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{{Infobox film
{{Infobox film
| name = [[John Paul Jones]]
| name = [[John Paul Jones]]
| image = John Paul Jones (film) poster.jpg
| image = Johnpauljones1959film.jpg
| image_size =
| caption = [[Film poster|Theatrical release lobby card]]
| caption = Film poster
| director = [[John Farrow]]
| director = [[John Farrow]]
| producer = [[Samuel Bronston]]
| producer = [[Samuel Bronston]]
Line 14: Line 14:
| cinematography = [[Michel Kelber]]
| cinematography = [[Michel Kelber]]
| editing = [[Eda Warren]]
| editing = [[Eda Warren]]
| studio = Samuel Bronston Productions<br>Suevia Films-Cesáreo González
| distributor = [[Warner Bros.]]
| distributor = [[Warner Bros.]]
| released = {{Film date|1959|06|16}}
| released = {{Film date|1959|06|16}}
| runtime = 126 mins
| runtime = 126 mins
| country = United States
| country = United States<br>Spain
| language = English
| language = English<br>French
| budget = $4–5 million<ref name="newo">{{cite news |last=Weiler |first=A. H. |url=https://www.nytimes.com/1958/06/15/archives/passing-picture-scene-bigscale-features-slated-by-samuel-bronston.html |title=Passing Picture Scene: Big-Scale Features Slated by Samuel Bronston |work=The New York Times |date=June 15, 1958 |page=X7}}</ref><ref name="nick">{{cite news |last=Scheuer |first=Philip K. |url=https://www.newspapers.com/newspage/381206640/ |title=Ray Tells Directing of 'King of Kings' |work=Los Angeles Times |at=Part III, p. 9 |date=December 21, 1960 |via=Newspapers.com |url-access=subscription}}</ref>
| budget = $4 million<ref name="newo">PASSING PICTURE SCENE: Big-Scale Features Slated by Samuel Bronston -- 'Peer Gynt' -- Addenda
| gross = $1 million (est. US/Canada rentals)<ref>{{cite news |title=1959: Probable Domestic Take |magazine=Variety |date=January 6, 1960 |page=34}}</ref>
By A. H. WEILER. New York Times 15 June 1958: X7.</ref> or $5 million<ref name="nick">Ray Tells Directing of 'King of Kings': Los Angeles Times 21 Dec 1960: B9.</ref>
| gross = $1 million (est. US/Canada rentals)<ref>"1959: Probable Domestic Take", ''Variety'', January 6, 1960 p 34</ref>
}}
}}


'''''John Paul Jones''''' is a 1959 American [[Technicolor]] [[biographical film|biographical]] [[adventure film]] from [[Warner Bros. Pictures]], filmed in the [[Technirama]] process, about the American Revolutionary War naval hero.<ref>''[[Variety Film Reviews|Variety]]'' film review; June 17, 1959, page 6.</ref><ref>''[[Harrison's Reports and Film Reviews|Harrison's Reports]]'' film review; June 13, 1959, page 94.</ref> The film, shot in Denia (city), Spain, was produced by [[Samuel Bronston]] and directed by [[John Farrow]], from a screenplay by John Farrow, [[Ben Hecht]], and [[Jesse Lasky Jr]]. The film is based on the story ''Nor'wester'' by [[Clements Ripley]]. The music score was by [[Max Steiner]] and the cinematography was by Michel Kelber. It was the final film directed by Farrow.
'''''John Paul Jones''''' is a 1959 [[biographical film|biographical]] [[adventure film]] from [[Warner Bros. Pictures]], filmed in the [[Technirama]] process, about the [[John Paul Jones|American Revolutionary War naval hero]]. The film, shot in [[Dénia]], [[Francoist Spain|Spain]], was produced by [[Samuel Bronston]] and directed by [[John Farrow]], from a screenplay by John Farrow, [[Ben Hecht]], and [[Jesse Lasky Jr]]. The film is based on the story ''Nor'wester'' by [[Clements Ripley]]. The music score was by [[Max Steiner]] and the cinematography was by Michel Kelber. It was the final film directed by Farrow.


The film stars [[Robert Stack]] (in the title role), [[Marisa Pavan]], [[Charles Coburn]], [[Macdonald Carey]], [[Jean-Pierre Aumont]], [[David Farrar (actor)|David Farrar]], [[Peter Cushing]], [[Basil Sydney]], and [[Thomas Gomez]]. The director's daughter and son [[Mia Farrow]] and [[John Charles Farrow]] also make their feature film debuts. [[Bette Davis]] made a cameo appearance as [[Catherine the Great|Empress Catherine the Great]].<ref>Vansittart p. 2</ref>
The film stars [[Robert Stack]] (in the title role), [[Marisa Pavan]], [[Charles Coburn]], [[Macdonald Carey]], [[Jean-Pierre Aumont]], [[David Farrar (actor)|David Farrar]], [[Peter Cushing]], [[Basil Sydney]], and [[Thomas Gomez]]. The director's daughter and son [[Mia Farrow]] and John Charles Farrow also make their feature film debuts. [[Bette Davis]] made a cameo appearance as [[Catherine the Great|Empress Catherine the Great]].{{sfn|Vansittart|2004|p=2}}


==Plot==
==Plot==
On screen narration begins with a United States Navy officer telling modern sailors the story of John Paul Jones.
On screen narration opens with a [[United States Navy]] officer telling new [[Midshipman|midshipmen]] at the [[United States Naval Academy|U.S. Naval Academy]] the story of John Paul Jones (played as an adult by [[Robert Stack]]).


By age 17, John Paul ([[Robert Stack]]), a native of [[Scotland]], is an experienced ship's navigator. In 1773, nine years later, he is master of a ship in the West Indies, but after an incident that results in the governor of Tobago advising him to leave, John Paul adds the surname Jones and goes to visit a brother who lives in [[Fredericksburg, Virginia]].
In 1759, twelve-year old John Paul (John Charles Farrow) attacks an English officer trying to enforce English laws against [[Bagpipes|bagpipe]] playing and wearing [[kilt]]s, symbols of [[Scottish nationalism]]. John Paul becomes an apprentice, serving on several ships, becoming an experienced [[navigator]] by age 17 and by 1773 becoming master of a ship in the [[British West Indies]]. A fight with a mutinous crew member results in the mutineer's death, but because of the sailor's family connections, the governor of [[Tobago]] ([[Basil Sydney]]) advises Paul to leave and change his name. Paul adds a new surname, becoming "John Paul Jones," and goes to visit a brother who lives in [[Fredericksburg, Virginia|Fredericksburg]], [[Colony of Virginia|Virginia]].


The brother has recently died. Jones hires his attorney, [[Patrick Henry]] ([[Macdonald Carey]]), to assist in business matters. He also takes a romantic interest in Henry's sweetheart, Dorothea Danders ([[Erin O'Brien (actress)|Erin O'Brien]]).
Jones' brother has recently died, and he learns that he is to inherit his brother's estate, which includes two enslaved children, named Scipio (Charles Wise) and Cato (Randolph McKenzie), who are about to be sold in the slave market. Jones, who in an earlier scene had expressed his hatred of the slave trade, frees the boys, who continue to work with him alongside his late brother's clerk, Peter Wooley (Tom Brannum). Jones also retains the services of his brother's attorney, the rising politician [[Patrick Henry]] ([[Macdonald Carey]]), to assist in business matters. Jones and Henry share resentment of British rule in the American colonies, but Jones finds himself torn between their friendship and his interest in Henry's love interest, Dorothea Danders ([[Erin O'Brien (actress)|Erin O'Brien]]).


After serving as second-in-command of a man-of-war in the [[Bahamas]], his adopted countrymen sign the [[American Declaration of Independence]]. Jones receives his first command, sets sail towards [[Newfoundland (island)|Newfoundland]] and seizes eighteen enemy ships, sending their supplies to American general [[George Washington]] ([[John Crawford (actor)|John Crawford]]).
His brother's will had required Jones to settle down as a farmer, which Jones tries to do with little success. Having been rejected by Dorothea's father ([[Judson Laire]]) as a possible husband because of his questionable past, he decides to return to sea. The [[American Revolution]] has begun, and Jones shows his daring and ingenuity in a surprise American attack on British forces in [[Nassau, Bahamas|Nassau]] in the Bahamas despite his superiors' misgivings. With the [[United States Declaration of Independence|Declaration of Independence]], Jones is given his own command in a barely-existent American [[Continental Navy]] and is reunited with Scipio and Cato, who then sail with him. Jones is able to seize eighteen enemy ships, whose cargo includes clothing meant for British troops under [[John Burgoyne|General Burgoyne]] but is now sent to American General [[George Washington]] ([[John Crawford (actor)|John Crawford]]).


Despite his successes, Jones is denied further command due to his low social and political status. When Jones goes to [[Valley Forge]] to deliver his resignation, Washington points out the desperate circumstances of his troops and persuades the sailor to go to [[Kingdom of France|France]] to help [[Benjamin Franklin]] ([[Charles Coburn]]) in enlisting the French as allies. In France, Jones is celebrated for his heroic feats at sea. At Franklin's urging, Jones takes a [[Dutch Republic|Dutch]] [[frigate]] that had been captured by the French and conducts a series of raids on the British coast, capturing the town of [[Whitehaven]] and its arms but treating the townspeople well. Once again, however, Jones' success is undercut by political rivalry, and his ship is taken from him.
Washington sends the young officer to France, where he is appreciated for heroic feats at sea. [[Benjamin Franklin]] ([[Charles Coburn]]) then urges Jones to take a frigate and invade the British Isles. A new vessel is built for him at the suggestion of [[Marie Antoinette]] (Susana Canales), and the only condition of his majesty [[King Louis XVI]] ([[Jean-Pierre Aumont]]) is that Jones' ship sail under an American flag.


Jones' new love interest, Aimee de Telleson ([[Marisa Pavan]]), is a [[Lady-in-waiting|lady in waiting]] to [[Marie Antoinette]] ([[Susana Canales]]) and, with Franklin's help, they persuade [[King Louis XVI]] ([[Jean-Pierre Aumont]]) to build a new ship for Jones, which will fly under the American flag with the name ''[[USS Bonhomme Richard (1765)|Bonhomme Richard]]'' (the French name for Franklin's "[[Poor Richard's Almanack|Poor Richard]]"). At sea, Jones engages in battle with the British ship [[HMS Serapis (1779)|HMS ''Serapis'']]. Though his ship is heavily damaged, Jones continues to fight on, telling British Captain [[Richard Pearson (Royal Navy officer)|Richard Pearson]] ([[Peter Cushing]]), "I have not yet begun to fight!" Jones and his men overpower the British and seize control of the ''Serapis'' even while his own ship sinks.
Jones' successes ultimately lead him to Russia in 1790 at the behest of the empress, [[Catherine the Great]] ([[Bette Davis]]). He returns to Paris ill.


Jones is unable to pursue his romance with Aimee because, again, of his social status. With the end of the revolution, Jones' desire to be put in command of the American Navy is also thwarted by the lack of government funding, so he answers the call for his help from the Russian Empress [[Catherine the Great]] ([[Bette Davis]]). Surrounded by sycophantic nobles, Catherine tests Jones' resolve and finds him withstanding the temptations of court life. She gives him command of the [[Black Sea Fleet]], and Jones leads it to victory over the Ottomans during the [[Russo-Turkish War (1787–1792)|Russo-Turkish War]]. Given a title of nobility, Jones hopes to be able to return to France and Aimee. Jones becomes seriously ill, but returns to Paris. As he lies dying, Aimee writes down a letter he composes listing the qualities that a naval commander should have.
A dying Jones, begins to dictate to Aimee ([[Marisa Pavan]]) the type of man required and training to be given a future United States Navy officer. The final scenes show the present day (1959) Midshipmen of the [[United States Naval Academy]] at [[Annapolis, Maryland]]. Admiral John Paul Jones gains acclaim as one of the bravest and most daring naval figures of his time and in the United States Navy of all time. John Paul Jones' remains are located beneath in the Naval Academy Chapel rotunda in Annapolis, Maryland.

The final scene dissolves to the present day of 1959 and the Naval Academy. The narrating officer concludes with remarks about Jones' legacy.


==Cast==
==Cast==
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==Production==
==Production==
===Development===
===Development===
During the 1930s, numerous American film studios attempted to make biopics about John Paul Jones, but abandoned their projects due to the heavy cost and long length of the projects. In March 1939, [[Warner Bros. Pictures]] had purchased the screen rights to [[Clements Ripley]]'s biographical novel about John Paul Jones, with [[Aeneas MacKenzie]] hired to write the script.<ref>{{cite news |last=Churchill |first=Douglas W. |url=https://www.nytimes.com/1939/04/01/archives/screen-news-here-and-in-hollywood-margaret-lockwood-to-appear-with.html |title=Screen News Here and in Hollywood |work=The New York Times |page=17 |date=April 1, 1939 |access-date=January 10, 2024 |url-access=subscription}}</ref> [[James Cagney]] was attached to portray the title role, with [[Michael Curtiz]] directing and [[William Cagney]] producing. Cagney was later replaced as producer with Lou Edelman.<ref name=":0">{{Cite web |title=John Paul Jones |url=https://catalog.afi.com/Film/53414-JOHN-PAUL-JONES?cxt=filmography |access-date=2022-12-26 |website=AFI Catalog}}</ref> In November of the same year, the project was postponed, with Cagney instead starring in ''[[City for Conquest]]'' (1940).<ref>{{cite news |last=Churchill |first=Douglas W. |url=https://www.nytimes.com/1939/11/03/archives/screen-news-here-and-in-hollywood-cagney-will-make-warners-city-of.html |title=Screen News Here and in Hollywood |work=The New York Times |page=17 |date=November 3, 1939 |access-date=January 10, 2024}}</ref>
Many Hollywood studios had discussed making a John Paul Jones biopic. In particular in 1939 Warner Bros bought screen rights to a Jones biography ''Call to Action'' and frequently announced [[James Cagney]] would star. However no film resulted.<ref name="new">NEW GREENE BOOK TO BECOME MOVIE: Novelist's 'Quiet American,' Indochina Story, Will Be Filmed by Mankiewicz
By THOMAS M. PRYORSpecial to The New York Times.23 Dec 1955: 14.</ref>


In 1946, independent producer Samuel Bronston announced that he had obtained the cooperation of the U.S. Navy for the making of his own biopic of John Paul Jones.<ref name=":0" /><ref>{{cite news |last=Hopper |first=Hedda |url=https://www.newspapers.com/newspage/370892655/ |title=Looking at Hollywood |url-access=subscription |work=Chicago Daily Tribune |date=March 29, 1946 |page=29 |via=Newspapers.com}}</ref><ref>{{cite news |url=https://www.nytimes.com/1946/03/29/archives/news-of-the-screen-ronald-colman-gets-lead-in-fox-film-of.html |title=News of the Screen |url-access=subscription |work=The New York Times |date=March 29, 1946 |page=29}}</ref> It took Bronston nine years to eventually find the financing for the project. In December 1955, Bronston announced that he had formed Admiralty Pictures Corporation, consisting of a group of New York investors, and that they had made a deal with Warner Bros. to produce their long dormant ''Call to Action'' project.<ref name="newo"/> Bronson hired Jesse Lasky, Jr. to writing the script and Bronston wanted [[John Wayne]] to star.<ref>{{cite news |last=Schallert |first=Edwin |url=https://www.newspapers.com/newspage/381062635/ |title=Drama: John Paul Jones Story Aimed at Wayne; Peggy Lee Gets English Bid |date=December 23, 1955 |work=Los Angeles Times |at=Part I, p. 13 |via=Newspapers.com |url-access=subscription}}</ref> Bronston's studio received investment from numerous American entrepreneurs and corporations including the [[Rockefeller family]], the [[Dana family]], the [[Du Pont family]], the [[Stern family]], [[Ernest A. Gross]], [[General Motors]], [[Firestone Tire and Rubber Company]], [[Time Inc.]], and [[Eastman Kodak]] so that they could retrieve funds frozen from sales in Europe.<ref name=":0" /> In January 1956, Bronston stated that Admiral [[Chester W. Nimitz|Chester Nimitz]] would act as his personal adviser on the film, in which production was to begin in May of that year.<ref>{{cite news |last=Pryor |first=Thomas M. |url=https://www.nytimes.com/1956/01/26/archives/2d-movie-slated-by-brando-group-stars-company-to-produce-picture-on.html |title=2D Movie Slated By Brando Group |url-access=subscription |work=The New York Times |date=January 26, 1956 |page=24}}</ref>
In 1946 independent producer Samuel Bronston announced he had obtained the cooperation of the US Navy to make the film.<ref>Looking at Hollywood
Hopper, Hedda. Chicago Daily Tribune 29 Mar 1946: 29.</ref><ref>NEWS OF THE SCREEN: THE NEW YORK TIMES.29 Mar 1946: 29.</ref>


In 1956, Lasky completed the script with consultation from U.S. Navy officials.<ref name=":0" /> In May 1956, Bronston announced that [[Glenn Ford]] had accepted the title role.<ref>{{cite news |last=Hopper |first=Hedda |url=https://www.newspapers.com/clip/24374726/the-los-angeles-times/ |title=Drama: Ford Accepts Role of John Paul Jones |work=Los Angeles Times |at=Part II, p. 6 |date=May 11, 1945 |via=Newspapers.com}} {{Open access}}</ref> Later, in July, [[William Dieterle]] had signed to direct the project, in which filming was scheduled for August.<ref>{{cite news |last=Schallert |first=Edwin |url=https://www.newspapers.com/newspage/381151739/ |title=Drama: Dieterle Will Direct 'John Paul Jones'; Terry, Blythe Returns Unique |work=Los Angeles Times |at=Part I, p. 17 |date=July 24, 1956 |via=Newspapers.com |url-access=subscription}}</ref> Dieterle favored [[Richard Todd]] and [[Richard Basehart]] for the role of Jones and [[John Miljan]] for [[George Washington]], and hired [[Ben Hecht]] to write a new version of the script.<ref name=":0" /><ref>{{cite news |last=Pryor |first=Thomas M. |url=https://www.nytimes.com/1956/07/27/archives/producers-seek-mcullers-novel-hechtlancaster-wooing-reflections-in.html |title=Producers Seek M'Cullers Novel |work=The New York Times |date=July 27, 1956 |page=13}}</ref> By September, Basehart had been cast after Bronston had screen tested 38 actors for the title role. The film would be shot in Warner Bros.' studio and off the Italian coast.<ref>{{cite news |last=Hopper |first=Hedda |url=https://www.newspapers.com/newspage/381072736/ |title=Basehart Given Nod as John Paul Jones |work=Los Angeles Times |at=Part 1, p. 26 |date=September 11, 1956 |via=Newspapers.com |url-access=subscription}}</ref>
It took Bronston years to find finance. In December 1955 Bronston announced he had formed Admiralty Pictures Corporation, consisting of a group of New York investors, and they had done a deal with Warner Bros to use ''Call to Action''.<ref name="newo"/> Jesse Lasky Jr was writing the script and Bronston wanted John Wayne to star.<ref>Drama: John Paul Jones Story Aimed at Wayne; Peggy Lee Gets English Bid
Schallert, Edwin. Los Angeles Times 23 Dec 1955: 13.</ref> In January 1956 Bronston said [[Admiral Nimitz]] would act as his personal adviser on the film, which would start in May.<ref>2D MOVIE SLATED BY BRANDO GROUP The New York Times. 26 Jan 1956: 24.</ref>


In October 1956, Bronston signed a contract to shoot the feature in the [[Todd-AO]] process.<ref>{{cite news |last=Pryor |first=Thomas M. |url=https://www.nytimes.com/1956/10/10/archives/siegel-may-get-loews-top-post-producer-approached-about-presidency.html |title=Siegel May Get Loew's Top Post |work=The New York Times |date=October 10, 1956 |page=47}}</ref> However, production was pushed back as Warner Bros. had withdrawn from the project.<ref name="NavySupports">{{cite news |url=https://www.nytimes.com/1957/12/19/archives/navy-supports-film-on-john-paul-jones.html |title=Navy Supports Film on John Paul Jones |url-access=subscription |work=The New York Times |date=December 19, 1957 |page=37}}</ref> In October 1957, John Farrow had signed on to direct the film with shooting being re-located to Spain.<ref>{{cite news |last=Schallert |first=Edwin |url=https://www.newspapers.com/newspage/381243341/ |title=Fitzgerald Will Star in Britain; John Kerr Will Do Cocteau Play |work=Los Angeles Times |at=Part IV, p. 11 |date=October 27, 1957 |via=Newspapers.com |url-access=subscription}}</ref> Farrow liked Lasky's script but rewrote it himself since he was unavailable to collaborate on further edits. Farrow initially received sole credit for writing but ultimately shared it with Lasky after he complained to the [[Writers Guild of America]].<ref name=":0" /> Two months later, it was reported that the Navy re-affirmed its full cooperation and that Warner Bros. had re-signed on as the distributor.<ref name="NavySupports" /> In February 1958, [[Robert Stack]] would play the title role.<ref>{{cite news |url=https://www.nytimes.com/1958/02/03/archives/graumans-closes-for-alterations-theatres-prints-of-stars-will-not.html |title=Grauman's Closes for Alterations |url-access=subscription |work=The New York Times |date=February 13, 1958 |page=27}}</ref> The film was financed in part through using frozen assets in Spain.<ref>{{cite news |last=Pryor |first=Thomas M. |url=https://www.nytimes.com/1958/11/30/archives/hollywood-vista-three-tennessee-williams-films-two-biographies-of.html |title=Hollywood Vista: Three Tennessee Williams Films, Two Biographies of Christ Scheduled |url-access=subscription |work=The New York Times |date=November 30, 1958 |page=X7}}</ref>
In May 1956 Bronston announced that [[Glenn Ford]] would star but no film resulted.<ref>Drama: Ford Accepts Role of John Paul Jones
Los Angeles Times 11 May 1956: A6.</ref> In July [[William Dieterle]] signed to direct intending to start in August.<ref>Drama: Dieterle Will Direct 'John Paul Jones'; Terry, Blythe Returns Unique
Schallert, Edwin. Los Angeles Times 24 July 1956: 17.</ref> [[Ben Hecht]] was brought in to write the script.<ref>PRODUCERS SEEK M'CULLERS NOVEL: New York Times 27 July 1956: 13.</ref> By September [[Richard Basehart]] had been cast in the title role. The film would be shot in Warner Bros' studio and off the Italian coast.<ref>Basehart Given Nod as John Paul Jones
Hopper, Hedda. Los Angeles Times 11 Sep 1956: 26.</ref>

In October 1956 Bronston signed a contract to shoot the movie in Todd-AO.<ref>SIEGEL MAY GET LOEW'S TOP POST New York Times (10 Oct 1956: 47.</ref>

Filming continued to be pushed back. By October 1957 John Farrow was directing and the film was going to be shot in Spain.<ref>Fitzgerald Will Star in Britain; John Kerr Will Do Cocteau Play
Schallert, Edwin. Los Angeles Times 24 Oct 1957: C11.</ref> The Navy continued to cooperate.<ref>NAVY SUPPORTS FILM ON JOHN PAUL JONES
New York Times 19 Dec 1957: 37.</ref> In February 1958 Bronston announced Robert Stack would play the title role.<ref>GRAUMAN'S CLOSES FOR ALTERATIONS New York Times 3 Feb 1958: 27.</ref>

The movie was made in part using funds "frozen" in Spain.<ref>HOLLYWOOD VISTA: Three Tennessee Williams Films, Two Biographies of Christ Scheduled
By THOMAS M. PRYOR New York Times 30 Nov 1958: X7.</ref> It was controversial at the time that Bronson was making a film about such an American subject in Spain.<ref>Filming American History Overseas The Christian Science Monitor 4 Dec 1958: 15.</ref>


===Filming===
===Filming===
Filming started January 1958 in France and ended in August in Spain. There were 107 speaking parts and a shooting schedule of 92 days. Most of the unit was based at Denia. The Spanish government allowed filming at the Royal Palace in Madrid. There were also scenes shot in Scotland and Ostia.<ref>FILM 'ARMADA' IN SPAIN: ' John Paul Jones' Movie Unit Takes Small Iberian Village by Storm
Filming started January 1958 in France and ended in August in Spain. There were 107 speaking parts and a shooting schedule of 92 days. Most of the unit was based at Denia. The Spanish government allowed filming at the [[Royal Palace of Madrid|Royal Palace]] in [[Madrid]]. There were also scenes shot in Scotland and [[Ostia (Rome)|Ostia]].<ref>{{cite news |last=Gersdorfenia |first=Phil |url=https://www.nytimes.com/1958/08/17/archives/film-armada-in-spain-john-paul-jones-movie-unit-takes-small-iberian.html |title=Film 'Armada' in Spain: 'John Paul Jones' Movie Unit Takes Small Iberian Village by Storm |work=The New York Times |date=August 17, 1958 |page=X5}}</ref><ref>{{cite news |url=https://www.nytimes.com/1958/06/15/archives/passing-picture-scene-bigscale-features-slated-by-samuel-bronston.html |title=Passing Picture Scene: Big-Scale Features Slated by Samuel Bronston |work=The New York Times |date=June 15, 1958 |page=X7}}</ref>
By PHIL GERSDORFDENIA, Spain. New York Times 17 Aug 1958: X5.</ref><ref>PASSING PICTURE SCENE: Big-Scale Features Slated by Samuel Bronston - New York Times 15 June 1958: X7.</ref>

Bronston and Farrow formed a company, Brofar, to make more movies.<ref>Bronston, Farrow to Repeat Abroad: 'John Paul Jones' Winds Up; Nothing New in TV Don Weis
Scheuer, Philip K. Los Angeles Times 27 Oct 1958: C11</ref> Projects included ''Son of Man'' about Jesus Christ and ''The Story of Nelson''. ''Nelson'' was never made; ''Son of Man'' would emerge as ''King of Kings'', directed by Nicholas Ray.


==Reception==
==Reception==
[[Bosley Crowther]] of ''[[The New York Times]]'' wrote the film was "an unexciting picture, so far as dramatic action is concerned, and utterly unexpressive of the recorded nature and character of John Paul Jones." He was dismissive of Stack's performance noting his portrayal was "as though he were a slightly dull but talkative member of a conservative gentleman's club".<ref>{{cite news |last=Crowther |first=Bosley |url=https://www.nytimes.com/1959/06/17/archives/john-paul-jones-opens-at-rivoli-robert-stack-starred-in.html |title=The Screen: 'John Paul Jones' Opens at Rivoli |date=June 17, 1959 |access-date=February 7, 2021 |work=The New York Times |page=39}}</ref> James Powers of ''[[Variety (magazine)|Variety]]'' was similarly critical, noting the film "could be shortened drastically and tightened to give it better pace and emphasis. The strong portions would then show to better advantage and eliminate the drag of unnecessary plotting." Powers also felt the depicted historical figures "tended to be stiff or unbelievable" because the film "doesn't get much fire-power into the characters. They end, as they begin, as historical personages rather than human being."<ref>{{cite magazine |last=Powers |first=James |url=https://archive.org/details/variety215-1959-06/page/n149/mode/2up |title=Film Reviews: John Paul Jones |magazine=Variety |date=June 17, 1959 |page=6 |via=Internet Archive}}</ref> ''[[Harrison's Reports]]'' wrote the film "is excellent from the production point of view. It is, however, only moderately satisfying as an entertainment, for it is handicapped by a script that is something less than inspiring."<ref>{{cite magazine |url=https://archive.org/details/harrisonsreports41harr/page/94/mode/2up |title='John Paul Jones' with Robert Stack, Marisa Pavan and Charles Coburn |magazine=Harrison's Reports |date=June 13, 1959 |page=94 |via=Internet Archive}}</ref>
In his film review for ''[[The New New York Times]]'', [[Bosley Crowther]] observed: "Stack performs the knotty little Scotsman as though he were a slightly dull but talkative member of a conservative gentleman's club".<ref>Pencak p. 347</ref>


The film was a box office failure, losing $5 million. Bronston, however, managed to raise financing from many of the same investors, notably Pierre du Pont, for his later features.<ref>For Samuel Bronston: Those Hollywood Beatings Pay Off Now Chicago Tribune 21 July 1963: g27.</ref><ref name="nick"/>
The film was a box office failure, losing $5 million. Bronston, however, managed to raise financing from many of the same investors, notably [[du Pont family|Pierre S. du Pont III]], for his later features.<ref>{{cite news |last=Hopper |first=Hedda |url=https://www.newspapers.com/newspage/374630750 |title=For Samuel Bronston: Those Hollywood Beatings Pay Off Now |url-access=subscription |work=Chicago Tribune |date=July 21, 1963 |page=G27 |via=Newspapers.com}}</ref><ref name="nick"/>


==Legacy==
==Legacy==
Musician [[John Paul Jones (musician)|John Paul Jones]] (born John Baldwin), best known as the bassist of English rock band [[Led Zeppelin]], took his stage name at the suggestion of [[Andrew Loog Oldham]], who had seen the film's poster.{{sfn|Thompson|2008|p=162}}
The film led to Bronston making a number of epics in Spain and established Spain as a major production center in film making.<ref>Hollywood's lost tycoon Obituary: Samuel Bronston
Turner, Adrian. The Guardian 19 Jan 1994.</ref>


Despite the financial failure of ''John Paul Jones'', Bronston continued to produce a number of historical epic films, in which he had established Spain as a major production center in filmmaking.<ref>{{cite news |last=Turner |first=Adrian |title=Hollywood's lost tycoon; Obituary: Samuel Bronston |work=[[The Guardian]] |date=January 19, 1994}}</ref> However, Bronston would file for [[Chapter 11, Title 11, United States Code|Chapter 11 bankruptcy]] in June 1964 following another financial failure with ''[[The Fall of the Roman Empire (film)|The Fall of the Roman Empire]]''.<ref>{{cite news|url=https://www.nytimes.com/1964/06/06/archives/bronston-film-productions-files-bankruptcy-petition.html|title=Bronston Film Productions Files Bankruptcy Petition|work=The New York Times|page=15|date=June 6, 1964|access-date=February 7, 2021}}</ref><ref>{{cite news|title=Film Maker Bankrupt|newspaper=The Washington Post|date=June 7, 1964|page=A3}}</ref><ref>{{cite news |title=Bronston Productions Seemingly Loses Power In Two Partnerships |work=Wall Street Journal |date=March 5, 1964 |page=8}}</ref>
Musician [[John Paul Jones (musician)|John Paul Jones]] (born John Baldwin), best known as the bassist of English rock band [[Led Zeppelin]], took his stage name at the suggestion of [[Andrew Loog Oldham]], who had seen the film's poster.<ref>Thompson p. 162</ref>


==Comic book adaptation==
Bronston went broke by 1964.<ref>Bronston Productions Seemingly Loses Power In Two Partnerships: Wall Street Journal 5 Mar 1964: 8.</ref>
* [[Dell Comics|Dell]] [[Four Color]] #1007 (September 1959)<ref>{{Volume needed|c=y|id=15253|title=Dell Four Color #1007|date=September 2017}}</ref><ref>{{comicbookdb|type=issue|id=313665|title=Dell Four Color #1007}}</ref> The Dell comic was drawn by Dan Spiegle.


==Comic book adaption==
==See also==
* [[List of films about the American Revolution]]
* [[Dell Comics|Dell]] [[Four Color]] #1007 (September 1959)<ref>{{issue|id=15253|title=Dell Four Color #1007|date=September 2017}}</ref><ref>{{comicbookdb|type=issue|id=313665|title=Dell Four Color #1007}}</ref> Th. The Dell comic was drawn by Dan Spiegle.
* [[List of television series and miniseries about the American Revolution]]


==Notes==
==References==
{{Reflist|30}}
<references/>


==Bibliography==
==Bibliography==
* Pencak, William. ''Pennsylvania's revolution''. Pennsylvania State University Press, 2010.
* {{cite book |last=Pencak |first=William |title=Pennsylvania's Revolution |publisher=[[Pennsylvania State University Press]] |year=2010 |isbn=978-0-27-103580-2}}
* Thompson, Gordon. ''Please please me: sixties British pop, inside out''. Oxford University Press, 2008.
* {{cite book |last=Thompson |first=Gordon |title=Please Please Me: Sixties British Pop, Inside Out |publisher=Oxford University Press |year=2008 |isbn=978-0-19-533325-1}}
* Vansittart, Peter. ''John Paul Jones: a restless spirit''. Robson Books, 2004.
* {{cite book |last=Vansittart |first=Peter |title=John Paul Jones: A Restless Spirit |publisher=Robson Books |year=2004 |isbn=978-1-86-105621-4}}


==External links==
==External links==
* {{IMDb title|id=0052946|title=John Paul Jones }}
* {{IMDb title|id=0052946|title=John Paul Jones }}
* {{amg movie|97254}}
* {{allMovie title|97254}}
* {{tcmdb title|id= 26559}}
* {{TCMDb title|id= 26559}}
* {{AFI film|id=53414|title=John Paul Jones}}
* {{AFI film|id=53414|title=John Paul Jones}}


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[[Category:Samuel Bronston Productions films]]
[[Category:Films directed by John Farrow]]
[[Category:Films directed by John Farrow]]
[[Category:Films scored by Max Steiner]]
[[Category:American Revolutionary War films]]
[[Category:American Revolutionary War films]]
[[Category:Films set in the 1770s]]
[[Category:Films set in 1759]]
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[[Category:Films set in Virginia]]
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[[Category:Films shot in Italy]]
[[Category:Films set in the Bahamas]]
[[Category:Films set in Pennsylvania]]
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[[Category:1950s American films]]

Revision as of 11:10, 27 February 2024

John Paul Jones
Film poster
Directed byJohn Farrow
Written byJohn Farrow
Jesse Lasky Jr.
Ben Hecht
Based onNor'wester
by Clements Ripley
Produced bySamuel Bronston
StarringRobert Stack
Marisa Pavan
CinematographyMichel Kelber
Edited byEda Warren
Music byMax Steiner
Production
companies
Samuel Bronston Productions
Suevia Films-Cesáreo González
Distributed byWarner Bros.
Release date
  • June 16, 1959 (1959-06-16)
Running time
126 mins
CountriesUnited States
Spain
LanguagesEnglish
French
Budget$4–5 million[1][2]
Box office$1 million (est. US/Canada rentals)[3]

John Paul Jones is a 1959 biographical adventure film from Warner Bros. Pictures, filmed in the Technirama process, about the American Revolutionary War naval hero. The film, shot in Dénia, Spain, was produced by Samuel Bronston and directed by John Farrow, from a screenplay by John Farrow, Ben Hecht, and Jesse Lasky Jr. The film is based on the story Nor'wester by Clements Ripley. The music score was by Max Steiner and the cinematography was by Michel Kelber. It was the final film directed by Farrow.

The film stars Robert Stack (in the title role), Marisa Pavan, Charles Coburn, Macdonald Carey, Jean-Pierre Aumont, David Farrar, Peter Cushing, Basil Sydney, and Thomas Gomez. The director's daughter and son Mia Farrow and John Charles Farrow also make their feature film debuts. Bette Davis made a cameo appearance as Empress Catherine the Great.[4]

Plot

On screen narration opens with a United States Navy officer telling new midshipmen at the U.S. Naval Academy the story of John Paul Jones (played as an adult by Robert Stack).

In 1759, twelve-year old John Paul (John Charles Farrow) attacks an English officer trying to enforce English laws against bagpipe playing and wearing kilts, symbols of Scottish nationalism. John Paul becomes an apprentice, serving on several ships, becoming an experienced navigator by age 17 and by 1773 becoming master of a ship in the British West Indies. A fight with a mutinous crew member results in the mutineer's death, but because of the sailor's family connections, the governor of Tobago (Basil Sydney) advises Paul to leave and change his name. Paul adds a new surname, becoming "John Paul Jones," and goes to visit a brother who lives in Fredericksburg, Virginia.

Jones' brother has recently died, and he learns that he is to inherit his brother's estate, which includes two enslaved children, named Scipio (Charles Wise) and Cato (Randolph McKenzie), who are about to be sold in the slave market. Jones, who in an earlier scene had expressed his hatred of the slave trade, frees the boys, who continue to work with him alongside his late brother's clerk, Peter Wooley (Tom Brannum). Jones also retains the services of his brother's attorney, the rising politician Patrick Henry (Macdonald Carey), to assist in business matters. Jones and Henry share resentment of British rule in the American colonies, but Jones finds himself torn between their friendship and his interest in Henry's love interest, Dorothea Danders (Erin O'Brien).

His brother's will had required Jones to settle down as a farmer, which Jones tries to do with little success. Having been rejected by Dorothea's father (Judson Laire) as a possible husband because of his questionable past, he decides to return to sea. The American Revolution has begun, and Jones shows his daring and ingenuity in a surprise American attack on British forces in Nassau in the Bahamas despite his superiors' misgivings. With the Declaration of Independence, Jones is given his own command in a barely-existent American Continental Navy and is reunited with Scipio and Cato, who then sail with him. Jones is able to seize eighteen enemy ships, whose cargo includes clothing meant for British troops under General Burgoyne but is now sent to American General George Washington (John Crawford).

Despite his successes, Jones is denied further command due to his low social and political status. When Jones goes to Valley Forge to deliver his resignation, Washington points out the desperate circumstances of his troops and persuades the sailor to go to France to help Benjamin Franklin (Charles Coburn) in enlisting the French as allies. In France, Jones is celebrated for his heroic feats at sea. At Franklin's urging, Jones takes a Dutch frigate that had been captured by the French and conducts a series of raids on the British coast, capturing the town of Whitehaven and its arms but treating the townspeople well. Once again, however, Jones' success is undercut by political rivalry, and his ship is taken from him.

Jones' new love interest, Aimee de Telleson (Marisa Pavan), is a lady in waiting to Marie Antoinette (Susana Canales) and, with Franklin's help, they persuade King Louis XVI (Jean-Pierre Aumont) to build a new ship for Jones, which will fly under the American flag with the name Bonhomme Richard (the French name for Franklin's "Poor Richard"). At sea, Jones engages in battle with the British ship HMS Serapis. Though his ship is heavily damaged, Jones continues to fight on, telling British Captain Richard Pearson (Peter Cushing), "I have not yet begun to fight!" Jones and his men overpower the British and seize control of the Serapis even while his own ship sinks.

Jones is unable to pursue his romance with Aimee because, again, of his social status. With the end of the revolution, Jones' desire to be put in command of the American Navy is also thwarted by the lack of government funding, so he answers the call for his help from the Russian Empress Catherine the Great (Bette Davis). Surrounded by sycophantic nobles, Catherine tests Jones' resolve and finds him withstanding the temptations of court life. She gives him command of the Black Sea Fleet, and Jones leads it to victory over the Ottomans during the Russo-Turkish War. Given a title of nobility, Jones hopes to be able to return to France and Aimee. Jones becomes seriously ill, but returns to Paris. As he lies dying, Aimee writes down a letter he composes listing the qualities that a naval commander should have.

The final scene dissolves to the present day of 1959 and the Naval Academy. The narrating officer concludes with remarks about Jones' legacy.

Cast

Production

Development

During the 1930s, numerous American film studios attempted to make biopics about John Paul Jones, but abandoned their projects due to the heavy cost and long length of the projects. In March 1939, Warner Bros. Pictures had purchased the screen rights to Clements Ripley's biographical novel about John Paul Jones, with Aeneas MacKenzie hired to write the script.[5] James Cagney was attached to portray the title role, with Michael Curtiz directing and William Cagney producing. Cagney was later replaced as producer with Lou Edelman.[6] In November of the same year, the project was postponed, with Cagney instead starring in City for Conquest (1940).[7]

In 1946, independent producer Samuel Bronston announced that he had obtained the cooperation of the U.S. Navy for the making of his own biopic of John Paul Jones.[6][8][9] It took Bronston nine years to eventually find the financing for the project. In December 1955, Bronston announced that he had formed Admiralty Pictures Corporation, consisting of a group of New York investors, and that they had made a deal with Warner Bros. to produce their long dormant Call to Action project.[1] Bronson hired Jesse Lasky, Jr. to writing the script and Bronston wanted John Wayne to star.[10] Bronston's studio received investment from numerous American entrepreneurs and corporations including the Rockefeller family, the Dana family, the Du Pont family, the Stern family, Ernest A. Gross, General Motors, Firestone Tire and Rubber Company, Time Inc., and Eastman Kodak so that they could retrieve funds frozen from sales in Europe.[6] In January 1956, Bronston stated that Admiral Chester Nimitz would act as his personal adviser on the film, in which production was to begin in May of that year.[11]

In 1956, Lasky completed the script with consultation from U.S. Navy officials.[6] In May 1956, Bronston announced that Glenn Ford had accepted the title role.[12] Later, in July, William Dieterle had signed to direct the project, in which filming was scheduled for August.[13] Dieterle favored Richard Todd and Richard Basehart for the role of Jones and John Miljan for George Washington, and hired Ben Hecht to write a new version of the script.[6][14] By September, Basehart had been cast after Bronston had screen tested 38 actors for the title role. The film would be shot in Warner Bros.' studio and off the Italian coast.[15]

In October 1956, Bronston signed a contract to shoot the feature in the Todd-AO process.[16] However, production was pushed back as Warner Bros. had withdrawn from the project.[17] In October 1957, John Farrow had signed on to direct the film with shooting being re-located to Spain.[18] Farrow liked Lasky's script but rewrote it himself since he was unavailable to collaborate on further edits. Farrow initially received sole credit for writing but ultimately shared it with Lasky after he complained to the Writers Guild of America.[6] Two months later, it was reported that the Navy re-affirmed its full cooperation and that Warner Bros. had re-signed on as the distributor.[17] In February 1958, Robert Stack would play the title role.[19] The film was financed in part through using frozen assets in Spain.[20]

Filming

Filming started January 1958 in France and ended in August in Spain. There were 107 speaking parts and a shooting schedule of 92 days. Most of the unit was based at Denia. The Spanish government allowed filming at the Royal Palace in Madrid. There were also scenes shot in Scotland and Ostia.[21][22]

Reception

Bosley Crowther of The New York Times wrote the film was "an unexciting picture, so far as dramatic action is concerned, and utterly unexpressive of the recorded nature and character of John Paul Jones." He was dismissive of Stack's performance noting his portrayal was "as though he were a slightly dull but talkative member of a conservative gentleman's club".[23] James Powers of Variety was similarly critical, noting the film "could be shortened drastically and tightened to give it better pace and emphasis. The strong portions would then show to better advantage and eliminate the drag of unnecessary plotting." Powers also felt the depicted historical figures "tended to be stiff or unbelievable" because the film "doesn't get much fire-power into the characters. They end, as they begin, as historical personages rather than human being."[24] Harrison's Reports wrote the film "is excellent from the production point of view. It is, however, only moderately satisfying as an entertainment, for it is handicapped by a script that is something less than inspiring."[25]

The film was a box office failure, losing $5 million. Bronston, however, managed to raise financing from many of the same investors, notably Pierre S. du Pont III, for his later features.[26][2]

Legacy

Musician John Paul Jones (born John Baldwin), best known as the bassist of English rock band Led Zeppelin, took his stage name at the suggestion of Andrew Loog Oldham, who had seen the film's poster.[27]

Despite the financial failure of John Paul Jones, Bronston continued to produce a number of historical epic films, in which he had established Spain as a major production center in filmmaking.[28] However, Bronston would file for Chapter 11 bankruptcy in June 1964 following another financial failure with The Fall of the Roman Empire.[29][30][31]

Comic book adaptation

See also

References

  1. ^ a b Weiler, A. H. (June 15, 1958). "Passing Picture Scene: Big-Scale Features Slated by Samuel Bronston". The New York Times. p. X7.
  2. ^ a b Scheuer, Philip K. (December 21, 1960). "Ray Tells Directing of 'King of Kings'". Los Angeles Times. Part III, p. 9 – via Newspapers.com.
  3. ^ "1959: Probable Domestic Take". Variety. January 6, 1960. p. 34.
  4. ^ Vansittart 2004, p. 2.
  5. ^ Churchill, Douglas W. (April 1, 1939). "Screen News Here and in Hollywood". The New York Times. p. 17. Retrieved January 10, 2024.
  6. ^ a b c d e f "John Paul Jones". AFI Catalog. Retrieved 2022-12-26.
  7. ^ Churchill, Douglas W. (November 3, 1939). "Screen News Here and in Hollywood". The New York Times. p. 17. Retrieved January 10, 2024.
  8. ^ Hopper, Hedda (March 29, 1946). "Looking at Hollywood". Chicago Daily Tribune. p. 29 – via Newspapers.com.
  9. ^ "News of the Screen". The New York Times. March 29, 1946. p. 29.
  10. ^ Schallert, Edwin (December 23, 1955). "Drama: John Paul Jones Story Aimed at Wayne; Peggy Lee Gets English Bid". Los Angeles Times. Part I, p. 13 – via Newspapers.com.
  11. ^ Pryor, Thomas M. (January 26, 1956). "2D Movie Slated By Brando Group". The New York Times. p. 24.
  12. ^ Hopper, Hedda (May 11, 1945). "Drama: Ford Accepts Role of John Paul Jones". Los Angeles Times. Part II, p. 6 – via Newspapers.com. Open access icon
  13. ^ Schallert, Edwin (July 24, 1956). "Drama: Dieterle Will Direct 'John Paul Jones'; Terry, Blythe Returns Unique". Los Angeles Times. Part I, p. 17 – via Newspapers.com.
  14. ^ Pryor, Thomas M. (July 27, 1956). "Producers Seek M'Cullers Novel". The New York Times. p. 13.
  15. ^ Hopper, Hedda (September 11, 1956). "Basehart Given Nod as John Paul Jones". Los Angeles Times. Part 1, p. 26 – via Newspapers.com.
  16. ^ Pryor, Thomas M. (October 10, 1956). "Siegel May Get Loew's Top Post". The New York Times. p. 47.
  17. ^ a b "Navy Supports Film on John Paul Jones". The New York Times. December 19, 1957. p. 37.
  18. ^ Schallert, Edwin (October 27, 1957). "Fitzgerald Will Star in Britain; John Kerr Will Do Cocteau Play". Los Angeles Times. Part IV, p. 11 – via Newspapers.com.
  19. ^ "Grauman's Closes for Alterations". The New York Times. February 13, 1958. p. 27.
  20. ^ Pryor, Thomas M. (November 30, 1958). "Hollywood Vista: Three Tennessee Williams Films, Two Biographies of Christ Scheduled". The New York Times. p. X7.
  21. ^ Gersdorfenia, Phil (August 17, 1958). "Film 'Armada' in Spain: 'John Paul Jones' Movie Unit Takes Small Iberian Village by Storm". The New York Times. p. X5.
  22. ^ "Passing Picture Scene: Big-Scale Features Slated by Samuel Bronston". The New York Times. June 15, 1958. p. X7.
  23. ^ Crowther, Bosley (June 17, 1959). "The Screen: 'John Paul Jones' Opens at Rivoli". The New York Times. p. 39. Retrieved February 7, 2021.
  24. ^ Powers, James (June 17, 1959). "Film Reviews: John Paul Jones". Variety. p. 6 – via Internet Archive.
  25. ^ "'John Paul Jones' with Robert Stack, Marisa Pavan and Charles Coburn". Harrison's Reports. June 13, 1959. p. 94 – via Internet Archive.
  26. ^ Hopper, Hedda (July 21, 1963). "For Samuel Bronston: Those Hollywood Beatings Pay Off Now". Chicago Tribune. p. G27 – via Newspapers.com.
  27. ^ Thompson 2008, p. 162.
  28. ^ Turner, Adrian (January 19, 1994). "Hollywood's lost tycoon; Obituary: Samuel Bronston". The Guardian.
  29. ^ "Bronston Film Productions Files Bankruptcy Petition". The New York Times. June 6, 1964. p. 15. Retrieved February 7, 2021.
  30. ^ "Film Maker Bankrupt". The Washington Post. June 7, 1964. p. A3.
  31. ^ "Bronston Productions Seemingly Loses Power In Two Partnerships". Wall Street Journal. March 5, 1964. p. 8.
  32. ^ [volume & issue needed]
  33. ^ Dell Four Color #1007 at the Comic Book DB (archived from the original)

Bibliography