Approach chord: Revision history

13 February 2024

• curprev 17:0517:05, 13 February 2024‎ GoingBatty talk contribs‎ m 3,075 bytes −25‎ -, typo(s) fixed: Abm → A♭m (2), D#7 → D♯7 undo Tag: AWB

21 July 2023

• curprev 07:5807:58, 21 July 2023‎ LunafreyaLaphicet talk contribs‎ 3,100 bytes +44‎ No edit summary undo Tags: Mobile edit Mobile app edit Android app edit

9 February 2022

• curprev 07:5607:56, 9 February 2022‎ 79.107.103.33 talk‎ 3,056 bytes +3‎ No edit summary undo

15 July 2017

• curprev 07:4307:43, 15 July 2017‎ Hyacinth talk contribs‎ m 3,053 bytes +20‎ common tones undo

21 June 2017

• curprev 15:1515:15, 21 June 2017‎ PrimeBOT talk contribs‎ m 3,033 bytes +4‎ Replace magic links with templates per local RfC - BRFA undo

27 May 2017

• curprev 04:2304:23, 27 May 2017‎ Magic links bot talk contribs‎ m 3,029 bytes +20‎ Replace magic links with templates per local RfC and MediaWiki RfC undo

4 January 2017

• curprev 08:1708:17, 4 January 2017‎ Magioladitis talk contribs‎ m 3,009 bytes 0‎ →‎Further reading: clean up / fix section header naming (MOS:SECTIONS / WP:FURTHER) using AWB undo

24 February 2016

• curprev 19:5419:54, 24 February 2016‎ 98.109.220.187 talk‎ 3,009 bytes +137‎ No edit summary undo

22 March 2013

• curprev 11:4711:47, 22 March 2013‎ JoeB335 talk contribs‎ m 2,872 bytes +6‎ Corrected reference from dominant to subdominant where discussing F chord in the key of C. undo

6 February 2013

• curprev 12:2912:29, 6 February 2013‎ Yobot talk contribs‎ m 2,866 bytes 0‎ WP:CHECKWIKI error #61 fixed + general fixes using AWB (8884) undo

24 September 2012

• curprev 15:1415:14, 24 September 2012‎ Yobot talk contribs‎ m 2,866 bytes 0‎ clean up, References after punctuation per WP:REFPUNC and WP:PAIC using AWB (8434) undo

19 September 2012

• curprev 04:2904:29, 19 September 2012‎ Hyacinth talk contribs‎ 2,866 bytes +197‎ /, <!--"b" is used rather than "{{music|b}}" in the indented examples below to allow equal spacing, in the article body use the music template per Wikipedia:Manual of Style (music)#Accidentals--> undo
• curprev 04:2404:24, 19 September 2012‎ Hyacinth talk contribs‎ m 2,669 bytes 0‎ spacing undo

9 May 2012

• curprev 17:1717:17, 9 May 2012‎ Helpful Pixie Bot talk contribs‎ m 2,669 bytes +11‎ ISBNs (Build KE) undo

12 August 2011

• curprev 01:5001:50, 12 August 2011‎ Mahlerlover1 talk contribs‎ 2,658 bytes −24‎ destub undo

24 December 2010

• curprev 17:2617:26, 24 December 2010‎ Yobot talk contribs‎ m 2,682 bytes +32‎ →‎Sources: WP:CHECKWIKI error 61 fixes + general fixes using AWB (7500) undo

12 December 2010

• curprev 13:2113:21, 12 December 2010‎ Hyacinth talk contribs‎ m 2,650 bytes +14‎ [[]] undo

29 November 2010

• curprev 09:1109:11, 29 November 2010‎ Hyacinth talk contribs‎ 2,636 bytes +8‎ 50s progression undo

14 July 2010

• curprev 00:0700:07, 14 July 2010‎ Hyacinth talk contribs‎ 2,628 bytes +11‎ {{Chords}} undo

14 June 2010

• curprev 03:1803:18, 14 June 2010‎ Dbolton talk contribs‎ 2,617 bytes −2‎ Removed excess bar lines (passage above labels it as a two bar progression) undo

12 June 2010

• curprev 13:0313:03, 12 June 2010‎ Hyacinth talk contribs‎ m 2,619 bytes +12‎ rather than secondary dominants undo
• curprev 13:0313:03, 12 June 2010‎ Hyacinth talk contribs‎ 2,607 bytes +193‎ Approach chords create the harmonic space of the modes in jazz<ref>Pease, Ted (2003). ''Jazz Composition: Theory and Practice'', p.68. ISBN 0876390017.</ref>. undo
• curprev 12:4912:49, 12 June 2010‎ Hyacinth talk contribs‎ m 2,414 bytes +1‎ →‎See also undo
• curprev 12:4812:48, 12 June 2010‎ Hyacinth talk contribs‎ 2,413 bytes +24‎ →‎See alo: *Secondary dominant undo
• curprev 12:4112:41, 12 June 2010‎ Hyacinth talk contribs‎ 2,389 bytes +253‎ Approach chords may thus be a semitone or a fifth or fourth from their target<ref>Grove, Dick (1989). ''Arranging Concepts Complete: The Ultimate Arranging Course undo
• curprev 12:3712:37, 12 June 2010‎ Hyacinth talk contribs‎ m 2,136 bytes +16‎ F9 undo
• curprev 11:5011:50, 12 June 2010‎ Hyacinth talk contribs‎ m 2,120 bytes +23‎ →‎See alo: *Predominant chord undo
• curprev 11:4911:49, 12 June 2010‎ Hyacinth talk contribs‎ m 2,097 bytes +34‎ '''dominant approach chord''' undo
• curprev 11:4711:47, 12 June 2010‎ Hyacinth talk contribs‎ m 2,063 bytes +26‎ *Tritone substitution undo
• curprev 11:4611:46, 12 June 2010‎ Hyacinth talk contribs‎ m 2,037 bytes +2‎ – undo
• curprev 11:4511:45, 12 June 2010‎ Hyacinth talk contribs‎ m 2,035 bytes +24‎ Maj7 undo
• curprev 11:3311:33, 12 June 2010‎ Hyacinth talk contribs‎ m 2,011 bytes +38‎ (also '''chromatic approach chord''') undo
• curprev 11:2111:21, 12 June 2010‎ Hyacinth talk contribs‎ 1,973 bytes +382‎ An approach chord may also be the chord immediately preceding the target chord such as the dominant (FMaj7) preceding the tonic (CMaj7) creating a [[strong cadence undo
• curprev 10:2910:29, 12 June 2010‎ Hyacinth talk contribs‎ m 1,591 bytes −3‎ the-->a undo
• curprev 10:2810:28, 12 June 2010‎ Shadowjams talk contribs‎ m 1,594 bytes +1‎ newpage tagging and cleanup using AWB undo
• curprev 10:2310:23, 12 June 2010‎ Hyacinth talk contribs‎ m 1,593 bytes +58‎ 1929395108 undo
• curprev 10:2110:21, 12 June 2010‎ Hyacinth talk contribs‎ 1,535 bytes +272‎ thumb|right|300px|Turnaround in F {{audio|Turnaround in F.mid|Play}}. undo
• curprev 07:0407:04, 12 June 2010‎ Hyacinth talk contribs‎ m 1,263 bytes +2‎ See alo undo
• curprev 07:0107:01, 12 June 2010‎ Hyacinth talk contribs‎ 1,261 bytes +359‎ thumb|300px|I-vi-ii-V turnaround with approach chords in G {{audio|Approach chords in G.mid|Play}}. undo
• curprev 06:2906:29, 12 June 2010‎ Hyacinth talk contribs‎ m 902 bytes +19‎ turnarounds undo
• curprev 06:2806:28, 12 June 2010‎ Hyacinth talk contribs‎ 883 bytes +883‎ In music, the '''approach chord''' is the chord one half-step higher or lower than the goal, especially in the context of turnarounds and [[circle of fifths|cycl