File:The "Dream Sequence" from "A Day in the Life" by the Beatles 1967.ogg: Difference between revisions
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==Summary== |
==Summary== |
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{{Subtitles|en|The "Dream Sequence" from "A Day in the Life" by the Beatles 1967.ogg.en.srt}} |
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{{Non-free use rationale 2 |
{{Non-free use rationale 2 |
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|Description = The "Dream Sequence" from "A Day in the Life" by the Beatles 1967 |
|Description = The "Dream Sequence" from "A Day in the Life" by the Beatles 1967 |
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|Article = Sgt. Pepper's Lonely Hearts Club Band |
|Article = Sgt. Pepper's Lonely Hearts Club Band |
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|Purpose = To explicate with an audio sample what cannot be conveyed with prose alone:<br/> |
|Purpose = To explicate with an audio sample what cannot be conveyed with prose alone:<br/> |
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* The musicologist Kenneth Womack describes the end of the "dream sequence" as "the song's – indeed, the album's – most decisive moment: a sarcastic brass retort that acts as an irreverent corrective for an insensate Western world."(Womack, Kenneth (2007). ''Long and Winding Roads: The Evolving Artistry of the Beatles''. Continuum. ISBN |
* The musicologist Kenneth Womack describes the end of the "dream sequence" as "the song's – indeed, the album's – most decisive moment: a sarcastic brass retort that acts as an irreverent corrective for an insensate Western world."(Womack, Kenneth (2007). ''Long and Winding Roads: The Evolving Artistry of the Beatles''. Continuum. {{ISBN|978-0-8264-1746-6}}. Page 181) |
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* The musicologist Tim Riley characterises the track as a "postlude to the ''Pepper'' fantasy ... that sets all the other songs in perspective", while shattering the illusion of "Pepperland" by introducing the "parallel universe of everyday life". In addition to being treated with heavy tape echo, Lennon's vocalisations during the "dream sequence" are slowly panned right to left and back again before ending in the left field. The accompanying brass section loudly indicates the end of the sequence and the start of the fourth and final verse. (Riley, Tim (1988). ''Tell Me Why: The Beatles: Album By Album, Song By Song, The Sixties And After''. Alfred A. Knopf. ISBN |
* The musicologist Tim Riley characterises the track as a "postlude to the ''Pepper'' fantasy ... that sets all the other songs in perspective", while shattering the illusion of "Pepperland" by introducing the "parallel universe of everyday life". In addition to being treated with heavy tape echo, Lennon's vocalisations during the "dream sequence" are slowly panned right to left and back again before ending in the left field. The accompanying brass section loudly indicates the end of the sequence and the start of the fourth and final verse. (Riley, Tim (1988). ''Tell Me Why: The Beatles: Album By Album, Song By Song, The Sixties And After''. Alfred A. Knopf. {{ISBN|978-0-394-55061-9}}. Pages 225, 227–228) |
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* Lennon strongly disliked the sound of his own voice and he often asked for generous amounts of [[tape echo]] to be added to his vocal track in an effort to bury it deep in the mix. For "A Day in the Life", he wanted his voice to sound like Elvis Presley on "[[Heartbreak Hotel]]". Martin and Emerick obliged by adding 90 milliseconds of echo. According to Martin, Lennon's "vocal wailings" contributed to the song's "reception as a 'marijuana dream'".(Martin, George; Pearson, William (1994). ''Summer of love: The making of Sgt. Pepper''. ISBN |
* Lennon strongly disliked the sound of his own voice and he often asked for generous amounts of [[tape echo]] to be added to his vocal track in an effort to bury it deep in the mix. For "A Day in the Life", he wanted his voice to sound like Elvis Presley on "[[Heartbreak Hotel]]". Martin and Emerick obliged by adding 90 milliseconds of echo. According to Martin, Lennon's "vocal wailings" contributed to the song's "reception as a 'marijuana dream'".(Martin, George; Pearson, William (1994). ''Summer of love: The making of Sgt. Pepper''. {{ISBN|978-0-333-60398-7}}. Pages 52–53, 156) |
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* According to the musicologist Ian MacDonald, "A Day in the Life" "remains among the most penetrating and innovative artistic reflections of its era", representing the Beatles' "finest single achievement". (MacDonald, Ian (2005). ''Revolution in the Head: The Beatles' Records and the Sixties'' (3rd ed.). Chicago Review Press. ISBN |
* According to the musicologist Ian MacDonald, "A Day in the Life" "remains among the most penetrating and innovative artistic reflections of its era", representing the Beatles' "finest single achievement". (MacDonald, Ian (2005). ''Revolution in the Head: The Beatles' Records and the Sixties'' (3rd ed.). Chicago Review Press. {{ISBN|978-1-55652-733-3}}. Pages 228–232) |
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|Replaceability = Audio file is irreplaceable. No free alternative exists. |
|Replaceability = Audio file is irreplaceable. No free alternative exists. |
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|Replaceability_text = Prose alone would not serve the same encyclopedic purpose as prose with an accompanying audio sample. |
|Replaceability_text = Prose alone would not serve the same encyclopedic purpose as prose with an accompanying audio sample. |
Latest revision as of 13:09, 4 February 2023
Summary
[edit]- This media file has an associated English-language subtitle file TimedText:The "Dream Sequence" from "A Day in the Life" by the Beatles 1967.ogg.en.srt
Description | The "Dream Sequence" from "A Day in the Life" by the Beatles 1967 |
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Author or copyright owner |
The author is the Beatles; the copyright holder is EMI Records Ltd. |
Source (WP:NFCC#4) | The 2009 remaster of Sgt. Pepper's Lonely Hearts Club Band |
Date of publication | 20 January 1967 |
Use in article (WP:NFCC#7) | Sgt. Pepper's Lonely Hearts Club Band |
Purpose of use in article (WP:NFCC#8) | To explicate with an audio sample what cannot be conveyed with prose alone:
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Not replaceable with free media because (WP:NFCC#1) |
Audio file is irreplaceable. No free alternative exists. |
Not replaceable with textual coverage because (WP:NFCC#1) |
Prose alone would not serve the same encyclopedic purpose as prose with an accompanying audio sample. |
Minimal use (WP:NFCC#3) | The file is 29.565 seconds long with fades in and out, which is less than 10% of the original 5 minutes and 3 seconds. |
Respect for commercial opportunities (WP:NFCC#2) |
The sample is of a reduced non-commercial quality 22050Hz and 67Kbps. |
Fair useFair use of copyrighted material in the context of Sgt. Pepper's Lonely Hearts Club Band//en.wikipedia.org/wiki/File:The_%22Dream_Sequence%22_from_%22A_Day_in_the_Life%22_by_the_Beatles_1967.oggtrue |
Licensing
[edit]This is a sound sample from a song, movie, sound effect, or other audio recording that is currently copyrighted. The copyright for it may be owned by the company who made it or the author. For a song, it may also be owned by the person(s) who performed it. It is believed that the use of this work qualifies as fair use under United States copyright law when used on the English-language Wikipedia, hosted on servers in the U.S. by the non-profit Wikimedia Foundation, where:
A more detailed fair use rationale should be provided by the user who uploaded this sample.
Any other uses of this sample, on Wikipedia or elsewhere, may be copyright infringement. If you are the copyright holder of this sample and you feel that its use here does not fall under "fair use", please see Wikipedia:Copyright problems for information on how to proceed. To the uploader: If this is a free, non-copyrighted audio recording, please post it to Wikimedia Commons instead. | ||
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current | 18:08, 23 April 2014 | 30 s (245 KB) | GabeMc (talk | contribs) | Uploading an excerpt from a non-free work using File Upload Wizard |
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File usage
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Transcode status
Update transcode statusFormat | Bitrate | Download | Status | Encode time |
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MP3 | 167 kbps | Completed 06:08, 25 December 2017 | 1.0 s |