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|alias = {{Ubl | El Rey del Bolero Ranchero | Javier Luquín | La Voz de Terciopelo | El Señor de Sombras }}
|alias = {{Ubl | El Rey del Bolero Ranchero | Javier Luquín | La Voz de Terciopelo | El Señor de Sombras }}
|birth_name = Gabriel Siria Levario
|birth_name = Gabriel Siria Levario
|image = Javier Solís in 1965 (cropped).jpg
|image = Javier Solís in 1966 (cropped).jpg
|caption = Solís in 1965
|caption = Solís in 1966
|birth_date = {{birth date|df=y|1931|9|4}}<ref name="official">{{cite web|url=https://www.familysearch.org/photos/artifacts/89070172|title=Documento oficial de Javier Solís, parece ser un pasaporte|accessdate=9 August 2022|work=familysearch|language=es}}</ref><ref name="life">{{cite web|url=https://ancestors.familysearch.org/es/KL76-Q83/gabriel-%22-javier-solis%22-siria-levario-1931-1966|title=Gabriel "Javier Solis" Siria Levario|accessdate=9 August 2022|work=familysearch|language=es}}</ref>
|birth_date = {{birth date|df=y|1931|9|1}}
|birth_place = [Nogales,Sonora]], México
|birth_place = [[Tacubaya]], [[Mexico City]], [[Mexico]]<ref name="official"/><ref name="life"/>
|death_date = {{death date and age|df=y|1966|4|19|1931|9|1}}
|death_date = {{death date and age|df=y|1966|4|19|1931|9|4}}
|death_place = Mexico City, México
|death_place = Mexico City, Mexico
|burial_place = Panteón Jardín, [[Mexico City]]<ref>{{cite web|url=https://www.mexicodesconocido.com.mx/panteon-jardin-donde-descansan-los-idolos-mexicanos.html|title=Panteón Jardín: el cementerio donde descansan los ídolos mexicanos |trans-title=Panteón Jardín: the cemetery where Mexican idols rest |work=México Desconocido |date=2019-10-15|access-date=2021-02-24|language=es}}</ref>
|burial_place = [[Panteón Jardín]], [[Mexico City]]<ref name="pjardin">{{cite web|url=https://www.mexicodesconocido.com.mx/panteon-jardin-donde-descansan-los-idolos-mexicanos.html|title=Panteón Jardín: el cementerio donde descansan los ídolos mexicanos |trans-title=Panteón Jardín: the cemetery where Mexican idols rest |work=México Desconocido |date=2019-10-15|access-date=2021-02-24|language=es}}</ref>
|signature = Javier Solís signature.svg
|signature = Javier Solís signature.svg
|occupation = {{Hlist | Singer | actor}}
|occupation = {{Hlist | Singer | actor}}
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}}
}}
}}
}}
'''Gabriel Siria Levario''' (1 September 1931 – 19 April 1966), known profesionally as '''Javier Solís''', was a Mexican singer and actor. He specialized on the musical genres of bolero and ranchera.
'''Gabriel Siria Levario''' (4 September 1931 – 19 April 1966), known professionally as '''Javier Solís''', was a Mexican singer and actor. He specialized in the musical genres of [[bolero]] and [[ranchera]].


==Early life==
==Early life==
Gabriel Siria Levario was the first of three children of Francisco Siria Mora, a baker and butcher, and Juana Levario Plata, a trader.<ref>([[Nogales, Sonora]], Mexico, according to his own acknowledgement in an interview) {{cite web |url=http://www.fiestaweb.org/Biographies/Javierenglish.cfm |title=Archived copy |access-date=16 April 2014 |url-status=dead |archive-url=https://web.archive.org/web/20121112111022/http://www.fiestaweb.org/Biographies/Javierenglish.cfm |archive-date=12 November 2012 }}</ref> Juana had a stall at a public market and as her spouse had allegedly abandoned her, she had little time save for work. After a time, she decided to leave her son at the household of his uncle Valentín Levario Plata and his wife, Ángela López Martínez, whom Gabriel considered his real parents.
Gabriel Siria Levario was the first of three children of Francisco Siria Mora, a baker and butcher, and Juana Levario Plata, a trader.<ref>([[Nogales, Sonora]], Mexico, according to his own acknowledgement in an interview) {{cite web |url=http://www.fiestaweb.org/Biographies/Javierenglish.cfm |title=Javier Solis |access-date=16 April 2014 |url-status=dead |archive-url=https://web.archive.org/web/20121112111022/http://www.fiestaweb.org/Biographies/Javierenglish.cfm |archive-date=12 November 2012 }}</ref> Juana had a stall at a public market and as her spouse had allegedly abandoned her, she had little time save for work. After a time, she decided to leave her son at the household of his uncle Valentín Levario Plata and his wife, Ángela López Martínez, whom Gabriel considered his real parents.


Siria had to drop out of school before his teens to support his family, after the death of his aunt Angela. Due to his aunt's death Gabriel only completed the first five years of primary school in [[Tacubaya]] in Mexico City, where he used to participate in singing contests. After dropping out of school he worked collecting bones and glass. Later he worked in a supermarket transporting merchandise. He worked as a baker, a butcher, a carpenters helper and a car washer. In his spare time, he trained as an amateur boxer, with aspirations of going professional, but after suffering a few defeats, he was urged to work at something "more decent".
Siria had to drop out of school before his teens to support his family, after the death of his aunt Angela. Due to his aunt's death Gabriel only completed the first five years of primary school in [[Tacubaya]] in Mexico City, where he used to participate in singing contests. After dropping out of school he worked collecting bones and glass. Later he worked in a supermarket transporting merchandise. He worked as a baker, a butcher, a carpenter's helper and a car washer. In his spare time, he trained as an amateur boxer, with aspirations of going professional, but after suffering a few defeats, he was urged to work at something "more decent".


==Singing career==
==Singing career==
Siria began singing in competitions under the pseudonym of "Javier Luquín" in which the winner would be awarded a new pair of shoes;<ref name=Burr>Burr, Ramiro (1999). The Billboard Guide to Tejano and Regional Mexican Music. New York: Billboard Books. {{ISBN|978-0-8230-7691-8}}.</ref> he was eventually banned from participating because he so dominated the competition. At that time he was working as a butcher, and sang while he worked. His boss, David Lara Ríos, heard him and was so impressed with his talent that he urged Siria to dedicate himself to his music and recommended him to a voice coach, even paying for singing lessons with Noé Quintero.
Solis began singing in competitions under the pseudonym of "Javier Luquín" in which the winner would be awarded a new pair of shoes;<ref name=Burr>Burr, Ramiro (1999). The Billboard Guide to Tejano and Regional Mexican Music. New York: Billboard Books. {{ISBN|978-0-8230-7691-8}}.</ref> he was eventually banned from participating because he so dominated the competition. At that time he was working as a butcher, and sang while he worked. His boss, David Lara Ríos, heard him and was so impressed with his talent that he urged Siria to dedicate himself to his music and recommended him to a voice coach, even paying for singing lessons with Noé Quintero.


At age 16, Siria went to [[Puebla]] to sing with the Mariachi Metepec, but he did not get his first professional break until two years later when [[Julito Rodríguez]] and [[Alfredo Gil]] of the famous singing trio, [[Los Panchos]], discovered him and took him to audition at CBS Records.<ref name="Burr"/> There in 1950, he signed a contract and recorded his first album. He was singing at the same time at the Teatro Lirico in Mexico City when he met dancer Blanca Estela Saenz who would later become his wife. His first hit, "Llorarás", came two years later, and it was his then-producer Felipe Valdes Leal who gave Siria his stage name, "Javier Solís".<ref name="Burr"/>
At age 16, Solis went to [[Puebla]] to sing with the Mariachi Metepec, but he did not get his first professional break until two years later when [[Julito Rodríguez]] and [[Alfredo Gil]] of the famous singing trio, [[Los Panchos]], discovered him and took him to audition at CBS Records.<ref name="Burr"/> There in 1950, he signed a contract and recorded his first album. He was singing at the same time at the Teatro Lirico in Mexico City when he met dancer Blanca Estela Saenz who would later become his wife. His first hit, "Llorarás", came two years later, and it was his then-producer Felipe Valdes Leal who gave Siria his stage name, "Javier Solís".<ref name="Burr"/>


Solís began to receive international acclaim in 1957 when he began appearing in the United States and Central and South America. He was among the first artists to sing in the new style now known as bolero-ranchera. He sang [[boleros]] typically associated with [[Trio (music)|trio music]] but which now were accompanied by [[mariachi]]s. Solís was a versatile interpreter singing not only boleros, but [[rancheras]], [[corridos]], [[danzón|danzones]], [[waltzes]], and [[Tango (dance)|tangos]], among others. His hit recordings included "Sombras", "Payaso", "Vereda Tropical", "[[En Mi Viejo San Juan]]", and "Amanecí En Tus Brazos", the latter a re-recording of the hit written and recorded by [[José Alfredo Jiménez]].
Solís began to receive international acclaim in 1957 when he began appearing in the United States and Central and South America. He was among the first artists to sing in the new style now known as bolero-ranchera. He sang [[boleros]] typically associated with [[Trio (music)|trio music]] but which now were accompanied by [[mariachi]]s. Solís was a versatile interpreter singing not only boleros, but [[rancheras]], [[corridos]], [[danzón|danzones]], [[waltzes]], and [[Tango (dance)|tangos]], among others. His hit recordings included "Sombras", "Payaso", "Vereda Tropical", "[[En Mi Viejo San Juan]]", and "Amanecí En Tus Brazos", the latter a re-recording of the hit written and recorded by [[José Alfredo Jiménez]].
Line 40: Line 40:


==Final years and death==
==Final years and death==
[[File:Solís and Sinatra in 1965 (cropped).jpg|thumb|Solís with [[Frank Sinatra]] in 1965]]
Following the 1957 death of [[Pedro Infante]] in a plane crash in [[Mérida, Yucatán]], Solís experienced a surge of popularity, not least because he was considered the last of the "Three Mexican Roosters" who along with Infante and [[Jorge Negrete]], had been the idols of Mexican music and cinema.<ref name="Burr"/> Between [[List of number-one hits of 1961 (Mexico)|1961]] and [[List of number-one hits of 1966 (Mexico)|1966]] (the year of his death), he had 12 No. 1 hits on the Mexican charts.
Following the 1957 death of [[Pedro Infante]] in a plane crash in [[Mérida, Yucatán]], Solís experienced a surge of popularity, not least because he was considered the last of the "Three Mexican Roosters" who along with Infante and [[Jorge Negrete]], had been the idols of Mexican music and cinema.<ref name="Burr"/> Between [[List of number-one hits of 1961 (Mexico)|1961]] and [[List of number-one hits of 1966 (Mexico)|1966]] (the year of his death), he had 12 No. 1 hits on the Mexican charts.


[[File:Javier Solís con los Tigres de Quintana Roo, c.1966 (cropped).jpg|thumb|upright|Solís in a photograph taken in April 1966, the month he died]]
On 12 April 1966 (only seven days before his death), Solís performed the song "Perdóname mi vida" live on a TV Show, making notorious pain gestures during the performance. On 19 April 1966, Solís died at the age of 34 in Mexico City from complications due to [[Cholecystectomy|gallbladder surgery]]. Following surgery, his doctors had refused him water, and his last words concerned his thirst and imminent death: "They will have to shower my grave with lots of water. I know that I'm going to die. There is no cure."<ref>{{cite web|url=http://www.fiestaweb.org/Biographies/Javierenglish.cfm|title=Ibid.|access-date=28 August 2017|url-status=dead|archive-url=https://web.archive.org/web/20121112111022/http://www.fiestaweb.org/Biographies/Javierenglish.cfm|archive-date=12 November 2012}}</ref>
On 12 April 1966 (only seven days before his death), Solís performed the song "Perdóname mi vida" live on a TV Show, making notorious pain gestures during the performance. On 19 April 1966, Solís died at the age of 34 in Mexico City from complications due to [[Cholecystectomy|gallbladder surgery]]. He is buried in the [[Panteón Jardín]] cemetery in Mexico City, Mexico.<ref name="pjardin"/>


==Legacy==
==Legacy==
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[[Category:20th-century Mexican male singers]]
[[Category:20th-century Mexican male singers]]
[[Category:20th-century Mexican male actors]]
[[Category:20th-century Mexican male actors]]
[[Category:20th-century Mexican singers]]
[[Category:Male actors from Mexico City]]
[[Category:Male actors from Mexico City]]
[[Category:Mexican male film actors]]
[[Category:Mexican male film actors]]

Revision as of 23:00, 19 March 2024

In this Spanish name, the first or paternal surname is Siria and the second or maternal family name is Levario.

Javier Solís
Solís in 1966
Born
Gabriel Siria Levario

(1931-09-04)4 September 1931[1][2]
Tacubaya, Mexico City, Mexico[1][2]
Died19 April 1966(1966-04-19) (aged 34)
Mexico City, Mexico
Burial placePanteón Jardín, Mexico City[3]
Other names
  • El Rey del Bolero Ranchero
  • Javier Luquín
  • La Voz de Terciopelo
  • El Señor de Sombras
Occupations
  • Singer
  • actor
Musical career
GenresMariachi
Instruments
  • Voice
  • guitar
Years active1950–1966
Signature

Gabriel Siria Levario (4 September 1931 – 19 April 1966), known professionally as Javier Solís, was a Mexican singer and actor. He specialized in the musical genres of bolero and ranchera.

Early life

Gabriel Siria Levario was the first of three children of Francisco Siria Mora, a baker and butcher, and Juana Levario Plata, a trader.[4] Juana had a stall at a public market and as her spouse had allegedly abandoned her, she had little time save for work. After a time, she decided to leave her son at the household of his uncle Valentín Levario Plata and his wife, Ángela López Martínez, whom Gabriel considered his real parents.

Siria had to drop out of school before his teens to support his family, after the death of his aunt Angela. Due to his aunt's death Gabriel only completed the first five years of primary school in Tacubaya in Mexico City, where he used to participate in singing contests. After dropping out of school he worked collecting bones and glass. Later he worked in a supermarket transporting merchandise. He worked as a baker, a butcher, a carpenter's helper and a car washer. In his spare time, he trained as an amateur boxer, with aspirations of going professional, but after suffering a few defeats, he was urged to work at something "more decent".

Singing career

Solis began singing in competitions under the pseudonym of "Javier Luquín" in which the winner would be awarded a new pair of shoes;[5] he was eventually banned from participating because he so dominated the competition. At that time he was working as a butcher, and sang while he worked. His boss, David Lara Ríos, heard him and was so impressed with his talent that he urged Siria to dedicate himself to his music and recommended him to a voice coach, even paying for singing lessons with Noé Quintero.

At age 16, Solis went to Puebla to sing with the Mariachi Metepec, but he did not get his first professional break until two years later when Julito Rodríguez and Alfredo Gil of the famous singing trio, Los Panchos, discovered him and took him to audition at CBS Records.[5] There in 1950, he signed a contract and recorded his first album. He was singing at the same time at the Teatro Lirico in Mexico City when he met dancer Blanca Estela Saenz who would later become his wife. His first hit, "Llorarás", came two years later, and it was his then-producer Felipe Valdes Leal who gave Siria his stage name, "Javier Solís".[5]

Solís began to receive international acclaim in 1957 when he began appearing in the United States and Central and South America. He was among the first artists to sing in the new style now known as bolero-ranchera. He sang boleros typically associated with trio music but which now were accompanied by mariachis. Solís was a versatile interpreter singing not only boleros, but rancheras, corridos, danzones, waltzes, and tangos, among others. His hit recordings included "Sombras", "Payaso", "Vereda Tropical", "En Mi Viejo San Juan", and "Amanecí En Tus Brazos", the latter a re-recording of the hit written and recorded by José Alfredo Jiménez.

Acting career

Solís began his acting career in 1959 and appeared in more than 20 films, working with such artists as Pedro Armendáriz, María Victoria, Antonio Aguilar, and Lola Beltrán. His last movie, Juan Pistolas, was finished in 1965, the same year that his film, Sinful, was released.[5] During his lifetime, he was considered a better singer than actor by his public, who rated him alongside such accomplished artists as Jorge Negrete and Pedro Infante who with Solis, made up the "Three Mexican Roosters" of Mexican music and cinemas.

Final years and death

Following the 1957 death of Pedro Infante in a plane crash in Mérida, Yucatán, Solís experienced a surge of popularity, not least because he was considered the last of the "Three Mexican Roosters" who along with Infante and Jorge Negrete, had been the idols of Mexican music and cinema.[5] Between 1961 and 1966 (the year of his death), he had 12 No. 1 hits on the Mexican charts.

Solís in a photograph taken in April 1966, the month he died

On 12 April 1966 (only seven days before his death), Solís performed the song "Perdóname mi vida" live on a TV Show, making notorious pain gestures during the performance. On 19 April 1966, Solís died at the age of 34 in Mexico City from complications due to gallbladder surgery. He is buried in the Panteón Jardín cemetery in Mexico City, Mexico.[3]

Legacy

Javier Solís was a prolific artist, leaving an extensive discography, and like Infante, most of his albums are still in print.

See also

References

  1. ^ a b "Documento oficial de Javier Solís, parece ser un pasaporte". familysearch (in Spanish). Retrieved 9 August 2022.
  2. ^ a b "Gabriel "Javier Solis" Siria Levario". familysearch (in Spanish). Retrieved 9 August 2022.
  3. ^ a b "Panteón Jardín: el cementerio donde descansan los ídolos mexicanos" [Panteón Jardín: the cemetery where Mexican idols rest]. México Desconocido (in Spanish). 15 October 2019. Retrieved 24 February 2021.
  4. ^ (Nogales, Sonora, Mexico, according to his own acknowledgement in an interview) "Javier Solis". Archived from the original on 12 November 2012. Retrieved 16 April 2014.
  5. ^ a b c d e Burr, Ramiro (1999). The Billboard Guide to Tejano and Regional Mexican Music. New York: Billboard Books. ISBN 978-0-8230-7691-8.
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