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{{Short description|Italian painter (1850–1924)}}
{{Short description|Italian painter (1850–1924)}}

[[File:Artgate Fondazione Cariplo - Feragutti Visconti Adolfo, Ricordati della mamma.jpg|thumb|right|300px|Ricordati della mamma, 1903 ca. ([[Fondazione Cariplo]])]]
[[File:Artgate Fondazione Cariplo - Feragutti Visconti Adolfo, Ricordati della mamma.jpg|thumb|right|300px|Ricordati della mamma, {{circa|1903}} ([[Fondazione Cariplo]])]]
'''Adolfo Feragutti Visconti''' (1850 in Pura, [[Canton Ticino]] 1924 in [[Milan]]) was an [[Italy|Italian]]/[[Switzerland|Swiss]] painter, of eclectic styles and subjects, including orientalist themes, [[Genre painting|genre]] works, and landscapes.
'''Adolfo Feragutti Visconti''' (25 March 1850 10 March 1924) was an Italian Swiss painter, of eclectic styles and subjects, including orientalist themes, [[Genre art|genre]] works, and landscapes.


==Biography==
==Biography==
Orphan of father by the age of 16, Fergutti Visconti enrolled at the [[Brera Academy]] of Fine Arts when he was 18,<ref>[http://www.villacedri.ch/index.php?node=296&lng=1&rif=53a77ed493 Exhibition of Feragutti's Work], curated by Giovanna Ginex and Anna Lisa Galizia.</ref> where he studied with [[Luigi Bisi]], and made his debut in 1873 as a perspective painter. Attracted by the work of the Milanese [[Scapigliatura]] movement, he was one of the first members of the Famiglia Artistica. He completed his studies under the guidance of the history painter [[Stefano Ussi]], which brought him into contact with the Tuscan art scene. On his return to Milan, he took part unfailingly in the major national exhibitions, attracting the attention of critics in 1881 with a work on a historical subject. It was in 1883 that he produced the first of his still lifes, which were to earn him a considerable reputation in the 1890s. A portrait of his in an outdoor setting won the prestigious Prince Umberto Prize in 1891, thus launching a renewal of the traditional approach to this genre through the influence of [[Cesare Tallone]]’s work and the first photographic models. The period between 1907 and 1909 saw a stay in [[Patagonia]], where the artist painted canvases capturing various aspects of the life of the indigenous population. His tree Works ''Testa di indio della Terra del Fuoco'', ''I funghi'', ''Tordi'' are in the permanent collection of the Pinacoteca Cantonale Giovanni Züst in [[Rancate]], while two other works, ''Uva nera'' and ''Ritratto di donna'', are at the Museo Cantonale d'Arte of [[Lugano]].<ref>[http://www.e-mca.ti.ch/lugano/eMuseumPlus?service=direct/1/ResultListView/result.t2.artist_list.$TspTitleLink$0.link&sp=10&sp=Sartist&sp=SfilterDefinition&sp=0&sp=3&sp=3&sp=SsimpleList&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=2 Museo Cantonale d'Arte, Lugano: Adolfo Feragutti Visconti]</ref>
Visconti was born in [[Pura, Switzerland|Pura]], Canton Ticino. Orphan of father by the age of 16, he enrolled at the [[Brera Academy]] of Fine Arts when he was 18,<ref>[http://www.villacedri.ch/index.php?node=296&lng=1&rif=53a77ed493 Exhibition of Feragutti's Work], curated by Giovanna Ginex and Anna Lisa Galizia.</ref> where he studied with [[Luigi Bisi]], and made his debut in 1873 as a perspective painter. Attracted by the work of the Milanese [[Scapigliatura]] movement, he was one of the first members of the Famiglia Artistica. He completed his studies under the guidance of the history painter [[Stefano Ussi]], which brought him into contact with the Tuscan art scene. On his return to Milan, he took part unfailingly in the major national exhibitions, attracting the attention of critics in 1881 with a work on a historical subject. It was in 1883 that he produced the first of his still lifes, which were to earn him a considerable reputation in the 1890s. A portrait of his in an outdoor setting won the prestigious Prince Umberto Prize in 1891, thus launching a renewal of the traditional approach to this genre through the influence of [[Cesare Tallone]]'s work and the first photographic models. The period between 1907 and 1909 saw a stay in [[Patagonia]], where the artist painted canvases capturing various aspects of the life of the indigenous population. His tree Works ''Testa di indio della Terra del Fuoco'', ''I funghi'', ''Tordi'' are in the permanent collection of the Pinacoteca Cantonale Giovanni Züst in [[Rancate]], while two other works, ''Uva nera'' and ''Ritratto di donna'', are at the Museo Cantonale d'Arte of [[Lugano]].<ref>[http://www.e-mca.ti.ch/lugano/eMuseumPlus?service=direct/1/ResultListView/result.t2.artist_list.$TspTitleLink$0.link&sp=10&sp=Sartist&sp=SfilterDefinition&sp=0&sp=3&sp=3&sp=SsimpleList&sp=0&sp=Sdetail&sp=0&sp=F&sp=T&sp=2 Museo Cantonale d'Arte, Lugano: Adolfo Feragutti Visconti]</ref>


==References==
==References==
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[[Category:Swiss male painters]]
[[Category:Swiss male painters]]
[[Category:20th-century Swiss painters]]
[[Category:20th-century Swiss painters]]
[[Category:20th-century male artists]]
[[Category:20th-century Italian male artists]]
[[Category:Italian genre painters]]
[[Category:Italian genre painters]]
[[Category:Brera Academy alumni]]
[[Category:Brera Academy alumni]]
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[[Category:1924 deaths]]
[[Category:1924 deaths]]
[[Category:19th-century Italian male artists]]
[[Category:19th-century Italian male artists]]
[[Category:19th-century Swiss male artists]]
[[Category:20th-century Swiss male artists]]

Latest revision as of 06:38, 12 March 2024

Ricordati della mamma, c. 1903 (Fondazione Cariplo)

Adolfo Feragutti Visconti (25 March 1850 – 10 March 1924) was an Italian Swiss painter, of eclectic styles and subjects, including orientalist themes, genre works, and landscapes.

Biography

[edit]

Visconti was born in Pura, Canton Ticino. Orphan of father by the age of 16, he enrolled at the Brera Academy of Fine Arts when he was 18,[1] where he studied with Luigi Bisi, and made his debut in 1873 as a perspective painter. Attracted by the work of the Milanese Scapigliatura movement, he was one of the first members of the Famiglia Artistica. He completed his studies under the guidance of the history painter Stefano Ussi, which brought him into contact with the Tuscan art scene. On his return to Milan, he took part unfailingly in the major national exhibitions, attracting the attention of critics in 1881 with a work on a historical subject. It was in 1883 that he produced the first of his still lifes, which were to earn him a considerable reputation in the 1890s. A portrait of his in an outdoor setting won the prestigious Prince Umberto Prize in 1891, thus launching a renewal of the traditional approach to this genre through the influence of Cesare Tallone's work and the first photographic models. The period between 1907 and 1909 saw a stay in Patagonia, where the artist painted canvases capturing various aspects of the life of the indigenous population. His tree Works Testa di indio della Terra del Fuoco, I funghi, Tordi are in the permanent collection of the Pinacoteca Cantonale Giovanni Züst in Rancate, while two other works, Uva nera and Ritratto di donna, are at the Museo Cantonale d'Arte of Lugano.[2]

References

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[edit]
  • "Feragutti Visconti, Giuseppe Adolfo". SIKART Lexicon on art in Switzerland.

Other projects

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Media related to Adolfo Feragutti Visconti at Wikimedia Commons