Vandalism: Difference between revisions
Separating official vandalism from crime vandalism; elaborating on Web vandalism (w/o self reference) |
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'''Vandalism''' is an act motivated by hostility to the [[arts]] and [[literature]] of a culture, or wilful destruction or defacement of its built environment, construed to be in the spirit of the Germanic Vandals in their attacks on buildings of the [[Roman Empire]]. For the historical Vandals themselves, see the entry [[Vandals]]. |
'''Vandalism''' is an act motivated by hostility to the [[arts]] and [[literature]] of a culture, or wilful destruction or defacement of its built environment, construed to be in the spirit of the Germanic Vandals in their attacks on buildings of the [[Roman Empire]]. For the historical Vandals themselves, see the entry [[Vandals]]. |
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The term was coined on [[January 10]], [[1794]] during the [[French Revolution]], by [[Henri Gregoire|Henri Grégoire]], [[constitutional bishop]] of [[Blois]], in his report directed to the [[Republican Convention]], where he used word ''Vandalisme'' to describe some aspects of the behaviour of the republican army. |
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However, the term ''Vandal'' (English) or ''Vandale'' (French) with pejorative meaning was in use in English at least since the [[17th century]]. |
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However, the term ''Vandal'' (English) or ''Vandale'' (French) with pejorative meaning was in use in English at least since the [[17th century]]. It was a reference to the [[Vandals]], a [[Germanic]] tribe which [[looting|sacked]] the city of [[Rome]] in 455. The reference is grossly inaccurate, because the Vandals had actually accepted the surrender of the city from [[pope]] [[Leo I]] and agreed to refrain from killing, raping and the destruction of things they did not take, a promise they kept for the most part. |
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=== Official vandalism === |
=== Official vandalism === |
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Revision as of 11:36, 10 March 2005
- For Vandalism on Wikipedia, see Wikipedia:Dealing with vandalism. To report vandalism on Wikipedia, see Wikipedia:Vandalism in Progress.
Vandalism is an act motivated by hostility to the arts and literature of a culture, or wilful destruction or defacement of its built environment, construed to be in the spirit of the Germanic Vandals in their attacks on buildings of the Roman Empire. For the historical Vandals themselves, see the entry Vandals.
The term was coined on January 10, 1794 during the French Revolution, by Henri Grégoire, constitutional bishop of Blois, in his report directed to the Republican Convention, where he used word Vandalisme to describe some aspects of the behaviour of the republican army.
However, the term Vandal (English) or Vandale (French) with pejorative meaning was in use in English at least since the 17th century. It was a reference to the Vandals, a Germanic tribe which sacked the city of Rome in 455. The reference is grossly inaccurate, because the Vandals had actually accepted the surrender of the city from pope Leo I and agreed to refrain from killing, raping and the destruction of things they did not take, a promise they kept for the most part.
Official vandalism
Throughout history, the ritual destruction of monuments of a previous government or power has been one of the greatest symbols showing the attempt at transition of power (illustration, below left). In Rome damnatio memoriae ("damnation of his memory") was normally expressed by erasing the name of a hated individual from inscriptions and removing or replacing statues or replacing just their heads after their death and subsequent disgrace. Damnatio memoriae was effected after their death by the rivals and heirs of Caligula, Nero, Domitian, Commodus and Elagabulus. After the Emperor Caracalla had his co-Emperor Geta assassinated, all depictions or references to Geta were systematically destroyed as part of a damnatio memoriae. Faces and genitals of surviving Greek and Roman sculpture often show how they have been systematically attacked. In palimpsests, text has been washed off parchment that have been overwritten with new text; the existence of effaced manuscripts that were not subsequently overwritten reveals an element of vandalism in this process.
In Egypt, the return of the priests of Amun to power after the religious innovations of Akhenaten was accompanied by desecration of the pharaoh's tomb and the ritual obliteration of his image from temple reliefs and inscriptions. This is official vandalism.
Recent cases of vandalism in this vein include the toppling and destruction of Soviet monuments after the fall of the Soviet Union, the Taliban destruction of Buddhist statuary in Afghanistan, and the well-known toppling of a Saddam Hussein statue by the multinational force in Iraq. In a country with an unpopular dictator, vandalism of the leader's portraits and other elements of his personality cult can be a common form of dissent.
Vandalism of Jewish properties and Jewish-owned businesses was part of the Nazi program, surfacing in the widespread, coordinated vandalism of Kristallnacht the night of November 9 – 10, 1938, when shopwindows were smashed all over Nazi Germany.
Vandalism as crime
More generally, vandalism (uncapitalised) is wilful wanton and malicious destruction of the property of others or the commons. The term is usually generalized to include non-destructive but unauthorized modification of property, that is, defacement; for example, graffiti. Vandalism is often committed by alienated youth.
With the rise and development of the World Wide Web came unauthorized and undesired modification of Web pages. During the late 1990s, malicious young computer criminals took to vandalizing Web sites en masse, sometimes using worms to do so. (See, e.g., Hacked by Chinese for one famous example.) Web forums, wikis, and other resources that are deliberately made publicly editable can also be vandalized. This is sometimes done by persons with a hostility toward the site or its operator, but also by Internet trolls or others simply expressing contempt for other people's work.
Some vandalism qualifies as culture jamming or sniggling — artistic statements in their own right that are illegal and destructive from the point of view of the legal system, but are done with a creative and artistic impulse. Graffiti art qualifies in some cases at least, also billboard liberation and crop circles. The situationist Asger Jorn founded the Scandinavian Institute of Comparative Vandalism.
