Herbert Lambert: Difference between revisions
added Category:20th-century British photographers using HotCat |
→External links: ce |
||
(7 intermediate revisions by 6 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|British photographer}} |
|||
{{expert-subject|Photography|ex2=Biographies|date=June 2012}} |
|||
{{Use British English|date=August 2011}} |
{{Use British English|date=August 2011}} |
||
{{Use dmy dates|date=December 2020}} |
{{Use dmy dates|date=December 2020}} |
||
Line 13: | Line 13: | ||
}} |
}} |
||
'''Herbert Richard Lambert''', [[Royal Photographic Society|FRPS]], ( |
'''Herbert Richard Lambert''', [[Royal Photographic Society|FRPS]], (1882 – 7 March 1936)<ref>[https://books.google.com/books?id=D28jAQAAMAAJ&q=%22herbert+lambert%22 HERBERT LAMBERT], from the [[British Journal of Photography]], volume 83; 13 March 1936; p 164</ref> was a British [[portrait photography|portrait photographer]] known for his portrayals of professional musicians and composers including [[Gustav Holst]]. |
||
In 1923 he published ''Modern British Composers: Seventeen Portraits'' in collaboration with [[Eugene Aynsley Goossens|Sir Eugene Goossens]],<ref>[ |
In 1923 he published ''Modern British Composers: Seventeen Portraits'' in collaboration with [[Eugene Aynsley Goossens|Sir Eugene Goossens]],<ref>[https://www.worldcat.org/oclc/004980073 Modern British Composers. Seventeen Portraits by Herbert Lambert, with a Foreword on Contemporary British Music by Eugene Goossens], at [[WorldCat]]; retrieved 26 July 2011</ref> and in 1926, he became managing director of the [[Elliott & Fry]] portrait studio.<ref>[http://www.npg.org.uk/collections/search/person/mp07203/herbert-lambert Herbert Lambert] at the [[National Portrait Gallery, London|National Portrait Gallery]]; recovered 26 July 2011</ref> In 1930, he published ''Studio portrait lighting'', a technical guidebook.<ref>[https://www.worldcat.org/oclc/000959370 Studio portrait lighting] at [[WorldCat]]; retrieved 26 July 2011</ref> He is also responsible for salvaging much of the 19th-century photography of [[Henry Fox Talbot]], by re-photographing the remains of Talbot's photographs.<ref name="MagicImage">The magic image: the genius of photography; by [[Cecil Beaton]] and Gail Buckland (1975, [[Weidenfeld & Nicolson]])</ref> |
||
In addition to photography, Lambert was also an amateur maker of musical instruments, specialising in [[harpsichord]]s and [[clavichord]]s. |
In addition to photography, Lambert was also an amateur maker of musical instruments, specialising in [[harpsichord]]s and [[clavichord]]s. |
||
In 1927, he lent a clavichord which he had built to [[Herbert Howells]]; Howells used it to compose a 12-piece collection, which he named "Lambert's Clavichord".<ref>[http://www.txstate.edu/scmb/SCMB_IV_1.pdf Herbert Howells Performed on Lautenwerck] {{webarchive|url=https://web.archive.org/web/20121002034301/http://www.txstate.edu/scmb/SCMB_IV_1.pdf |date=2 October 2012 }}, by Edward Brinkley, from the South Central Music Bulletin (Volume IV, number 1 – Fall 2005); page 54; "named in honor of Herbert Lambert, who in 1927 let Howells borrow one of his hand-made clavichords"; retrieved 26 July 2005</ref><ref>[http://www.harpsichord.org.uk/EH/Vol2/No8/odyssey1.pdf A Harpsichord Odyssey (I)] by Edgar Hunt, at the British Harpsichord Society; posted online 27 November 2005; retrieved 26 July 2011</ref> |
In 1927, he lent a clavichord which he had built to [[Herbert Howells]]; Howells used it to compose a 12-piece collection, which he named "Lambert's Clavichord".<ref>[http://www.txstate.edu/scmb/SCMB_IV_1.pdf Herbert Howells Performed on Lautenwerck] {{webarchive|url=https://web.archive.org/web/20121002034301/http://www.txstate.edu/scmb/SCMB_IV_1.pdf |date=2 October 2012 }}, by Edward Brinkley, from the South Central Music Bulletin (Volume IV, number 1 – Fall 2005); page 54; "named in honor of Herbert Lambert, who in 1927 let Howells borrow one of his hand-made clavichords"; retrieved 26 July 2005</ref><ref>[http://www.harpsichord.org.uk/EH/Vol2/No8/odyssey1.pdf A Harpsichord Odyssey (I)] {{Webarchive|url=https://web.archive.org/web/20110928051754/http://www.harpsichord.org.uk/EH/Vol2/No8/odyssey1.pdf |date=28 September 2011 }} by Edgar Hunt, at the British Harpsichord Society; posted online 27 November 2005; retrieved 26 July 2011</ref> |
||
Howells also introduced Lambert to [[Gerald Finzi]],<ref>[https://books.google.com/books?id=77ggauYoqRoC |
Howells also introduced Lambert to [[Gerald Finzi]],<ref>[https://books.google.com/books?id=77ggauYoqRoC&dq=%22herbert+lambert%22&pg=PA63 Gerald Finzi: His Life and Music], by Diana McVeagh, page 63; 2010, Boydell & Brewer (via [[Google Books]])</ref> whose 1936 ''Interlude for oboe & string quartet, Op. 21'' was inspired by Lambert.<ref>[http://www.allmusic.com/work/interlude-for-oboe-string-quartet-op-21-c149721 Interlude for oboe & string quartet, Op. 21] at [[Allmusic]], by Joseph Stevenson; retrieved 26 July 2011</ref> |
||
A [[Quaker]], Lambert was imprisoned as a [[conscientious objector]] during the First World War.<ref name="MagicImage" /> He lived in [[Combe Down]], [[Bath, Somerset|Bath]], Somerset.<ref>[https://books.google.com/books?id=qfFi9byN2I0C& |
A [[Quaker]], Lambert was imprisoned as a [[conscientious objector]] during the First World War.<ref name="MagicImage" /> He lived in [[Combe Down]], [[Bath, Somerset|Bath]], Somerset.<ref>[https://books.google.com/books?id=qfFi9byN2I0C&q=%22herbert+lambert%22+&pg=PR27 The art of accompaniment from a thorough-bass: as practised in the XVIIth & XVIIIth centuries], by F. T. Arnold; originally published by [[Oxford University Press]], 1931; page xxvii; via [[Google Books]]</ref> |
||
==References== |
==References== |
||
Line 29: | Line 29: | ||
==External links== |
==External links== |
||
*[https://www.npg.org.uk/collections/search/person/mp07203/herbert-lambert Npg.org.uk] |
*[https://www.npg.org.uk/collections/search/person/mp07203/herbert-lambert Npg.org.uk] |
||
*{{commonscatinline}} |
|||
{{commons}} |
|||
{{authority control}} |
{{authority control}} |
||
Line 42: | Line 41: | ||
[[Category:British Quakers]] |
[[Category:British Quakers]] |
||
[[Category:20th-century British photographers]] |
[[Category:20th-century British photographers]] |
||
[[Category:20th-century Quakers]] |
Latest revision as of 18:15, 6 February 2024
Herbert Lambert | |
---|---|
![]() | |
Born | Herbert Richard Lambert 1882 Vereinigtes Königreich |
Died | 7 March 1936 (aged 53–54) Vereinigtes Königreich |
Occupation | Photographer |
Herbert Richard Lambert, FRPS, (1882 – 7 March 1936)[1] was a British portrait photographer known for his portrayals of professional musicians and composers including Gustav Holst.
In 1923 he published Modern British Composers: Seventeen Portraits in collaboration with Sir Eugene Goossens,[2] and in 1926, he became managing director of the Elliott & Fry portrait studio.[3] In 1930, he published Studio portrait lighting, a technical guidebook.[4] He is also responsible for salvaging much of the 19th-century photography of Henry Fox Talbot, by re-photographing the remains of Talbot's photographs.[5]
In addition to photography, Lambert was also an amateur maker of musical instruments, specialising in harpsichords and clavichords. In 1927, he lent a clavichord which he had built to Herbert Howells; Howells used it to compose a 12-piece collection, which he named "Lambert's Clavichord".[6][7]
Howells also introduced Lambert to Gerald Finzi,[8] whose 1936 Interlude for oboe & string quartet, Op. 21 was inspired by Lambert.[9]
A Quaker, Lambert was imprisoned as a conscientious objector during the First World War.[5] He lived in Combe Down, Bath, Somerset.[10]
References
[edit]- ^ HERBERT LAMBERT, from the British Journal of Photography, volume 83; 13 March 1936; p 164
- ^ Modern British Composers. Seventeen Portraits by Herbert Lambert, with a Foreword on Contemporary British Music by Eugene Goossens, at WorldCat; retrieved 26 July 2011
- ^ Herbert Lambert at the National Portrait Gallery; recovered 26 July 2011
- ^ Studio portrait lighting at WorldCat; retrieved 26 July 2011
- ^ a b The magic image: the genius of photography; by Cecil Beaton and Gail Buckland (1975, Weidenfeld & Nicolson)
- ^ Herbert Howells Performed on Lautenwerck Archived 2 October 2012 at the Wayback Machine, by Edward Brinkley, from the South Central Music Bulletin (Volume IV, number 1 – Fall 2005); page 54; "named in honor of Herbert Lambert, who in 1927 let Howells borrow one of his hand-made clavichords"; retrieved 26 July 2005
- ^ A Harpsichord Odyssey (I) Archived 28 September 2011 at the Wayback Machine by Edgar Hunt, at the British Harpsichord Society; posted online 27 November 2005; retrieved 26 July 2011
- ^ Gerald Finzi: His Life and Music, by Diana McVeagh, page 63; 2010, Boydell & Brewer (via Google Books)
- ^ Interlude for oboe & string quartet, Op. 21 at Allmusic, by Joseph Stevenson; retrieved 26 July 2011
- ^ The art of accompaniment from a thorough-bass: as practised in the XVIIth & XVIIIth centuries, by F. T. Arnold; originally published by Oxford University Press, 1931; page xxvii; via Google Books
External links
[edit]- Npg.org.uk
Media related to Herbert Lambert at Wikimedia Commons