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Lydian Chromatic Concept of Tonal Organization: Revision history


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  • curprev 17:4117:41, 30 August 2021Joemaffei talk contribs 7,971 bytes +87 The paragraph described the scale as "skipping the interval between the seventh and eighth tones", but the sequence of tones did not reflect this. There was also no explanation as to where the skipped tone should be included. The enharmonic order was also not correct, as George Russell describes them as I, V, II, VI, II, VII, +IV, +V, bIII, bVII, IV and bII. undo

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  • curprev 17:4817:48, 7 January 2014Tedclaymore talk contribs 4,992 bytes +6 added the word 'major' in front of 13th to make clear that the chord in question is not dominant. (chords of 7th, 9th, 11th, and 13th extensions assume dominant 7th (i.e. the minor 7th degree) unless otherwise noted. undo

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