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The '''symphonic outdoor drama''' is a kind of historical play, set outdoors on the very site depicted in account. It combines music, dance, and drama in a unique way to tell the story.
The '''outdoor drama''', also known as the '''symphonic outdoor drama''' or '''symphonic drama''', is a kind of [[historical play]], often featuring music and dance, staged in outdoor amphitheaters in the location it depicts.


It is most like historical pageantry performed in Europe in the Middle Ages. The best known example of a religious pageant in this style is at [[Oberammergau]], [[Germany]]. Many big, spectacular stage events became popular in the United States in the late 19th and early 20th centuries. These pageants were not exactly plays, but they showed a series of scenes in which historical events followed one another.
It is most like the historical [[medieval pageant|pageants]] performed in Europe in the Middle Ages. The best known example of a religious pageant in this style is the ''[[Oberammergau Passion Play]]'', performed in [[Oberammergau]], [[Germany]] since 1643. Many spectacular outdoor stage events became popular in the United States in the late 19th and early 20th centuries. These pageants were not narrative dramas in the traditional sense, but they showed a series of scenes in which historical events followed one another.


The pageants leading up to the 1937 production of ''[[Lost Colony (play)|The Lost Colony]]'' were influenced by the event at Oberammergau. People in eastern North Carolina were encouraged to share the history of the lost colony of Roanoke - which had been largely forgotten. The residents of Roanoke Island thought that staging a pageant themselves would share the story with the world.
The pageants leading up to the 1937 production of ''[[Lost Colony (play)|The Lost Colony]]'' were influenced by the event at Oberammergau. People in eastern North Carolina were encouraged to share the history of the lost colony of Roanoke which had been largely forgotten. The residents of Roanoke Island sought to share the story with the world by staging a pageant.


Southern playwright and ''Lost Colony'' author [[Paul Green (playwright)|Paul Green]] had a lifelong fascination with theatrical elements, such as dance, language, music, and lighting, and a desire for drama to make a difference in American social life. Under the tutelage of Frederick Koch, a professor at the University of North Carolina at Chapel Hill, Green was deeply influenced by his ideas about “folk drama” and a concern for ordinary people and their experiences.
Southern playwright and ''Lost Colony'' author [[Paul Green (playwright)|Paul Green]] had a lifelong fascination with theatrical elements such as dance, language, music, and lighting, and a desire for drama to make a difference in American social life. Green was deeply influenced by Frederick Koch, a professor at the University of North Carolina at Chapel Hill, who had developed ideas about “folk drama” and a concern for ordinary people and their experiences. He was also a close collaborator with the musician [[Lamar Stringfield]] who published a book of arrangements of Appalachian folk songs with [[Bascom Lamar Lunsford]] in 1929 and founded the Institute of Folk Music at the [[University of North Carolina at Chapel Hill]] in 1930. Stringfield provided the original music for the ''Lost Colony''.<ref>[http://www.ncmarkers.com/Markers.aspx?ct=ddl&sp=search&k=Markers&sv=H-94%20-%20LAMAR%20STRINGFIELD%201897-1959 "Marker H-94: Lamar Stringfield 1917-1959"]''North Carolina Department of Cultural Resources''</ref>


:"By 'people's theatre', I mean theatre in which plays are written, acted and produced for and by the people for their enjoyment and enrichment and not for any special monetary profit."
:"By 'people's theatre', I mean theatre in which plays are written, acted and produced for and by the people for their enjoyment and enrichment and not for any special monetary profit."<ref>Green,  cited  in  “History:  The  Production,”  “The  Lost  Colony,”http://www.thelostcolony.org/production.html (accessed June 22, 2007); no source given.</ref>


[[Pulitzer Prize]] winner Paul Green wrote those words about ''The Lost Colony'' in 1938, a year after its debut. By then, America's first outdoor symphonic drama was a critical and popular success, proof that "people's theatre" could work. But it wasn't always a guaranteed success.
[[Pulitzer Prize]] winner Paul Green wrote those words about ''The Lost Colony'' in 1938, a year after its debut. By then, America's first outdoor symphonic drama was a critical and popular success, proof that "people's theatre" could work.


In addition to receiving the 1927 Pulitzer Prize for Drama for his Broadway play ''[[In Abraham's Bosom]]'' — remarkable for the time in its serious depiction of the plight of African Americans in the South — Green created and spread this new dramatic form.
In addition to receiving the 1927 Pulitzer Prize for Drama for his Broadway play ''[[In Abraham's Bosom]]'' — remarkable for the time in its serious depiction of the plight of African Americans in the South — Green created and spread this new dramatic form.<ref>[http://www.ncmarkers.com/Markers.aspx?sp=search&k=Markers&sv=H-114 "Marker H-114: Paul Green, 1894-1981"]''North Carolina Department of Cultural Resources''</ref>


''The Lost Colony'' was presented with a [[Tony Award]] in 2013, recognizing the enduring appeal of the form.<ref>{{cite web|last1=Anker|first1=Erica|title=Tony Honor: The Lost Colony |url=http://www.tonyawards.com/en_US/news/articles/2013-06-05/201306051370457827845.html |website=tonyawards.com|accessdate=13 May 2020 |archive-url=https://web.archive.org/web/20200105002942/https://www.tonyawards.com/news/tony-honor-the-lost-colony/ |archive-date=5 January 2020 |url-status=live}}</ref>
{{DEFAULTSORT:Symphonic Outdoor Drama}}
[[Category:Community theater]]


==References==
[[pt:Teatro sinfónico de rua]]
{{Reflist}}

{{Authority control}}

{{DEFAULTSORT:Symphonic Outdoor Drama}}
[[Category:Community theatre]]

Latest revision as of 22:05, 20 October 2023

The outdoor drama, also known as the symphonic outdoor drama or symphonic drama, is a kind of historical play, often featuring music and dance, staged in outdoor amphitheaters in the location it depicts.

It is most like the historical pageants performed in Europe in the Middle Ages. The best known example of a religious pageant in this style is the Oberammergau Passion Play, performed in Oberammergau, Germany since 1643. Many spectacular outdoor stage events became popular in the United States in the late 19th and early 20th centuries. These pageants were not narrative dramas in the traditional sense, but they showed a series of scenes in which historical events followed one another.

The pageants leading up to the 1937 production of The Lost Colony were influenced by the event at Oberammergau. People in eastern North Carolina were encouraged to share the history of the lost colony of Roanoke — which had been largely forgotten. The residents of Roanoke Island sought to share the story with the world by staging a pageant.

Southern playwright and Lost Colony author Paul Green had a lifelong fascination with theatrical elements such as dance, language, music, and lighting, and a desire for drama to make a difference in American social life. Green was deeply influenced by Frederick Koch, a professor at the University of North Carolina at Chapel Hill, who had developed ideas about “folk drama” and a concern for ordinary people and their experiences. He was also a close collaborator with the musician Lamar Stringfield who published a book of arrangements of Appalachian folk songs with Bascom Lamar Lunsford in 1929 and founded the Institute of Folk Music at the University of North Carolina at Chapel Hill in 1930. Stringfield provided the original music for the Lost Colony.[1]

"By 'people's theatre', I mean theatre in which plays are written, acted and produced for and by the people for their enjoyment and enrichment and not for any special monetary profit."[2]

Pulitzer Prize winner Paul Green wrote those words about The Lost Colony in 1938, a year after its debut. By then, America's first outdoor symphonic drama was a critical and popular success, proof that "people's theatre" could work.

In addition to receiving the 1927 Pulitzer Prize for Drama for his Broadway play In Abraham's Bosom — remarkable for the time in its serious depiction of the plight of African Americans in the South — Green created and spread this new dramatic form.[3]

The Lost Colony was presented with a Tony Award in 2013, recognizing the enduring appeal of the form.[4]

References

[edit]
  1. ^ "Marker H-94: Lamar Stringfield 1917-1959"North Carolina Department of Cultural Resources
  2. ^ Green,  cited  in  “History:  The  Production,”  “The  Lost  Colony,”http://www.thelostcolony.org/production.html (accessed June 22, 2007); no source given.
  3. ^ "Marker H-114: Paul Green, 1894-1981"North Carolina Department of Cultural Resources
  4. ^ Anker, Erica. "Tony Honor: The Lost Colony". tonyawards.com. Archived from the original on 5 January 2020. Retrieved 13 May 2020.