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{{Short description|German musicologist (born 1949)}}
'''Albrecht Dümling''' (born 1949) is a German [[musicologist]] and [[music critic]].
'''Albrecht Dümling''' (born 1949) is a German [[musicologist]] and [[music critic]].


==Biography==
==Biography==
Born in [[Wuppertal]], Dümling studied [[musicology]] in [[Essen]], [[Vienna]] and [[Berlin]] and earned a [[Doctor of Philosophy|Ph.D.]] with an interdisciplinary study on [[Arnold Schönberg]] and [[Stefan George]], with [[Carl Dahlhaus]] as his mentor. In 1985 he published his comprehensive work on [[Bertolt Brecht]]’s collaboration with composers. As a co-founder of the "International Hanns Eisler Society",<ref>[http://www.hanns-eisler.com/index/index.php?Seite=&Sprache=en Hanns Eisler<!-- Bot generated title -->]</ref> Dümling was instrumental in creating the new "Gesamtausgabe" (''complete edition'') of the musical and literary works of the composer.
Born in [[Wuppertal]], Dümling studied [[musicology]] in [[Essen]], [[Vienna]] and [[Berlin]] and earned a [[Doctor of Philosophy|Ph.D.]] with an interdisciplinary study on [[Arnold Schönberg]] and [[Stefan George]], with [[Carl Dahlhaus]] as his mentor. In 1985 he published his comprehensive work on [[Bertolt Brecht]]’s collaboration with composers. As a co-founder of the "International Hanns Eisler Society",<ref>[http://www.hanns-eisler.com/index/index.php?Seite=&Sprache=en Hanns Eisler<!-- Bot generated title -->] {{webarchive|url=https://web.archive.org/web/20160303213512/http://www.hanns-eisler.com/index/index.php?Seite=&Sprache=en |date=2016-03-03 }}</ref> Dümling was instrumental in creating the new "Gesamtausgabe" (''complete edition'') of the musical and literary works of the composer.


Following twenty years as music critic for the Berlin newspaper ''[[Der Tagesspiegel]]'' (1978–1998), Dümling contributed to the ''[[Frankfurter Allgemeine Zeitung]]'', "Neue Musik-Zeitung"<ref>[http://www.nmz.de/ nmz - neue musikzeitung | Deutschlands größte Musikfachzeitung<!-- Bot generated title -->]</ref> and several radio programs. He is also a "Honorary Research Associate" at the [[Royal Holloway, University of London]], a "Research Fellow" at the [[Victorian College of the Arts]] in [[Melbourne]] and a member of the ''Advisory Board'' to the "International Centre for Suppressed Music"'<ref>http://www.jmi.org.uk/suppressedmusic/ifsm.html</ref> in [[London]].
Following twenty years as music critic for the Berlin newspaper ''[[Der Tagesspiegel]]'' (1978–1998), Dümling contributed to the ''[[Frankfurter Allgemeine Zeitung]]'', "Neue Musik-Zeitung"<ref>[http://www.nmz.de/ nmz - neue musikzeitung | Deutschlands größte Musikfachzeitung<!-- Bot generated title -->]</ref> and several radio programs. He is also a "Honorary Research Associate" at the [[Royal Holloway, University of London]], a "Research Fellow" at the [[Victorian College of the Arts]] in [[Melbourne]] and a member of the ''Advisory Board'' to the "International Centre for Suppressed Music"'<ref>{{Cite web |url=http://www.jmi.org.uk/suppressedmusic/ifsm.html |title=JEWISH MUSIC INSTITUTE - Suppressed Music, IFSM |access-date=2009-10-31 |archive-url=https://web.archive.org/web/20100508232859/http://www.jmi.org.uk/suppressedmusic/ifsm.html |archive-date=2010-05-08 |url-status=dead }}</ref> in [[London]].


As a scholar at the [[Getty Center|Getty Center for the History of Art and the Humanities]] Dümling created an American version of the exhibition „Entartete Musik (''degenerate music'') in 1989/90, which travelled to more than 50 locations worldwide, including the [[Royal Festival Hall]] in London, and the [[Vienna State Opera]]. In 2007 he developed a [[Spanish language|Spanish]] version of the exhibition for the [[University of Sevilla]], and a revised German version for the [[Berlin Philharmonic Orchestra]].
As a scholar at the [[Getty Center|Getty Center for the History of Art and the Humanities]]<ref>[http://www.getty.edu/research/scholars/years/1989-1990.html Getty Scholars]</ref> Dümling created an American version of the exhibition „Entartete Musik (''degenerate music'') in 1989/90, which travelled to more than 50 locations worldwide, including the [[Royal Festival Hall]] in London, and the [[Vienna State Opera]]. In 2007 he developed a [[Spanish language|Spanish]] version of the exhibition for the [[University of Sevilla]], and a revised German version for the [[Berlin Philharmonic Orchestra]].


In 1990, Dümling was appointed chairman of "musica reanimata",<ref>[http://www.musica-reanimata.de musica reanimata<!-- Bot generated title -->]</ref> a society for the promotion of composers persecuted by the [[Nazis]], which in 2006 was awarded the "German Critics’ Prize". 1992-99 he served as Project Consultant for the [[Decca Records|DECCA]] CD-series "Entartete Musik". Following a lecture tour through Europe he was the organiser of the conference “Musical Exile in Australia” in [[Dresden]] 1996. From 2000 to 2003 Dümling continued this research project at the [[Technische Universität Berlin]] (Zentrum für Antisemitismusforschung), sponsored by the [[Deutsche Forschungsgemeinschaft]]. 2004 he received the [[Harold Leslie White|Harold White Fellowship]]<ref>[http://www.nla.gov.au/grants/haroldwhite/biography/dumling.html Albrecht Dümling | National Library of Australia<!-- Bot generated title -->]</ref> from the [[National Library of Australia]].
In 1990, Dümling was appointed chairman of "musica reanimata",<ref>[http://www.musica-reanimata.de musica reanimata<!-- Bot generated title -->]</ref> a society for the promotion of composers persecuted by the [[Nazis]], which in 2006 was awarded the "German Critics’ Prize". 1992-99 he served as Project Consultant for the [[Decca Records|DECCA]] CD-series "Entartete Musik". Following a lecture tour through Australia he was the organiser of the conference “Musical Exile in Australia” in [[Dresden]] 1996. From 2000 to 2003 Dümling continued this research project at the [[Technische Universität Berlin]] (Zentrum für Antisemitismusforschung), sponsored by the [[Deutsche Forschungsgemeinschaft]]. 2004 he received the [[Harold Leslie White|Harold White Fellowship]]<ref>[http://www.nla.gov.au/harold-white-fellowships/list-of-harold-white-fellows/2001-2010/ Harold White Fellowship]</ref> from the [[National Library of Australia]].


In 1992 Dümling wrote the official biography of German composer [[Leon Jessel]] (1871–1942). He revised and republished the biography in 2012.<ref>http://www.operanostalgia.be/html/Jessel.html</ref><ref>http://www.lukasverlag.com/neuerscheinungen/titel/316-verweigerte-heimat.html</ref>
In 1992 Dümling wrote the official biography of German composer [[Leon Jessel]] (1871–1942). He revised and republished the biography in 2012.<ref>{{Cite web|url=http://www.operanostalgia.be/html/Jessel.html|title=Naamloos document}}</ref><ref>{{Cite web|url=http://www.lukasverlag.com/neuerscheinungen/titel/316-verweigerte-heimat.html|title = Verweigerte Heimat - Lukas Verlag für Kunst- und Geistesgeschichte}}</ref>


Dümling was awarded the ''European Cultural Prize "KAIROS"''<ref>[http://www.toepfer-fvs.de/index.php?id=584&L=1 KAIROS Prize<!-- Bot generated title -->]</ref> of the [[Alfred Toepfer Stiftung F.V.S.|Alfred Toepfer Foundation]] in [[Hamburg]], for the rediscovery of persecuted musicians.
Dümling was awarded the ''European Cultural Prize "KAIROS"''<ref>[http://www.toepfer-fvs.de/index.php?id=584&L=1 KAIROS Prize<!-- Bot generated title -->]</ref> of the [[Alfred Toepfer Stiftung F.V.S.|Alfred Toepfer Foundation]] in [[Hamburg]], for the rediscovery of persecuted musicians.
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*Dümling, Albrecht. ''Laßt euch nicht verführen! Brecht und die Musik''. München: Kindler, 1985
*Dümling, Albrecht. ''Laßt euch nicht verführen! Brecht und die Musik''. München: Kindler, 1985
*Dümling, Albrecht. ''Die verweigerte Heimat: Leon Jessel, der Komponist des "Schwarzwaldmädel"'' (''The Denied Homeland: Leon Jessel, Composer of "Black Forest Girl"''). Düsseldorf: Der kleine Verlag, 1992. Revised in 2012 and published by Lukas Verlag.
*Dümling, Albrecht. ''Die verweigerte Heimat: Leon Jessel, der Komponist des "Schwarzwaldmädel"'' (''The Denied Homeland: Leon Jessel, Composer of "Black Forest Girl"''). Düsseldorf: Der kleine Verlag, 1992. Revised in 2012 and published by Lukas Verlag.
*Dümling, Albrecht. ''Die verschwundenen musiker: Jüdische flüchtlinge in Australien''. Böhlau Verlag, 2011.
*Dümling, Albrecht. ''Die verschwundenen Musiker: Jüdische Flüchtlinge in Australien''. Böhlau Verlag, 2011.
* Albrecht Dümling/Peter Girth (eds). ''Entartete Musik: Dokumentation und Kommentar zur Düsseldorfer Ausstellung von 1938''. Düsseldorf: Der Kleine Verlag, 1988. Expanded edition 1993. ISBN 3-924166-29-3
* Albrecht Dümling/Peter Girth (eds). ''Entartete Musik: Dokumentation und Kommentar zur Düsseldorfer Ausstellung von 1938''. Düsseldorf: Der Kleine Verlag, 1988. Expanded edition 1993. {{ISBN|3-924166-29-3}}
*{{cite book |last=Dümling |first=Albrecht |year=2003 |publisher=ConBrio |location=Regensburg |isbn=3-932581-58-X |title=Musik hat ihren Wert. 100 Jahre musikalische Verwertungsgesellschaft in Deutschland}}
*{{cite book |last=Dümling |first=Albrecht |year=2003 |publisher=ConBrio |location=Regensburg |isbn=3-932581-58-X |title=Musik hat ihren Wert. 100 Jahre musikalische Verwertungsgesellschaft in Deutschland}}
*Dümling, Albrecht. ''The Vanished Musicians. Jewish Refugees in Australia''. Oxford: Peter Lang, 2016.


== References ==
== References ==
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== External links ==
== External links ==
* {{DNB portal|128439858|TYP=}}
* {{DNB portal|128439858|TYP=}}
* [http://www.trinity.unimelb.edu.au/academic_programs/visiting_scholars/past_scholars/2008/dumling trinity.unimelb.edu.au], biography of Albrecht Dümling
* [https://web.archive.org/web/20091011214141/http://www.trinity.unimelb.edu.au/academic_programs/visiting_scholars/past_scholars/2008/dumling/ trinity.unimelb.edu.au], biography of Albrecht Dümling
* [http://www.duemling.de/bio_english.htm duemling.de], biography of Albrecht Dümling
* [https://web.archive.org/web/20110718231946/http://www.duemling.de/bio_english.htm duemling.de], biography of Albrecht Dümling


{{Authority control|VIAF=79062579}}
{{Authority control}}


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Dumling, Albrecht
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = German musicologist
| DATE OF BIRTH = 1949
| PLACE OF BIRTH =
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Dumling, Albrecht}}
{{DEFAULTSORT:Dumling, Albrecht}}
[[Category:German music critics]]
[[Category:German music critics]]
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[[Category:1949 births]]
[[Category:1949 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:German male writers]]
[[Category:German male non-fiction writers]]
[[Category:Officers Crosses of the Order of Merit of the Federal Republic of Germany]]

Revision as of 18:53, 9 April 2024

Albrecht Dümling (born 1949) is a German musicologist and music critic.

Biography

Born in Wuppertal, Dümling studied musicology in Essen, Vienna and Berlin and earned a Ph.D. with an interdisciplinary study on Arnold Schönberg and Stefan George, with Carl Dahlhaus as his mentor. In 1985 he published his comprehensive work on Bertolt Brecht’s collaboration with composers. As a co-founder of the "International Hanns Eisler Society",[1] Dümling was instrumental in creating the new "Gesamtausgabe" (complete edition) of the musical and literary works of the composer.

Following twenty years as music critic for the Berlin newspaper Der Tagesspiegel (1978–1998), Dümling contributed to the Frankfurter Allgemeine Zeitung, "Neue Musik-Zeitung"[2] and several radio programs. He is also a "Honorary Research Associate" at the Royal Holloway, University of London, a "Research Fellow" at the Victorian College of the Arts in Melbourne and a member of the Advisory Board to the "International Centre for Suppressed Music"'[3] in London.

As a scholar at the Getty Center for the History of Art and the Humanities[4] Dümling created an American version of the exhibition „Entartete Musik (degenerate music) in 1989/90, which travelled to more than 50 locations worldwide, including the Royal Festival Hall in London, and the Vienna State Opera. In 2007 he developed a Spanish version of the exhibition for the University of Sevilla, and a revised German version for the Berlin Philharmonic Orchestra.

In 1990, Dümling was appointed chairman of "musica reanimata",[5] a society for the promotion of composers persecuted by the Nazis, which in 2006 was awarded the "German Critics’ Prize". 1992-99 he served as Project Consultant for the DECCA CD-series "Entartete Musik". Following a lecture tour through Australia he was the organiser of the conference “Musical Exile in Australia” in Dresden 1996. From 2000 to 2003 Dümling continued this research project at the Technische Universität Berlin (Zentrum für Antisemitismusforschung), sponsored by the Deutsche Forschungsgemeinschaft. 2004 he received the Harold White Fellowship[6] from the National Library of Australia.

In 1992 Dümling wrote the official biography of German composer Leon Jessel (1871–1942). He revised and republished the biography in 2012.[7][8]

Dümling was awarded the European Cultural Prize "KAIROS"[9] of the Alfred Toepfer Foundation in Hamburg, for the rediscovery of persecuted musicians.

Selected bibliography

  • Dümling, Albrecht. Laßt euch nicht verführen! Brecht und die Musik. München: Kindler, 1985
  • Dümling, Albrecht. Die verweigerte Heimat: Leon Jessel, der Komponist des "Schwarzwaldmädel" (The Denied Homeland: Leon Jessel, Composer of "Black Forest Girl"). Düsseldorf: Der kleine Verlag, 1992. Revised in 2012 and published by Lukas Verlag.
  • Dümling, Albrecht. Die verschwundenen Musiker: Jüdische Flüchtlinge in Australien. Böhlau Verlag, 2011.
  • Albrecht Dümling/Peter Girth (eds). Entartete Musik: Dokumentation und Kommentar zur Düsseldorfer Ausstellung von 1938. Düsseldorf: Der Kleine Verlag, 1988. Expanded edition 1993. ISBN 3-924166-29-3
  • Dümling, Albrecht (2003). Musik hat ihren Wert. 100 Jahre musikalische Verwertungsgesellschaft in Deutschland. Regensburg: ConBrio. ISBN 3-932581-58-X.
  • Dümling, Albrecht. The Vanished Musicians. Jewish Refugees in Australia. Oxford: Peter Lang, 2016.

References