Portrait of a Young Woman (La Muta): Difference between revisions
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{{Short description|Painting by Raphael}} |
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{{Refimprove|date=July 2014}} |
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{{Infobox Artwork |
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| title=Portrait of a Young Woman |
| title=Portrait of a Young Woman |
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| artist=[[Raphael]] |
| artist=[[Raphael]] |
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| year= |
| year=c. 1507–1508 |
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| medium=[[Oil painting|Oil on wood]] |
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| height_metric=64 |
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| width_metric=48 |
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| metric_unit=cm |
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| imperial_unit=in |
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| city=[[Urbino]] |
| city=[[Urbino]] |
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| museum=[[Palazzo Ducale, Urbino|Galleria Nazionale delle Marche]]}} |
| museum=[[Palazzo Ducale, Urbino|Galleria Nazionale delle Marche]] |
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}} |
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The '''''Portrait of a Young Woman''''', also known as '''''La Muta''''', is |
The '''''Portrait of a Young Woman''''', also known as '''''La Muta''''', is an oil on wood portrait by the [[Italy|Italian]] [[Renaissance]] artist [[Raphael]], executed ''c.'' 1507–1508. It is housed in the [[Galleria Nazionale delle Marche]], in [[Urbino]]. |
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The picture portrays an unknown noblewoman over a near-black background, showing some [[Leonardesque]] influences. Although only recently attributed to Raphael, |
The picture portrays an unknown noblewoman over a near-black background, showing some [[Leonardo da Vinci|Leonardesque]] influences. [[Ingrid D. Rowland]] writes that "the vivid contrast between dark background and luminous skin ... would one day inspire Michelangelo Merisi da Caravaggio to change his palette — in Rome — and become the [[Caravaggio]] we know best."{{sfn|Rowland|2020}} Although only recently attributed to Raphael, ''La Muta'' is ranked among the best portraits by his hand. |
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The neatness of the large areas of colour |
The neatness of the large areas of colour that emerge in lighter tones from the background, and the analytical treatment of the details of the woman's clothing, are characteristic of Raphael. The dispersive effect of this attention to detail is fully compensated by the tones of colour — used here in a fairly limited range — which unify the composition as a whole. |
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Nicoletta Baldini describes the hands in this portrait as "vibratile," distinguishing it from those painted by Michelangelo or Da Vinci.{{sfn|Baldini|2005|p=14}} [[Ingrid D. Rowland]] writes that the "austerely attractive young noblewoman ... is poking her index finger against the edge of the picture, literally, and knowingly, pushing its envelope of illusion — hence the mischievous glint in her eye."{{sfn|Rowland|2020}} |
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==See also== |
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[[it:La Muta]] |
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*[[List of paintings by Raphael]] |
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==Notes== |
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{{Reflist}} |
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==References== |
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*{{cite magazine |url= https://www.nybooks.com/articles/2020/08/20/raphael-the-virtuoso/ |last=Rowland |first=Ingrid D. |title=The New York Review: The Virtuoso |date=20 August 2020}} |
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*{{cite book |last1=Baldini |first1=Nicoletta |title=Raphael |year=2005 |publisher=Rizzoli}} |
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==External links== |
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*{{commonscat-inline}} |
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{{Raphael}} |
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{{DEFAULTSORT:Portrait Of A Young Woman (La Muta)}} |
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[[Category:Portraits by Raphael|Young Woman]] |
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[[Category:Portraits of women|Young Woman (La Muta)]] |
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[[Category:Collections of the Galleria Nazionale delle Marche]] |
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Revision as of 14:07, 15 November 2023
 | This article needs additional citations for verification. (July 2014) |
| Portrait of a Young Woman | |
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| Artist | Raphael |
| Year | c. 1507–1508 |
| Medium | Oil on wood |
| Dimensions | 64 cm × 48 cm (25 in × 19 in) |
| Standort | Galleria Nazionale delle Marche, Urbino |
The Portrait of a Young Woman, also known as La Muta, is an oil on wood portrait by the Italian Renaissance artist Raphael, executed c. 1507–1508. It is housed in the Galleria Nazionale delle Marche, in Urbino.
The picture portrays an unknown noblewoman over a near-black background, showing some Leonardesque influences. Ingrid D. Rowland writes that "the vivid contrast between dark background and luminous skin ... would one day inspire Michelangelo Merisi da Caravaggio to change his palette — in Rome — and become the Caravaggio we know best."[1] Although only recently attributed to Raphael, La Muta is ranked among the best portraits by his hand.
The neatness of the large areas of colour that emerge in lighter tones from the background, and the analytical treatment of the details of the woman's clothing, are characteristic of Raphael. The dispersive effect of this attention to detail is fully compensated by the tones of colour — used here in a fairly limited range — which unify the composition as a whole.
Nicoletta Baldini describes the hands in this portrait as "vibratile," distinguishing it from those painted by Michelangelo or Da Vinci.[2] Ingrid D. Rowland writes that the "austerely attractive young noblewoman ... is poking her index finger against the edge of the picture, literally, and knowingly, pushing its envelope of illusion — hence the mischievous glint in her eye."[1]
X-ray analysis has shown the presence of an early Raphael drawing under the painting, of a female, young face with soft features, with later modifications.
See also
Notes
- ^ a b Rowland 2020.
- ^ Baldini 2005, p. 14.
References
- Rowland, Ingrid D. (20 August 2020). "The New York Review: The Virtuoso".
{{cite magazine}}: Cite magazine requires|magazine=(help) - Baldini, Nicoletta (2005). Raphael. Rizzoli.
External links
Media related to La Muta (Raphael) at Wikimedia Commons
