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{{Short description|1966 British film by Michael Reeves}}
{{all plot|date=March 2016}}
{{EngvarB|date=June 2016}}
{{EngvarB|date=June 2016}}
{{Use dmy dates|date=June 2016}}
{{Use dmy dates|date=June 2016}}
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| alt =
| alt =
| caption = U.S. theatrical release poster,<br>showcasing a [[double feature]] with ''[[The Embalmer (1965 film)|The Embalmer]]''
| caption = U.S. theatrical release poster,<br>showcasing a [[double feature]] with ''[[The Embalmer (1965 film)|The Embalmer]]''
| native_name = <!-- {{Infobox name module|language|title}} or {{Infobox name module|title}} -->
| native_name = <!-- {{Infobox name module|language|title}} or {{Infobox name module|title}} -->
| director = [[Michael Reeves|Mike Reeves]]
| director = [[Michael Reeves (director)|Mike Reeves]]
| producer = [[Paul Maslansky|Paul M. Maslansky]]{{sfn|Halligan|2003|p=230}}
| producer = [[Paul Maslansky|Paul M. Maslansky]]{{sfn|Halligan|2003|p=230}}
| writer =
| writer = Mike Reeves
| screenplay =
| screenplay =
| story =
| story =
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| editing = Nira Omri{{sfn|Halligan|2003|p=230}}
| editing = Nira Omri{{sfn|Halligan|2003|p=230}}
| studio = Leith Productions<ref name="afi-review" />
| studio = Leith Productions<ref name="afi-review" />
| distributors = {{plainlist|
| distributor = {{plainlist|
* [[Miracle Films]] {{small|(UK)}}
* [[Miracle Films]] {{small|(UK)}}
* [[Cineriz]] {{small|(Italy)}}{{sfn|Halligan|2003|p=230}}}}
* [[Cineriz]] {{small|(Italy)}}{{sfn|Halligan|2003|p=230}}}}
| released = {{Film date|1966|5|2|[[Atlanta, Georgia|Atlanta]]|1966|||[[London]]|df=yes|1967|7||Italy}}{{sfn|Halligan|2003|p=230}}<ref name="afi-review" />
| released = {{Film date|1966|5|2|[[Atlanta, Georgia|Atlanta]]|1966|||[[London]]|df=y|1967|7||Italy}}{{sfn|Halligan|2003|p=230}}<ref name="afi-review" />
| runtime = 74 minutes{{sfn|Halligan|2003|p=230}}
| runtime = 74 minutes{{sfn|Halligan|2003|p=230}}
| country =
| country = United Kingdom<br/>Italy
| language = English
| language = English
| budget = $17,000<ref name=BFICollection>{{cite web |last=|first= | date=| work=BFI| url=http://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150045789|title=Collections Search: The She Beast| accessdate = 15 August 2019}}</ref>
| budget = $17,000<ref name=BFICollection>{{cite web |last=|first= | date=| work=BFI| url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150045789|title=Collections Search: The She Beast| access-date = 15 August 2019}}</ref>
| gross =
| gross =
}}
}}
'''''The She Beast''''' is a 1966 [[horror film]] written and directed by [[Michael Reeves]] in his [[directorial debut]]. The film stars [[Barbara Steele]], [[John Karlsen]] and [[Ian Ogilvy]].
'''''The She Beast''''' (also known as '''''La Sorella Di Satana and Revenge of the Blood Beast''''') is a 1966 [[horror film]] written and directed by [[Michael Reeves (director)|Michael Reeves]] in his [[directorial debut]]. The film stars [[Barbara Steele]], [[John Karlsen]] and [[Ian Ogilvy]].<ref name="BFIsearch">{{Cite web |title=The She Beast |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150045789 |access-date=19 March 2024 |website=British Film Institute Collections Search}}</ref>


==Plot==
==Plot==
The film starts in Vaubrac, [[Transylvania]] with [[Abraham Van Helsing|Count Von Helsing]], reading from a text a historical narrative of 200 years ago about the brutal execution of Vardella, accused of witchcraft, a figure made up in the film to appear inhumanly monstrous, and appears more masculine than feminine. As she dies she swears vengeance for her murder.
{{Long plot|date=September 2014}}
The film starts out in [[Transylvania]] with an alcoholic [[Abraham Van Helsing|Count Von Helsing]] (Karlsen) reading from a text, which begins a historical narrative of the [[witch]], Bardella (Riley).


Shifting to present day, a young, newly married British couple, Philip and Veronica, are traveling on their honeymoon and book a room in a hotel owned by alcoholic and voyeur Ladislav Groper.
During his reading, the movie flashes back roughly 200 years to a religious service, where a child shows up and reports the location of Bardella. Then by the leadership of the pastor, hysteria breaks out and the congregation [[Witch-hunt|sets out to find and kill the witch]]. However, one of the villagers warns the others against killing the witch, as he explains the [[Count]] must exorcise the witch first, lest she will not die and will linger on as a curse for generations to come.


While Groper carries their bags to the room, the couple has tea outdoors at a picnic table, and soon is approached by Von Helsing, who seems anxious to befriend them and to relate the history of the Draculas to them. In the process, he recounts the story and curse of Vardella but the listeners find none of this interesting. He invites himself back the next day and Veronica tells him to come at noon, knowing they plan to be on their way at dawn.
Nevertheless, the congregation sets out and finds the witch. Upon finding her, the pastor directs the crowd to take her to the lake, where she will be [[Impalement|impaled]] and [[Dunking|dunked]] to death. As Bardella is tied into the chair, she curses the people and their descendants for what they are doing and threatens she will return. The Count and his attendant secretly watch the execution from a distance upon a hilltop and seemingly purposely do not intervene. Then the story returns to the reflective Von Helsing in his cave.


In their room, Philip discovers Groper is peeping on them through the window. After beating up Groper and drawing blood, Philip wants to leave immediately but Veronica prefers to stay the night as planned.
Next, a young, newly married couple are traveling in a midnight-blue [[Volkswagen Beetle]] through the [[Carpathian Mountains]] in Transylvania for their honeymoon. The husband, Philip (Ogilvy), realizes he is lost and stops to look at a map with his wife, Veronica (Steele). A lawman (Maslansky) happens by and Philip asks for directions and recommendations for overnight lodging.


The next day on the road, Philip loses steering control of the car, causing him to drive into a lake; a passing truck driver assists in retrieving what should have been Veronica but to his horror, is a monstrous corpse that looks a lot like the aforementioned Vardella, which he quickly wraps up.
When they arrive in Vaubrac, they find the town run down and unimpressive, but just before they are to drive on, the hotel owner, Ladislav Groper (Welles), happens upon them and offers them a room, bread and tea — attempting to accommodate their English traditions. While waiting for their food and tea, they notice Von Helsing strangely swinging on a nearby swing-set. After they toss aside their garlic that came with their food and tea, Von Helsing immediately comes up to explain why the garlic was in their tea — as protection against [[Satanism]] and [[witchcraft]]. He then goes on a verbal diatribe explaining he is an [[Aristocracy (class)|aristocrat]] (albeit dispossessed of his castle by the current governmental regime) along with relating the history of the Von Helsing family and the Draculas. In the process, he cons them into buying him a bottle to drink and, wearing on, Von Helsing recounts the story and curse of Bardella the witch. However, the couple are skeptical.


To his great relief, Von Helsing reassures Philip that he can help him get his wife back. Having little choice Philip begins to believe in Von Helsing and what he says.
Quickly tiring of the Count's recitation, the couple retire to their room for the evening. During their conversation, Groper rudely intrudes upon the couple's room without knocking, claiming there is no privacy in the People's Republic. Offended, Philip requests a different room, but is denied. Nevertheless, once Groper leaves, the couple become romantic together. However they are interrupted again, this time by Groper watching their lovemaking through the window. Philip scrambles to beat up Groper. Returning to his wife, he wants to leave Vaubrac; but Veronica decides she wants to stay and reassures him that Groper is too badly beaten up to bother them again.


Meanwhile Vardella comes alive and goes on a killing spree against the descendants of the people who killed her 200 years before, at which point Von Helsing comes upon the scene and uses a syringe to drug her. After hiding her in the hotel, the Count and Philip go to pick up some ritual tools to [[Exorcism|exorcise]] Vardella, the one way that she can be changed back into Veronica.
The next morning, they attempt to leave early, but Philip finds Groper stole the distributor cap from their car, of which he promptly retrieves. Driving down the road, Philip loses steering control of the Volkswagen and narrowly misses hitting a delivery truck head-on, but causing him to crash into a lake. Veronica's body is then possessed by the spirit of the 18th-century witch who was killed by the local villagers and is now bent on avenging herself upon them. Both persons still unconscious, the truck driver (Ennio Antonelli), who has a bad local reputation with the police, retrieves Philip and what he thought was his wife, but was Vardella instead. He brings them back to Vaubrac, leaving them with Groper, so that the police would not accuse him of any wrongdoing.


After being jailed, the truck driver who found Vardella makes a deal to tell police where the body is in exchange for his freedom. He leads the police back to the hotel, where they find the now-alive, drugged body appearing dead. The police intend to have it [[Autopsy|autopsied]], which would ruin any chances of getting Veronica back.
Meanwhile, Philip comes to and inquires to Groper about his wife. When Philip realizes that Veronica is missing and something/someone else is in her place, he becomes enraged again at Groper, who denies knowing anything about who the other body is. Suddenly Von Helsing arrives and takes notice that the woman that was mistaken as Veronica is indeed Bardella having returned. Then he reassures Philip that he can help him get his wife back.


Philip and the Count manage to retrieve the body and steal the police van which it is in. Vardella awakens from her drugged state and Von Helsing drugs her again, as well as the police officers which have now caught the van.
Von Helsing asks Philip a series of questions regarding the accident, and then takes him back to his cave, where he lives. He begins reading from a record book entitled, "The Death of Bardella the Witch". Philip then grows frustrated and impatient with what he regards as unrelated to his missing wife, and finally leaves on foot in order to report the incident to the police. Von Helsing then goes in pursuit of him in his yellow [[roadster (automobile)|roadster]], an early model [[Citroën Type A|Citroën]].


In the nick of time, 200 years to the minute since, and in the same place as, the brutal murder of Vardella, Philip and the Count perform the exorcism ritual at the lake. Will it succeed in bringing back Veronica?
However, Von Helsing does not find Philip, but arrives back in town, where he visits Bardella, in order to bring her back to life. Meanwhile, Groper is heavily drinking, watching porn and gorging his face with food. The witch comes back to life, momentarily attacking and strangling Von Helsing, then leaves. Groper's niece (Lucretia Love) shows up horrified, seeking protection from scary noises she had heard, which were due to the screeching Bardella had been making. However, Groper invites her in and attempts to rape her, but breaking free of him, she escapes.

Groper goes after her, but once outside he is confronted by Philip, whom he clobbers with his bottle of alcohol, leaving him unconscious in the road to be run over by traffic. The truck driver happens by again, but swerves to miss him. Later Von Helsing comes upon him and drags him out of the road. Meanwhile, Groper is heavily drinking again, when all the sudden Vardella comes upon him and attacks and kills him with a [[hammer and sickle]].

Von Helsing and Philip take off to find Bardella. Again, Philip wants to go to the police, but while driving, Von Helsing explains Bardella has returned and if she were to be gunned down by police, he would not be able to perform the exorcism necessary on the witch in order to bring Veronica back. Slowly, Philip begins believing in Von Helsing and what he says.

Meanwhile, back in town, there is an illegal [[cockfight]] going on; and Vardella has gone on a killing spree against the descendants of the people who had tortured and killed her hundreds of years before. On foot through town, Von Helsing and Philip begin searching for Bardella. Bardella shows up at the cockfight to get revenge on the villagers there. Von Helsing comes upon the scene and uses a syringe to drug the witch. They load her in his roadster and take her back to the hotel's kitchen and put her on ice for safekeeping. Then they go to Von Helsing's cave to pick up some ritual tools in order to [[Exorcism|exorcise]] Bardella.

After being jailed, the truck driver makes a deal to tell police where Bardella is in exchange for his freedom. He leads the police back to the hotel, where they find the drugged witch. The comrade police lieutenant intends to have Bardella [[Autopsy|autopsied]] and [[Burial|buried]], which would ruin any chances of bringing Veronica back. Reneging, the police lieutenant takes the truck driver back into custody. Returning to the hotel from Von Helsing's cave, Philip and the Count find Bardella missing. So they head to the police station and steal back Vardella's body out from under them.

A car chase ensues, with Von Helsing and Philip in the paddy wagon and the police driving Von Helsing's roadster. The roadster momentarily stalls, enabling Von Helsing and Philip to evade them. However, Von Helsing realizes the ritual tools he needs to bring Veronica back are in his car, so they pull over and the police catch up with them. While laying in the paddy wagon, Bardella awakens from her drugged state. She then attacks the approaching police officers. Von Helsing uses his syringe to drug Bardella again, as well as the police officers.

They carry Bardella to the roadster and transport her to the lake, where they find the dunking chair. They strap her into the chair, perform a ritual and drop her into the water, where she disappears. Philip panics. But suddenly Veronica floats to the surface and her husband retrieves her. Veronica and Philip are reunited.

In the end, the three of them are seen driving off in Von Helsing's Citroën, out of [[Transylvania]] to [[Czechoslovakia]]. Due to the havoc that Von Helsing wrought in Vaubrac, he decides to leave the country for England with his two new friends, although he feels his exorcism services might still be needed for future devilry in his native land. Light-heartedly, Philip jokes about the inhospitality of Vaubrac and is relieved by leaving. But on the other hand, Veronica seemingly has good feelings about Vaubrac and Transylvania altogether, claiming in the end, "I'll be back", echoing what Vardella had threatened before she was tortured and killed two hundred years earlier.


==Cast==
==Cast==
Line 79: Line 64:


==Production==
==Production==
The entire film was shot in 21 days. Many members of the crew appeared in the film as minor roles. [[Barbara Steele]] accepted a salary of $1,000 for working one single day. She was forced to work that day for 18 hours.<ref>Hughes, p.88</ref> Michael Byron is credited on screen with the script. Byron is an alias for Reeves Chuck B. Griffith. Reeves' biographer states that film also had contributions from F. Amos Powell and Mel Welles.{{citation needed|date=November 2019}}
The entire film was shot in 21 days. Many members of the crew appeared in the film as minor roles. [[Barbara Steele]] accepted a salary of $1,000 for working one single day. She was forced to work that day for 18 hours.<ref>Hughes, p.88</ref> Michael Byron is credited on screen with the script. Byron is an alias for Reeves{{Citation needed|date=March 2024}}. Chuck B. Griffith, Reeves' biographer, states that film also had contributions from F. Amos Powell and Mel Welles.{{citation needed|date=November 2019}}


Sources conflict in crediting the production country of the film.<ref name="afi-review" />
Sources conflict in crediting the production country of the film.<ref name="afi-review" />


==Release==
==Release==
The film was purchased for release by Miracle Films as '''''Revenge of the Blood Beast''''' and released in [[Kilburn, London]] in late 1966.{{sfn|Halligan|2003|p=49}} It was released in Rome, Italy in July 1967 where it was distributed by Cineriz.{{sfn|Halligan|2003|p=230}}{{sfn|Curti|2015|p=157}}<ref name="afi-review">{{cite web|url=http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=19211|archiveurl=https://web.archive.org/web/20140402223121/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=19211|title=The She Beast|accessdate=July 23, 2019|archivedate=April 2, 2014|publisher=[[American Film Institute]]}}</ref> The film was also released in 1966 in the United States by [[American International Pictures]] as ''The She-Beast''.{{sfn|Halligan|2003|p=49}} The film played as early as 2 May 1966 in Atlanta in the United States.<ref name="afi-review" />
The film was purchased for release by Miracle Films as ''Revenge of the Blood Beast'' and released in [[Kilburn, London]] in late 1966.{{sfn|Halligan|2003|p=49}} It was released in Rome, Italy in July 1967 where it was distributed by Cineriz.{{sfn|Halligan|2003|p=230}}{{sfn|Curti|2015|p=157}}<ref name="afi-review">{{cite web|url=http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=19211|archive-url=https://web.archive.org/web/20140402223121/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=19211|title=The She Beast|access-date=July 23, 2019|archive-date=April 2, 2014|publisher=[[American Film Institute]]}}</ref> The film was also released in 1966 in the United States by [[American International Pictures]] as ''The She-Beast''.{{sfn|Halligan|2003|p=49}} The film played as early as 2 May 1966 in Atlanta in the United States.<ref name="afi-review" />


==Reception==
==Reception==
A contemporary review in the ''[[Monthly Film Bulletin]]'' referred to the film as "An engaging horror film [...] the beginning is a trifle comatose with its self-consciously stylish slow tracks and compositions [...] it gradually gathers momentum while developing a nice line in comic grotesquerie with its furtively lecherous innkeeper"<ref name="mfb">{{cite magazine|magazine=[[Monthly Film Bulletin]]|title=Sorella di Satana, La (The Revenge of the Blood Beast), Italy, 1965|page=111|publisher=[[British Film Institute]]|date=July 1966|issue=390|volume=33}}</ref> The review commented on [[Barbara Steele]] in the film noting that she "gets little chance to display the grand manner in her comparatively {{sic|?|breif}} role, but the acting in general is sound (enormously helped by the fact that the leading players would appear to have dubbed their own dialogue)."<ref name="mfb" />
A contemporary review in the ''[[Monthly Film Bulletin]]'' referred to the film as "An engaging horror film [...] the beginning is a trifle comatose with its self-consciously stylish slow tracks and compositions [...] it gradually gathers momentum while developing a nice line in comic grotesquerie with its furtively lecherous innkeeper"<ref name="mfb">{{cite magazine|magazine=[[Monthly Film Bulletin]]|title=Sorella di Satana, La (The Revenge of the Blood Beast), Italy, 1965|page=111|publisher=[[British Film Institute]]|date=July 1966|issue=390|volume=33}}</ref> The review commented on [[Barbara Steele]] in the film noting that she "gets little chance to display the grand manner in her comparatively brief role, but the acting in general is sound (enormously helped by the fact that the leading players would appear to have dubbed their own dialogue)."<ref name="mfb" />


In June 2010, Nick Coccellato of Eccentric Cinema gave the film a rating of five out of ten, writing "''The She-Beast'', A.K.A. ''Revenge of the Blood Beast'', is one of those movies that wouldn't be out of place on ''[[Mystery Science Theater 3000]]'' back in the show's '90s heyday. The film is bad but not uninteresting, and there is a lot of the fun to be had in simply watching it unfurl with its lousy acting and overwrought direction []"<ref name=EC>{{cite web|last=Coccellato |first=Nick |date=5 June 2010 |work=Eccentric Cinema |url=http://www.eccentric-cinema.com/reviews2010/she-beast.htm |editor-first=Brian |editor-last=Lindsey |title=THE SHE-BEAST |accessdate=2012-02-06}}</ref>
In June 2010, Nick Coccellato of Eccentric Cinema gave the film a rating of five out of ten, writing "''The She-Beast'', A.K.A. ''Revenge of the Blood Beast'', is one of those movies that wouldn't be out of place on ''[[Mystery Science Theater 3000]]'' back in the show's '90s heyday. The film is bad but not uninteresting, and there is a lot of the fun to be had in simply watching it unfurl with its lousy acting and overwrought direction [...]"<ref name=EC>{{cite web |last=Coccellato |first=Nick |date=5 June 2010 |work=Eccentric Cinema |url=http://www.eccentric-cinema.com/reviews2010/she-beast.htm |editor-first=Brian |editor-last=Lindsey |title=THE SHE-BEAST |access-date=2012-02-06 |archive-date=25 November 2011 |archive-url=https://web.archive.org/web/20111125184151/http://eccentric-cinema.com/reviews2010/she-beast.htm |url-status=dead }}</ref>


==Home media release==
==Home media==
On 28 April 2009, Dark Sky Films released a DVD version of the film in an [[anamorphic]] [[2.35:1]] transfer with a [[Dolby]] 2.0 mono soundtrack. Special features include an image gallery and an audio commentary by producer Paul Maslansky and actors Ian Ogilvy and [[Barbara Steele]].<ref name=EC/><ref>{{cite web|url=https://www.amazon.com/The-She-Beast-John-Karlsen/dp/B001PMRBMW/ |title=The She Beast |accessdate=2012-02-06}}</ref>
On 28 April 2009, Dark Sky Films released a DVD version of the film in an [[anamorphic]] [[2.35:1]] transfer with a [[Dolby]] 2.0 mono soundtrack. Special features include an image gallery and an audio commentary by producer Paul Maslansky and actors Ian Ogilvy and [[Barbara Steele]].<ref name=EC/><ref>{{cite web|url=https://www.amazon.com/The-She-Beast-John-Karlsen/dp/B001PMRBMW/ |title=The She Beast |website=Amazon |date=28 April 2009 |access-date=2012-02-06}}</ref>


==References==
==References==
Line 106: Line 91:
|isbn=978-1476619897
|isbn=978-1476619897
|year=2015
|year=2015
}}
|ref=harv
* {{cite book|title=Michael Reeves|publisher=Manchester University Press|year=2003|last=Halligan|first=Benjamin|isbn=0719063515}}
}}
* {{cite book|title=Michael Reeves|publisher=Manchester University Press|year=2003|last=Halligan|first=Benjamin|isbn=0719063515|ref=harv}}
*{{cite book|last=Hughes|first=Howard|title=Cinema Italiano - The Complete Guide From Classics To Cult|publisher=I.B.Tauris|year=2011|isbn=978-1-84885-608-0 |location=London - New York}}
*{{cite book|last=Hughes|first=Howard|title=Cinema Italiano - The Complete Guide From Classics To Cult|publisher=I.B.Tauris|year=2011|isbn=978-1-84885-608-0 |location=London - New York|ref=harv}}
{{refend}}
{{refend}}


Line 123: Line 107:
[[Category:1966 directorial debut films]]
[[Category:1966 directorial debut films]]
[[Category:1966 horror films]]
[[Category:1966 horror films]]
[[Category:English-language films]]
[[Category:1960s supernatural horror films]]
[[Category:1960s supernatural horror films]]
[[Category:Films directed by Michael Reeves]]
[[Category:Films directed by Michael Reeves]]
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[[Category:Films produced by Paul Maslansky]]
[[Category:Films produced by Paul Maslansky]]
[[Category:Films set in Transylvania]]
[[Category:Films set in Transylvania]]
[[Category:Films about nobility]]
[[Category:Films about witchcraft]]
[[Category:Films with screenplays by Michael Reeves]]
[[Category:Cockfighting in film]]
[[Category:1960s English-language films]]

Revision as of 23:45, 19 March 2024

The She-Beast
U.S. theatrical release poster,
showcasing a double feature with The Embalmer
Directed byMike Reeves
Written byMike Reeves
Produced byPaul M. Maslansky[1]
Starring
CinematographyGioacchino Gengarell[1]
Edited byNira Omri[1]
Music byRalph Ferraro[1]
Production
company
Leith Productions[2]
Distributed by
Release dates
  • 2 May 1966 (1966-05-02) (Atlanta)
  • 1966 (1966) (London)
  • July 1967 (1967-07) (Italy)
[1][2]
Running time
74 minutes[1]
CountriesUnited Kingdom
Italy
SpracheEnglisch
Budget$17,000[3]

The She Beast (also known as La Sorella Di Satana and Revenge of the Blood Beast) is a 1966 horror film written and directed by Michael Reeves in his directorial debut. The film stars Barbara Steele, John Karlsen and Ian Ogilvy.[4]

Plot

The film starts in Vaubrac, Transylvania with Count Von Helsing, reading from a text a historical narrative of 200 years ago about the brutal execution of Vardella, accused of witchcraft, a figure made up in the film to appear inhumanly monstrous, and appears more masculine than feminine. As she dies she swears vengeance for her murder.

Shifting to present day, a young, newly married British couple, Philip and Veronica, are traveling on their honeymoon and book a room in a hotel owned by alcoholic and voyeur Ladislav Groper.

While Groper carries their bags to the room, the couple has tea outdoors at a picnic table, and soon is approached by Von Helsing, who seems anxious to befriend them and to relate the history of the Draculas to them. In the process, he recounts the story and curse of Vardella but the listeners find none of this interesting. He invites himself back the next day and Veronica tells him to come at noon, knowing they plan to be on their way at dawn.

In their room, Philip discovers Groper is peeping on them through the window. After beating up Groper and drawing blood, Philip wants to leave immediately but Veronica prefers to stay the night as planned.

The next day on the road, Philip loses steering control of the car, causing him to drive into a lake; a passing truck driver assists in retrieving what should have been Veronica but to his horror, is a monstrous corpse that looks a lot like the aforementioned Vardella, which he quickly wraps up.

To his great relief, Von Helsing reassures Philip that he can help him get his wife back. Having little choice Philip begins to believe in Von Helsing and what he says.

Meanwhile Vardella comes alive and goes on a killing spree against the descendants of the people who killed her 200 years before, at which point Von Helsing comes upon the scene and uses a syringe to drug her. After hiding her in the hotel, the Count and Philip go to pick up some ritual tools to exorcise Vardella, the one way that she can be changed back into Veronica.

After being jailed, the truck driver who found Vardella makes a deal to tell police where the body is in exchange for his freedom. He leads the police back to the hotel, where they find the now-alive, drugged body appearing dead. The police intend to have it autopsied, which would ruin any chances of getting Veronica back.

Philip and the Count manage to retrieve the body and steal the police van which it is in. Vardella awakens from her drugged state and Von Helsing drugs her again, as well as the police officers which have now caught the van.

In the nick of time, 200 years to the minute since, and in the same place as, the brutal murder of Vardella, Philip and the Count perform the exorcism ritual at the lake. Will it succeed in bringing back Veronica?

Cast

Production

The entire film was shot in 21 days. Many members of the crew appeared in the film as minor roles. Barbara Steele accepted a salary of $1,000 for working one single day. She was forced to work that day for 18 hours.[5] Michael Byron is credited on screen with the script. Byron is an alias for Reeves[citation needed]. Chuck B. Griffith, Reeves' biographer, states that film also had contributions from F. Amos Powell and Mel Welles.[citation needed]

Sources conflict in crediting the production country of the film.[2]

Release

The film was purchased for release by Miracle Films as Revenge of the Blood Beast and released in Kilburn, London in late 1966.[6] It was released in Rome, Italy in July 1967 where it was distributed by Cineriz.[1][7][2] The film was also released in 1966 in the United States by American International Pictures as The She-Beast.[6] The film played as early as 2 May 1966 in Atlanta in the United States.[2]

Reception

A contemporary review in the Monthly Film Bulletin referred to the film as "An engaging horror film [...] the beginning is a trifle comatose with its self-consciously stylish slow tracks and compositions [...] it gradually gathers momentum while developing a nice line in comic grotesquerie with its furtively lecherous innkeeper"[8] The review commented on Barbara Steele in the film noting that she "gets little chance to display the grand manner in her comparatively brief role, but the acting in general is sound (enormously helped by the fact that the leading players would appear to have dubbed their own dialogue)."[8]

In June 2010, Nick Coccellato of Eccentric Cinema gave the film a rating of five out of ten, writing "The She-Beast, A.K.A. Revenge of the Blood Beast, is one of those movies that wouldn't be out of place on Mystery Science Theater 3000 back in the show's '90s heyday. The film is bad but not uninteresting, and there is a lot of the fun to be had in simply watching it unfurl with its lousy acting and overwrought direction [...]"[9]

Home media

On 28 April 2009, Dark Sky Films released a DVD version of the film in an anamorphic 2.35:1 transfer with a Dolby 2.0 mono soundtrack. Special features include an image gallery and an audio commentary by producer Paul Maslansky and actors Ian Ogilvy and Barbara Steele.[9][10]

References

  1. ^ a b c d e f g h Halligan 2003, p. 230.
  2. ^ a b c d e "The She Beast". American Film Institute. Archived from the original on 2 April 2014. Retrieved 23 July 2019.
  3. ^ "Collections Search: The She Beast". BFI. Retrieved 15 August 2019.
  4. ^ "The She Beast". British Film Institute Collections Search. Retrieved 19 March 2024.
  5. ^ Hughes, p.88
  6. ^ a b Halligan 2003, p. 49.
  7. ^ Curti 2015, p. 157.
  8. ^ a b "Sorella di Satana, La (The Revenge of the Blood Beast), Italy, 1965". Monthly Film Bulletin. Vol. 33, no. 390. British Film Institute. July 1966. p. 111.
  9. ^ a b Coccellato, Nick (5 June 2010). Lindsey, Brian (ed.). "THE SHE-BEAST". Eccentric Cinema. Archived from the original on 25 November 2011. Retrieved 6 February 2012.
  10. ^ "The She Beast". Amazon. 28 April 2009. Retrieved 6 February 2012.

Sources

  • Curti, Roberto (2015). Italian Gothic Horror Films, 1957-1969. McFarland. ISBN 978-1476619897.
  • Halligan, Benjamin (2003). Michael Reeves. Manchester University Press. ISBN 0719063515.
  • Hughes, Howard (2011). Cinema Italiano - The Complete Guide From Classics To Cult. London - New York: I.B.Tauris. ISBN 978-1-84885-608-0.