles and Invisibles in Simonides and Celan)". Seneca Review. 27 (2): 80–95.
- ^ —; Bloch, Chana; Bowles, Paul; Duguid, Paul; Michaels, Lisa; Milosz, Czeslaw; Mitric, Julia; Treisman, Deborah (Summer 1997). "A Symposium on Translation". The Threepenny Review (70): 10–15. JSTOR 4384633.
- ^ —; D'Agata, John (Summer 1997). "A ___ with Anne Carson". The Iowa Review. 27 (2): 1–22. doi:10.17077/0021-065X.4868.
- ^ — (Summer 1997). "Chaldaic Oracles 1". The Iowa Review. 27 (2): 23–24. doi:10.17077/0021-065X.4870.
- ^ — (Fall 1997). "Shadowboxer". Chicago Review. 43 (4 – Contemporary Poets & Poetics): 137. doi:10.2307/25304222. JSTOR 25304222.
- ^ —; D'Agata, John (Fall 1997). "A Talk With Anne Carson". Brick: A Literary Journal (57): 14–22.
- ^ — (Fall 1997). "Ordinary Time: Virginia Woolf and Thucydides on War". Brick: A Literary Journal (57): 23–25.
- ^ — (Fall 1997). "TV Men: Akhmatova (Treatment for a Script)". Colorado Review. 24 (2): 159–168.
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- ^ — (22 December 1997). "New Rule". The New Yorker. p. 122. Retrieved 11 July 2020.
- ^ — (Winter 1998). "Handbook for William (Liber Manualis) by Dhuoda, translated by Carol Neel". Brick: A Literary Journal (61): 223–228.
- ^ — (Winter 1998). "Strange Hour (Outcast Hour)". The Threepenny Review (72): 35. JSTOR 4384695.
- ^ — (1998). "All Debts Owed to Death: Economy in Simonides and Celan". Parnassus. 23 (1–2): 197–215.
- ^ — (Spring 1998). "Hopper: Confessions". Raritan. 16 (3): 72–84.
- ^ — (Spring 1998). "Ordinary Time: Virginia Woolf and Thucydides on War". Fence. 1 (1): 127–131.
- ^ — (Spring 1998). "Semaine d'Artaud". Conjunctions (30 – Paper Airplane: The Thirtieth Issue): 105–114. JSTOR 24515782.
- ^ — (Spring 1998). "TV Men: Lenz in China". Descant (100): 37–51.
- ^ — (6 April 1998). "No Port Now". The New Republic. p. 35.
- ^ — (Summer 1998). "TV Men: Thucydides in Conversation with Virginia Woolf on the Set of The Peloponnesian War". The Threepenny Review (74): 26. JSTOR 4384739.
- ^ — (Summer 1998). "Helen". Boston Review: 30. Retrieved 2 September 2020.
- ^ — (Summer 1998). "Victory Must Be Supremely Glorious Experience Said a Woman to the Duke of Wellington". Boston Review: 31. Retrieved 2 September 2020.
- ^ — (Fall 1998). "False Sail". The Threepenny Review (75): 13–14. JSTOR 4384757.
- ^ — (Autumn–Winter 1998). "Old Home". Metre (5): 24–25.
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- ^ — (Winter 1999). "'Essay on What I Think About the Most', 'Essay on Error (2nd Draft)'". Raritan. 18 (3): 49–54.
- ^ — (Spring 1999). "Economy, Its Fragrance". Brick: A Literary Review (62): 8–12.
- ^ — (Spring 1999). "Longing, a Documentary". Brick: A Literary Review (62): n.p.
- ^ — (Spring 1999). "Oedipus' Nap". The Threepenny Review (77): 7. JSTOR 4384808.
- ^ — (March–April 1999). "TV Men: Akhmatova (Treatment for a Script)". PN Review (126): 14–17.
- ^ — (Summer 1999). "The Idea of a University (after John Henry Newman)". The Threepenny Review (78): 6–8. JSTOR 4384833.
- ^ — (Summer 1999). "Her Beckett". The Paris Review. Summer 1999 (171): 33–34. Retrieved 17 July 2020.
- ^ — (Summer 1999). "Nothing For It". The Paris Review. Summer 1999 (171): 33–34. Retrieved 17 July 2020.
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- ^ — (September 1999). "Betty Goodwin Seated Figure with Red Angle". Artforum: 156–157.
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- ^ — (Winter 2000). "Longing, a Documentary: Shot List". The Threepenny Review (80): 22. JSTOR 4384904.
- ^ — (13 April 2000). "Four Poems from 'The Beauty of the Husband'". London Review of Books. 22 (8): 11–13. Retrieved 4 September 2020.
- ^ — (Spring 2000). "Fragment 96 LP". Jubilat (1): 5–8.
- ^ — (Winter 2000). "Dhuoda's Mirror". The Threepenny Review (81): 13. JSTOR 4384919.
- ^ — (2000). "Decreation: An Opera in Three Parts". Parnassus. 24 (2): 268–277.
- ^ — (Fall 2000). "Simonides and the Art of Negative Attention". Brick: A Literary Review (65–66): 94–100.
- ^ — (16 September 2000). "Fragment 98a, 98b". The Globe and Mail: D22.
- ^ — (October 2000). "Bindings". Satellite. 1 (2): 10.
- ^ — (Fall–Winter 2000). "from Decreation: An Opera in Three Parts". Fence. 3 (2): 83–96.
- ^ — (Fall–Winter 2001). "Heloise and Abelard: A Screenplay in 11 Scenes". Black Warrior Review. 28 (1): 45–54.
- ^ — (Fall–Winter 2001). "Guillermo's Sigh Symphony". New Delta Review. 19 (1): 2–3.
- ^ — (January–February 2001). "Longing, a Visual Primer". Art on Paper. 5 (3). Art in Print Review: 58–60. JSTOR 24558137.
- ^ — (Winter 2001). "TV Men: Beckett". The Threepenny Review (84): 34. JSTOR 4385005.
- ^ — (Spring 2001). "Opposed Glimpse of Alice James, Garth James, Henry James, Robertson James and William James". The Threepenny Review (85): 24. JSTOR 4385027.
- ^ — (Spring 2001). "from Sleep Plan". Brick: A Literary Review (67): 135–138.
- ^ — (Spring 2001). "Frusta: Houseman, Sappho, Stoppard and the Uses of Cold Water". Lincoln Center Theater Review (28): 12–14.
- ^ — (Fall 2001). "Foam (Essay on Rhapsody): On the Sublime in Longinus and Antonioni". Conjunctions (37, Twentieth Anniversary Issue): 96–104. JSTOR 24516322.
- ^ — (Fall 2001). "'Foam (Essay on Rhapsody): On the Sublime in Longinus and Antonioni', 'The Day Antonioni Came to the Asylum'". Brick: A Literary Review (68): 143–149.
- ^ — (November 2001). "When Words Don't Fail". Artforum: 41–42.
- ^ —; Gannon, Mary (March–April 2001). "Beauty Prefers an Edge". Poets and Writers. 29 (2): 26–33.
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- ^ —; Difalco, Sam (2001). "Woman of Letters". Canadian Writer's Yearbook: 28–32.
- ^ —; Chen, Ken (2001). "High Class(ical), An Interview with Poet and Classicist Anne Carson". Satellite. 1 (3).
- ^ — (January 2002). "Decreation: How Women Like Sappho, Marguerite Porete, and Simone Weil Tell God". Common Knowledge. 8 (1): 188–203. doi:10.1215/0961754X-8-1-188.
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- ^ — (7 February 2002). "Guillermo's Sigh Symphony". London Review of Books. 24 (3): 14. Retrieved 8 September 2020.
- ^ — (Winter 2002). "The Mirror of Simple Souls: An Opera Installation Libretto". The Kenyon Review. 24 (1): 58–69. JSTOR 4338292.
- ^ — (Winter 2002). "And Reason Remains Undaunted". The Threepenny Review (88): 29. JSTOR 4385101.
- ^ — (25 April 2002). "Ode to the Sublime Monica Vitti". London Review of Books. 24 (8): 8. Retrieved 8 September 2020.
- ^ — (Spring 2002). "'Outwardly His Life Ran Smoothly', 'Longinus' Dream of Antonioni'". Raritan. 21 (4): 31–32.
- ^ — (2002). "Swimming in Circles in Copenhagen: A Sonnet Sequence for Peter, Martin & Pejk". Five Fingers Review (20): 21–23.
- ^ — (8 August 2002). "'Swimming Circles in Copenhagen: A Sonnet Sequence ', 'Spring Break: Swallow Song '". London Review of Books. 24 (15): 33. Retrieved 8 September 2020.
- ^ — (5 September 2002). "Euripides to the Audience*". London Review of Books. 24 (17): 24. Retrieved 8 September 2020.
- ^ — (31 October 2002). "Kant's Question About Monica Vitti". London Review of Books. 24 (21): 29. Retrieved 8 September 2020.
- ^ — (Fall 2002). "Ice-Pleasure". Canadian Journal of Psychoanalysis. 10 (2): 275–279.
- ^ — (2002). "TV Men: Tolstoy". Tolstoy Studies Journal (14): 56–61.
- ^ — (Winter 2002–2003). "Blended Text". Fence. 5 (2): 165.
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- ^ — (Spring 2003). "Guillermo's Sigh Symphony". Canadian Literature (176): 11.
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- ^ — (Summer 2003). "'Swimming at Noon Always Reminds Me of Marilyn Monroe' – Etruscan Saying". Convivium (9): 7.
- ^ — (Autumn 2003). "Stanzas, Sexes, Seductions". Canadian Literature (178): 57.
- ^ — (4 December 2003). "'Beckett's Theory of Tragedy', 'Beckett's Theory of Comedy'". London Review of Books. 25 (23): 12. Retrieved 8 September 2020.
- ^ — (Winter 2003–2004). "The Mirror of Simple Souls: An Opera Installation". Prairie Fire (16): 31–33.
- ^ — (Winter 2003–2004). "Totality: The Color of Eclipse". Cabinet (12): 35–36.
- ^ — (Spring 2004). "How to Like 'If I Told Him A Completed Portrait of Picasso' by Gertrude Stein". The Threepenny Review (97): 24. JSTOR 4385325.
- ^ — (May 2004). "Decreation: An Excerpt from an Opera in Three Parts". Landfall (207): 97–110.
- ^ — (Autumn 2004). "Every Exit Is an Entrance (A Praise of Sleep)". Prairie Fire. 25 (3): 6–21.
- ^ — (Summer–Fall 2004). "Lots of Guns (An Oratorio for [4] Voices)". Gulf Coast. 16 (2): 46–56.
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- ^ — (Winter 2004–2005). "Water, Still". Prairie Fire. 25 (4): 25.
- ^ — (31 March 2005). "On Discovering at Dinner that Adam Zagajewski and I Share a Birthday". London Review of Books. 27 (7): 8. Retrieved 9 September 2020.
- ^ — (18 August 2005). "Two Translations of Aeschylus' 'Agamemnon' 1072-1330". London Review of Books. 27 (16): 12. Retrieved 9 September 2020.
- ^ — (20 October 2005). "The Beat Goes On". The New York Review of Books: 47. Retrieved 9 September 2020.
- ^ — (17 November 2005). "Zeus Bits". London Review of Books. 27 (22): 27. Retrieved 9 September 2020.
- ^ — (Fall 2005). "Shot List". Michigan Quarterly Review: 755–756.
- ^ — (Winter 2006). "On Evil and Suffering in Modern Poetry". The Threepenny Review (104): 8. JSTOR 4385481.
- ^ — (Winter–Spring 2006). "Grasscolored: A Threat Documentary". Subtropics: 20–21.
- ^ — (March 2006). "Zeus Bits". Harper's Magazine. pp. 14–15. Retrieved 9 September 2020.
- ^ — (2006). "Beuyskreuz". Conjunctions (46 – Selected Subversions: Essays on the World at Large): 210–212. JSTOR 24516742.
- ^ — (11 May 2006). "Two Poems by Emile Nelligan". London Review of Books. 28 (9): 12. Retrieved 9 September 2020.
- ^ — (6 July 2006). "Walks for Boys and Girls". London Review of Books. 28 (13): 7. Retrieved 9 September 2020.
- ^ — (September–October 2006). "Hekabe: A Special APR Supplement". The American Poetry Review. 35 (5). Old City Publishing: 27–41. JSTOR 20683289.
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- ^ — (21 December 2006). "O Ister". The New York Review of Books: 30. Retrieved 9 September 2020.
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- ^ — (Summer 2007). "More Zeus Bits". Bomb (100). New Art Publications: 96–97. JSTOR 40427892.
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- ^ — (Summer–Fall 2007). "Émile Nelligan: 'Crows,' 'Funeral Marches,' 'Hospital Night Dream,' & 'Night Confession'". Gulf Coast. 19 (2): 111–114.
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- ^ — (Winter 2008). "Extract from An Oresteia". Tin House. 10 (2): 58–69.
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- ^ — (26 June 2008). "Necks". The New York Review of Books: 10. Retrieved 9 September 2020.
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- ^ — (23 October 2008). "Twelve-Minute Prometheus (After Aiskhylos)". London Review of Books. 30 (20): 29. Retrieved 9 September 2020.
- ^ — (Winter 2009). "Contempts". Arion: A Journal of Humanities and the Classics. 16 (3). Trustees of Boston University: 1–10. JSTOR 20163448.
- ^ — (26 February 2009). "Burners Go Raw". London Review of Books. 31 (4): 10. Retrieved 9 September 2020.
- ^ — (March–April 2009). "Finally April and the Birds Are Falling Out of the Air with Joy". Boston Review: 9. Retrieved 9 September 2020.
- ^ — (Spring 2009). "Life of Spinoza". Chicago Review. 54 (4): 5–12. JSTOR 25742528.
- ^ — (30 April 2009). "Wildly Constant". London Review of Books. 31 (8): 27. Retrieved 9 September 2020.
- ^ — (24 August 2009). "Epithalamium NYC". The New Yorker. p. 73. Retrieved 11 July 2020.
- ^ — (Fall 2009). "Peril". The Threepenny Review (119): 11. JSTOR 25651065.
- ^ — (Fall 2009). "Wildly Constant". The Oleander Review (3): 123–128.
- ^ — (25 February 2010). "Good Dog". London Review of Books. 32 (4): 12. Retrieved 9 September 2020.
- ^ — (Spring 2010). "Hang It Up". Granta (110): 76–77. Retrieved 9 September 2020.
- ^ —; Currie, Robert (2010). "Instructions for Folding". Paperbag (1 (online)). Retrieved 9 September 2020.
- ^ — (2010). "Where Were You". PEN America: A Journal for Writers and Readers (12): 40–49.
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