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{{Short description|American vocal arranger and conductor}}
{{moresources|date=December 2015}}
{{more citations needed|date=December 2015}}
'''Judd "Jud" Conlon''' (1910 - July 28, 1966) was a vocal arranger and conductor.<ref name=obit>{{cite journal|title=Variety|journal=Variety|date=August 3, 1966|accessdate=December 1, 2015}}</ref>
'''Justin "Judd" Conlon''' (born '''Justin Norbert Conlon'''; June 16, 1910 July 28, 1966) was an American vocal arranger and conductor.<ref name=obit>{{cite journal|title=Variety|journal=Variety|date=August 3, 1966}}</ref>


==Early life==
==Early life==
He was born in 1910 in [[Cuba City, Wisconsin]] as Justin N. Conlon.<ref name=imdb>{{cite web|title=Internet Movie Database|url=http://www.imdb.com/name/nm0174845/bio?ref_=nm_ov_bio_sm|website=www,imdb.com|accessdate=December 1, 2015}}</ref> He relocated to [[Dubuque, Iowa]], where he attended Columbia Academy and [[Loras College|Columbia College]]. Conlon played the accordion and was active in musical groups including the Vested Choir directed by Father Alphonse Dress. This may have led to his mastery of vocal arranging. He played accordion at the Hilltop Casino until 4:00 a.m., slept, and then had to get up for his college classes. In high school he formed the Justin Conlon Orchestra. By the time he was in college, the group toured the Midwest and was often featured on WMT-Cedar Rapids, WHO-Des Moines, and WOC-Davenport.
Conlon was born in 1910 in [[Cuba City, Wisconsin]]. He relocated to [[Dubuque, Iowa]], where he attended Columbia Academy and [[Loras College|Columbia College]]. Conlon played the accordion and was active in musical groups including the Vested Choir directed by Father Alphonse Dress. This may have led to his mastery of vocal arranging. He played accordion at the Hilltop Casino until 4:00&nbsp;a.m., slept, and then had to get up for his college classes. In high school he formed the Justin Conlon Orchestra. By the time he was in college, the group toured the Midwest and was often featured on Iowa radio stations WMT in Cedar Rapids, WHO in Des Moines, and WOC in Davenport.


Conlon's first major arranging work was with the [[Kay Kyser]] Orchestra.<ref>{{cite web|title=Encyclopedia Dubuque|url=http://www.encyclopediadubuque.org/index.php?title=CONLON%2C_Jud|website=Encyclopedia Dubuque|accessdate=December 1, 2015}}</ref>
Conlon's first major arranging work was with the [[Kay Kyser]] Orchestra.<ref>{{cite web|title=Encyclopedia Dubuque|url=http://www.encyclopediadubuque.org/index.php?title=CONLON%2C_Jud|website=Encyclopedia Dubuque|accessdate=December 1, 2015}}</ref>


== Career ==
== Career ==
In 1945, the Kay Kyser band was still at its peak. One of its main attractions was The Campus Kids, which Conlon had joined as a vocalist that July. His debut recording with them was "Choo Choo Polka" and "That’s for Me". At that time, the other Kids were Diane Pendleton, Donna Wood, [[Loulie Jean Norman]], and [[Charlie Parlato]].<ref name="auto">{{cite journal|last1=McQuade|first1=Martin|title=Zing a Little Zong|journal=BING magazine|date=Winter 2007|pages=36-42|accessdate=December 1, 2015}}</ref>
In 1945, the Kay Kyser band was at its peak. One of its main attractions was The Campus Kids, which Conlon had joined as a vocalist that July. His debut recordings with the group were "Choo Choo Polka" and "That’s for Me". At that time, the other Kids were Diane Pendleton, Donna Wood, [[Loulie Jean Norman]], and [[Charlie Parlato]].<ref name="auto">{{cite journal|last1=McQuade|first1=Martin|title=Zing a Little Zong|journal=BING Magazine|date=Winter 2007|pages=36–42}}</ref>


Conlon, trained on the accordion and as a vocal arranger and conductor, had an ambition to form his own vocal group. In The Campus Kids, Conlon was exposed to two singers with a four octave range and perfect pitch, Loulie Jean Norman and [[Gloria Wood]]. With them and his own [[Basso profondo|basso profundo]], plus Charlie Parlato as first tenor, he had the makings of the new group he wanted. He assigned himself the baritone part, Norman was first or lead soprano, and Wood second soprano. He also recruited Mack McLean from the [[Six Hits and a Miss]] singing group as a second tenor.<ref name="auto"/>
Conlon, trained on the accordion and as a vocal arranger and conductor, had an ambition to form his own vocal group. In The Campus Kids, he was exposed to two singers with a four-octave range and perfect pitch: Loulie Jean Norman and [[Gloria Wood]]. With them and his own [[Basso profondo|basso profundo]], plus Charlie Parlato as first tenor, Conlon had the makings of the new group he wanted. He assigned himself the baritone part, Norman was first or lead soprano, and Wood second soprano. He also recruited Mack McLean from the [[Six Hits and a Miss]] singing group as a second tenor.<ref name="auto"/>


==The Rhythmaires==
==The Rhythmaires==
Probably the formation of the team was hastened by the sudden departure of [[The Charioteers]] as [[Bing Crosby]]’s weekly vocalists toward the end of the first [[Philco Radio Time|Philco]] season in March, 1947. Several of the first season’s final shows featured an unknown chorus that may have been the singers in the still unnamed group. Jud Conlon’s Rhythmaires was christened and ready to go as recordings for the second Philco season commenced in August 1947. Conlon, Parlato, McLean and Norman bade farewell to The Campus Kids in December. (Gloria Wood remained with Kyser into 1948.)<ref name="auto"/>
The formation of Conlon's group was likely hastened by the sudden departure of [[The Charioteers]] as [[Bing Crosby]]'s vocalists on his weekly radio program toward the end of the first [[Philco Radio Time|Philco]] season in March, 1947. Several of the first season's final shows featured an unknown chorus that may have been the singers in the still unnamed group. Jud Conlon's Rhythmaires was christened and ready to go as recordings for the second Philco season commenced in August 1947. Conlon, Parlato, McLean and Norman bade farewell to The Campus Kids in December. (Gloria Wood remained with Kyser into 1948.)<ref name="auto"/>


The Rhythmaires had launched an association with Crosby that would continue for almost a decade in over 230 broadcasts and over 40 recordings. They even helped sell [[Minute Maid]]. Their first commercial recording with him was on December 3rd, 1947 when "[[Ballerina (Sidney Keith Russell and Carl Sigman song)|Ballerina]]" was laid down. Other notable recordings were "Home Cookin", "[[Bibbidi-Bobbidi-Boo]]", "[[Teddy Bears' Picnic]]", "[[It's Beginning to Look a Lot Like Christmas|It’s Beginning to Look Like Christmas]]", "[[Zing a Little Zong]]", and "Road to Bali".<ref name="auto"/>
The Rhythmaires had launched an association with Crosby that would continue for almost a decade in more than 230 broadcasts and over 40 recordings. The group even helped to sell [[Minute Maid]]. The Rhythmaires' first commercial recording with Crosby took place on December 3, 1947, when "[[Ballerina (Sidney Keith Russell and Carl Sigman song)|Ballerina]]" was laid down. Other notable recordings were "Home Cookin", "[[Bibbidi-Bobbidi-Boo]]", "[[Teddy Bears' Picnic]]", "[[It's Beginning to Look a Lot Like Christmas|It’s Beginning to Look Like Christmas]]", "[[Zing a Little Zong]]", and "Road to Bali".<ref name="auto"/>


Sometimes the Rhythmaires would be expanded into either The Jud Conlon Singers (e.g. "Stay Well", "Sorry") or The Jud Conlon Choir (e.g. "The Loneliness of Evening", "More I Cannot Wish You", "We Meet Again".) The Rhythmaires’ final recordings with Crosby were made in April, 1956 for the Decca LP ''[[Songs I Wish I Had Sung the First Time Around|Songs I Wish I Had Sung]]''.<ref name="auto"/>
Sometimes the Rhythmaires would be expanded into either The Jud Conlon Singers (e.g. "Stay Well", "Sorry") or The Jud Conlon Choir (e.g. "The Loneliness of Evening", "[[More I Cannot Wish You]]", "We Meet Again"). The Rhythmaires' final recordings with Crosby were made in April 1956, for the [[MCA Records|Decca]] LP ''[[Songs I Wish I Had Sung the First Time Around|Songs I Wish I Had Sung]]''.<ref name="auto"/>
The Rhythmaires also furnished background vocals for Crosby in [[Walt Disney]]’s ''[[The Adventures of Ichabod and Mr. Toad|The Legend of Sleepy Hollow]]'', released in 1949.<ref name="auto"/>
The Rhythmaires also furnished background vocals for Crosby in [[Walt Disney]]’s ''[[The Adventures of Ichabod and Mr. Toad|The Legend of Sleepy Hollow]]'' (from ''[[The Adventures of Ichabod and Mr. Toad]]''), released in 1949.<ref name="auto"/>


After the conclusion of Philco Radio Time in 1949, The Rhythmaires continued with Crosby throughout his [[The Bing Crosby – Chesterfield Show|Chesterfield]] series whch ran until 1952. Each week they sang the cigarette’s "Sound Off" jingle.<ref name="auto"/>
After the conclusion of Philco Radio Time in 1949, the Rhythmaires continued with Crosby throughout his weekly [[The Bing Crosby – Chesterfield Show|Chesterfield]] radio series that ran until 1952. Each week the group sang the cigarette’s "Sound Off" jingle.<ref name="auto"/>

In early 1958, the Rhythmaires appeared on the album "Jazz Goes Latin" with [[tenor saxophone]] player [[Georgie Auld]] for [[Capitol Records]] (T-1045).

For the first two seasons of [[The Many Loves of Dobie Gillis]] (CBS-TV, 1959-1963) the Rhythmaires performed the opening and closing theme song, "Dobie",<ref>{{cite book |last=Terrace |first=Vincent |author-link= |date=2020 |title=The Television Treasury: Onscreen Details from Sitcoms, Dramas and Other Scripted Series, 1947-2019 |url= |location=Jefferson NC |publisher=McFarland & Co., Inc. |page=227 |isbn=978-1-4766-8029-3}}</ref> written by [[Lionel Newman]] and [[Max Shulman]].


==Other work==
==Other work==
Crosby had used Conlon to make arrangements and vocal backgrounds for his radio series and Conlon went on to work for [[Andy Williams]] and [[Guy Lombardo]]. In the mid-1950s, Conlon began collaborating with satirist, [[Stan Freberg]]. His arrangements appeared on nearly all Freberg's comedy records, as well as on his ''Stan Freberg Radio Show''. He also worked on the television program ''[[Frankie Laine Time]]''.
Crosby had used Conlon to make arrangements and vocal backgrounds for his radio series, and Conlon went on to work for [[Andy Williams]] and [[Guy Lombardo]]. In the mid-1950s, he began collaborating with satirist [[Stan Freberg]]. His arrangements appeared on nearly all Freberg's comedy records, as well as on his ''Stan Freberg Radio Show''. He also worked on the television program ''[[Frankie Laine Time]]''.


Conlon also served as a musical arranger for Walt Disney. Among his credits are the Disney movies ''[[Alice in Wonderland (1951 film)|Alice in Wonderland]]'' (1951), ''[[Peter Pan (1953 film)|Peter Pan]]'' (1953), and ''[[Babes in Toyland (1961 film)|Babes in Toyland]]'' (1961).
Conlon served as a musical arranger for Walt Disney. Among his credits are the Disney movies ''[[Alice in Wonderland (1951 film)|Alice in Wonderland]]'' (1951), ''[[Peter Pan (1953 film)|Peter Pan]]'' (1953), and ''[[Babes in Toyland (1961 film)|Babes in Toyland]]'' (1961).

==Personal life==
==Personal life==
He married Charlotte Manley and together they had one son, Michael Conlon. Conlon died on July 28, 1966 in [[Chicago, Illinois]] at the age of 56. He was found dead in his Chicago hotel room of an apparent heart attack. He had been there as a delegate to the convention of American Federation of TV and Radio Artists. A requiem Mass was held a few days later at [[Saint Victor Catholic Church (West Hollywood, California)|St. Victor's Roman Catholic Church]] in West Hollywood.<ref name=obit/>
Conlon married Charlotte Manley. They had one son, Michael. Conlon died on July 28, 1966, in [[Chicago]] at the age of 56. He was found dead in his Chicago hotel room of an apparent heart attack. He had been there as a delegate to the convention of American Federation of TV and Radio Artists. A requiem Mass was held a few days later at [[Saint Victor Catholic Church (West Hollywood, California)|St. Victor's Roman Catholic Church]] in West Hollywood.<ref name=obit/>


== Filmography ==
== Filmography ==
===Music department===
===Music department===
* ''[[The Judy Garland Show]]'' (1963-64) (CBS TV) (Choral Arrangements) Credited as The Jud Conlon Singers.
* ''[[The Judy Garland Show]]'' (1963–64) (CBS TV) (Choral Arrangements) Credited as The Jud Conlon Singers.
* ''[[Babes in Toyland (1961 film)|Babes in Toyland]]'' (1961)
* ''[[Bobby Darin]] and Friends'' (1961) (TV) (music arranger: vocal arrangements)
* ''[[Bobby Darin]] and Friends'' (1961) (TV) (music arranger: vocal arrangements)
* ''[[Screen Directors Playhouse]]'' (music arranger: vocal arrangements) (1 episode, 1956)
* ''[[Screen Directors Playhouse]]'' (music arranger: vocal arrangements) (1 episode, 1956)
* ''Prima Donna'' (1956) TV episode (music arranger: vocal arrangements)
* ''Prima Donna'' (1956) TV episode (music arranger: vocal arrangements)
* ''Peter Pan'' (1953) (vocal arranger) "You Can Fly! You Can Fly! You Can Fly!" (04:03)
* ''Peter Pan'' (1953) (vocal arranger) "You Can Fly! You Can Fly! You Can Fly!" (04:03)
* ''Alice in Wonderland'' (1951) (music arranger: vocal arrangements)
* ''Alice in Wonderland'' (1951) (music arranger: vocal arrangements)


===Soundtrack===
===Soundtrack===
*[[It's Always Fair Weather]] (1955) ("March, March" (uncredited), "The Time for Parting" (uncredited),
*[[It's Always Fair Weather]] (1955) ("March, March" (uncredited), "The Time for Parting" (uncredited),
*"[[Once Upon a Time (1944 film)|Once Upon a Time]]" (1944) (uncredited), "Why Are We Here?" (uncredited)
*"[[Once Upon a Time (1944 film)|Once Upon a Time]]" (1944) (uncredited), "Why Are We Here?" (uncredited)
*[[Here Comes Elmer]] (1943) (writer: "Hitch Old Dobbin to the Shay Again")
*[[Here Comes Elmer]] (1943) (writer: "Hitch Old Dobbin to the Shay Again")

===Self===
===Self===
* Cha-Cha-Cha Boom! (1956)<ref name=imdb/> (as The Judd Conlon Group) .... Himself
* Cha-Cha-Cha Boom! (1956) (as The Judd Conlon Group) .... Himself
* The Scene Of the Crime (1956) (as the Jud Conlon Singers with Bob Thompson's Orch.)
* The Scene Of the Crime (1956) (as the Jud Conlon Singers with Bob Thompson's Orch.)


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== External links ==
== External links ==
*{{IMDb name|0174845}}
*[http://www.imdb.com/name/nm0174845/ Judd Conlon at IMDB]
* {{Discogs artist|Jud Conlon}}
*[http://www.soundtrackcollector.com/catalog/soundtrackdetail.php?movieid=8321 Disney Work]

{{Authority control}}


{{DEFAULTSORT:Conlon, Judd}}
{{DEFAULTSORT:Conlon, Judd}}
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[[Category:1966 deaths]]
[[Category:1966 deaths]]
[[Category:People from Cuba City, Wisconsin]]
[[Category:People from Cuba City, Wisconsin]]
[[Category:Date of birth missing]]
[[Category:Capitol Records artists]]
[[Category:Decca Records artists]]
[[Category:RCA Records artists]]

Latest revision as of 05:58, 30 August 2023

Justin "Judd" Conlon (born Justin Norbert Conlon; June 16, 1910 – July 28, 1966) was an American vocal arranger and conductor.[1]

Early life[edit]

Conlon was born in 1910 in Cuba City, Wisconsin. He relocated to Dubuque, Iowa, where he attended Columbia Academy and Columbia College. Conlon played the accordion and was active in musical groups including the Vested Choir directed by Father Alphonse Dress. This may have led to his mastery of vocal arranging. He played accordion at the Hilltop Casino until 4:00 a.m., slept, and then had to get up for his college classes. In high school he formed the Justin Conlon Orchestra. By the time he was in college, the group toured the Midwest and was often featured on Iowa radio stations WMT in Cedar Rapids, WHO in Des Moines, and WOC in Davenport.

Conlon's first major arranging work was with the Kay Kyser Orchestra.[2]

Career[edit]

In 1945, the Kay Kyser band was at its peak. One of its main attractions was The Campus Kids, which Conlon had joined as a vocalist that July. His debut recordings with the group were "Choo Choo Polka" and "That’s for Me". At that time, the other Kids were Diane Pendleton, Donna Wood, Loulie Jean Norman, and Charlie Parlato.[3]

Conlon, trained on the accordion and as a vocal arranger and conductor, had an ambition to form his own vocal group. In The Campus Kids, he was exposed to two singers with a four-octave range and perfect pitch: Loulie Jean Norman and Gloria Wood. With them and his own basso profundo, plus Charlie Parlato as first tenor, Conlon had the makings of the new group he wanted. He assigned himself the baritone part, Norman was first or lead soprano, and Wood second soprano. He also recruited Mack McLean from the Six Hits and a Miss singing group as a second tenor.[3]

The Rhythmaires[edit]

The formation of Conlon's group was likely hastened by the sudden departure of The Charioteers as Bing Crosby's vocalists on his weekly radio program toward the end of the first Philco season in March, 1947. Several of the first season's final shows featured an unknown chorus that may have been the singers in the still unnamed group. Jud Conlon's Rhythmaires was christened and ready to go as recordings for the second Philco season commenced in August 1947. Conlon, Parlato, McLean and Norman bade farewell to The Campus Kids in December. (Gloria Wood remained with Kyser into 1948.)[3]

The Rhythmaires had launched an association with Crosby that would continue for almost a decade in more than 230 broadcasts and over 40 recordings. The group even helped to sell Minute Maid. The Rhythmaires' first commercial recording with Crosby took place on December 3, 1947, when "Ballerina" was laid down. Other notable recordings were "Home Cookin", "Bibbidi-Bobbidi-Boo", "Teddy Bears' Picnic", "It’s Beginning to Look Like Christmas", "Zing a Little Zong", and "Road to Bali".[3]

Sometimes the Rhythmaires would be expanded into either The Jud Conlon Singers (e.g. "Stay Well", "Sorry") or The Jud Conlon Choir (e.g. "The Loneliness of Evening", "More I Cannot Wish You", "We Meet Again"). The Rhythmaires' final recordings with Crosby were made in April 1956, for the Decca LP Songs I Wish I Had Sung.[3] The Rhythmaires also furnished background vocals for Crosby in Walt Disney’s The Legend of Sleepy Hollow (from The Adventures of Ichabod and Mr. Toad), released in 1949.[3]

After the conclusion of Philco Radio Time in 1949, the Rhythmaires continued with Crosby throughout his weekly Chesterfield radio series that ran until 1952. Each week the group sang the cigarette’s "Sound Off" jingle.[3]

In early 1958, the Rhythmaires appeared on the album "Jazz Goes Latin" with tenor saxophone player Georgie Auld for Capitol Records (T-1045).

For the first two seasons of The Many Loves of Dobie Gillis (CBS-TV, 1959-1963) the Rhythmaires performed the opening and closing theme song, "Dobie",[4] written by Lionel Newman and Max Shulman.

Other work[edit]

Crosby had used Conlon to make arrangements and vocal backgrounds for his radio series, and Conlon went on to work for Andy Williams and Guy Lombardo. In the mid-1950s, he began collaborating with satirist Stan Freberg. His arrangements appeared on nearly all Freberg's comedy records, as well as on his Stan Freberg Radio Show. He also worked on the television program Frankie Laine Time.

Conlon served as a musical arranger for Walt Disney. Among his credits are the Disney movies Alice in Wonderland (1951), Peter Pan (1953), and Babes in Toyland (1961).

Personal life[edit]

Conlon married Charlotte Manley. They had one son, Michael. Conlon died on July 28, 1966, in Chicago at the age of 56. He was found dead in his Chicago hotel room of an apparent heart attack. He had been there as a delegate to the convention of American Federation of TV and Radio Artists. A requiem Mass was held a few days later at St. Victor's Roman Catholic Church in West Hollywood.[1]

Filmography[edit]

Music department[edit]

  • The Judy Garland Show (1963–64) (CBS TV) (Choral Arrangements) Credited as The Jud Conlon Singers.
  • Babes in Toyland (1961)
  • Bobby Darin and Friends (1961) (TV) (music arranger: vocal arrangements)
  • Screen Directors Playhouse (music arranger: vocal arrangements) (1 episode, 1956)
  • Prima Donna (1956) TV episode (music arranger: vocal arrangements)
  • Peter Pan (1953) (vocal arranger) "You Can Fly! You Can Fly! You Can Fly!" (04:03)
  • Alice in Wonderland (1951) (music arranger: vocal arrangements)

Soundtrack[edit]

Self[edit]

  • Cha-Cha-Cha Boom! (1956) (as The Judd Conlon Group) .... Himself
  • The Scene Of the Crime (1956) (as the Jud Conlon Singers with Bob Thompson's Orch.)

Live Duets[edit]

  • "If You Stub Your Toe on the Moon" (1947-1949) Bing Crosby with Judd Conlon's Rhythmaires
  • "The Court Jester" (21 – 22 September 1955, Los Angeles) Sylvia FineSammy Cahn With the Judd Conlon Singers

References[edit]

  1. ^ a b "Variety". Variety. August 3, 1966.
  2. ^ "Encyclopedia Dubuque". Encyclopedia Dubuque. Retrieved December 1, 2015.
  3. ^ a b c d e f g McQuade, Martin (Winter 2007). "Zing a Little Zong". BING Magazine: 36–42.
  4. ^ Terrace, Vincent (2020). The Television Treasury: Onscreen Details from Sitcoms, Dramas and Other Scripted Series, 1947-2019. Jefferson NC: McFarland & Co., Inc. p. 227. ISBN 978-1-4766-8029-3.

External links[edit]