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{{Short description|Filmography}}
{{Use dmy dates|date=May 2014}}
{{Use dmy dates|date=May 2014}}
{{good article}}
{{good article}}
[[File:Audie Murphy - Courage publicity.JPG|thumb| ''[[The Red Badge of Courage (1951 film)|Red Badge of Courage]]'' (1951)]]
[[File:Audie Murphy - Courage publicity.JPG|thumb| ''[[The Red Badge of Courage (1951 film)|Red Badge of Courage]]'' (1951)]]
'''[[Audie Murphy]]''' (20 June 1925 – 28 May 1971)<!-- LEAVE THIS ALONE! See [[Audie Murphy]] talk page: Archive #1 §22--> was a highly decorated American soldier and [[Medal of Honor]] recipient who turned actor. He portrayed himself in the film ''[[To Hell and Back (film)|''To Hell and Back'']]'', the account of his World War II experiences. During the 1950s and 1960s he was cast primarily in [[Western (genre)|western]]s. While often the hero, he proved his ability to portray a cold-blooded hired gun in ''[[No Name on the Bullet]]''. A notable exception to the westerns was ''[[The Quiet American (1958 film)|The Quiet American]]'' in which he co-starred with [[Michael Redgrave]]. Murphy made over 40 feature films and often worked with directors more than once. [[Jesse Hibbs]] who directed ''To Hell and Back'' worked with the star on six films, only half of which were westerns. When promoting his 1949 book ''To Hell and Back'' he appeared on the radio version of ''[[This Is Your Life]]''. To promote the 1955 film of the same name, he appeared on [[Ed Sullivan]]'s ''[[Ed Sullivan Show|Toast of the Town]]''. He was a celebrity guest on television shows such as ''[[What's My Line?]]'' and appeared in a handful of television dramas. Murphy's only television series ''[[Whispering Smith (TV series)|Whispering Smith]]'' had a brief run in 1961. For his cooperation in appearing in the [[United States Army]]'s ''Broken Bridge'' episode of ''The Big Picture'' television series he was awarded the [[Outstanding Civilian Service Medal]].
'''[[Audie Murphy]]''' (20 June 1925 – 28 May 1971)<!-- LEAVE THIS ALONE! See [[Audie Murphy]] talk page: Archive #1 §22--> was a highly decorated American soldier and [[Medal of Honor]] recipient who turned actor. He portrayed himself in the film ''[[To Hell and Back (film)|''To Hell and Back'']]'', the account of his World War II experiences. During the 1950s and 1960s he was cast primarily in [[Western (genre)|western]]s. While often the hero, he proved his ability to portray a cold-blooded hired gun in ''[[No Name on the Bullet]]''. A notable exception to the westerns was ''[[The Quiet American (1958 film)|The Quiet American]]'' in which he co-starred with [[Michael Redgrave]]. Murphy made over 40 feature films and often worked with directors more than once. [[Jesse Hibbs]] who directed ''To Hell and Back'' worked with the star on six films, only half of which were westerns. When promoting his 1949 book ''To Hell and Back'' he appeared on the radio version of ''[[This Is Your Life (American franchise)|This Is Your Life]]''. To promote the 1955 film of the same name, he appeared on [[Ed Sullivan]]'s ''[[Ed Sullivan Show|Toast of the Town]]''. He was a celebrity guest on television shows such as ''[[What's My Line?]]'' and appeared in a handful of television dramas. Murphy's only television series ''[[Whispering Smith (TV series)|Whispering Smith]]'' had a brief run in 1961. For his cooperation in appearing in the [[United States Army]]'s ''Broken Bridge'' episode of ''The Big Picture'' television series he was awarded the [[Outstanding Civilian Service Medal]].

[[File:Guy_Mitchell_Audie_Murphy_Whispering_Smith_1961.JPG|thumb|right|A photo of Guy Mitchell and Audie Murphy in Whispering Smith]]


==Early career==
==Early career==
[[File:Audie Murphy-DW ORIGINAL PUBLICITY PROMO PHOTO.jpg|thumb|Audie Murphy publicity photo|left]]
[[File:Audie Murphy-DW ORIGINAL PUBLICITY PROMO PHOTO.jpg|thumb|Audie Murphy publicity photo|left]]
Murphy became a national celebrity following his [[World War II]] military service when ''[[Life (magazine)|Life]]'' magazine proclaimed him America's "most decorated soldier" in its 16 July 1945 issue cover story.<ref name="Lifecover">{{cite journal|ref=harv |title=Life Visits Audie Murphy |journal=Life|url=https://books.google.com/books?id=fEgEAAAAMBAJ&pg=PA15&dq=life+magazine+july+16+1945+%22audie+murphy%22#v=onepage&q=life%20magazine%20july%2016%201945%20%22audie%20murphy%22&f=false |date=16 July 1945|pages=94–97|accessdate=12 October 2013}}</ref> That magazine cover brought him to the attention of veteran actor [[James Cagney]] who invited him to Hollywood. When Murphy arrived in California after his military discharge, Cagney cancelled the hotel reservations he'd made for Murphy and instead took him into his own home, "I got the shock of my life. Audie was very thin. His complexion was bluish-gray." Commenting years later on his first impression, Cagney said, "[Murphy was] in such a nervous condition that I was afraid he might jump out of a window. I took him home and gave him my bed."{{sfn|Graham|1989|page=129}} He spent three weeks as a guest of Cagney and then returned to Texas before finally agreeing to an offer from brothers James and William Cagney of $150 a week as a contract player with their production company. The Cagneys gave Murphy personal attention on acting techniques.{{sfn|Graham|1989|pages=130–131}} He also took lessons at the [[Actors' Lab]] on Sunset Boulevard. Murphy studied [[Vocal pedagogy|voice]] techniques, learned [[judo]], and trained with [[Choreography (dance)|choreographer]] John Boyle, Cagney's dance coach for ''[[Yankee Doodle Dandy]]''.{{sfn|Graham|1989|page=133}} A 1947 disagreement with William Cagney ended his association with the brothers without having been cast in a film production.{{sfn|Graham|1989|pages=128–147}}
Murphy became a national celebrity following his [[World War II]] military service when ''[[Life (magazine)|Life]]'' magazine proclaimed him America's "most decorated soldier" in its 16 July 1945 issue cover story.<ref name="Lifecover">{{cite magazine|title=Life Visits Audie Murphy |magazine=Life|url=https://books.google.com/books?id=fEgEAAAAMBAJ&q=life+magazine+july+16+1945+%22audie+murphy%22&pg=PA15 |date=16 July 1945|pages=94–97|access-date=12 October 2013}}</ref> That magazine cover brought him to the attention of veteran actor [[James Cagney]] who invited him to Hollywood. When Murphy arrived in California after his military discharge, Cagney cancelled the hotel reservations he'd made for Murphy and instead took him into his own home, "I got the shock of my life. Audie was very thin. His complexion was bluish-gray." Commenting years later on his first impression, Cagney said, "[Murphy was] in such a nervous condition that I was afraid he might jump out of a window. I took him home and gave him my bed."{{sfn|Graham|1989|page=129}} He spent three weeks as a guest of Cagney and then returned to Texas before finally agreeing to an offer from brothers James and William Cagney of $150 a week as a contract player with their production company. The Cagneys gave Murphy personal attention on acting techniques.{{sfn|Graham|1989|pages=130–131}} He also took lessons at the [[Actors' Lab]] on Sunset Boulevard. Murphy studied [[Vocal pedagogy|voice]] techniques, learned [[judo]], and trained with [[Choreography (dance)|choreographer]] John Boyle, Cagney's dance coach for ''[[Yankee Doodle Dandy]]''.{{sfn|Graham|1989|page=133}} A 1947 disagreement with William Cagney ended his association with the brothers without having been cast in a film production.{{sfn|Graham|1989|pages=128–147}}


He moved into Terry Hunt's Athletic Club and survived on his Army pension of $113 a month. In 1948 he became acquainted with writer David "Spec" McClure who got him a $500 bit part in ''[[Texas, Brooklyn and Heaven]]''.{{sfn|Graham|1989|pages=150–151}} He began dating actress [[Wanda Hendrix]] in 1946.{{sfn|Graham|1989|pages=142,174}} Her agent got Murphy a bit part in the 1948 [[Alan Ladd]] film ''[[Beyond Glory]]'' directed by [[John Farrow]].{{sfn|Graham|1989|pages=145–146}} Murphy and Hendrix married in 1949 and divorced in 1951.{{sfn|Graham|1989|pages=142,174,215}}
He moved into Terry Hunt's Athletic Club and survived on his Army pension of $113 a month. In 1948 he became acquainted with writer David "Spec" McClure who got him a $500 bit part in ''[[Texas, Brooklyn & Heaven]]''.{{sfn|Graham|1989|pages=150–151}} He began dating actress [[Wanda Hendrix]] in 1946.{{sfn|Graham|1989|pages=142,174}} Her agent got Murphy a bit part in the 1948 [[Alan Ladd]] film ''[[Beyond Glory]]'' directed by [[John Farrow]].{{sfn|Graham|1989|pages=145–146}} Murphy and Hendrix married in 1949 and divorced in 1951.{{sfn|Graham|1989|pages=142,174,215}}


His 1949 film ''[[Bad Boy (1949 film)|Bad Boy]]'' gave him his first leading role.<ref name="BadBoy">{{cite journal|last=Movies of the Month|title=Bad Boy|journal=Boys' Life|page=50|date=April 1949|url=https://books.google.com/books?id=zj1uY2cSGv8C&pg=PA50|accessdate=22 May 2014}}</ref> Murphy became acquainted in Texas with Interstate Theatre executive James "Skipper" Cherry,{{sfn|Graham|1989|page=128}} who was best man at Murphy's 1951 marriage to Pamela Archer and the namesake of the couple's second son.{{sfn|Graham|1989|page=216}}{{sfn|Graham|1989|page=250}} Murphy's association with Cherry brought him to the attention of Texas independent producer Paul Short.{{sfn|Graham|1989|page=128}} With financing from Texas theater owners and the children's charitable organization Variety Clubs International, Short cast Murphy in ''Bad Boy'' to help promote the charity's work with troubled children.{{sfn|Graham|1989|pages=161–162}} Murphy performed well in the screen test, but [[Steve Broidy]], president of the project's production company [[Allied Artists Pictures Corporation|Allied Artists]] did not want to cast someone in a major role with so little acting experience. Cherry, Short, and the theater owners refused to finance the film unless Murphy played the lead.{{sfn|Tate|2006|pages=162–163}} The 1933 Thames Williamson novel ''The Woods Colt'' caught Murphy's attention during this period of his career. He secured the rights to the story in the 1950s, and [[Marion Hargrove]] was hired to write the script. The film was never made.{{sfn|Graham|1989|pages=265,280}}
His 1949 film ''[[Bad Boy (1949 film)|Bad Boy]]'' gave him his first leading role.<ref name="BadBoy">{{cite journal|last=Movies of the Month|title=Bad Boy|journal=Boys' Life|page=50|date=April 1949|url=https://books.google.com/books?id=zj1uY2cSGv8C&pg=PA50|access-date=22 May 2014}}</ref> Murphy became acquainted in Texas with Interstate Theatre executive James "Skipper" Cherry,{{sfn|Graham|1989|page=128}} who was best man at Murphy's 1951 marriage to Pamela Archer and the namesake of the couple's second son.{{sfn|Graham|1989|page=216}}{{sfn|Graham|1989|page=250}} Murphy's association with Cherry brought him to the attention of Texas independent producer Paul Short.{{sfn|Graham|1989|page=128}} With financing from Texas theater owners and the children's charitable organization Variety Clubs International, Short cast Murphy in ''Bad Boy'' to help promote the charity's work with troubled children.{{sfn|Graham|1989|pages=161–162}} Murphy performed well in the screen test, but [[Steve Broidy]], president of the project's production company [[Allied Artists Pictures Corporation|Allied Artists]] did not want to cast someone in a major role with so little acting experience. Cherry, Short, and the theater owners refused to finance the film unless Murphy played the lead.{{sfn|Tate|2006|pages=162–163}} The 1933 Thames Williamson novel ''The Woods Colt'' caught Murphy's attention during this period of his career. He secured the rights to the story in the 1950s, and [[Marion Hargrove]] was hired to write the script. The film was never made.{{sfn|Graham|1989|pages=265,280}}


[[Universal Studios]] signed Murphy to a seven-year [[Studio system|studio contract]] at $2,500 a week.{{sfn|Young|Young|2010|pages=493–495}}{{sfn|Graham|1989|page= 177}} His first film for them in 1950 was as [[Billy the Kid]] in ''[[The Kid from Texas]]''. He wrapped up that year making ''[[Sierra (film)|Sierra]]'' starring his wife Wanda Hendrix,{{sfn|Graham|1989|page=348}} and ''[[Kansas Raiders]]'' as outlaw [[Jesse James]]. He and director [[Budd Boetticher]] become acquainted through Terry Hunt's Athletic Club where Murphy would request to be his boxing partner.{{sfn|Nott|2005|pages=1–2}} Murphy appeared in the 1951 title role of Boetticher's first western''[[The Cimarron Kid]]''.{{sfn|Rausch|Dequina|2008||pages=38–39}}
[[Universal Studios]] signed Murphy to a seven-year [[Studio system|studio contract]] at $2,500 a week.{{sfn|Young|Young|2010|pages=493–495}}{{sfn|Graham|1989|page= 177}} His first film for them in 1950 was as [[Billy the Kid]] in ''[[The Kid from Texas]]''. He wrapped up that year making ''[[Sierra (film)|Sierra]]'' starring his wife Wanda Hendrix,{{sfn|Graham|1989|page=348}} and ''[[Kansas Raiders]]'' as outlaw [[Jesse James]]. He and director [[Budd Boetticher]] become acquainted through Terry Hunt's Athletic Club where Murphy would request to be his boxing partner.{{sfn|Nott|2005|pages=1–2}} Murphy appeared in the 1951 title role of Boetticher's first western''[[The Cimarron Kid]]''.{{sfn|Rausch|Dequina|2008||pages=38–39}}
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|quote =Audie Murphy tackles the role, and probably better fits the original Brand conception than his predecessors.
|quote =Audie Murphy tackles the role, and probably better fits the original Brand conception than his predecessors.
|source =[[Variety (magazine)|Variety]] review of ''Destry''
|source =[[Variety (magazine)|Variety]] review of ''Destry''
<ref>{{cite web|title=Review: Destry|url=https://variety.com/1953/film/reviews/destry-1200417704/|work=Variety|accessdate=12 October 2013|date=January 1954}}</ref>
<ref>{{cite web|title=Review: Destry|url=https://variety.com/1953/film/reviews/destry-1200417704/|work=Variety|access-date=12 October 2013|date=January 1954}}</ref>
|width=25%
|width=25%
|align = right
|align = right
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The only screenplay [[John Meredyth Lucas]] ever did for a Murphy film was the 1953 ''[[Tumbleweed (1953 film)|Tumbleweed]]'', an adaptation of the Kenneth Perkins novel ''Three Were Renegades'' .{{sfn|Lucas|2004|pages=175–177}} Murphy played Jim Harvey, whose horse Tumbleweed displayed a talent for getting the hero out of any scrape.{{sfn|Nott|2005|pages=51–22}} Director [[Nathan Juran]] oversaw ''Tumbleweed'', as well as ''[[Gunsmoke (film)|Gunsmoke]]'' and ''[[Drums Across the River]]''.{{sfn|Graham|1989|pages=231–232}}
The only screenplay [[John Meredyth Lucas]] ever did for a Murphy film was the 1953 ''[[Tumbleweed (1953 film)|Tumbleweed]]'', an adaptation of the Kenneth Perkins novel ''Three Were Renegades'' .{{sfn|Lucas|2004|pages=175–177}} Murphy played Jim Harvey, whose horse Tumbleweed displayed a talent for getting the hero out of any scrape.{{sfn|Nott|2005|pages=51–22}} Director [[Nathan Juran]] oversaw ''Tumbleweed'', as well as ''[[Gunsmoke (film)|Gunsmoke]]'' and ''[[Drums Across the River]]''.{{sfn|Graham|1989|pages=231–232}}


As Murphy's film career began to progress, so did his efforts to improve his skills. He continually practiced his fast draw with a gun.{{sfn|Graham|1989|pages=220–221}} When [[Hugh O'Brian]] bet $500 that he could draw a gun faster than anyone in Hollywood, Murphy raised the ante to $2500 and wanted to use live ammunition; O'Brian did not accept.<ref name="sixgungalahad">{{Cite magazine |date=1959-03-30 |title=The Six-Gun Galahad |url=http://www.time.com/time/magazine/article/0,9171,892441,00.html?internalid=ACA |magazine=TIME |archive-url=https://web.archive.org/web/20080214134022/http://www.time.com/time/magazine/article/0,9171,892441,00.html |archive-date=2008-02-14}}</ref> He took both private and classroom acting lessons from [[Estelle Harman]], and honed his diction by reciting dialogue from [[William Shakespeare]] and [[William Saroyan]].{{sfn|Graham|1989|pages=222–223}}
As Murphy's film career began to progress, so did his efforts to improve his skills. He continually practiced his fast draw with a gun.{{sfn|Graham|1989|pages=220–221}} When [[Hugh O'Brian]] bet $500 that he could draw a gun faster than anyone in Hollywood, Murphy raised the ante to $2500 and wanted to use live ammunition; O'Brian did not accept.<ref name="sixgungalahad">{{Cite magazine |date=1959-03-30 |title=The Six-Gun Galahad |url=http://www.time.com/time/magazine/article/0,9171,892441,00.html?internalid=ACA |magazine=Time |url-status=dead |archive-url=https://web.archive.org/web/20080214134022/http://www.time.com/time/magazine/article/0,9171,892441,00.html |archive-date=2008-02-14}}</ref> He took both private and classroom acting lessons from [[Estelle Harman]], and honed his diction by reciting dialogue from [[William Shakespeare]] and [[William Saroyan]].{{sfn|Graham|1989|pages=222–223}}


==''The Red Badge of Courage''==
==''The Red Badge of Courage''==
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Although Murphy was initially reluctant to appear as himself in ''[[To Hell and Back (film)|''To Hell and Back'']]'', the film version of his book, he eventually agreed to do so. Terry Murphy portrayed his brother Joseph Preston Murphy at age four. The film was directed by [[Jesse Hibbs]] with an on-screen introduction by General [[Walter Bedell Smith]]. [[Susan Kohner]], daughter of Murphy's agent [[Paul Kohner]],{{sfn|Graham|1989|pages=241,349}} made her acting debut in the film. The finale shows Murphy being awarded the [[Medal of Honor]] while images of his unit's casualties pass across the screen.{{sfn|Huebner|2007|pages=140–143}} It became the biggest hit in the history of [[Universal Studios]] at the time.{{sfn|Gossett|1996|p=15}}{{sfn|Niemi|2006||page=90}}
Although Murphy was initially reluctant to appear as himself in ''[[To Hell and Back (film)|''To Hell and Back'']]'', the film version of his book, he eventually agreed to do so. Terry Murphy portrayed his brother Joseph Preston Murphy at age four. The film was directed by [[Jesse Hibbs]] with an on-screen introduction by General [[Walter Bedell Smith]]. [[Susan Kohner]], daughter of Murphy's agent [[Paul Kohner]],{{sfn|Graham|1989|pages=241,349}} made her acting debut in the film. The finale shows Murphy being awarded the [[Medal of Honor]] while images of his unit's casualties pass across the screen.{{sfn|Huebner|2007|pages=140–143}} It became the biggest hit in the history of [[Universal Studios]] at the time.{{sfn|Gossett|1996|p=15}}{{sfn|Niemi|2006||page=90}}


Both Murphy and Universal gave serious considerations to a follow-up version of his post-war life. Murphy rejected the [[Richard J. Collins]] script ''The Way Back'' which created the fictional scenario that filming ''To Hell and Back'' had been so therapeutic for Murphy that it cured him of his [[Post-traumatic stress disorder|combat fatigue]]. Spec McClure scripted a second unused version of ''The Way Back''<ref>{{cite web|title=The Way Back|url=http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=1&ti=1,1&Search_Arg=TXu000730802&Search_Code=REGS&CNT=25&PID=wH_uFY0deHJlNZH5cxwB5MhiTwB&SEQ=20140204160435&SID=1|work=U.S. Copyright Records Database|publisher=United States Copyright Office|accessdate=4 February 2014}}</ref> that incorporated Murphy's real-life friends into the storyline and ended with the star living happily ever after with Pamela and their two sons. A third version by an unknown writer focused on the Murphy-McClure friendship and was rejected by the threat of a lawsuit from McClure. [[Desi Arnaz]] offered to bankroll a 1965 project titled ''Helmets in the Dust''.<ref>{{cite web|title=Helmets in the Dust|url=http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=1&ti=1,1&Search_Arg=TXu000730747&Search_Code=REGS&CNT=25&PID=E0qjyPnOwGf8D2eGaJuCVaFv48sbz&SEQ=20140204123230&SID=1|work=U.S. Copyright Records Database|publisher=United States Copyright Office|accessdate=4 February 2014}}</ref> At Murphy's request McClure wrote a [[film treatment]], but the project never came to fruition.{{sfn|Graham|1989|pages=261–262}}
Both Murphy and Universal gave serious considerations to a follow-up version of his post-war life. Murphy rejected the [[Richard J. Collins]] script ''The Way Back'' which created the fictional scenario that filming ''To Hell and Back'' had been so therapeutic for Murphy that it cured him of his [[Post-traumatic stress disorder|combat fatigue]]. Spec McClure scripted a second unused version of ''The Way Back''<ref>{{cite web|title=The Way Back|url=http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=1&ti=1,1&Search_Arg=TXu000730802&Search_Code=REGS&CNT=25&PID=wH_uFY0deHJlNZH5cxwB5MhiTwB&SEQ=20140204160435&SID=1|work=U.S. Copyright Records Database|publisher=United States Copyright Office|access-date=4 February 2014}}</ref> that incorporated Murphy's real-life friends into the storyline and ended with the star living happily ever after with Pamela and their two sons. A third version by an unknown writer focused on the Murphy-McClure friendship and was rejected by the threat of a lawsuit from McClure. [[Desi Arnaz]] offered to bankroll a 1965 project titled ''Helmets in the Dust''.<ref>{{cite web|title=Helmets in the Dust|url=http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?v1=1&ti=1,1&Search_Arg=TXu000730747&Search_Code=REGS&CNT=25&PID=E0qjyPnOwGf8D2eGaJuCVaFv48sbz&SEQ=20140204123230&SID=1|work=U.S. Copyright Records Database|publisher=United States Copyright Office|access-date=4 February 2014}}</ref> At Murphy's request McClure wrote a [[film treatment]], but the project never came to fruition.{{sfn|Graham|1989|pages=261–262}}


==Later films==
==Later films==
The Hibbs-Murphy team proved so successful in ''To Hell and Back''{{sfn|Graham|1989|pages=241–242, 244–246,261}} that the two worked together on a total of five subsequent films. Hibbs directed Murphy in ''[[Ride Clear of Diablo]]'' in 1954.{{sfn|Graham|1989|page=233}} The partnership resulted in the commercially unsuccessful non-traditional 1956 western ''[[Walk the Proud Land]]''.{{sfn|Graham|1989|page=263}} Hibbs and Murphy teamed with each other for non-westerns ''[[Joe Butterfly]]''{{sfn|Graham|1989|pages=266–267}} and ''[[World in My Corner]]''.{{sfn|Graham|1989|page=263}} They worked together a final time in the 1958 western ''[[Ride a Crooked Trail]]''.{{sfn|Graham|1989|page=268}} Veteran character actor [[Dan Duryea]] who portrayed villain Whitey Kincaide in ''Ride Clear of Diablo'' played a second lead in two more Murphy vehicles, ''Night Passage''{{sfn|Herzberg|2005|page=97}} and ''Six Black Horses''. ''The Story of Charles Russell'' with Murphy as the lead was under development at Universal but shelved after the disappointing receipts of ''Walk the Proud Land''. Murphy, however, was enthusiastic enough about a biopic of [[Charles Marion Russell]] to give serious consideration tor his own production that would star [[Guy Mitchell]] in the lead, but no such film was made.{{sfn|Dippie|1999|pages=208–209}}{{sfn|Graham|1989|pages=263–264}}
The Hibbs-Murphy team proved so successful in ''To Hell and Back''{{sfn|Graham|1989|pages=241–242, 244–246,261}} that the two worked together on a total of five subsequent films. Hibbs directed Murphy in ''[[Ride Clear of Diablo]]'' in 1954.{{sfn|Graham|1989|page=233}} The partnership resulted in the commercially unsuccessful non-traditional 1956 western ''[[Walk the Proud Land]]''.{{sfn|Graham|1989|page=263}} Hibbs and Murphy teamed with each other for non-westerns ''[[Joe Butterfly]]''{{sfn|Graham|1989|pages=266–267}} and ''[[World in My Corner]]''.{{sfn|Graham|1989|page=263}} They worked together a final time in the 1958 western ''[[Ride a Crooked Trail]]''.{{sfn|Graham|1989|page=268}} Veteran character actor [[Dan Duryea]] who portrayed villain Whitey Kincaide in ''Ride Clear of Diablo'' played a second lead in two more Murphy vehicles, ''Night Passage''{{sfn|Herzberg|2005|page=97}} and ''Six Black Horses''. ''The Story of Charles Russell'' with Murphy as the lead was under development at Universal but shelved after the disappointing receipts of ''Walk the Proud Land''. Murphy, however, was enthusiastic enough about a biopic of [[Charles Marion Russell]] to give serious consideration tor his own production that would star [[Guy Mitchell]] in the lead, but the film was not made.{{sfn|Dippie|1999|pages=208–209}}{{sfn|Graham|1989|pages=263–264}}


Murphy was hired by [[Joseph L. Mankiewicz]] to play the role of The American (Alden Pyle in the book) in the 1958 version of ''[[The Quiet American (1958 film)|The Quiet American]]'', replacing [[Montgomery Clift]] when the latter dropped out. [[Michael Redgrave]] replaced [[Laurence Olivier]] who dropped out when Clift withdrew. The cold-war drama filmed in [[Vietnam]] was a departure from the genre in which Murphy had normally been cast.{{sfn|O'Connor|Rollins|2008|pages=407, 414–415}}
Murphy was hired by [[Joseph L. Mankiewicz]] to play the role of The American (Alden Pyle in the book) in the 1958 version of ''[[The Quiet American (1958 film)|The Quiet American]]'', replacing [[Montgomery Clift]] when the latter dropped out. [[Michael Redgrave]] replaced [[Laurence Olivier]] who dropped out when Clift withdrew. The cold-war drama filmed in [[Vietnam]] was a departure from the genre in which Murphy had normally been cast.{{sfn|O'Connor|Rollins|2008|pages=407, 414–415}}
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Murphy formed a partnership with [[Harry Joe Brown]] to make three films, the first of which was the 1957 ''[[The Guns of Fort Petticoat]]''. The partnership fell into disagreement over the remaining two projects, and Brown filed suit against Murphy.{{sfn|Graham|1989|page=264}} Although Murphy was to co-star with [[Robert Mitchum]] in the 1957 film ''Night Riders'', scheduling conflicts prevented him from doing so.{{sfn|Graham|1989|page=263}} Springing from his skin diving hobby, Murphy hired diving expert Paul Kazear to write the script ''Skin Diver with a Heart'' . Murphy reneged on the deal and the film was never made. Kazear sued Murphy in 1958.{{sfn|Graham|1989|page=265}}
Murphy formed a partnership with [[Harry Joe Brown]] to make three films, the first of which was the 1957 ''[[The Guns of Fort Petticoat]]''. The partnership fell into disagreement over the remaining two projects, and Brown filed suit against Murphy.{{sfn|Graham|1989|page=264}} Although Murphy was to co-star with [[Robert Mitchum]] in the 1957 film ''Night Riders'', scheduling conflicts prevented him from doing so.{{sfn|Graham|1989|page=263}} Springing from his skin diving hobby, Murphy hired diving expert Paul Kazear to write the script ''Skin Diver with a Heart'' . Murphy reneged on the deal and the film was never made. Kazear sued Murphy in 1958.{{sfn|Graham|1989|page=265}}


The 1950s decade ended with Murphy doing three westerns. He co-starred with 14-year-old [[Sandra Dee]] in the 1959 film ''[[The Wild and the Innocent]]''. The film's cast was rounded out with respected talent of the era in [[Gilbert Roland]], [[Joanne Dru]] and [[Jim Backus]].{{sfn|Cozad|2006|pages=221–222}} His collaboration with [[Walter Mirisch]] on the black and white ''[[Cast a Long Shadow]]'' included an uncredited stint as co-producer. The film co-starred [[Terry Moore (actress)|Terry Moore]].{{sfn|Mirisch|2008|page=97}} His performance in ''[[No Name on the Bullet]]'' was well received. The storyline follows the cool, jaded hired gun as the townspeople are gripped with fear by his presence.{{sfn|Maltin|2008||pages=994–995}}
The 1950s ended with Murphy appearing in three westerns. He co-starred with 14-year-old [[Sandra Dee]] in the 1959 film ''[[The Wild and the Innocent]]''. The film's cast was rounded out with [[Gilbert Roland]], [[Joanne Dru]] and [[Jim Backus]].{{sfn|Cozad|2006|pages=221–222}} Murphy's collaboration with [[Walter Mirisch]] on ''[[Cast a Long Shadow]]'' included an uncredited stint as co-producer. The film co-starred [[Terry Moore (actress)|Terry Moore]].{{sfn|Mirisch|2008|page=97}} His performance in ''[[No Name on the Bullet]]'' was well received. The storyline follows the cool, jaded hired gun as the townspeople are gripped with fear by his presence.{{sfn|Maltin|2008||pages=994–995}}
{{Quote box
{{Quote box
|quote =Murphy ... uncorks a toughness and maturity that is a powerful aid to the story.
|quote =Murphy ... uncorks a toughness and maturity that is a powerful aid to the story.
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Murphy continued to make films in the 1960s. Murphy and Huston worked together one more time in the 1960 film ''[[The Unforgiven (1960 film)|The Unforgiven]]'', in which Murphy took second billing as [[Burt Lancaster]]'s racist kid brother who was bent on the destruction of the [[Kiowa people|Kiowa]].{{sfn|Nott|2005|pages=113–117}}Writer [[Clair Huffaker]] had success in a number of his works being adapted for the films, including his 1958 novel ''Flaming Lance'' being filmed as the [[Elvis Presley]] western ''[[Flaming Star]]''. Two of his works retained their original titles when Huffaker wrote the screenplays for them as Murphy's films in 1961, ''[[Seven Ways from Sundown]]'' and ''[[Posse from Hell]]''.{{sfn|Herzberg|2005|page=153}} Author Bob Herzberg deemed the scripts two of the best Murphy worked with in that decade.{{sfn|Herzberg|2005|page=168}} Herbert Coleman directed ''Posse from Hell'' as well as the black and white World War II drama ''[[Battle at Bloody Beach]]'' set in the [[Philippines]].{{sfn|Maltin|2008||page=93}}
Murphy and Huston worked together one more time in the 1960 film ''[[The Unforgiven (1960 film)|The Unforgiven]]'', in which Murphy took second billing as [[Burt Lancaster]]'s racist kid brother who was bent on the destruction of the [[Kiowa people|Kiowa]].{{sfn|Nott|2005|pages=113–117}}Writer [[Clair Huffaker]] wrote the screenplay for 1961's ''[[Seven Ways from Sundown]]'' and ''[[Posse from Hell]]''.{{sfn|Herzberg|2005|page=153}} Author Bob Herzberg deemed the scripts two of the best Murphy worked with in that decade.{{sfn|Herzberg|2005|page=168}} Herbert Coleman directed ''Posse from Hell'' as well as the World War II drama ''[[Battle at Bloody Beach]]'' set in the [[Philippines]].{{sfn|Maltin|2008||page=93}}


Willard W. Willingham and his wife Mary Willingham were friends of Murphy's from his earliest days in Hollywood and who worked with him on a number of projects.{{sfn|Graham|1989|page=235}}{{sfn|Pitts|2012|pp=14,48,114,139,357}}<ref>{{cite web|title=Willard Willingham filmography|url=https://www.nytimes.com/movies/person/116932/Willard-Willingham/filmography|work=New York Times|accessdate=6 January 2013}}</ref> Williard was a producer on Murphy's 1961 television series ''[[Whispering Smith (TV series)|Whispering Smith]]''.{{sfn|Graham|1989|p=354}} He additionally collaborated on ''[[Bullet for a Badman]]'' {{sfn|Pitts|2012|page=48}} in 1964 and ''[[Arizona Raiders]]'' in 1965. The latter was based on activities of [[Quantrill's Raiders]] and a remake of the [[George Montgomery (actor)|George Montgomery]] 1951 film ''The Texas Rangers'' . Moving the setting from Texas to Arizona, the film also featured veteran actor [[Buster Crabbe]].{{sfn|Herzberg|2005|pages=79–80}} Willard was a co-writer on the screenplay for ''Battle at Bloody Beach''.{{sfn|Basinger|Arnold|2003|page=301}} The Willinghams as a team wrote the screenplays for ''[[Gunpoint (film)|Gunpoint]]''{{sfn|Pitts|2012|page=139}} as well the script for Murphy's last starring lead in a western ''[[40 Guns to Apache Pass]]'' .{{sfn|Pitts|2012|page=114}} Released through Columbia Pictures in May 1967, the storyline centered around Murphy's character retrieving a cache of stolen rifles sold to Apache leader [[Cochise]].{{sfn|American Film Institute|1997|page=367}}
Willard W. Willingham and his wife, Mary, were friends of Murphy's from his earliest days in Hollywood and who worked with him on a number of projects.{{sfn|Graham|1989|page=235}}{{sfn|Pitts|2012|pp=14,48,114,139,357}}<ref>{{cite web|title=Willard Willingham filmography|url=https://www.nytimes.com/movies/person/116932/Willard-Willingham/filmography|archive-url=https://web.archive.org/web/20140120062258/http://www.nytimes.com/movies/person/116932/Willard-Willingham/filmography|url-status=dead|archive-date=20 January 2014|department=Movies & TV Dept.|work=[[The New York Times]]|date=2014|access-date=6 January 2013}}</ref> Williard was a producer on Murphy's 1961 television series ''[[Whispering Smith (TV series)|Whispering Smith]]''.{{sfn|Graham|1989|p=354}} He additionally collaborated on ''[[Bullet for a Badman]]'' {{sfn|Pitts|2012|page=48}} in 1964 and ''[[Arizona Raiders]]'' in 1965. The latter was based on activities of [[Quantrill's Raiders]] and was a remake of the [[George Montgomery (actor)|George Montgomery]] 1951 film ''The Texas Rangers'' . The film also featured [[Buster Crabbe]].{{sfn|Herzberg|2005|pages=79–80}} Willard was a co-writer on the screenplay for ''Battle at Bloody Beach''.{{sfn|Basinger|Arnold|2003|page=301}} The Willinghams as a team wrote the screenplays for ''[[Gunpoint (film)|Gunpoint]]''{{sfn|Pitts|2012|page=139}} as well the script for Murphy's last starring lead in a western, ''[[40 Guns to Apache Pass]]'' .{{sfn|Pitts|2012|page=114}} Released through Columbia Pictures in May 1967, the story centered on Murphy's character retrieving a cache of stolen rifles sold to Apache leader [[Cochise]].{{sfn|American Film Institute|1997|page=367}}


''[[Apache Rifles]]'' in 1964 was another formula Murphy western. He stayed at Universal for a few more years, then left to work at Columbia and Allied Artists before making several films in Europe. In 1966, he made ''[[Trunk to Cairo]]'' in Israel. He felt the film was, "the worst James Bond parody I've ever seen," but was unable to get out of the commitment.{{sfn|Lewis|2002|page=223}}
''[[Apache Rifles]]'' in 1964 was another formula Murphy western. He remained at Universal for a few more years, then left to work at Columbia and Allied Artists before making several films in Europe. In 1966 he made ''[[Trunk to Cairo]]'' in Israel. He felt the film was, "the worst James Bond parody I've ever seen," but was unable to get out of the commitment.{{sfn|Lewis|2002|page=223}}


{{quote|I feel like a prostitute who is a little over the hill. I get all kinds of promotional offers for movies. But instead of my usual price of $100,000 per picture, they offer $20,000 and a percentage of the profit you never see. When people find you need the money in this town, they cut their offer by 80 percent. And I keep turning down liquor and cigarette commercials. I don't believe they're good for kids. I guess it's a matter of not being 100 percent prostitute.<ref>{{cite news|last=Scott|first=Vernon|title=One-Time Hero Audie Murphy Is Now Broke and In Debt|page=9|url=https://news.google.com/newspapers?nid=1774&dat=19680922&id=1jsgAAAAIBAJ&pg=7368,5127401|newspaper=Sarasota Herald Tribune|date=22 September 1968|accessdate=10 October 2013}}</ref>|Audie Murphy, 1968}}
{{quote|I feel like a prostitute who is a little over the hill. I get all kinds of promotional offers for movies. But instead of my usual price of $100,000 per picture, they offer $20,000 and a percentage of the profit you never see. When people find you need the money in this town, they cut their offer by 80 percent. And I keep turning down liquor and cigarette commercials. I don't believe they're good for kids. I guess it's a matter of not being 100 percent prostitute.<ref>{{cite news|last=Scott|first=Vernon|title=One-Time Hero Audie Murphy Is Now Broke and In Debt|page=9|url=https://news.google.com/newspapers?nid=1774&dat=19680922&id=1jsgAAAAIBAJ&pg=7368,5127401|newspaper=Sarasota Herald Tribune|date=22 September 1968|access-date=10 October 2013}}</ref>|Audie Murphy, 1968}}


His own company FIPCO Productions{{sfn|Boggs|2011|pages=189–194}} produced his last film ''[[A Time for Dying]]'' . He had a cameo role as Jesse James, and his sons Terry and James were given small roles. Willard W. Willingham played Frank James.{{sfn|Nott|2005|pages=181–185}} Budd Boetticher wrote the script, and agreed to the production as a return favor for an earlier time when Murphy had bailed him out of financial setbacks. The production was beset with financial problems, and the set burned down twice. The film opened in France in 1971, but was not shown in the United States until its limited release in 1982.{{sfn|Boggs|2011|pages=189–194}} Two other projects that Murphy and Boetticher planned to produce, ''A Horse for Mr Barnum'' and ''When There's Sumpthin' to Do'', never came to fruition.{{sfn|Graham|1989|page=310}} He made over 40 feature films in his career.{{refn|group=ALM| name=count|The exact count on the number of feature films Murphy made varies by source. The [[Hollywood Walk of Fame]] and other sources put his total number of feature films at 44.<ref>{{cite web|title=Audie Murphy|url=http://www.walkoffame.com/audie-murphy|publisher=Hollywood Walk of Fame|accessdate=30 December 2013}}</ref> The film table in this article sources 45 films. IMDb has recently added a 46th film, ''Rock 'Em Cowboy'' (1958), but it is so far not verifiable for this article.<ref>{{cite web|title=Audie Murphy filmography by type|url=https://www.imdb.com/name/nm0001559/filmotype|publisher=IMDB|accessdate=30 December 2013}}</ref>}}
His own company FIPCO Productions{{sfn|Boggs|2011|pages=189–194}} produced his last film ''[[A Time for Dying]]'' . He had a cameo role as Jesse James, and his sons Terry and James were given small roles. Willard W. Willingham played Frank James.{{sfn|Nott|2005|pages=181–185}} Budd Boetticher wrote the script, and agreed to the production as a return favor for an earlier time when Murphy had bailed him out of financial setbacks. The production was beset with financial problems, and the set burned twice. The movie opened in France in 1971 but was not shown in the United States until its limited release in 1982.{{sfn|Boggs|2011|pages=189–194}} Two other projects that Murphy and Boetticher planned to produce, ''A Horse for Mr Barnum'' and ''When There's Sumpthin' to Do'', never came to fruition.{{sfn|Graham|1989|page=310}}
Murphy made more than 40 feature films in his career.{{refn|group=ALM| name=count|The exact number varies by source. The [[Hollywood Walk of Fame]] and other sources put his total at 44.}}<ref>{{cite web|title=Audie Murphy|url=http://www.walkoffame.com/audie-murphy|publisher=Hollywood Walk of Fame|access-date=30 December 2013}}</ref>


==Films==
==Films==


{| class="wikitable sortable"
{| class="wikitable sortable plainrowheaders"
! scope="col"|Year
! scope="col"|Title
! scope="col"|Title
! scope="col"|Year
! scope="col"|Role
! scope="col"|Role
! scope="col"|Director
! scope="col"|Director
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! scope="col" class="unsortable" | Refs.
! scope="col" class="unsortable" | Refs.
|-
|-
!scope="row"| ''[[Texas, Brooklyn & Heaven]]''
| scope="row" rowspan="2" | 1948 || ''[[Texas, Brooklyn and Heaven]]'' || Copy Boy || {{sort|Castle|[[William Castle]]}} || {{sort|Golden|[[Robert Golden (producer)|Robert Golden]]}} ||United Artists ||[[James Dunn (actor)|James Dunn]], [[William Frawley]], [[Margaret Hamilton (actress)|Margaret Hamilton]], [[Roscoe Karns]], [[Diana Lynn]], [[Guy Madison]], [[Irene Ryan]], [[Lionel Stander]] || {{sfn|Young|Young|2010|pages=493–495}}{{sfn|Graham|1989|page=347}}
|1948
|Copy Boy
|{{sort|Castle|[[William Castle]]}}
|{{sort|Golden|[[Robert Golden (producer)|Robert Golden]]}}
|United Artists
|[[James Dunn (actor)|James Dunn]], [[William Frawley]], [[Margaret Hamilton (actress)|Margaret Hamilton]], [[Roscoe Karns]], [[Diana Lynn]], [[Guy Madison]], [[Irene Ryan]], [[Lionel Stander]]
|{{sfn|Young|Young|2010|pages=493–495}}{{sfn|Graham|1989|page=347}}
|-
|-
!scope="row"| ''[[Beyond Glory]]''
| ''[[Beyond Glory]]'' || Cadet Thomas ||{{sort|Farrow|[[John Farrow]]}} || {{sort|Fellows|[[Robert Fellows]]}} || [[Paramount Pictures|Paramount]]||[[Alan Ladd]], [[Donna Reed]] || {{sfn|Starr|2003|pages=199–204}}
|1948
|Cadet Thomas
|{{sort|Farrow|[[John Farrow]]}}
|{{sort|Fellows|[[Robert Fellows]]}}
|[[Paramount Pictures|Paramount]]||[[Alan Ladd]], [[Donna Reed]]
|{{sfn|Starr|2003|pages=199–204}}
|-
|-
| scope="row"|1949 || ''[[Bad Boy (1949 film)|Bad Boy]]'' ||Danny Lester ||{{sort|Neumann|[[Kurt Neumann (director)|Kurt Neumann]]}} || {{sort|Short|Paul Short}} ||[[Monogram Pictures|Monogram]] ||[[James Gleason]], [[Jimmy Lydon]], [[Lloyd Nolan]], [[Martha Vickers]], [[Rhys Williams (Welsh-American actor)|Rhys Williams]], [[Jane Wyatt]] || <ref name="BadBoy"/>{{sfn|Graham|1989|page=347}}
!scope="row"| ''[[Bad Boy (1949 film)|Bad Boy]]''
|1949
|Danny Lester
|{{sort|Neumann|[[Kurt Neumann (director)|Kurt Neumann]]}}
|{{sort|Short|Paul Short}}
|[[Monogram Pictures|Monogram]]
|[[James Gleason]], [[Jimmy Lydon]], [[Lloyd Nolan]], [[Martha Vickers]], [[Rhys Williams (Welsh-American actor)|Rhys Williams]], [[Jane Wyatt]]
| <ref name="BadBoy"/>{{sfn|Graham|1989|page=347}}
|-
|-
!scope="row"| ''{{sortname|The|Kid from Texas}}''
| scope="row" rowspan="3"|1950 || ''{{sortname|The|Kid from Texas}}'' || [[Billy the Kid|William Bonney]] || {{sort|Neumann|Kurt Neumann}} || {{sort|Short|Paul Short}} || [[Universal Studios|Universal]] ||[[Albert Dekker]], [[Will Geer]], [[Gale Storm]], [[William Talman (actor)|William Talman]], [[Ray Teal]], [[Frank Wilcox]] ||{{refn|group=ALM| name=kid|''The Kid From Texas'' is the final movie shown at the local theater in [[Larry McMurty]]'s novel ''The Last Picture Show''.{{sfn|Hoffman|2012|pages=93, 195}}{{sfn|Fagen|2003|pages=234–235}}{{sfn|Graham|1989|page=348}}}}
|1950
|[[Billy the Kid|William Bonney]]
|{{sort|Neumann|Kurt Neumann}}
|{{sort|Short|Paul Short}}
|[[Universal Studios|Universal]]
|[[Albert Dekker]], [[Will Geer]], [[Gale Storm]], [[William Talman (actor)|William Talman]], [[Ray Teal]], [[Frank Wilcox]]
|{{refn|group=ALM| name=kid|''The Kid From Texas'' is the final movie shown at the local theater in [[Larry McMurty]]'s novel ''The Last Picture Show''.{{sfn|Hoffman|2012|pages=93, 195}}{{sfn|Fagen|2003|pages=234–235}}{{sfn|Graham|1989|page=348}}}}
|-
|-
!scope="row"|''[[Sierra (film)|Sierra]]''
| ''[[Sierra (film)|Sierra]]'' || Ring Hassard || {{sort|Green|[[Alfred E. Green]]}} || {{sort|Kraike|Michael Kraike}} ||Universal ||[[James Arness]], [[Tony Curtis]], [[Wanda Hendrix]], [[Burl Ives]], [[Dean Jagger]], [[Elliott Reid]], [[Roy Roberts]] ||{{sfn|Fagen|2003|page=392}}{{sfn|Graham|1989|page=348}}<ref>{{cite web|last=Library of Congress|title= Sierra LC control no. 97520955 |url=http://lccn.loc.gov/97520955 |accessdate=10 October 2013}}</ref>
|1950
|Ring Hassard
|{{sort|Green|[[Alfred E. Green]]}}
|{{sort|Kraike|Michael Kraike}}
|Universal
|[[James Arness]], [[Tony Curtis]], [[Wanda Hendrix]], [[Burl Ives]], [[Dean Jagger]], [[Elliott Reid]], [[Roy Roberts]]
|{{sfn|Fagen|2003|page=392}}{{sfn|Graham|1989|page=348}}<ref>{{cite web|last=Library of Congress|title= Sierra LC control no. 97520955 |url=http://lccn.loc.gov/97520955 |access-date=10 October 2013}}</ref>
|-
|-
!scope="row"|''[[Kansas Raiders]]''
| ''[[Kansas Raiders]]'' || [[Jesse James]] || {{sort|Enright|[[Ray Enright]]}} || {{sort|Richmond|[[Ted Richmond]]}} || Universal ||[[Richard Arlen]], [[James Best]], [[Scott Brady]], [[Tony Curtis]], [[Brian Donlevy]], [[Richard Long (actor)|Richard Long]] ||{{sfn|Fagen|2003|page=233}}{{sfn|Graham|1989|page=348}}
|1950
|[[Jesse James]]
|{{sort|Enright|[[Ray Enright]]}}
|{{sort|Richmond|[[Ted Richmond]]}}
|Universal
|[[Richard Arlen]], [[James Best]], [[Scott Brady]], [[Tony Curtis]], [[Brian Donlevy]], [[Richard Long (actor)|Richard Long]]
|{{sfn|Fagen|2003|page=233}}{{sfn|Graham|1989|page=348}}
|-
|-
| scope="row" rowspan="2" |1951 || ''{{sortname|The|Red Badge of Courage|The Red Badge of Courage (1951 film)}}'' || The Youth{{refn|group=ALM| name=fleming|
!scope="row"|''{{sortname|The|Red Badge of Courage|The Red Badge of Courage (1951 film)}}''
|1951
|The Youth
|{{sort|Huston|[[John Huston]]}}
Henry Fleming is the Youth in Stephen Crane's novel. In the 1951 film, Fleming is played by Murphy shown in the cast listing as the unnamed character "The Youth". However, Fleming is addressed by name when other characters are speaking to him.<ref>{{cite journal|last=Mauldin|first=Bill|title=Parting Shots|journal=LIFE|page=77|date=11 June 1971|volume=70|issue=22|url=https://books.google.com/books?id=REEEAAAAMBAJ&pg=PA77|accessdate=22 May 2014}}</ref>}} || {{sort|Huston|[[John Huston]]}} || {{sort|Reinhardt|[[Gottfried Reinhardt]]}} || [[Metro-Goldwyn-Mayer|MGM]] ||[[Royal Dano]], [[Andy Devine]], [[Douglas Dick]], [[John Dierkes]], [[Arthur Hunnicutt]], [[Bill Mauldin]] || <ref>{{cite web|last=Library of Congress|title= The Red Badge of Courage LC control no. 87706206 |url=http://lccn.loc.gov/87706206 |accessdate=10 October 2013}}</ref>
|{{sort|Reinhardt|[[Gottfried Reinhardt]]}}
|[[Metro-Goldwyn-Mayer|MGM]]
|[[Royal Dano]], [[Andy Devine]], [[Douglas Dick]], [[John Dierkes]], [[Arthur Hunnicutt]], [[Bill Mauldin]]
|<ref>{{cite web|last=Library of Congress|title= The Red Badge of Courage LC control no. 87706206 |url=http://lccn.loc.gov/87706206 |access-date=10 October 2013}}</ref>{{refn|group=ALM| name=fleming|
Henry Fleming is the Youth in Stephen Crane's novel. In the 1951 film, Fleming is played by Murphy shown in the cast listing as the unnamed character "The Youth". However, Fleming is addressed by name when other characters are speaking to him.<ref>{{cite magazine|last=Mauldin|first=Bill|title=Parting Shots|magazine=LIFE|page=77|date=11 June 1971|volume=70|issue=22|url=https://books.google.com/books?id=REEEAAAAMBAJ&pg=PA77|access-date=22 May 2014}}</ref>}}
|-
|-
!scope="row"| ''{{sortname|The|Cimarron Kid}}''
| ''{{sortname|The|Cimarron Kid}}'' ||Bill Doolin a.k.a. The Cimarron Kid || {{sort|Boetticher|[[Budd Boetticher]]}} || {{sort|Richmond|Ted Richmond}} || Universal || [[Noah Beery Jr]], James Best, [[Leif Erickson (actor)|Leif Erickson]], [[Hugh O'Brian]], [[Roy Roberts]], [[Frank Silvera]] || {{sfn|Fagen|2003|page=91}}{{sfn|Graham|1989|page=348}}
|1951
|Bill Doolin a.k.a. The Cimarron Kid || {{sort|Boetticher|[[Budd Boetticher]]}} || {{sort|Richmond|Ted Richmond}} || Universal || [[Noah Beery Jr]], James Best, [[Leif Erickson (actor)|Leif Erickson]], [[Hugh O'Brian]], [[Roy Roberts]], [[Frank Silvera]]
| {{sfn|Fagen|2003|page=91}}{{sfn|Graham|1989|page=348}}
|-
|-
| scope="row"|1952 || ''{{sortname|The|Duel at Silver Creek}}'' || Luke Cromwell a.k.a. The Silver Kid || {{sort|Siege|[[Siegel|Don Siegel]]}} || {{sort|Goldstein|Leonard Goldstein}} || Universal || [[Susan Cabot]], [[Faith Domergue]], [[Lee Marvin]], [[Gerald Mohr]] || {{sfn|Graham|1989|page=348}}{{sfn|Fagen|2003|page=139}}
!scope="row"| ''{{sortname|The|Duel at Silver Creek}}''
|1952
|Luke Cromwell a.k.a. The Silver Kid
|{{sort|Siege|[[Siegel|Don Siegel]]}}
|{{sort|Goldstein|Leonard Goldstein}}
|Universal
|[[Susan Cabot]], [[Faith Domergue]], [[Lee Marvin]], [[Gerald Mohr]]
|{{sfn|Graham|1989|page=348}}{{sfn|Fagen|2003|page=139}}
|-
|-
| scope="row" rowspan="3"| 1953 || ''[[Gunsmoke (film)|Gunsmoke]]'' || Reb Kittredge || {{sort|Juran|[[Nathan Juran]]}} || {{sort|Rosenberg|[[Aaron Rosenberg]]}} ||Universal || Susan Cabot, [[Jack Kelly (actor)|Jack Kelly]], [[Jesse White (actor)|Jesse White]] || {{sfn|Graham|1989|pages=348–49}}{{sfn|Fagen|2003|page=197}}
!scope="row"| ''[[Gunsmoke (film)|Gunsmoke]]''
|1953
|Reb Kittredge
|{{sort|Juran|[[Nathan Juran]]}}
|{{sort|Rosenberg|[[Aaron Rosenberg]]}}
|Universal
|Susan Cabot, [[Jack Kelly (actor)|Jack Kelly]], [[Jesse White (actor)|Jesse White]]
|{{sfn|Graham|1989|pages=348–49}}{{sfn|Fagen|2003|page=197}}
|-
|-
!scope="row"| ''[[Column South]]''
| ''[[Column South]]'' || Lt. Jed Sayre || {{sort|De Cordova|[[Frederick De Cordova]]}} || {{sort|Richmond|Ted Richmond}} ||Universal || James Best, [[Ray Collins (actor)|Ray Collins]], [[Joan Evans (actress)|Joan Evans]], [[Russell Johnson]], Jack Kelly, [[Bob Steele (actor)|Bob Steele]], [[Robert Sterling]], [[Dennis Weaver]] || {{sfn|Fagen|2003|page=98}}{{sfn|Graham|1989|page=349}}
|1953
|Lt. Jed Sayre
|{{sort|De Cordova|[[Frederick De Cordova]]}}
|{{sort|Richmond|Ted Richmond}} ||Universal
|James Best, [[Ray Collins (actor)|Ray Collins]], [[Joan Evans (actress)|Joan Evans]], [[Russell Johnson]], Jack Kelly, [[Bob Steele (actor)|Bob Steele]], [[Robert Sterling]], [[Dennis Weaver]]
|{{sfn|Fagen|2003|page=98}}{{sfn|Graham|1989|page=349}}
|-
|-
| ''[[Tumbleweed (1953 film)|Tumbleweed]]'' || Jim Harvey || {{sort|Juran|Nathan Juran}} || {{sort|Hunter|[[Ross Hunter]]}} || Universal ||[[King Donovan]], Russell Johnson, [[Lori Nelson]], Roy Roberts, [[Lyle Talbot]], [[Lee Van Cleef]], [[Chill Wills]] || {{sfn|Fagen|2003|page=449}}{{sfn|Graham|1989|page=349}}
!scope="row"| ''[[Tumbleweed (1953 film)|Tumbleweed]]''
|1953
|Jim Harvey
|{{sort|Juran|Nathan Juran}}
|{{sort|Hunter|[[Ross Hunter]]}}
|Universal ||[[King Donovan]], Russell Johnson, [[Lori Nelson]], Roy Roberts, [[Lyle Talbot]], [[Lee Van Cleef]], [[Chill Wills]]
|{{sfn|Fagen|2003|page=449}}{{sfn|Graham|1989|page=349}}
|-
|-
| scope="row" rowspan="3"| 1954 || ''[[Ride Clear of Diablo]]'' || Clay O'Mara || {{sort|Hibbs|[[Jesse Hibbs]]}} || {{sort|Rogers|John W. Rogers}} || Universal || Susan Cabot, [[Dan Duryea]], [[Jack Elam]], [[Abbe Lane]], Russell Johnson, [[Denver Pyle]] || {{sfn|Fagen|2003|page=350}}{{sfn|Graham|1989|page=349}}
!scope="row"|''[[Ride Clear of Diablo]]''
|1954
|Clay O'Mara
|{{sort|Hibbs|[[Jesse Hibbs]]}}
|{{sort|Rogers|John W. Rogers}}
|Universal
|Susan Cabot, [[Dan Duryea]], [[Jack Elam]], [[Abbe Lane]], Russell Johnson, [[Denver Pyle]]
|{{sfn|Fagen|2003|page=350}}{{sfn|Graham|1989|page=349}}
|-
|-
!scope="row"| ''[[Drums Across the River]]''
| ''[[Drums Across the River]]'' || Gary Brannon || {{sort|Juran|Nathan Juran}}|| {{sort|Tucker|Melville Tucker}} || Universal ||[[Morris Ankrum]], [[Lane Bradford]], [[Walter Brennan]], [[Lisa Gaye]], [[Howard McNear]], [[Jay Silverheels]], Bob Steele ||{{sfn|Fagen|2003|page=137}}{{sfn|Graham|1989|page=349}}
|1954
|Gary Brannon
|{{sort|Juran|Nathan Juran}}
|{{sort|Tucker|Melville Tucker}}
|Universal ||[[Morris Ankrum]], [[Lane Bradford]], [[Walter Brennan]], [[Lisa Gaye]], [[Howard McNear]], [[Jay Silverheels]], Bob Steele
|{{sfn|Fagen|2003|page=137}}{{sfn|Graham|1989|page=349}}
|-
|-
!scope="row"|''[[Destry (film)|Destry]]''
| ''[[Destry (film)|Destry]]'' || Tom Destry || {{sort|Marshall|[[George Marshall (director)|George Marshall]]}} || {{sort|Rubin|Stanley Rubin}} ||Universal || [[Edgar Buchanan]], [[Mari Blanchard]], [[Wallace Ford]], [[Alan Hale, Jr.]], [[Thomas Mitchell (actor)|Thomas Mitchell]], Lori Nelson, [[Mary Wickes]] || {{sfn|Fagen|2003|page=130}}{{sfn|Graham|1989|page=349}}
|1954
|Tom Destry
|{{sort|Marshall|[[George Marshall (director)|George Marshall]]}}
|{{sort|Rubin|Stanley Rubin}}
|Universal
|[[Edgar Buchanan]], [[Mari Blanchard]], [[Wallace Ford]], [[Alan Hale, Jr.]], [[Thomas Mitchell (actor)|Thomas Mitchell]], Lori Nelson, [[Mary Wickes]]
|{{sfn|Fagen|2003|page=130}}{{sfn|Graham|1989|page=349}}
|-
|-
|scope="row"| 1955 || ''[[To Hell and Back (film)|To Hell and Back]]'' || Himself || {{sort|Hibbs|Jesse Hibbs}} || {{sort|Rosenberg|Aaron Rosenberg}} || Universal || [[Charles Drake (actor)|Charles Drake]], [[David Janssen]], Jack Kelly, [[Susan Kohner]], [[Denver Pyle]], [[Marshall Thompson]] || {{sfn|Gossett|1996|p=15}}{{sfn|Graham|1989|page=349}}
!scope="row"|''[[To Hell and Back (film)|To Hell and Back]]''
|1955
|Himself
|{{sort|Hibbs|Jesse Hibbs}}
|{{sort|Rosenberg|Aaron Rosenberg}}
|Universal
|[[Charles Drake (actor)|Charles Drake]], [[David Janssen]], Jack Kelly, [[Susan Kohner]], [[Denver Pyle]], [[Marshall Thompson]]
|{{sfn|Gossett|1996|p=15}}{{sfn|Graham|1989|page=349}}
|-
|-
| scope="row" rowspan="2"|1956 || ''[[World in My Corner]]'' || Tommy Shea || {{sort|Hibbs|Jesse Hibbs}}|| {{sort|Rosenberg|Aaron Rosenberg}} ||Universal || [[John McIntire]], [[Jeff Morrow]], [[Barbara Rush]] || {{sfn|Nott|2005|page=105}}{{sfn|Graham|1989|page=349}}
!scope="row"| ''[[World in My Corner]]''
|1956
|Tommy Shea
|{{sort|Hibbs|Jesse Hibbs}}
|{{sort|Rosenberg|Aaron Rosenberg}}
|Universal
|[[John McIntire]], [[Jeff Morrow]], [[Barbara Rush]]
|{{sfn|Nott|2005|page=105}}{{sfn|Graham|1989|page=349}}
|-
|-
!scope="row"| ''[[Walk the Proud Land]]''
| ''[[Walk the Proud Land]]'' || John Philip Clum || {{sort|Hibbs|Jesse Hibbs}}|| {{sort|Rosenberg|Aaron Rosenberg}} ||Universal || Morris Ankrum, [[Anne Bancroft]], [[Anthony Caruso (actor)|Anthony Caruso]], [[Pat Crowley]], Charles Drake, Jay Silverheels || {{sfn|Fagen|2003|pages=472–473}}{{sfn|Graham|1989|page=350}}
|1956
|John Philip Clum
|{{sort|Hibbs|Jesse Hibbs}}
|{{sort|Rosenberg|Aaron Rosenberg}}
|Universal
|Morris Ankrum, [[Anne Bancroft]], [[Anthony Caruso (actor)|Anthony Caruso]], [[Pat Crowley]], Charles Drake, Jay Silverheels
|{{sfn|Fagen|2003|pages=472–473}}{{sfn|Graham|1989|page=350}}
|-
|-
| scope="row" rowspan="3"|1957 || ''[[Joe Butterfly]]'' || Pvt. Joe Woodley || {{sort|Hibbs|Jesse Hibbs}}|| {{sort|Rosenberg|Aaron Rosenberg}} ||Universal || [[John Agar]], [[Fred Clark]], [[Burgess Meredith]], [[George Nader]], [[Keenan Wynn]] || {{sfn|Nott|2005|page=105}}{{sfn|Graham|1989|page=350}}
!scope="row"| ''[[Joe Butterfly]]''
|1957
|Pvt. Joe Woodley
|{{sort|Hibbs|Jesse Hibbs}}
|{{sort|Rosenberg|Aaron Rosenberg}}
|Universal
|[[John Agar]], [[Fred Clark]], [[Burgess Meredith]], [[George Nader]], [[Keenan Wynn]]
|{{sfn|Nott|2005|page=105}}{{sfn|Graham|1989|page=350}}
|-
|-
| ''{{sortname|The|Guns of Fort Petticoat}}'' || Lt. Frank Hewitt || {{sort|Marshall|George Marshall}} || {{sort|Brown|[[Harry Joe Brown]]}}<br>{{sort|Murphy|Audie Murphy}} || [[Columbia Pictures|Columbia]] || [[Kathryn Crosby|Kathryn Grant]], [[Sean McClory]], [[Jeanette Nolan]], Ray Teal|| {{sfn|Fagen|2003|page=198}}{{sfn|Graham|1989|page=350}}
!scope="row"|''{{sortname|The|Guns of Fort Petticoat}}''
|1957
|Lt. Frank Hewitt
|{{sort|Marshall|George Marshall}}
|{{sort|Brown|[[Harry Joe Brown]]}}<br />{{sort|Murphy|Audie Murphy}}
|[[Columbia Pictures|Columbia]]
|[[Kathryn Crosby|Kathryn Grant]], [[Sean McClory]], [[Jeanette Nolan]], Ray Teal
|{{sfn|Fagen|2003|page=198}}{{sfn|Graham|1989|page=350}}
|-
|-
| ''[[Night Passage (film)|Night Passage]]'' || Lee McLaine a.k.a. The Utica Kid || {{sort|Neilson|[[James Neilson (director)|James Neilson]]}} || {{sort|Rosenberg|Aaron Rosenberg}} || Universal || [[Hugh Beaumont]], [[Ellen Corby]], [[Brandon deWilde]], [[Dan Duryea]], [[Jack Elam]], [[Jay C. Flippen]], [[James Stewart]] || {{sfn|Fagen|2003|page=293}}{{sfn|Graham|1989|page=350}}
!scope="row"| ''[[Night Passage (film)|Night Passage]]''
|1957
|Lee McLaine a.k.a. The Utica Kid
|{{sort|Neilson|[[James Neilson (director)|James Neilson]]}}
|{{sort|Rosenberg|Aaron Rosenberg}}
|Universal
|[[Hugh Beaumont]], [[Ellen Corby]], [[Brandon deWilde]], [[Dan Duryea]], [[Jack Elam]], [[Jay C. Flippen]], [[James Stewart]]
|{{sfn|Fagen|2003|page=293}}{{sfn|Graham|1989|page=350}}
|-
|-
!scope="row"|''{{sortname|The|Quiet American|The Quiet American (1958 film)}}''
| scope="row" rowspan="3"|1958 || ''{{sortname|The|Quiet American|The Quiet American (1958 film)}}'' || The American{{refn|group=ALM| name=pyle|Alden Pyle is the American in Graham Greene's novel. In the 1958 film, Pyle is played by Murphy as the unnamed character "The American".{{sfn|DiLeo|2004|page=253}}}} || {{sort|Mankiewicz|[[Joseph L. Mankiewicz]]}}||{{sort|Mankiewicz|Joseph L. Mankiewicz}} || [[United Artists]] || [[Bruce Cabot]], [[Claude Dauphin (actor)|Claude Dauphin]], [[Richard Loo]], [[Giorgia Moll]], [[Michael Redgrave]] || {{sfn|O'Connor|Rollins|2008|pages=407, 414–415}}{{sfn|Graham|1989|page=350}}
|1958
|The American
|{{sort|Mankiewicz|[[Joseph L. Mankiewicz]]}}
|{{sort|Mankiewicz|Joseph L. Mankiewicz}}
|[[United Artists]]
|[[Bruce Cabot]], [[Claude Dauphin (actor)|Claude Dauphin]], [[Richard Loo]], [[Giorgia Moll]], [[Michael Redgrave]] || {{sfn|O'Connor|Rollins|2008|pages=407, 414–415}}{{sfn|Graham|1989|page=350}}{{refn|group=ALM| name=pyle|Alden Pyle is the American in Graham Greene's novel. In the 1958 film, Pyle is played by Murphy as the unnamed character "The American".{{sfn|DiLeo|2004|page=253}}}}
|-
|-
!scope="row"|''[[Ride a Crooked Trail]]''
| ''[[Ride a Crooked Trail]]'' || Joe Maybe|| {{sort|Hibbs|Jesse Hibbs}} || {{sort|Pine|Howard Pine}} ||Universal || [[Leo Gordon]], [[Walter Matthau]], [[Mort Mills]], [[Joanna Cook Moore]], [[Gia Scala]], [[Henry Silva]]|| {{sfn|Fagen|2003|page=349}}<ref>{{cite web|last=Library of Congress|title= Ride a Crooked Trail LC control no. 96522822 |url=http://lccn.loc.gov/96522822 |accessdate=10 October 2013}}</ref>
|1958
|Joe Maybe
|{{sort|Hibbs|Jesse Hibbs}}
|{{sort|Pine|Howard Pine}}
|Universal
|[[Leo Gordon]], [[Walter Matthau]], [[Mort Mills]], [[Joanna Cook Moore]], [[Gia Scala]], [[Henry Silva]]|| {{sfn|Fagen|2003|page=349}}<ref>{{cite web|last=Library of Congress|title= Ride a Crooked Trail LC control no. 96522822 |url=http://lccn.loc.gov/96522822 |access-date=10 October 2013}}</ref>
|-
|-
!scope="row"|''{{sortname|The|Gun Runners}}''
| ''{{sortname|The|Gun Runners}}'' || Sam Martin || {{sort|Siegel|Don Siegel}}|| {{sort|Stewart|Herbert E. Stewart}}<br>{{sort|Greene|[[Clarence Greene]]}}|| [[Seven Arts Productions|Seven Arts]] ||[[Eddie Albert]], Jack Elam, [[Richard Jaeckel]], [[Patricia Owens (actress)|Patricia Owens]], [[Everett Sloane]] || {{sfn|Maltin|2008||page=566}}{{sfn|Graham|1989|pages=350–351}}
|1958
|Sam Martin
|{{sort|Siegel|Don Siegel}}
|{{sort|Stewart|Herbert E. Stewart}}<br />{{sort|Greene|[[Clarence Greene]]}}
|[[Seven Arts Productions|Seven Arts]]
|[[Eddie Albert]], Jack Elam, [[Richard Jaeckel]], [[Patricia Owens (actress)|Patricia Owens]], [[Everett Sloane]]
|{{sfn|Maltin|2008||page=566}}{{sfn|Graham|1989|pages=350–351}}
|-
|-
| scope="row" rowspan="3"|1959 || ''[[No Name on the Bullet]]'' || John Gant || {{sort|Arnold|[[Jack Arnold (director)|Jack Arnold]]}} || {{sort|Arnold|Jack Arnold}}<br>{{sort|Christie|Howard Christie}} ||Universal || [[R.G. Armstrong]], Charles Drake, Joan Evans, [[Virginia Grey]], [[Warren Stevens]], [[Karl Swenson]] ||{{sfn|Fagen|2003|page=294}}{{sfn|Graham|1989|page=351}}
!scope="row"|''[[No Name on the Bullet]]''
|1959
|John Gant
|{{sort|Arnold|[[Jack Arnold (director)|Jack Arnold]]}}
|Jack Arnold<br />{{sort|Christie|Howard Christie}}
|Universal
|[[R.G. Armstrong]], Charles Drake, Joan Evans, [[Virginia Grey]], [[Warren Stevens]], [[Karl Swenson]]
|{{sfn|Fagen|2003|page=294}}{{sfn|Graham|1989|page=351}}
|-
|-
| ''{{sortname|The|Wild and the Innocent}}'' || Yancy Hawks || {{sort|Sher,J|[[Jack Sher]]}} || {{sort|Gomberg|[[Sy Gomberg]]}} ||Universal||[[Jim Backus]], [[Peter Breck]], [[Sandra Dee]], [[Joanne Dru]], [[Strother Martin]], [[Gilbert Roland]] || {{sfn|Fagen|2003|pages=486–487}}{{sfn|Graham|1989|page=351}}
!scope="row"|''{{sortname|The|Wild and the Innocent}}''
|1959
|Yancy Hawks
|{{sort|Sher,J|[[Jack Sher]]}}
|{{sort|Gomberg|[[Sy Gomberg]]}}
|Universal
||[[Jim Backus]], [[Peter Breck]], [[Sandra Dee]], [[Joanne Dru]], [[Strother Martin]], [[Gilbert Roland]]
|{{sfn|Fagen|2003|pages=486–487}}{{sfn|Graham|1989|page=351}}
|-
|-
!scope="row"| ''[[Cast a Long Shadow]]''
| ''[[Cast a Long Shadow]]'' || Matt Brown || {{sort|Carr|[[Thomas Carr (director)|Thomas Carr]]}} || {{sort|Mirisch| [[Walter Mirisch]]}}<br>{{sort|Murphy|Audie Murphy}} || United Artists ||James Best, [[John Dehner]], [[Terry Moore (actress)|Terry Moore]], Denver Pyle || {{sfn|Fagen|2003|page=79}}{{sfn|Graham|1989|page=351}}
|1959
|Matt Brown
|{{sort|Carr|[[Thomas Carr (director)|Thomas Carr]]}}
|{{sort|Mirisch| [[Walter Mirisch]]}}<br />{{sort|Murphy|Audie Murphy}}
|United Artists
|James Best, [[John Dehner]], [[Terry Moore (actress)|Terry Moore]], Denver Pyle
|{{sfn|Fagen|2003|page=79}}{{sfn|Graham|1989|page=351}}
|-
|-
| scope="row" rowspan="3"|1960 || ''{{sortname|The|Unforgiven|The Unforgiven (1960 film)}}'' || Cash Zachary || {{sort|Huston|John Huston}} || {{sort|Hill|[[James Hill (film producer)|James Hill]]}} ||United Artists || [[Charles Bickford]], [[Lillian Gish]], [[Audrey Hepburn]], [[Burt Lancaster]], [[Doug McClure]], [[Albert Salmi]], [[John Saxon]], [[Joseph Wiseman]] || {{sfn|Fagen|2003|page=459}}<ref>{{cite web|last=Library of Congress|title= The Unforgiven LC control no. 95510622 |url=http://lccn.loc.gov/95510622 |accessdate=10 October 2013|year=1960 }}</ref>{{sfn|Graham|1989|page=351}}
!scope="row"| ''{{sortname|The|Unforgiven|The Unforgiven (1960 film)}}''
|1960
|Cash Zachary
|{{sort|Huston|John Huston}}
|{{sort|Hill|[[James Hill (American film producer)|James Hill]]}}
|United Artists
|[[Charles Bickford]], [[Lillian Gish]], [[Audrey Hepburn]], [[Burt Lancaster]], [[Doug McClure]], [[Albert Salmi]], [[John Saxon]], [[Joseph Wiseman]]
|{{sfn|Fagen|2003|page=459}}<ref>{{cite web|last=Library of Congress|title= The Unforgiven LC control no. 95510622 |url=http://lccn.loc.gov/95510622 |access-date=10 October 2013|year=1960 }}</ref>{{sfn|Graham|1989|page=351}}
|-
|-
| ''[[Hell Bent for Leather (film)|Hell Bent for Leather]]'' || Clay Santell || {{sort|Sherman|[[George Sherman]]}} || {{sort|Kay|Gordon Kay}} ||Universal || [[Malcolm Atterbury]], [[Felicia Farr]], [[Allan Lane]], [[Robert Middleton]], [[Herbert Rudley]], Bob Steele|| {{sfn|Fagen|2003|page=206}}{{sfn|Graham|1989|page=351}}
!scope="row"| ''[[Hell Bent for Leather (film)|Hell Bent for Leather]]''
|1960
|Clay Santell
|{{sort|Sherman|[[George Sherman]]}}
|{{sort|Kay|Gordon Kay}}
|Universal
|[[Malcolm Atterbury]], [[Felicia Farr]], [[Allan Lane]], [[Robert Middleton]], [[Herbert Rudley]], Bob Steele
|{{sfn|Fagen|2003|page=206}}{{sfn|Graham|1989|page=351}}
|-
|-
!scope="row"|''[[Seven Ways from Sundown]]''
|''[[Seven Ways from Sundown]]'' ||Seven Ways from Sundown Jones{{refn|group=ALM| name=seven|The parents of Seven Ways from Sundown Jones gave their children numbers for names. Murphy's character was the last of seven children. The storyline has him seeking the killer of his brother Two Jones.{{sfn|Nott|2005|page=118}}}} || {{sort|Keller|[[Harry Keller]]}} || {{sort|Kay|Gordon Kay}} ||Universal ||[[Don Collier]], [[Jack Kruschen]], John McIntire, [[Venetia Stevenson]], [[Barry Sullivan (actor)|Barry Sullivan]] || {{sfn|Fagen|2003|page=383}}{{sfn|Graham|1989|page=351}}
|1960
|Seven Ways from Sundown Jones
|{{sort|Keller|[[Harry Keller]]}}
| {{sort|Kay|Gordon Kay}}
|Universal
|[[Don Collier]], [[Jack Kruschen]], John McIntire, [[Venetia Stevenson]], [[Barry Sullivan (actor)|Barry Sullivan]]
|{{sfn|Fagen|2003|page=383}}{{sfn|Graham|1989|page=351}}{{refn|group=ALM| name=seven|The parents of Seven Ways from Sundown Jones gave their children numbers for names. Murphy's character was the last of seven children. The storyline has him seeking the killer of his brother Two Jones.{{sfn|Nott|2005|page=118}}}}
|-
|-
|scope="row" rowspan="2"| 1961 || ''[[Posse from Hell]]'' || Banner Cole ||{{sort|Coleman|Herbert Coleman}} || {{sort|Kay|Gordon Kay}} ||Universal ||[[Rodolfo Acosta]], Royal Dano, [[Zohra Lampert]], Allan Lane, [[Vic Morrow]], [[John Saxon]], Ray Teal, [[Lee Van Cleef]] || {{sfn|Fagen|2003|page=323}}{{sfn|Graham|1989|pages=351–352}}
!scope="row"|''[[Posse from Hell]]''
|1961
|Banner Cole
|{{sort|Coleman|Herbert Coleman}}
|{{sort|Kay|Gordon Kay}}
|Universal
|[[Rodolfo Acosta]], Royal Dano, [[Zohra Lampert]], Allan Lane, [[Vic Morrow]], [[John Saxon]], Ray Teal, [[Lee Van Cleef]]
|{{sfn|Fagen|2003|page=323}}{{sfn|Graham|1989|pages=351–352}}
|-
|-
| ''[[Battle at Bloody Beach]]'' || Craig Benson || {{sort|Coleman|Herbert Coleman}} || {{sort|Maibaum|[[Richard Maibaum]]}}|| [[20th Century Fox]] || [[Gary Crosby (actor)|Gary Crosby]], [[Ivan Dixon]], [[Dolores Michaels]], [[Alejandro Rey]] ||{{sfn|Maltin|2008||page=93}}{{sfn|Graham|1989|page=352}}
!scope="row"|''[[Battle at Bloody Beach]]''
|1961
|Craig Benson
|{{sort|Coleman|Herbert Coleman}}
|{{sort|Maibaum|[[Richard Maibaum]]}}
|[[20th Century Fox]]
|[[Gary Crosby (actor)|Gary Crosby]], [[Ivan Dixon]], [[Dolores Michaels]], [[Alejandro Rey]]
|{{sfn|Maltin|2008||page=93}}{{sfn|Graham|1989|page=352}}
|-
|-
| scope="row" rowspan="2"|1962 || ''[[Six Black Horses]]'' || Ben Lane ||{{sort|Keller|Harry Keller}} || {{sort|Kay|Gordon Kay}} ||Universal || [[Dan Duryea]], [[Joan O'Brien]], Bob Steele || {{sfn|Fagen|2003|page=397}}{{sfn|Graham|1989|page=352}}
!scope="row"|''[[Six Black Horses]]''
|1962
|Ben Lane
|{{sort|Keller|Harry Keller}}
|{{sort|Kay|Gordon Kay}}
|Universal
|[[Dan Duryea]], [[Joan O'Brien]], Bob Steele
|{{sfn|Fagen|2003|page=397}}{{sfn|Graham|1989|page=352}}
|-
|-
| ''[[War Is Hell (film)|War is Hell]]'' || Narrator || {{sort|Topper|[[Burt Topper]]}} || {{sort|Topper|Burt Topper}} ||Allied Artists||Baynes Barron || {{sfn|Edwards|1997|pages=106–107}}{{sfn|Graham|1989|page=353}}
!scope="row"| ''[[War Is Hell (film)|War is Hell]]''
|1962
|Narrator
|{{sort|Topper|[[Burt Topper]]}}
|{{sort|Topper|Burt Topper}}
|Allied Artists
|[[Baynes Barron]]
|{{sfn|Edwards|1997|pages=106–107}}{{sfn|Graham|1989|page=353}}
|-
|-
|scope="row" rowspan="2"| 1963 || ''[[Showdown (1963 film)|Showdown]]'' || Chris Foster || {{sort|Springsteen|[[R.G. Springsteen]]}} || {{sort|Kay|Gordon Kay}} ||Universal || Kathleen Crowley, Charles Drake, [[Skip Homeier]], [[L. Q. Jones]], [[Strother Martin]], [[Harold J. Stone]] || {{sfn|Fagen|2003|page=391}}{{sfn|Graham|1989|page=352}}
!scope="row"| ''[[Showdown (1963 film)|Showdown]]''
|1963
| Chris Foster
|{{sort|Springsteen|[[R.G. Springsteen]]}}
|{{sort|Kay|Gordon Kay}}
|Universal
|Kathleen Crowley, Charles Drake, [[Skip Homeier]], [[L. Q. Jones]], [[Strother Martin]], [[Harold J. Stone]]
|{{sfn|Fagen|2003|page=391}}{{sfn|Graham|1989|page=352}}
|-
|-
!scope="row"|''[[Gunfight at Comanche Creek]]''
| ''[[Gunfight at Comanche Creek]]'' || Bob Gifford a.k.a. Judd Tanner || {{sort|McDonald|[[Frank McDonald (director)|Frank McDonald]]}} || {{sort|Schwalb|Ben Schwalb}} || [[Allied Artists Pictures Corporation|Allied Artists]] ||[[Ben Cooper]], [[DeForest Kelley]], [[Susan Seaforth]] || {{sfn|Fagen|2003|page=192}}{{sfn|Graham|1989|page=352}}
|1963
| Bob Gifford a.k.a. Judd Tanner
| {{sort|McDonald|[[Frank McDonald (director)|Frank McDonald]]}}
| {{sort|Schwalb|Ben Schwalb}}
| [[Allied Artists Pictures Corporation|Allied Artists]]
|[[Ben Cooper]], [[DeForest Kelley]], [[Susan Seaforth]]
| {{sfn|Fagen|2003|page=192}}{{sfn|Graham|1989|page=352}}
|-
|-
| scope="row" rowspan="3"|1964 || ''{{sortname|The|Quick Gun}}'' || Clint Cooper || {{sort|Salkow|[[Sidney Salkow]]}} || {{sort|Whytock|[[Grant Whytock]]}} || Columbia ||[[Merry Anders]], James Best, [[Ted de Corsia]], [[Frank Ferguson]], Mort Mills || {{sfn|Graham|1989|page=352}}{{sfn|Fagen|2003|page=329}}
!scope="row"| ''{{sortname|The|Quick Gun}}''
|1964
| Clint Cooper
| {{sort|Salkow|[[Sidney Salkow]]}}
| {{sort|Whytock|[[Grant Whytock]]}}
| Columbia ||[[Merry Anders]], James Best, [[Ted de Corsia]], [[Frank Ferguson]], Mort Mills
|{{sfn|Graham|1989|page=352}}{{sfn|Fagen|2003|page=329}}
|-
|-
!scope="row"| ''[[Bullet for a Badman]]''
| ''[[Bullet for a Badman]]'' || Logan Keliher|| {{sort|Springsteen|R.G. Springsteen}} || {{sort|Kay|Gordon Kay}} || Universal || [[Alan Hale Jr.]], Skip Homeier, [[Ruta Lee]], [[Darren McGavin]], [[Beverley Owen]], [[George Tobias]] || {{sfn|Fagen|2003|page=66}}{{sfn|Graham|1989|page=352}}
| 1964
| Logan Keliher
| {{sort|Springsteen|R.G. Springsteen}}
| {{sort|Kay|Gordon Kay}}
| Universal
| [[Alan Hale Jr.]], Skip Homeier, [[Ruta Lee]], [[Darren McGavin]], [[Beverley Owen]], [[George Tobias]]
| {{sfn|Fagen|2003|page=66}}{{sfn|Graham|1989|page=352}}
|-
|-
!scope="row"|''[[Apache Rifles]]''
| ''[[Apache Rifles]]'' || Captain Jeff Stanton|| {{sort|Witney|[[William Witney]]}} || {{sort|Whytock|Grant Whytock}} ||20th Century Fox|| [[John Archer (actor)|John Archer]], [[Michael Dante]], L. Q. Jones, [[Linda Lawson (actress)|Linda Lawson]], [[Ken Lynch]]|| {{sfn|Fagen|2003|page=15}}{{sfn|Graham|1989|page=352}}
|1964
|Captain Jeff Stanton|| {{sort|Witney|[[William Witney]]}}
| {{sort|Whytock|Grant Whytock}}
|20th Century Fox
| [[John Archer (actor)|John Archer]], [[Michael Dante]], L. Q. Jones, [[Linda Lawson (actress)|Linda Lawson]], [[Ken Lynch]]
|{{sfn|Fagen|2003|page=15}}{{sfn|Graham|1989|page=352}}
|-
|-
| scope="row" |1965 || ''[[Arizona Raiders]]'' || Clint || {{sort|Witney|William Witney}} || {{sort|Whytock|Grant Whytock}} ||Columbia ||Ben Cooper, [[Buster Crabbe]], Michael Dante, [[Gloria Talbott]] ||{{sfn|Graham|1989|page=353}}{{sfn|Fagen|2003|page=19}}
!scope="row"| ''[[Arizona Raiders]]''
|1965
| Clint Stewart
| {{sort|Witney|William Witney}}
| {{sort|Whytock|Grant Whytock}}
|Columbia
|Ben Cooper, [[Buster Crabbe]], Michael Dante, [[Gloria Talbott]]
|{{sfn|Graham|1989|page=353}}{{sfn|Fagen|2003|page=19}}
|-
|-
| scope="row" rowspan="3"|1966 || ''[[Gunpoint (film)|Gunpoint]]'' || Chad Lucas || {{sort|Bellamy|[[Earl Bellamy]]}} || {{sort|Kay|[[Gordon Kay (producer)|Gordon Kay]]}} || Universal || Edgar Buchanan, Royal Dano, Denver Pyle, [[Joan Staley]], Warren Stevens, Morgan Woodward|| {{sfn|Fagen|2003|page=196}}{{sfn|Graham|1989|page=353}}
!scope="row"|''[[Gunpoint (film)|Gunpoint]]''
|1966
| Chad Lucas
| {{sort|Bellamy|[[Earl Bellamy]]}}
| {{sort|Kay|[[Gordon Kay (producer)|Gordon Kay]]}}
| Universal
|| Edgar Buchanan, Royal Dano, Denver Pyle, [[Joan Staley]], Warren Stevens, Morgan Woodward
| {{sfn|Fagen|2003|page=196}}{{sfn|Graham|1989|page=353}}
|-
|-
| ''{{sortname|The|Texican}}'' || Jess Carlin ||{{sort|Selander|[[Lesley Selander]]}} || {{sort|Champion|[[John C. Champion|John Champion]]}}<br>{{sort|Balaban|Bruce Balaban}} || Columbia ||[[Broderick Crawford]] || {{sfn|Fagen|2003|page=429}}{{sfn|Graham|1989|page=353}}
!scope="row"|''{{sortname|The|Texican}}''
|1966
| Jess Carlin
|{{sort|Selander|[[Lesley Selander]]}}
| {{sort|Champion|[[John C. Champion|John Champion]]}}<br />{{sort|Balaban|Bruce Balaban}}
| Columbia ||[[Broderick Crawford]]
| {{sfn|Fagen|2003|page=429}}{{sfn|Graham|1989|page=353}}
|-
|-
!scope="row"|''[[Trunk to Cairo]]''
| ''[[Trunk to Cairo]]'' || Mike Merrick|| {{sort|Golan|[[Menahem Golan]]}} || {{sort|Golan|Menahem Golan}} || [[American International Pictures|American International]] ||[[Marianne Koch]], [[George Sanders]] ||{{sfn|Lewis|2002|page=223}}{{sfn|Graham|1989|page=353}}
|1966
| Mike Merrick
| {{sort|Golan|[[Menahem Golan]]}}
| {{sort|Golan|Menahem Golan}}
| [[American International Pictures|American International]]
|[[Marianne Koch]], [[George Sanders]]
|{{sfn|Lewis|2002|page=223}}{{sfn|Graham|1989|page=353}}
|-
|-
| scope="row" |1967 || ''[[40 Guns to Apache Pass]]'' || Captain Coburn|| {{sort|Witney|William Witney}} || {{sort|Whylock|Grant Whytock}} ||Columbia||Laraine Stephens || {{sfn|Fagen|2003|page=168}}{{sfn|Graham|1989|page=353}}
!scope="row"| ''[[40 Guns to Apache Pass]]''
|1967
| Captain Bruce Coburn
| {{sort|Witney|William Witney}}
| {{sort|Whylock|Grant Whytock}}
|Columbia
|Laraine Stephens
|{{sfn|Fagen|2003|page=168}}{{sfn|Graham|1989|page=353}}
|-
!scope="row"| ''{{sortname|A|Time for Dying}}''
|1969
| Jesse James
| {{sort|Boetticher|Budd Boetticher}}
| {{sort|Murphy|Audie Murphy}}
| FIPCO Productions
| [[Burt Mustin]], [[Victor Jory]]
| {{sfn|Graham|1989|page=353}}{{sfn|Fagen|2003|page=438}}
|-
|-
| scope="row"|1969 || ''{{sortname|A|Time for Dying}}'' || Jesse James || {{sort|Boetticher|Budd Boetticher}} || {{sort|Murphy|Audie Murphy}} || FIPCO Productions|| [[Burt Mustin]], [[Victor Jory]] || {{sfn|Graham|1989|page=353}}{{sfn|Fagen|2003|page=438}}
|}
|}


Line 167: Line 475:
The only television series Murphy starred in was the 1961 ''[[Whispering Smith (TV series)|Whispering Smith]]'' in which he played the title character. Based on the film of the same name, the show was about a 19th-century Denver railroad investigator. Episodes were gleaned from real-life cases of the Denver Police Department. The [[United States Senate Subcommittee on Juvenile Delinquency]] was concerned about the violent content in the show and leveled charges against the network. 26 episodes had been filmed, but not all of them aired.<ref name="LOC2010"/>
The only television series Murphy starred in was the 1961 ''[[Whispering Smith (TV series)|Whispering Smith]]'' in which he played the title character. Based on the film of the same name, the show was about a 19th-century Denver railroad investigator. Episodes were gleaned from real-life cases of the Denver Police Department. The [[United States Senate Subcommittee on Juvenile Delinquency]] was concerned about the violent content in the show and leveled charges against the network. 26 episodes had been filmed, but not all of them aired.<ref name="LOC2010"/>


The cooperation of the United States Army and the [[United States Defense Department]] was extended for Murphy's media appearances to publicize the film ''To Hell and Back''.<ref name="DoD1955">{{cite web|last=Dept. of Defense|title=Message to TAGO from H.D. Kight, Public Information Division, detailing an appearance on the Ed Sullivan Show by Audie L. Murphy |url=https://research.archives.gov/description/299780 |publisher=U.S. National Archives and Records Administration ARC Identifier 299780|date=24 September 1955|accessdate=10 October 2013|series=File Unit: Official Military Personnel File of Audie Murphy, 1942–1945 }}</ref> Among the 1955 celebrity television shows on which Murphy appeared to promote the film was ''Toast of the Town'' hosted by [[Ed Sullivan]].
The cooperation of the United States Army and the [[United States Defense Department]] was extended for Murphy's media appearances to publicize the film ''To Hell and Back''.<ref name="DoD1955">{{cite web|last=Dept. of Defense|title=Message to TAGO from H.D. Kight, Public Information Division, detailing an appearance on the Ed Sullivan Show by Audie L. Murphy|url=https://research.archives.gov/description/299780|publisher=U.S. National Archives and Records Administration ARC Identifier 299780|date=24 September 1955|access-date=10 October 2013|series=File Unit: Official Military Personnel File of Audie Murphy, 1942–1945|archive-date=13 October 2013|archive-url=https://web.archive.org/web/20131013165629/http://research.archives.gov/description/299780|url-status=dead}}</ref> Among the 1955 celebrity television shows on which Murphy appeared to promote the film was ''Toast of the Town'' hosted by [[Ed Sullivan]].


''The Man'' 1960 suspense episode of ''Startime'' was based on an original Broadway play written by [[Mel Dinelli]].<ref>{{cite news|last=Obituaries|title=Mel Dinelli, 79, Dies; Wrote Films and Plays|url=https://www.nytimes.com/1991/12/06/obituaries/mel-dinelli-79-dies-wrote-films-and-plays.html|newspaper=The New York Times|date=6 December 1991|accessdate=10 October 2013}}</ref> Murphy played a mentally unbalanced stranger who posed as a student and handyman and terrorized homeowner [[Thelma Ritter]].
''The Man'', a 1960 suspense episode of ''Startime'', was based on an original Broadway play written by [[Mel Dinelli]].<ref>{{cite news|last=Obituaries|title=Mel Dinelli, 79, Dies; Wrote Films and Plays|url=https://www.nytimes.com/1991/12/06/obituaries/mel-dinelli-79-dies-wrote-films-and-plays.html|newspaper=The New York Times|date=6 December 1991|access-date=10 October 2013}}</ref> Murphy played a mentally unbalanced stranger who posed as a student and handyman and terrorized homeowner [[Thelma Ritter]].


[[File:Audie Murphy Outstanding Civilian Service Certificate.jpg|thumb|Outstanding Civilian Service Certificate]]
[[File:Audie Murphy Outstanding Civilian Service Certificate.jpg|thumb|Outstanding Civilian Service Certificate]]
In 1960, he was awarded the [[Outstanding Civilian Service Medal]] for his cooperation in the production of ''The Big Picture'' television series episode ''Broken Bridge''.{{refn|group=ALM| name=ocsc|Murphy received no monetary compensation for his services on the documentary.<ref name="DoD1974">{{citation|last=Dept. of Defense|title=Broken Bridge|url=https://research.archives.gov/description/2569746 |year=1974|publisher=U.S. National Archives and Records Administration ARC Identifier 2569746|accessdate=12 October 2013|series=Series: Motion Picture Films from "The Big Picture" Television Program Series, 1860–1985}}</ref>{{sfn|Simpson|1975|page=411}}}}
In 1960, he was awarded the [[Outstanding Civilian Service Medal]] for his cooperation in the production of ''The Big Picture'' television series episode ''Broken Bridge''.{{refn|group=ALM| name=ocsc|Murphy received no monetary compensation for his services on the documentary.<ref name="DoD1974">{{citation|last=Dept. of Defense|title=Broken Bridge|url=https://research.archives.gov/description/2569746|year=1974|publisher=U.S. National Archives and Records Administration ARC Identifier 2569746|access-date=12 October 2013|series=Series: Motion Picture Films from "The Big Picture" Television Program Series, 1860–1985|archive-date=13 October 2013|archive-url=https://web.archive.org/web/20131013142911/http://research.archives.gov/description/2569746|url-status=dead}}</ref>{{sfn|Simpson|1975|page=411}}}}


{| class="wikitable sortable" style="margin:auto;"
{| class="wikitable sortable plainrowheaders"
|+
! Year
! Title
! Title
! Year
! class="unsortable" | Role
! class="unsortable" | Role
! class="unsortable" | Notes
! class="unsortable" | Notes
! class="unsortable" | Refs.
! class="unsortable" | Refs.
|-
|-
| scope="row"|1954 || ''The Easter Seals Teleparade of Stars'' || Self || 18 April 1954|| {{sfn|Terrace|2013|page=139}}
!scope="row"| ''The Easter Seals Teleparade of Stars''
|1954
| Self
|18 April 1954
|{{sfn|Terrace|2013|page=139}}
|-
|-
!scope="row"| ''Allen in Movieland''
| scope="row" rowspan="4" |1955 || ''Allen in Movieland''|| Self|| 2 July 1955, NBC [[television special]] starring [[Steve Allen]]||<ref>{{cite web |last=Paley Center Collection |title=Steve Allen in Movieland |url=https://www.paleycenter.org/collection/item/?q=Allen+in+Movieland&p=1&item=B:34697 |website=The Paley Center for Media |accessdate=4 July 2018}}</ref>
|1955
| Self
| 2 July 1955, NBC [[television special]] starring [[Steve Allen]]
|<ref>{{cite web |last=Paley Center Collection |title=Steve Allen in Movieland |url=https://www.paleycenter.org/collection/item/?q=Allen+in+Movieland&p=1&item=B:34697 |website=The Paley Center for Media |access-date=4 July 2018}}</ref>
|-
|-
| ''[[What's My Line?]]'' || Mystery Guest || Episode 3 July 1955||{{refn|group=ALM| name=myline|
!scope="row"|''[[What's My Line?]]''
|1955
| Mystery Guest
| Episode 3 July 1955
|{{refn|group=ALM| name=myline|
YouTube has several uploaded versions of the 5-minute ''What's My Line'' segment that features Murphy as the mystery guest. Listed as {{IMDb title|0746476|Episode dated 3 July 1955}}}}
YouTube has several uploaded versions of the 5-minute ''What's My Line'' segment that features Murphy as the mystery guest. Listed as {{IMDb title|qid=Q123581547|title=Episode dated 3 July 1955}}}}
|-
|-
|'' [[The Ed Sullivan Show|Toast of the Town]]'' || Self ||Promotion of ''To Hell and Back'' film, with cooperation of the Dept. of the U.S. Army and the Dept. of Defense ||<ref name="DoD1955"/>
!scope="row"|'' [[The Ed Sullivan Show|Toast of the Town]]''
|1955
|Self
|Promotion of ''To Hell and Back'' film, with cooperation of the Dept. of the U.S. Army and the Dept. of Defense
|<ref name="DoD1955"/>
|-
|-
!scope="row"| ''[[Colgate Comedy Hour]]''
| ''[[Colgate Comedy Hour]]'' || Self || Episode 5.36||{{refn|group=ALM| name=colgate|56-minute uploaded on YouTube as ''Audie Murphy Attends Beverly Hilton Grand Opening 1955''. He appears at 28:48 and briefly talks with Hedda Hopper about how he once gave his medals away but had them replaced by the U. S. Army.}}
|1955
|Self
|Episode 5.36
|{{refn|group=ALM| name=colgate|56-minute uploaded on YouTube as ''Audie Murphy Attends Beverly Hilton Grand Opening 1955''. He appears at 28:48 and briefly talks with Hedda Hopper about how he once gave his medals away but had them replaced by the U. S. Army.}}
|-
|-
| scope="row"|1957 || ''[[Suspicion (TV series)|Suspicion]] ''||Steve Gordon|| ''The Flight'' ||{{sfn|Graham|1989|page=354}}
!scope="row"| ''[[Suspicion (American TV series)|Suspicion]] ''
|1957
|Steve Gordon
| ''The Flight''
|{{sfn|Graham|1989|page=354}}
|-
|-
!scope="row"|''[[You Asked for It]]''
| scope="row" rowspan="2" |1958 || ''[[You Asked for It]]'' || Self || || {{refn|group=ALM| name=asked|You Asked for It'' ran 1951–1959 on the Dumont and ABC television networks, with hosts [[Art Baker (actor)|Art Baker]] and [[Smilin' Jack Smith|Jack Smith]]. The episodes were in response to requests submitted by viewers.{{sfn|Terrace|1985|page=454}} Murphy's episode features the star talking with host Jack Smith about his interest in quarter horses. Uploaded on YouTube.}}
|1958
|Self
|
|{{refn|group=ALM| name=asked|''You Asked for It'' ran 1951–1959 on the Dumont and ABC television networks, with hosts [[Art Baker (actor)|Art Baker]] and [[Smilin' Jack Smith|Jack Smith]]. The episodes were in response to requests submitted by viewers.{{sfn|Terrace|1985|page=454}} Murphy's episode features the star talking with host Jack Smith about his interest in quarter horses. Uploaded on YouTube.}}
|-
|-
| ''[[General Electric Theater]]'' || Tennessee || ''Incident'', a Civil War drama ||{{sfn|Graham|1989|page=354}}
!scope="row"|''[[General Electric Theater]]''
|1958
|Tennessee
| ''Incident'', a Civil War drama
|{{sfn|Graham|1989|page=354}}
|-
|-
|scope="row"| 1959 || ''[[Dinah Shore Chevy Show]] ''|| Self || Episode 3.52||<ref>{{cite web|last=Library of Congress|title= The Chevy Show.1959-09-27 LC control no. 98507797|url=http://lccn.loc.gov/98507797 |accessdate=10 October 2013}}</ref>
!scope="row"| ''[[Dinah Shore Chevy Show]] ''
|1959
| Self
| Episode 3.52
|<ref>{{cite web|last=Library of Congress|title= The Chevy Show.1959-09-27 LC control no. 98507797|url=http://lccn.loc.gov/98507797 |access-date=10 October 2013}}</ref>
|-
|-
!scope="row"|''The Big Picture''
|scope="row"| Unknown ||''The Big Picture'' || Self ||''The Third Division in Korea'' || {{refn|group=ALM| name=3rdk|''The Third Division in Korea'' is an episode of ''The Big Picture'' series of [[United States Army]] self-promotional documentaries offered at no cost to American television networks, beginning during the [[Korean War]] and continuing through the [[Vietnam War]].<ref name="APC">{{cite web|last=Army Pictorial Center|title=Catalog of The Big Picture|url=http://www.armypictorialcenter.com/the_big_picture.htm|accessdate=10 October 2013}}</ref> The 27-minute documentary of the 3rd Infantry Division's involvement in the Korean War is introduced by Sergeant Stuart Queen and Murphy. At the end of the documentary, Murphy is seen in dress uniform speaking from a [[dais]] to the Division at the [[Port of New Orleans]].<ref>{{cite web|last=Dept. of Defense|title=The Third Division in Korea |url=https://research.archives.gov/description/2569572 |publisher=U.S. National Archives and Records Administration ARC Identifier 2569572|accessdate=10 October 2013 }}</ref><ref>{{cite web|title=Landing of 3rd Infantry Division and 47th Division Redesignated the 3rd Division, New Orleans Port of Embarkation and Lawson Field, Ft. Benning, Georgia, 12/01/1954 – 12/03/1954|url=https://research.archives.gov/description/27088|publisher=National Archives and Records Administration ARC Identifier 27088|accessdate=19 October 2013}}</ref> Uploaded on YouTube.}}
|Unknown
| Self
|''The Third Division in Korea''
|{{refn|group=ALM| name=3rdk|''The Third Division in Korea'' is an episode of ''The Big Picture'' series of [[United States Army]] self-promotional documentaries offered at no cost to American television networks, beginning during the [[Korean War]] and continuing through the [[Vietnam War]].<ref name="APC">{{cite web|last=Army Pictorial Center|title=Catalog of The Big Picture|url=http://www.armypictorialcenter.com/the_big_picture.htm|access-date=10 October 2013}}</ref> The 27-minute documentary of the 3rd Infantry Division's involvement in the Korean War is introduced by Sergeant Stuart Queen and Murphy. At the end of the documentary, Murphy is seen in dress uniform speaking from a [[dais]] to the Division at the [[Port of New Orleans]].<ref>{{cite book|last=Dept. of Defense|title=The Third Division in Korea |series=Series: Motion Picture Films from "The Big Picture" Television Program Series, 1860 - 1985 |year=1975 |url=https://research.archives.gov/description/2569572 |publisher=U.S. National Archives and Records Administration ARC Identifier 2569572|access-date=10 October 2013 }}</ref><ref>{{cite book|title=Landing of 3rd Infantry Division and 47th Division Redesignated the 3rd Division, New Orleans Port of Embarkation and Lawson Field, Ft. Benning, Georgia, 12/01/1954 – 12/03/1954|series=Series: Motion Picture Films from the Army Library Copy Collection, 1860 - 1985 |url=https://research.archives.gov/description/27088|publisher=National Archives and Records Administration ARC Identifier 27088|access-date=19 October 2013}}</ref> Uploaded on YouTube.}}
|-
|-
|scope="row"| 1960 || ''[[The Big Picture (TV series)|The Big Picture]]'' || Self || ''Broken Bridge''||{{refn|group=ALM| name=bridge|''Broken Bridge'' is an episode of ''The Big Picture'' series. In this episode the United States Army escorts Murphy to Germany, Italy, [[Turkey]] and the [[U.S. state]] of [[New Mexico]] to demonstrate their missile weaponry. Uploaded on YouTube. Listed as {{IMDb title|0396471|Audie Murphy in Nuremberg}}.<ref name="DoD1974"/>}}
!scope="row"|''[[The Big Picture (American TV series)|The Big Picture]]''
|1960
| Self
| ''Broken Bridge''
|{{refn|group=ALM| name=bridge|''Broken Bridge'' is an episode of ''The Big Picture'' series. In this episode the United States Army escorts Murphy to Germany, Italy, [[Turkey]] and the [[U.S. state]] of [[New Mexico]] to demonstrate their missile weaponry. Uploaded on YouTube. Listed as {{IMDb title|qid=Q123581546|title=Audie Murphy in Nuremberg}}.<ref name="DoD1974"/>}}
|-
|-
!scope="row"|''The Big Picture''
|scope="row"|1963 ||''The Big Picture'' || Self ||''Beyond the Call, Part II '' || {{refn|group=ALM| name=beyond|Part of ''The Big Picture'' series, ''Beyond the Call'' is a black and white [[docudrama]] about Medal of Honor winners. Although the heroic actions are depicted, and each soldier's personal background is detailed, none of them are mentioned by name, including Murphy. Footage from the color film ''To Hell and Back'' depicting Murphy's actions at Holtzwihr is converted to black and white. Uploaded on YouTube.<ref name="APC"/><ref>{{cite web|last=Dept. of Defense|title=Beyond the Call, Part II|url=https://research.archives.gov/description/4523895 |publisher=U.S. National Archives and Records Administration ARC Identifier 4523895|accessdate=10 October 2013}}</ref>}}
|1963
| Self
|''Beyond the Call, Part II '' || {{refn|group=ALM| name=beyond|Part of ''The Big Picture'' series, ''Beyond the Call'' is a black and white [[docudrama]] about Medal of Honor winners. Although the heroic actions are depicted, and each soldier's personal background is detailed, none of them are mentioned by name, including Murphy. Footage from the color film ''To Hell and Back'' depicting Murphy's actions at Holtzwihr is converted to black and white. Uploaded on YouTube.<ref name="APC"/><ref>{{cite web|last=Dept. of Defense|title=Beyond the Call, Part II|url=https://research.archives.gov/description/4523895 |publisher=U.S. National Archives and Records Administration ARC Identifier 4523895|access-date=10 October 2013}}</ref>}}
|-
|-
| scope="row"|1960 || ''[[Startime (TV series)|Startime]]'' || Howard Wilton ||''The Man'' ||<ref>{{cite web|last=Library of Congress |title=Ford Startime.The Man LC control no. 96500439 |url=https://lccn.loc.gov/96500439 |accessdate=10 October 2013 |year=1960 }}</ref>
!scope="row"| ''[[Startime (1959 TV series)|Startime]]''
|1960
| Howard Wilton
|''The Man''
|<ref>{{cite web|last=Library of Congress |title=Ford Startime.The Man LC control no. 96500439 |url=https://lccn.loc.gov/96500439 |access-date=10 October 2013 |year=1960 }}</ref>
|-
|-
| scope="row"|1961 || ''[[Whispering Smith (TV series)|Whispering Smith]]'' || Tom "Whispering" Smith{{refn|group=ALM| name=smith|When [[Frank H. Spearman]] wrote the 1906 Whispering Smith novel, he appropriated the sobriquet already attached to real-life railroad detective James L. Smith. The 1948 film version with [[Alan Ladd]] changed the name to Luke Smith. Murphy's character in the television series became Tom Smith.{{sfn|Spearman|1906}}{{sfn|Bristow|2007|pages=13–16}}}} || 26 episodes||<ref name="LOC2010">{{cite web|last=Library of Congress|title= Whispering Smith LC control no. 2012605754 |url=http://lccn.loc.gov/2012605754 |accessdate=10 October 2013}}</ref>
!scope="row" | ''[[Whispering Smith (TV series)|Whispering Smith]]''
|1961
|Tom "Whispering" Smith
|26 episodes
|{{refn|group=ALM| name=smith|When [[Frank H. Spearman]] wrote the 1906 Whispering Smith novel, he appropriated the sobriquet already attached to real-life railroad detective James L. Smith. The 1948 film version with [[Alan Ladd]] changed the name to Luke Smith. Murphy's character in the television series became Tom Smith.{{sfn|Spearman|1906}}{{sfn|Bristow|2007|pages=13–16}}}}<ref name="LOC2010">{{cite web|last=Library of Congress|title= Whispering Smith LC control no. 2012605754 |oclc= 609638022 |url=http://lccn.loc.gov/2012605754 |access-date=10 October 2013}}</ref>
|}
|}


==Radio==
==Radio==
{| class="wikitable"
{| class="wikitable sortable plainrowheaders"
! Year
! Title
! Title
! Year
! Role
! Role
! Notes
! Notes
! class="unsortable" | Refs.
! class="unsortable" | Refs.
|-
|-
!scope="row"| ''Hollywood Fights Back''
|1947 || ''Hollywood Fights Back'' || Self || 26 October 1947 ||{{refn|group=ALM| name=hollywood| ''Hollywood Fights Back'' was produced as two 30-minute specials by the [[Committee for the First Amendment|First Amendment Committee]] in 1947 for broadcast 26 October and 2 November on the ABC radio network. Numerous major film stars of the era appeared in the specials to express their opposition to the activities of the [[House Un-American Activities Committee]]. Murphy spoke in the 26 October broadcast.{{sfn|Smith|2010|page=168}}}}
|1947
| Self
| 26 October 1947
|{{refn|group=ALM| name=hollywood| ''Hollywood Fights Back'' was produced as two 30-minute specials by the [[Committee for the First Amendment|First Amendment Committee]] in 1947 for broadcast 26 October and 2 November on the ABC radio network. Numerous major film stars of the era appeared in the specials to express their opposition to the activities of the [[House Un-American Activities Committee]]. Murphy spoke in the 26 October broadcast.{{sfn|Smith|2010|page=168}}}}
|-
|-
!scope="row"|''[[This Is Your Life (American franchise)|This Is Your Life]]''
| 1949 || {{nowrap|''[[This Is Your Life]]''}} || Self || 8 March 1949 episode (recorded on 7 March), hosted by [[Ralph Edwards]] || {{refn|group=ALM| name=life|Publicity for ''To Hell and Back''. The Audie Murphy Research Foundation has a user-generated reproduction of the full transcript of Murphy's appearance that was published in the June 1954 issue of'' [[Photoplay]] ''magazine.<ref>{{cite web| last=Willis|first= Larryann |url=http://www.audiemurphy.com/amrf/amrf_news9.pdf | title=The Mystery of the Mythical This Is Your Life Show | publisher=Newsletter of the Audie Murphy Research Foundation | volume=9 |year=2001|pages=6–12|accessdate=10 October 2013}}</ref>}}
|1949
|Self
| 8 March 1949 episode (recorded on 7 March), hosted by [[Ralph Edwards]]
| {{refn|group=ALM| name=life|Publicity for ''To Hell and Back''. The Audie Murphy Research Foundation has a user-generated reproduction of the full transcript of Murphy's appearance that was published in the June 1954 issue of'' [[Photoplay]] ''magazine.<ref>{{cite web| last=Willis|first= Larryann |url=http://www.audiemurphy.com/amrf/amrf_news9.pdf | title=The Mystery of the Mythical This Is Your Life Show | publisher=Newsletter of the Audie Murphy Research Foundation | volume=9 |year=2001|pages=6–12|access-date=10 October 2013}}</ref>}}
|-
|-
!scope="row"| ''[[Cavalcade of America]]''
| 1951 || ''[[Cavalcade of America]]'' || Walter Carlin || 9 October 1951, Episode 713 ''The Fields are Green'' ||{{refn|group=ALM|name=cavalcade| Dramatization of the real life story of Walter and William Carlin, who as teenagers turned an old farm into a success. It was broadcast in honor of the [[National FFA Organization|Future Farmers of America]], and co-starred [[Bob Hastings]], best known for his later recurring role in ''[[McHale's Navy]]''.<ref>{{cite news|last1=Farmers Weekly|title=Radio Program to Honor Two Farm Youths|url=http://idnc.library.illinois.edu/cgi-bin/illinois?a=d&d=FWR19511003.2.18#|accessdate=18 June 2014|work=Illinois Digital Newspaper Collection|publisher=University of Illinois|date=3 October 1951|page=1}}</ref><ref>{{cite book|last1=Grams Jr.|first1=Martin|title=Radio Drama: A Comprehensive Chronicle of American Network Programs, 1932–1962|publisher=McFarland & Company, Inc.|isbn=978-0-7864-0051-5|page=74|date=January 2000}}</ref> }}
|1951
| Walter Carlin
| 9 October 1951, Episode 713 ''The Fields are Green''
|{{refn|group=ALM|name=cavalcade| Dramatization of the real-life story of Walter and William Carlin, who as teenagers turned an old farm into a success. It was broadcast in honor of the [[National FFA Organization|Future Farmers of America]], and co-starred [[Bob Hastings]], best known for his later recurring role in ''[[McHale's Navy]]''.<ref>{{cite news|last1=Farmers Weekly|title=Radio Program to Honor Two Farm Youths|url=http://idnc.library.illinois.edu/cgi-bin/illinois?a=d&d=FWR19511003.2.18#|access-date=18 June 2014|work=Illinois Digital Newspaper Collection|publisher=University of Illinois|date=3 October 1951|page=1}}</ref><ref>{{cite book|last1=Grams |first1=Martin Jr.|title=Radio Drama: A Comprehensive Chronicle of American Network Programs, 1932–1962|publisher=McFarland & Company, Inc.|isbn=978-0-7864-0051-5|page=74|date=January 2000}}</ref> }}
|}
|}


==Public Service Announcements==
==Public Service Announcements==
{| class="wikitable"
{| class="wikitable sortable plainrowheaders"
! Year
! Title
! Title
! Year
! Role
! Role
! Notes
! Notes
! class="unsortable" | Refs.
! class="unsortable" | Refs.
|-
|-
!scope="row"|''Medal of Honor with Audie Murphy''
|1955 ||''Medal of Honor with Audie Murphy'' || Self|| Savings bond promotion|| {{refn|group=ALM| name=savings| This public service announcement was written by [[Oscar Brodney]] and produced by Jesse Hibbs through Universal Studios for the U.S. Treasury Department. He talks to actors [[Barbara Rush]], [[Barney Phillips]] and [[John McIntire]] about savings bonds. Terry Murphy also appears. Uploaded on YouTube as ''Audie Murphy Promotes Savings Bonds (PSA 1955)''.<ref>{{cite web|last=Dept. of the Treasury|title=Medal of Honor with Audie Murphy |publisher=U.S. National Archives and Records Administration ARC Identifier 5727074 |url=https://research.archives.gov/description/5727074 |accessdate=10 October 2013}}</ref>}}
|1955
| Self
| Savings bond promotion
| {{refn|group=ALM| name=savings| This public service announcement was written by [[Oscar Brodney]] and produced by Jesse Hibbs through Universal Studios for the U.S. Treasury Department. He talks to actors [[Barbara Rush]], [[Barney Phillips]] and [[John McIntire]] about savings bonds. Terry Murphy also appears. Uploaded on YouTube as ''Audie Murphy Promotes Savings Bonds (PSA 1955)''.<ref>{{cite web|last=Dept. of the Treasury|title=Medal of Honor with Audie Murphy |publisher=U.S. National Archives and Records Administration ARC Identifier 5727074 |url=https://research.archives.gov/description/5727074 |access-date=10 October 2013}}</ref>}}
|-
|-
!scope="row"|''The National Security Committee Introduces Audie Murphy''
|1956 ||''The National Security Committee Introduces Audie Murphy'' || Self|| Military recruitment promotion|| {{refn|group=ALM| name=reserve| Short 1956 public service announcement filmed for the National Security Committee to help promote their new 6-month reserve training program for the Armed Services. It was shown in theaters as a newsreel trailer during “Military Reserve Week” and was estimated to have been viewed by 38 million audience members. Universal Studios, along with Audie Murphy and director Jesse Hibbs, donated their time to the project.<ref>{{cite web|last1=National Security Training Commission|title=Annual Report to the Congress|date=1956|publisher=US Government Printing Office|page=32|url=http://babel.hathitrust.org/cgi/pt?id=umn.31951d03595394e;view=1up;seq=42|accessdate=5 March 2016}}</ref>}}
|1956
| Self
| Military recruitment promotion|| {{refn|group=ALM| name=reserve| Short 1956 public service announcement filmed for the National Security Committee to help promote their new 6-month reserve training program for the Armed Services. It was shown in theaters as a newsreel trailer during “Military Reserve Week” and was estimated to have been viewed by 38 million audience members. Universal Studios, along with Audie Murphy and director Jesse Hibbs, donated their time to the project.<ref>{{cite web|last1=National Security Training Commission|title=Annual Report to the Congress|date=1956|publisher=US Government Printing Office|page=32|url=http://babel.hathitrust.org/cgi/pt?id=umn.31951d03595394e;view=1up;seq=42|access-date=5 March 2016}}</ref>}}
|}
|}

==See also==
{{Books-inline|Audie Murphy}}


==Notes==
==Notes==


===Footnotes===
===Footnotes===
{{reflist|group=ALM}}
{{Reflist|group=ALM}}


===Citations===
===Citations===
{{Reflist|colwidth=20em}}
{{Reflist}}


==References==
==References==
{{refbegin|30em}}
{{refbegin}}
*{{cite book| ref=harv|last=[[American Film Institute]]|title=The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1961–1970|year=1997|publisher=University of California Press|location=Berkeley, CA|isbn=978-0-520-20970-1}}
*{{cite book|last=American Film Institute|author-link=American Film Institute|title=The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1961–1970|year=1997|publisher=University of California Press|location=Berkeley, CA|isbn=978-0-520-20970-1}}
*{{cite book| ref=harv|last=Basinger|first=Jeanine|last2=Arnold|first2=Jeremy|title=The World War II Combat Film: Anatomy of a Genre| url=https://archive.org/details/worldwariicombat0000basi| url-access=registration|publisher=Wesleyan University Press | year=2003|isbn=978-0-8195-6623-2|location=Middletown, CT}}
*{{cite book|last1=Basinger|first1=Jeanine|last2=Arnold|first2=Jeremy|title=The World War II Combat Film: Anatomy of a Genre| url=https://archive.org/details/worldwariicombat0000basi| url-access=registration|publisher=Wesleyan University Press | year=2003|isbn=978-0-8195-6623-2|location=Middletown, CT}}
*{{cite book| ref=harv|last=Boggs|first=Johnny D|title=Jesse James and the Movies|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-4788-6|year=2011}}
*{{cite book|last=Boggs|first=Johnny D|title=Jesse James and the Movies|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-4788-6|year=2011}}
*{{cite book|ref=harv|last=Bristow|first=Allen P.|year=2007|title=Whispering Smith His Life and Misadventures|publisher=Sunstone Press|location=Santa Fe, NM|isbn=978-0-86534-551-5}}
*{{cite book|last=Bristow|first=Allen P.|year=2007|title=Whispering Smith His Life and Misadventures|publisher=Sunstone Press|location=Santa Fe, NM|isbn=978-0-86534-551-5}}
*{{cite book| ref=harv|last=Cozad|first=W. Lee|title=More Magnificent Mountain Movies|year=2006|url= |publisher=Sunstroke Media|location=Lake Arrowhead, CA|isbn=978-0-9723372-3-6}}
*{{cite book|last=Cozad|first=W. Lee|title=More Magnificent Mountain Movies|year=2006|publisher=Sunstroke Media|location=Lake Arrowhead, CA|isbn=978-0-9723372-3-6}}
*{{cite book|ref=harv|last=DiLeo|first=John|title=100 Great Film Performances You Should Remember – But Probably Don't|publisher=Limelight Editions|year=2004|location=New York, NY|isbn=978-0-87910-972-1}}
*{{cite book|last=DiLeo|first=John|title=100 Great Film Performances You Should Remember – But Probably Don't|publisher=Limelight Editions|year=2004|location=New York, NY|isbn=978-0-87910-972-1}}
*{{cite book|ref=harv|last=Dippie|first=Brian W|title=Charlie Russell Roundup: Essays on America's Favorite Cowboy Artist|year=1999|publisher=Montana Historical Society Press|location=Helena, MT|isbn=978-0-917298-46-2}}
*{{cite book|last=Dippie|first=Brian W|title=Charlie Russell Roundup: Essays on America's Favorite Cowboy Artist|year=1999|publisher=Montana Historical Society Press|location=Helena, MT|isbn=978-0-917298-46-2}}
*{{cite book|ref=harv|last=Edwards|first=Paul M|title=A Guide to Films on the Korean War|year=1997|publisher=Greenwood|location=Westport, CT|isbn=978-0-313-30316-6}}
*{{cite book|last=Edwards|first=Paul M|title=A Guide to Films on the Korean War|year=1997|publisher=Greenwood|location=Westport, CT|isbn=978-0-313-30316-6}}
*{{cite book| ref=harv| last=Fagen|first=Herb|title=The Encyclopedia of Westerns|year=2003|publisher=Facts on File|location=New York|isbn=978-0-8160-4457-3}}
*{{cite book| last=Fagen|first=Herb|title=The Encyclopedia of Westerns|year=2003|publisher=Facts on File|location=New York|isbn=978-0-8160-4457-3}}
* {{cite book | ref=harv| last=Gossett |first=Sue |year=1996 |title=The Films and Career of Audie Murphy |location=Madison, NC |publisher=Empire Publishing |isbn=978-0-944019-22-1}}
* {{cite book | last=Gossett |first=Sue |year=1996 |title=The Films and Career of Audie Murphy |location=Madison, NC |publisher=Empire Publishing |isbn=978-0-944019-22-1}}
*{{cite book | last=Graham | first=Don | ref=harv | title=No Name on the Bullet | publisher=Viking | year=1989 | location=New York, NY | isbn=978-0-670-81511-1 | url=https://archive.org/details/nonameonbulletbi00grah }}
*{{cite book | last=Graham | first=Don | title=No Name on the Bullet | publisher=Viking | year=1989 | location=New York, NY | isbn=978-0-670-81511-1 | url=https://archive.org/details/nonameonbulletbi00grah }}
*{{cite book| ref=harv |last=Herzberg|first=Bob|title=Shooting Scripts|year=2005|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-2173-2}}
*{{cite book|last=Herzberg|first=Bob|title=Shooting Scripts|year=2005|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-2173-2}}
*{{cite book| ref=harv|last=Hoffman|first=Henryk|title=Western Movie References in American Literature|year=2012|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-6638-2}}
*{{cite book|last=Hoffman|first=Henryk|title=Western Movie References in American Literature|year=2012|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-6638-2}}
*{{cite book| ref=harv|last=Huebner|first=Andrew J|title=The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era|year=2007|publisher=The University of North Carolina Press|location=Chapel Hill, NC|isbn=978-0-8078-3144-1}}
*{{cite book|last=Huebner|first=Andrew J|title=The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era|year=2007|publisher=The University of North Carolina Press|location=Chapel Hill, NC|isbn=978-0-8078-3144-1}}
*{{cite book| ref=harv|last=Lewis|first=C. Jack|title=White Horse, Black Hat: A Quarter Century on Hollywood's Poverty Row|year=2002|publisher=Scarecrow Press|location=Lanham, MD|isbn=978-0-8108-4358-5}}
*{{cite book|last=Lewis|first=C. Jack|title=White Horse, Black Hat: A Quarter Century on Hollywood's Poverty Row|year=2002|publisher=Scarecrow Press|location=Lanham, MD|isbn=978-0-8108-4358-5}}
*{{cite book|ref=harv|last=Lucas|first=John Meredyth|title=Eighty Odd Years in Hollywood: Memoir of a Career in Film and Television|year=2004|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-1838-1}}
*{{cite book|last=Lucas|first=John Meredyth|title=Eighty Odd Years in Hollywood: Memoir of a Career in Film and Television|year=2004|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-1838-1}}
*{{cite book|ref=harv|last=Maltin|first=Leonard|authorlink=Leonard Maltin|title=Leonard Maltin's 2009 Movie Guide|year=2008|publisher=Plume|location=New York, NY|isbn=978-0-452-28978-9|url=https://archive.org/details/isbn_9780452289789}}
*{{cite book|last=Maltin|first=Leonard|author-link=Leonard Maltin|title=Leonard Maltin's 2009 Movie Guide|year=2008|publisher=Plume|location=New York, NY|isbn=978-0-452-28978-9|url=https://archive.org/details/isbn_9780452289789}}
*{{cite book| ref=harv|last=Mirisch|first=Walter|title=I Thought We Were Making Movies, Not History|year=2008|publisher=University of Wisconsin Press|location=Madison, WI|isbn=978-0-299-22640-4}}
*{{cite book|last=Mirisch|first=Walter|title=I Thought We Were Making Movies, Not History|year=2008|publisher=University of Wisconsin Press|location=Madison, WI|isbn=978-0-299-22640-4}}
*{{cite book| ref=harv|last=Niemi|first=Robert|title=History in the Media: Film And Television|year=2006|publisher=ABC-CLIO|location=Santa Barbara, CA|isbn=978-1-57607-952-2}}
*{{cite book|last=Niemi|first=Robert|title=History in the Media: Film And Television|year=2006|publisher=ABC-CLIO|location=Santa Barbara, CA|isbn=978-1-57607-952-2}}
* {{cite book| ref=harv |last=Nott|first=Robert|title=Last of the Cowboy Heroes: The Westerns of Randolph Scott, Joel McCrea, and Audie Murphy|year=2005|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-2261-6}}
* {{cite book|last=Nott|first=Robert|title=Last of the Cowboy Heroes: The Westerns of Randolph Scott, Joel McCrea, and Audie Murphy|year=2005|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-2261-6}}
*{{cite book|ref=harv|last=O'Connor|first=John E.|last2=Rollins|first2=Peter C|title=Why We Fought: America's Wars in Film and History|year=2008|publisher=The University Press of Kentucky|location=Lexington, KY|isbn=978-0-8131-2493-3|url=https://archive.org/details/whywefoughtameri00roll}}
*{{cite book|last1=O'Connor|first1=John E.|last2=Rollins|first2=Peter C|title=Why We Fought: America's Wars in Film and History|year=2008|publisher=The University Press of Kentucky|location=Lexington, KY|isbn=978-0-8131-2493-3|url=https://archive.org/details/whywefoughtameri00roll}}
*{{cite book| ref=harv|last=Pitts|first=Michael R.|title=Western Movies: A Guide to 5,105 Feature Films|year=2012|publisher=McFarland & Company, Inc|isbn=978-0-7864-6372-5 |location=Jefferson, NC}}
*{{cite book|last=Pitts|first=Michael R.|title=Western Movies: A Guide to 5,105 Feature Films|year=2012|publisher=McFarland & Company, Inc|isbn=978-0-7864-6372-5 |location=Jefferson, NC}}
*{{cite book| ref=harv|last1=Rausch|first1=Andrew J.|last2=Dequina|first2=Michael|title=Fifty Filmmakers: Conversations With Directors from Roger Avary to Steven Zaillian|year=2008|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-3149-6|url=}}
*{{cite book|last1=Rausch|first1=Andrew J.|last2=Dequina|first2=Michael|title=Fifty Filmmakers: Conversations With Directors from Roger Avary to Steven Zaillian|year=2008|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-3149-6}}
*{{cite book|ref=harv|last=Roberts|first=Jerry|title=Encyclopedia of Television Film Directors|year=2009|publisher=Scarecrow Press|location=Lanham, MD|isbn=978-0-8108-6378-1}}
*{{cite book|last=Roberts|first=Jerry|title=Encyclopedia of Television Film Directors|year=2009|publisher=Scarecrow Press|location=Lanham, MD|isbn=978-0-8108-6378-1}}
*{{cite book| ref=harv|last=Ross|first=Lillian|title=Picture|year=1997|publisher=Modern Library|location=New York, NY|isbn= 978-0-679-60254-5 }}
*{{cite book|last=Ross|first=Lillian|title=Picture|year=1997|publisher=Modern Library|location=New York, NY|isbn= 978-0-679-60254-5 }}
*{{cite book|ref=harv|last=Simpson|first=Harold B.|title=Audie Murphy, American Soldier|year=1975|publisher=Hill Jr. College Press|location=Hillsboro, TX|isbn=978-0-912172-20-0}}
*{{cite book|last=Simpson|first=Harold B.|title=Audie Murphy, American Soldier|year=1975|publisher=Hill Jr. College Press|location=Hillsboro, TX|isbn=978-0-912172-20-0}}
*{{cite book|ref=harv|last=Smith|first=Ronald L|title=Horror Stars on Radio: The Broadcast Histories of 29 Chilling Hollywood Voices|year=2010|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-5729-8}}
*{{cite book|last=Smith|first=Ronald L|title=Horror Stars on Radio: The Broadcast Histories of 29 Chilling Hollywood Voices|year=2010|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-5729-8}}
*{{cite book|ref=harv|last=Spearman|authorlink=Frank H. Spearman|first=Frank H.|title=Whispering Smith|publisher=Scribner|year=1906|location=New York, NY|url=https://archive.org/details/whisperingsmith00spearich|oclc= 858276051}}
*{{cite book|last=Spearman|author-link=Frank H. Spearman|first=Frank H.|title=Whispering Smith|publisher=Scribner|year=1906|location=New York, NY|url=https://archive.org/details/whisperingsmith00spearich|oclc= 858276051}}
*{{cite book| ref=harv|last=Starr|first=Kevin|authorlink=Kevin Starr|title=Embattled Dreams: California in War and Peace, 1940–1950|year=2003|publisher=Oxford University Press|location=New York, NY|isbn=978-0-19-516897-6}}
*{{cite book|last=Starr|first=Kevin|author-link=Kevin Starr|title=Embattled Dreams: California in War and Peace, 1940–1950|year=2003|publisher=Oxford University Press|location=New York, NY|isbn=978-0-19-516897-6}}
*{{cite book|last=Tate|first=J. R| ref=harv |title=Walkin' with the Ghost Whisperers|year=2006|publisher=Stackpole Books|location=Philadelphia, PA|isbn=978-0-8117-4544-4}}
*{{cite book|last=Tate|first=J. R|title=Walkin' with the Ghost Whisperers|year=2006|publisher=Stackpole Books|location=Philadelphia, PA|isbn=978-0-8117-4544-4}}
*{{cite book|ref=harv|last=Terrace|first=Vincent|title=Encyclopedia of Television: Series, Pilots and Specials 1974–1984|year=1985|publisher=Zoetrope|location=New York, NY|isbn=978-0-918432-61-2}}
*{{cite book|last=Terrace|first=Vincent|title=Encyclopedia of Television: Series, Pilots and Specials 1974–1984|year=1985|publisher=Zoetrope|location=New York, NY|isbn=978-0-918432-61-2}}
*{{cite book|ref=harv|last=Terrace|first=Vincent|title=Television Specials: 5,336 Entertainment Programs, 1936–2012|year=2013|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-7444-8}}
*{{cite book|last=Terrace|first=Vincent|title=Television Specials: 5,336 Entertainment Programs, 1936–2012|year=2013|publisher=McFarland & Company, Inc|location=Jefferson, NC|isbn=978-0-7864-7444-8}}
*{{cite book|ref=harv|last=Tracey|first=Grant|title=Filmography of American History|year=2001|publisher=Greenwood|location=Westport, CT|isbn=978-0-313-31300-4|url=https://archive.org/details/filmographyofame00trac}}
*{{cite book|last=Tracey|first=Grant|title=Filmography of American History|year=2001|publisher=Greenwood|location=Westport, CT|isbn=978-0-313-31300-4|url=https://archive.org/details/filmographyofame00trac}}
*{{cite book|ref=harv|last=Yoggy|first=Gary A.|title=Back in the Saddle: Essays on Western Film and Television Actors|year=1998|publisher=Mcfarland & Co Inc|location=Jefferson, NC|isbn=978-0-7864-0566-4}}
*{{cite book|last=Yoggy|first=Gary A.|title=Back in the Saddle: Essays on Western Film and Television Actors|year=1998|publisher=Mcfarland & Co Inc|location=Jefferson, NC|isbn=978-0-7864-0566-4}}
*{{cite book|last=Young|first=William H| ref=harv|title=World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia|year=2010|publisher=ABC-CLIO|location=Santa Barbara, CA|isbn=978-0-313-35652-0|last2=Young|first2= Nancy K}}
*{{cite book|last1=Young|first1=William H|title=World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia|year=2010|publisher=ABC-CLIO|location=Santa Barbara, CA|isbn=978-0-313-35652-0|last2=Young|first2= Nancy K}}
{{refend}}
{{refend}}


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==External links==
==External links==
{{Commons category-inline|Audie Murphy}}
{{Commons category|Audie Murphy}}
* {{IMDb name|id=0001559|name=Audie Murphy}}
* {{IMDb name|id=0001559|name=Audie Murphy}}
*{{URL|http://www.audiemurphy.com|Audie L. Murphy Memorial Website}}
*{{URL|http://www.audiemurphy.com|Audie L. Murphy Memorial Website}}
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{{Audie Murphy}}
{{Audie Murphy}}


{{DEFAULTSORT:Murphy, Audie films}}
{{DEFAULTSORT:Murphy, Audie}}
[[Category:Hollywood history and culture]]
[[Category:History of Hollywood, Los Angeles]]
[[Category:Male actor filmographies|Murphy, Audie]]
[[Category:Male actor filmographies]]
[[Category:Audie Murphy]]
[[Category:Audie Murphy|Film career]]
[[Category:1950s in American cinema]]
[[Category:1950s in American cinema]]
[[Category:1960s in American cinema]]
[[Category:1960s in American cinema]]
[[Category:1940s in American cinema]]
[[Category:1940s in American cinema]]
[[Category:American filmographies]]

Latest revision as of 23:12, 11 April 2024

Red Badge of Courage (1951)

Audie Murphy (20 June 1925 – 28 May 1971) was a highly decorated American soldier and Medal of Honor recipient who turned actor. He portrayed himself in the film To Hell and Back, the account of his World War II experiences. During the 1950s and 1960s he was cast primarily in westerns. While often the hero, he proved his ability to portray a cold-blooded hired gun in No Name on the Bullet. A notable exception to the westerns was The Quiet American in which he co-starred with Michael Redgrave. Murphy made over 40 feature films and often worked with directors more than once. Jesse Hibbs who directed To Hell and Back worked with the star on six films, only half of which were westerns. When promoting his 1949 book To Hell and Back he appeared on the radio version of This Is Your Life. To promote the 1955 film of the same name, he appeared on Ed Sullivan's Toast of the Town. He was a celebrity guest on television shows such as What's My Line? and appeared in a handful of television dramas. Murphy's only television series Whispering Smith had a brief run in 1961. For his cooperation in appearing in the United States Army's Broken Bridge episode of The Big Picture television series he was awarded the Outstanding Civilian Service Medal.

A photo of Guy Mitchell and Audie Murphy in Whispering Smith

Early career

[edit]
Audie Murphy publicity photo

Murphy became a national celebrity following his World War II military service when Life magazine proclaimed him America's "most decorated soldier" in its 16 July 1945 issue cover story.[1] That magazine cover brought him to the attention of veteran actor James Cagney who invited him to Hollywood. When Murphy arrived in California after his military discharge, Cagney cancelled the hotel reservations he'd made for Murphy and instead took him into his own home, "I got the shock of my life. Audie was very thin. His complexion was bluish-gray." Commenting years later on his first impression, Cagney said, "[Murphy was] in such a nervous condition that I was afraid he might jump out of a window. I took him home and gave him my bed."[2] He spent three weeks as a guest of Cagney and then returned to Texas before finally agreeing to an offer from brothers James and William Cagney of $150 a week as a contract player with their production company. The Cagneys gave Murphy personal attention on acting techniques.[3] He also took lessons at the Actors' Lab on Sunset Boulevard. Murphy studied voice techniques, learned judo, and trained with choreographer John Boyle, Cagney's dance coach for Yankee Doodle Dandy.[4] A 1947 disagreement with William Cagney ended his association with the brothers without having been cast in a film production.[5]

He moved into Terry Hunt's Athletic Club and survived on his Army pension of $113 a month. In 1948 he became acquainted with writer David "Spec" McClure who got him a $500 bit part in Texas, Brooklyn & Heaven.[6] He began dating actress Wanda Hendrix in 1946.[7] Her agent got Murphy a bit part in the 1948 Alan Ladd film Beyond Glory directed by John Farrow.[8] Murphy and Hendrix married in 1949 and divorced in 1951.[9]

His 1949 film Bad Boy gave him his first leading role.[10] Murphy became acquainted in Texas with Interstate Theatre executive James "Skipper" Cherry,[11] who was best man at Murphy's 1951 marriage to Pamela Archer and the namesake of the couple's second son.[12][13] Murphy's association with Cherry brought him to the attention of Texas independent producer Paul Short.[11] With financing from Texas theater owners and the children's charitable organization Variety Clubs International, Short cast Murphy in Bad Boy to help promote the charity's work with troubled children.[14] Murphy performed well in the screen test, but Steve Broidy, president of the project's production company Allied Artists did not want to cast someone in a major role with so little acting experience. Cherry, Short, and the theater owners refused to finance the film unless Murphy played the lead.[15] The 1933 Thames Williamson novel The Woods Colt caught Murphy's attention during this period of his career. He secured the rights to the story in the 1950s, and Marion Hargrove was hired to write the script. The film was never made.[16]

Universal Studios signed Murphy to a seven-year studio contract at $2,500 a week.[17][18] His first film for them in 1950 was as Billy the Kid in The Kid from Texas. He wrapped up that year making Sierra starring his wife Wanda Hendrix,[19] and Kansas Raiders as outlaw Jesse James. He and director Budd Boetticher become acquainted through Terry Hunt's Athletic Club where Murphy would request to be his boxing partner.[20] Murphy appeared in the 1951 title role of Boetticher's first westernThe Cimarron Kid.[21]

Audie Murphy tackles the role, and probably better fits the original Brand conception than his predecessors.

Variety review of Destry [22]

The only film Murphy made in 1952 was Duel At Silver Creek with director Don Siegel. Murphy would team with Siegel one more time in 1958 for The Gun Runners. He only worked one time with director Frederick de Cordova, who later became producer of The Tonight Show Starring Johnny Carson. Murphy and de Cordova made Column South in 1953.[23] George Marshall directed Murphy in the 1954 Destry, based on a character created by author Max Brand. Two previous versions, one in 1932 with Tom Mix and one in 1939 with Jimmy Stewart and Marlene Dietrich, were both titled Destry Rides Again.[24]

The only screenplay John Meredyth Lucas ever did for a Murphy film was the 1953 Tumbleweed, an adaptation of the Kenneth Perkins novel Three Were Renegades .[25] Murphy played Jim Harvey, whose horse Tumbleweed displayed a talent for getting the hero out of any scrape.[26] Director Nathan Juran oversaw Tumbleweed, as well as Gunsmoke and Drums Across the River.[27]

As Murphy's film career began to progress, so did his efforts to improve his skills. He continually practiced his fast draw with a gun.[28] When Hugh O'Brian bet $500 that he could draw a gun faster than anyone in Hollywood, Murphy raised the ante to $2500 and wanted to use live ammunition; O'Brian did not accept.[29] He took both private and classroom acting lessons from Estelle Harman, and honed his diction by reciting dialogue from William Shakespeare and William Saroyan.[30]

The Red Badge of Courage

[edit]

Murphy was lent to MGM at a salary of $25,000[31] to appear in the 1951 The Red Badge of Courage directed by John Huston and adapted from the Stephen Crane novel. At the urging of Spec McClure and celebrity columnist Hedda Hopper, over the misgivings of producer Gottfried Reinhardt and studio executives Louis B. Mayer and Dore Schary, director Huston cast Murphy in the lead of The Youth (Henry Fleming in the novel).[32] The preview screening audiences were not enthusiastic, causing Schary to re-edit Huston's work, eliminating several scenes and adding narration by James Whitmore.[33] MGM trimmed advertising efforts on what they believed was an unprofitable film. What eventually hit the theaters was not a commercial success, and it was also not the film both Murphy and Huston believed they had made. Murphy unsuccessfully tried to buy the rights to the film in 1955 in an attempt to re-edit and re-release it. Huston tried to buy it in 1957, but was told the original negative of what he had filmed was destroyed.[34]

To Hell and Back

[edit]
To Hell and Back – Audie Murphy and Susan Kohner

Although Murphy was initially reluctant to appear as himself in To Hell and Back, the film version of his book, he eventually agreed to do so. Terry Murphy portrayed his brother Joseph Preston Murphy at age four. The film was directed by Jesse Hibbs with an on-screen introduction by General Walter Bedell Smith. Susan Kohner, daughter of Murphy's agent Paul Kohner,[35] made her acting debut in the film. The finale shows Murphy being awarded the Medal of Honor while images of his unit's casualties pass across the screen.[36] It became the biggest hit in the history of Universal Studios at the time.[37][38]

Both Murphy and Universal gave serious considerations to a follow-up version of his post-war life. Murphy rejected the Richard J. Collins script The Way Back which created the fictional scenario that filming To Hell and Back had been so therapeutic for Murphy that it cured him of his combat fatigue. Spec McClure scripted a second unused version of The Way Back[39] that incorporated Murphy's real-life friends into the storyline and ended with the star living happily ever after with Pamela and their two sons. A third version by an unknown writer focused on the Murphy-McClure friendship and was rejected by the threat of a lawsuit from McClure. Desi Arnaz offered to bankroll a 1965 project titled Helmets in the Dust.[40] At Murphy's request McClure wrote a film treatment, but the project never came to fruition.[41]

Later films

[edit]

The Hibbs-Murphy team proved so successful in To Hell and Back[42] that the two worked together on a total of five subsequent films. Hibbs directed Murphy in Ride Clear of Diablo in 1954.[43] The partnership resulted in the commercially unsuccessful non-traditional 1956 western Walk the Proud Land.[44] Hibbs and Murphy teamed with each other for non-westerns Joe Butterfly[45] and World in My Corner.[44] They worked together a final time in the 1958 western Ride a Crooked Trail.[46] Veteran character actor Dan Duryea who portrayed villain Whitey Kincaide in Ride Clear of Diablo played a second lead in two more Murphy vehicles, Night Passage[47] and Six Black Horses. The Story of Charles Russell with Murphy as the lead was under development at Universal but shelved after the disappointing receipts of Walk the Proud Land. Murphy, however, was enthusiastic enough about a biopic of Charles Marion Russell to give serious consideration tor his own production that would star Guy Mitchell in the lead, but the film was not made.[48][49]

Murphy was hired by Joseph L. Mankiewicz to play the role of The American (Alden Pyle in the book) in the 1958 version of The Quiet American, replacing Montgomery Clift when the latter dropped out. Michael Redgrave replaced Laurence Olivier who dropped out when Clift withdrew. The cold-war drama filmed in Vietnam was a departure from the genre in which Murphy had normally been cast.[50]

Murphy formed a partnership with Harry Joe Brown to make three films, the first of which was the 1957 The Guns of Fort Petticoat. The partnership fell into disagreement over the remaining two projects, and Brown filed suit against Murphy.[51] Although Murphy was to co-star with Robert Mitchum in the 1957 film Night Riders, scheduling conflicts prevented him from doing so.[44] Springing from his skin diving hobby, Murphy hired diving expert Paul Kazear to write the script Skin Diver with a Heart . Murphy reneged on the deal and the film was never made. Kazear sued Murphy in 1958.[52]

The 1950s ended with Murphy appearing in three westerns. He co-starred with 14-year-old Sandra Dee in the 1959 film The Wild and the Innocent. The film's cast was rounded out with Gilbert Roland, Joanne Dru and Jim Backus.[53] Murphy's collaboration with Walter Mirisch on Cast a Long Shadow included an uncredited stint as co-producer. The film co-starred Terry Moore.[54] His performance in No Name on the Bullet was well received. The storyline follows the cool, jaded hired gun as the townspeople are gripped with fear by his presence.[55]

Murphy ... uncorks a toughness and maturity that is a powerful aid to the story.

The Hollywood Reporter review of The Unforgiven[56]

Murphy and Huston worked together one more time in the 1960 film The Unforgiven, in which Murphy took second billing as Burt Lancaster's racist kid brother who was bent on the destruction of the Kiowa.[57]Writer Clair Huffaker wrote the screenplay for 1961's Seven Ways from Sundown and Posse from Hell.[58] Author Bob Herzberg deemed the scripts two of the best Murphy worked with in that decade.[59] Herbert Coleman directed Posse from Hell as well as the World War II drama Battle at Bloody Beach set in the Philippines.[60]

Willard W. Willingham and his wife, Mary, were friends of Murphy's from his earliest days in Hollywood and who worked with him on a number of projects.[61][62][63] Williard was a producer on Murphy's 1961 television series Whispering Smith.[64] He additionally collaborated on Bullet for a Badman [65] in 1964 and Arizona Raiders in 1965. The latter was based on activities of Quantrill's Raiders and was a remake of the George Montgomery 1951 film The Texas Rangers . The film also featured Buster Crabbe.[66] Willard was a co-writer on the screenplay for Battle at Bloody Beach.[67] The Willinghams as a team wrote the screenplays for Gunpoint[68] as well the script for Murphy's last starring lead in a western, 40 Guns to Apache Pass .[69] Released through Columbia Pictures in May 1967, the story centered on Murphy's character retrieving a cache of stolen rifles sold to Apache leader Cochise.[70]

Apache Rifles in 1964 was another formula Murphy western. He remained at Universal for a few more years, then left to work at Columbia and Allied Artists before making several films in Europe. In 1966 he made Trunk to Cairo in Israel. He felt the film was, "the worst James Bond parody I've ever seen," but was unable to get out of the commitment.[71]

I feel like a prostitute who is a little over the hill. I get all kinds of promotional offers for movies. But instead of my usual price of $100,000 per picture, they offer $20,000 and a percentage of the profit you never see. When people find you need the money in this town, they cut their offer by 80 percent. And I keep turning down liquor and cigarette commercials. I don't believe they're good for kids. I guess it's a matter of not being 100 percent prostitute.[72]

— Audie Murphy, 1968

His own company FIPCO Productions[73] produced his last film A Time for Dying . He had a cameo role as Jesse James, and his sons Terry and James were given small roles. Willard W. Willingham played Frank James.[74] Budd Boetticher wrote the script, and agreed to the production as a return favor for an earlier time when Murphy had bailed him out of financial setbacks. The production was beset with financial problems, and the set burned twice. The movie opened in France in 1971 but was not shown in the United States until its limited release in 1982.[73] Two other projects that Murphy and Boetticher planned to produce, A Horse for Mr Barnum and When There's Sumpthin' to Do, never came to fruition.[75]

Murphy made more than 40 feature films in his career.[ALM 1][76]

Films

[edit]
Titel Year Role Director Producer Studio Other cast members Refs.
Texas, Brooklyn & Heaven 1948 Copy Boy William Castle Robert Golden United Artists James Dunn, William Frawley, Margaret Hamilton, Roscoe Karns, Diana Lynn, Guy Madison, Irene Ryan, Lionel Stander [17][77]
Beyond Glory 1948 Cadet Thomas John Farrow Robert Fellows Paramount Alan Ladd, Donna Reed [78]
Bad Boy 1949 Danny Lester Kurt Neumann Paul Short Monogram James Gleason, Jimmy Lydon, Lloyd Nolan, Martha Vickers, Rhys Williams, Jane Wyatt [10][77]
The Kid from Texas 1950 William Bonney Kurt Neumann Paul Short Universal Albert Dekker, Will Geer, Gale Storm, William Talman, Ray Teal, Frank Wilcox [ALM 2]
Sierra 1950 Ring Hassard Alfred E. Green Michael Kraike Universal James Arness, Tony Curtis, Wanda Hendrix, Burl Ives, Dean Jagger, Elliott Reid, Roy Roberts [81][19][82]
Kansas Raiders 1950 Jesse James Ray Enright Ted Richmond Universal Richard Arlen, James Best, Scott Brady, Tony Curtis, Brian Donlevy, Richard Long [83][19]
The Red Badge of Courage 1951 The Youth John Huston Gottfried Reinhardt MGM Royal Dano, Andy Devine, Douglas Dick, John Dierkes, Arthur Hunnicutt, Bill Mauldin [84][ALM 3]
The Cimarron Kid 1951 Bill Doolin a.k.a. The Cimarron Kid Budd Boetticher Ted Richmond Universal Noah Beery Jr, James Best, Leif Erickson, Hugh O'Brian, Roy Roberts, Frank Silvera [86][19]
The Duel at Silver Creek 1952 Luke Cromwell a.k.a. The Silver Kid Don Siegel Leonard Goldstein Universal Susan Cabot, Faith Domergue, Lee Marvin, Gerald Mohr [19][87]
Gunsmoke 1953 Reb Kittredge Nathan Juran Aaron Rosenberg Universal Susan Cabot, Jack Kelly, Jesse White [88][89]
Column South 1953 Lt. Jed Sayre Frederick De Cordova Ted Richmond Universal James Best, Ray Collins, Joan Evans, Russell Johnson, Jack Kelly, Bob Steele, Robert Sterling, Dennis Weaver [90][91]
Tumbleweed 1953 Jim Harvey Nathan Juran Ross Hunter Universal King Donovan, Russell Johnson, Lori Nelson, Roy Roberts, Lyle Talbot, Lee Van Cleef, Chill Wills [92][91]
Ride Clear of Diablo 1954 Clay O'Mara Jesse Hibbs John W. Rogers Universal Susan Cabot, Dan Duryea, Jack Elam, Abbe Lane, Russell Johnson, Denver Pyle [93][91]
Drums Across the River 1954 Gary Brannon Nathan Juran Melville Tucker Universal Morris Ankrum, Lane Bradford, Walter Brennan, Lisa Gaye, Howard McNear, Jay Silverheels, Bob Steele [94][91]
Destry 1954 Tom Destry George Marshall Stanley Rubin Universal Edgar Buchanan, Mari Blanchard, Wallace Ford, Alan Hale, Jr., Thomas Mitchell, Lori Nelson, Mary Wickes [95][91]
To Hell and Back 1955 Himself Jesse Hibbs Aaron Rosenberg Universal Charles Drake, David Janssen, Jack Kelly, Susan Kohner, Denver Pyle, Marshall Thompson [37][91]
World in My Corner 1956 Tommy Shea Jesse Hibbs Aaron Rosenberg Universal John McIntire, Jeff Morrow, Barbara Rush [96][91]
Walk the Proud Land 1956 John Philip Clum Jesse Hibbs Aaron Rosenberg Universal Morris Ankrum, Anne Bancroft, Anthony Caruso, Pat Crowley, Charles Drake, Jay Silverheels [97][98]
Joe Butterfly 1957 Pvt. Joe Woodley Jesse Hibbs Aaron Rosenberg Universal John Agar, Fred Clark, Burgess Meredith, George Nader, Keenan Wynn [96][98]
The Guns of Fort Petticoat 1957 Lt. Frank Hewitt George Marshall Harry Joe Brown
Audie Murphy
Columbia Kathryn Grant, Sean McClory, Jeanette Nolan, Ray Teal [99][98]
Night Passage 1957 Lee McLaine a.k.a. The Utica Kid James Neilson Aaron Rosenberg Universal Hugh Beaumont, Ellen Corby, Brandon deWilde, Dan Duryea, Jack Elam, Jay C. Flippen, James Stewart [100][98]
The Quiet American 1958 The American Joseph L. Mankiewicz Joseph L. Mankiewicz United Artists Bruce Cabot, Claude Dauphin, Richard Loo, Giorgia Moll, Michael Redgrave [50][98][ALM 4]
Ride a Crooked Trail 1958 Joe Maybe Jesse Hibbs Howard Pine Universal Leo Gordon, Walter Matthau, Mort Mills, Joanna Cook Moore, Gia Scala, Henry Silva [102][103]
The Gun Runners 1958 Sam Martin Don Siegel Herbert E. Stewart
Clarence Greene
Seven Arts Eddie Albert, Jack Elam, Richard Jaeckel, Patricia Owens, Everett Sloane [104][105]
No Name on the Bullet 1959 John Gant Jack Arnold Jack Arnold
Howard Christie
Universal R.G. Armstrong, Charles Drake, Joan Evans, Virginia Grey, Warren Stevens, Karl Swenson [106][107]
The Wild and the Innocent 1959 Yancy Hawks Jack Sher Sy Gomberg Universal Jim Backus, Peter Breck, Sandra Dee, Joanne Dru, Strother Martin, Gilbert Roland [108][107]
Cast a Long Shadow 1959 Matt Brown Thomas Carr Walter Mirisch
Audie Murphy
United Artists James Best, John Dehner, Terry Moore, Denver Pyle [109][107]
The Unforgiven 1960 Cash Zachary John Huston James Hill United Artists Charles Bickford, Lillian Gish, Audrey Hepburn, Burt Lancaster, Doug McClure, Albert Salmi, John Saxon, Joseph Wiseman [110][111][107]
Hell Bent for Leather 1960 Clay Santell George Sherman Gordon Kay Universal Malcolm Atterbury, Felicia Farr, Allan Lane, Robert Middleton, Herbert Rudley, Bob Steele [112][107]
Seven Ways from Sundown 1960 Seven Ways from Sundown Jones Harry Keller Gordon Kay Universal Don Collier, Jack Kruschen, John McIntire, Venetia Stevenson, Barry Sullivan [113][107][ALM 5]
Posse from Hell 1961 Banner Cole Herbert Coleman Gordon Kay Universal Rodolfo Acosta, Royal Dano, Zohra Lampert, Allan Lane, Vic Morrow, John Saxon, Ray Teal, Lee Van Cleef [115][116]
Battle at Bloody Beach 1961 Craig Benson Herbert Coleman Richard Maibaum 20th Century Fox Gary Crosby, Ivan Dixon, Dolores Michaels, Alejandro Rey [60][117]
Six Black Horses 1962 Ben Lane Harry Keller Gordon Kay Universal Dan Duryea, Joan O'Brien, Bob Steele [118][117]
War is Hell 1962 Narrator Burt Topper Burt Topper Allied Artists Baynes Barron [119][120]
Showdown 1963 Chris Foster R.G. Springsteen Gordon Kay Universal Kathleen Crowley, Charles Drake, Skip Homeier, L. Q. Jones, Strother Martin, Harold J. Stone [121][117]
Gunfight at Comanche Creek 1963 Bob Gifford a.k.a. Judd Tanner Frank McDonald Ben Schwalb Allied Artists Ben Cooper, DeForest Kelley, Susan Seaforth [122][117]
The Quick Gun 1964 Clint Cooper Sidney Salkow Grant Whytock Columbia Merry Anders, James Best, Ted de Corsia, Frank Ferguson, Mort Mills [117][123]
Bullet for a Badman 1964 Logan Keliher R.G. Springsteen Gordon Kay Universal Alan Hale Jr., Skip Homeier, Ruta Lee, Darren McGavin, Beverley Owen, George Tobias [124][117]
Apache Rifles 1964 Captain Jeff Stanton William Witney Grant Whytock 20th Century Fox John Archer, Michael Dante, L. Q. Jones, Linda Lawson, Ken Lynch [125][117]
Arizona Raiders 1965 Clint Stewart William Witney Grant Whytock Columbia Ben Cooper, Buster Crabbe, Michael Dante, Gloria Talbott [120][126]
Gunpoint 1966 Chad Lucas Earl Bellamy Gordon Kay Universal Edgar Buchanan, Royal Dano, Denver Pyle, Joan Staley, Warren Stevens, Morgan Woodward [127][120]
The Texican 1966 Jess Carlin Lesley Selander John Champion
Bruce Balaban
Columbia Broderick Crawford [128][120]
Trunk to Cairo 1966 Mike Merrick Menahem Golan Menahem Golan American International Marianne Koch, George Sanders [71][120]
40 Guns to Apache Pass 1967 Captain Bruce Coburn William Witney Grant Whytock Columbia Laraine Stephens [129][120]
A Time for Dying 1969 Jesse James Budd Boetticher Audie Murphy FIPCO Productions Burt Mustin, Victor Jory [120][130]

Television

[edit]
Audie Murphy as Whispering Smith

The only television series Murphy starred in was the 1961 Whispering Smith in which he played the title character. Based on the film of the same name, the show was about a 19th-century Denver railroad investigator. Episodes were gleaned from real-life cases of the Denver Police Department. The United States Senate Subcommittee on Juvenile Delinquency was concerned about the violent content in the show and leveled charges against the network. 26 episodes had been filmed, but not all of them aired.[131]

The cooperation of the United States Army and the United States Defense Department was extended for Murphy's media appearances to publicize the film To Hell and Back.[132] Among the 1955 celebrity television shows on which Murphy appeared to promote the film was Toast of the Town hosted by Ed Sullivan.

The Man, a 1960 suspense episode of Startime, was based on an original Broadway play written by Mel Dinelli.[133] Murphy played a mentally unbalanced stranger who posed as a student and handyman and terrorized homeowner Thelma Ritter.

Outstanding Civilian Service Certificate

In 1960, he was awarded the Outstanding Civilian Service Medal for his cooperation in the production of The Big Picture television series episode Broken Bridge.[ALM 6]

Titel Year Role Notes Refs.
The Easter Seals Teleparade of Stars 1954 Self 18 April 1954 [136]
Allen in Movieland 1955 Self 2 July 1955, NBC television special starring Steve Allen [137]
What's My Line? 1955 Mystery Guest Episode 3 July 1955 [ALM 7]
Toast of the Town 1955 Self Promotion of To Hell and Back film, with cooperation of the Dept. of the U.S. Army and the Dept. of Defense [132]
Colgate Comedy Hour 1955 Self Episode 5.36 [ALM 8]
Suspicion 1957 Steve Gordon The Flight [64]
You Asked for It 1958 Self [ALM 9]
General Electric Theater 1958 Tennessee Incident, a Civil War drama [64]
Dinah Shore Chevy Show 1959 Self Episode 3.52 [139]
The Big Picture Unknown Self The Third Division in Korea [ALM 10]
The Big Picture 1960 Self Broken Bridge [ALM 11]
The Big Picture 1963 Self Beyond the Call, Part II [ALM 12]
Startime 1960 Howard Wilton The Man [144]
Whispering Smith 1961 Tom "Whispering" Smith 26 episodes [ALM 13][131]

Radio

[edit]
Titel Year Role Notes Refs.
Hollywood Fights Back 1947 Self 26 October 1947 [ALM 14]
This Is Your Life 1949 Self 8 March 1949 episode (recorded on 7 March), hosted by Ralph Edwards [ALM 15]
Cavalcade of America 1951 Walter Carlin 9 October 1951, Episode 713 The Fields are Green [ALM 16]

Public Service Announcements

[edit]
Titel Year Role Notes Refs.
Medal of Honor with Audie Murphy 1955 Self Savings bond promotion [ALM 17]
The National Security Committee Introduces Audie Murphy 1956 Self Military recruitment promotion [ALM 18]

Notes

[edit]

Footnotes

[edit]
  1. ^ The exact number varies by source. The Hollywood Walk of Fame and other sources put his total at 44.
  2. ^ The Kid From Texas is the final movie shown at the local theater in Larry McMurty's novel The Last Picture Show.[79][80][19]
  3. ^ Henry Fleming is the Youth in Stephen Crane's novel. In the 1951 film, Fleming is played by Murphy shown in the cast listing as the unnamed character "The Youth". However, Fleming is addressed by name when other characters are speaking to him.[85]
  4. ^ Alden Pyle is the American in Graham Greene's novel. In the 1958 film, Pyle is played by Murphy as the unnamed character "The American".[101]
  5. ^ The parents of Seven Ways from Sundown Jones gave their children numbers for names. Murphy's character was the last of seven children. The storyline has him seeking the killer of his brother Two Jones.[114]
  6. ^ Murphy received no monetary compensation for his services on the documentary.[134][135]
  7. ^ YouTube has several uploaded versions of the 5-minute What's My Line segment that features Murphy as the mystery guest. Listed as Episode dated 3 July 1955 at IMDb Edit this at Wikidata
  8. ^ 56-minute uploaded on YouTube as Audie Murphy Attends Beverly Hilton Grand Opening 1955. He appears at 28:48 and briefly talks with Hedda Hopper about how he once gave his medals away but had them replaced by the U. S. Army.
  9. ^ You Asked for It ran 1951–1959 on the Dumont and ABC television networks, with hosts Art Baker and Jack Smith. The episodes were in response to requests submitted by viewers.[138] Murphy's episode features the star talking with host Jack Smith about his interest in quarter horses. Uploaded on YouTube.
  10. ^ The Third Division in Korea is an episode of The Big Picture series of United States Army self-promotional documentaries offered at no cost to American television networks, beginning during the Korean War and continuing through the Vietnam War.[140] The 27-minute documentary of the 3rd Infantry Division's involvement in the Korean War is introduced by Sergeant Stuart Queen and Murphy. At the end of the documentary, Murphy is seen in dress uniform speaking from a dais to the Division at the Port of New Orleans.[141][142] Uploaded on YouTube.
  11. ^ Broken Bridge is an episode of The Big Picture series. In this episode the United States Army escorts Murphy to Germany, Italy, Türkei and the U.S. state of New Mexico to demonstrate their missile weaponry. Uploaded on YouTube. Listed as Audie Murphy in Nuremberg at IMDb Edit this at Wikidata.[134]
  12. ^ Part of The Big Picture series, Beyond the Call is a black and white docudrama about Medal of Honor winners. Although the heroic actions are depicted, and each soldier's personal background is detailed, none of them are mentioned by name, including Murphy. Footage from the color film To Hell and Back depicting Murphy's actions at Holtzwihr is converted to black and white. Uploaded on YouTube.[140][143]
  13. ^ When Frank H. Spearman wrote the 1906 Whispering Smith novel, he appropriated the sobriquet already attached to real-life railroad detective James L. Smith. The 1948 film version with Alan Ladd changed the name to Luke Smith. Murphy's character in the television series became Tom Smith.[145][146]
  14. ^ Hollywood Fights Back was produced as two 30-minute specials by the First Amendment Committee in 1947 for broadcast 26 October and 2 November on the ABC radio network. Numerous major film stars of the era appeared in the specials to express their opposition to the activities of the House Un-American Activities Committee. Murphy spoke in the 26 October broadcast.[147]
  15. ^ Publicity for To Hell and Back. The Audie Murphy Research Foundation has a user-generated reproduction of the full transcript of Murphy's appearance that was published in the June 1954 issue of Photoplay magazine.[148]
  16. ^ Dramatization of the real-life story of Walter and William Carlin, who as teenagers turned an old farm into a success. It was broadcast in honor of the Future Farmers of America, and co-starred Bob Hastings, best known for his later recurring role in McHale's Navy.[149][150]
  17. ^ This public service announcement was written by Oscar Brodney and produced by Jesse Hibbs through Universal Studios for the U.S. Treasury Department. He talks to actors Barbara Rush, Barney Phillips and John McIntire about savings bonds. Terry Murphy also appears. Uploaded on YouTube as Audie Murphy Promotes Savings Bonds (PSA 1955).[151]
  18. ^ Short 1956 public service announcement filmed for the National Security Committee to help promote their new 6-month reserve training program for the Armed Services. It was shown in theaters as a newsreel trailer during “Military Reserve Week” and was estimated to have been viewed by 38 million audience members. Universal Studios, along with Audie Murphy and director Jesse Hibbs, donated their time to the project.[152]

Citations

[edit]
  1. ^ "Life Visits Audie Murphy". Life. 16 July 1945. pp. 94–97. Retrieved 12 October 2013.
  2. ^ Graham 1989, p. 129.
  3. ^ Graham 1989, pp. 130–131.
  4. ^ Graham 1989, p. 133.
  5. ^ Graham 1989, pp. 128–147.
  6. ^ Graham 1989, pp. 150–151.
  7. ^ Graham 1989, pp. 142, 174.
  8. ^ Graham 1989, pp. 145–146.
  9. ^ Graham 1989, pp. 142, 174, 215.
  10. ^ a b Movies of the Month (April 1949). "Bad Boy". Boys' Life: 50. Retrieved 22 May 2014.
  11. ^ a b Graham 1989, p. 128.
  12. ^ Graham 1989, p. 216.
  13. ^ Graham 1989, p. 250.
  14. ^ Graham 1989, pp. 161–162.
  15. ^ Tate 2006, pp. 162–163.
  16. ^ Graham 1989, pp. 265, 280.
  17. ^ a b Young & Young 2010, pp. 493–495.
  18. ^ Graham 1989, p. 177.
  19. ^ a b c d e f Graham 1989, p. 348.
  20. ^ Nott 2005, pp. 1–2.
  21. ^ Rausch & Dequina 2008, pp. 38–39.
  22. ^ "Review: Destry". Variety. January 1954. Retrieved 12 October 2013.
  23. ^ Roberts 2009, pp. 125–126.
  24. ^ Yoggy 1998, p. 101.
  25. ^ Lucas 2004, pp. 175–177.
  26. ^ Nott 2005, pp. 51–22.
  27. ^ Graham 1989, pp. 231–232.
  28. ^ Graham 1989, pp. 220–221.
  29. ^ "The Six-Gun Galahad". Time. 30 March 1959. Archived from the original on 14 February 2008.
  30. ^ Graham 1989, pp. 222–223.
  31. ^ Ross 1997, p. 100.
  32. ^ Graham 1989, pp. 196–197.
  33. ^ Tracey 2001, pp. 16–18.
  34. ^ Graham 1989, pp. 204–205.
  35. ^ Graham 1989, pp. 241, 349.
  36. ^ Huebner 2007, pp. 140–143.
  37. ^ a b Gossett 1996, p. 15.
  38. ^ Niemi 2006, p. 90.
  39. ^ "The Way Back". U.S. Copyright Records Database. United States Copyright Office. Retrieved 4 February 2014.
  40. ^ "Helmets in the Dust". U.S. Copyright Records Database. United States Copyright Office. Retrieved 4 February 2014.
  41. ^ Graham 1989, pp. 261–262.
  42. ^ Graham 1989, pp. 241–242, 244–246, 261.
  43. ^ Graham 1989, p. 233.
  44. ^ a b c Graham 1989, p. 263.
  45. ^ Graham 1989, pp. 266–267.
  46. ^ Graham 1989, p. 268.
  47. ^ Herzberg 2005, p. 97.
  48. ^ Dippie 1999, pp. 208–209.
  49. ^ Graham 1989, pp. 263–264.
  50. ^ a b O'Connor & Rollins 2008, pp. 407, 414–415.
  51. ^ Graham 1989, p. 264.
  52. ^ Graham 1989, p. 265.
  53. ^ Cozad 2006, pp. 221–222.
  54. ^ Mirisch 2008, p. 97.
  55. ^ Maltin 2008, pp. 994–995.
  56. ^ Graham 1989, p. 290.
  57. ^ Nott 2005, pp. 113–117.
  58. ^ Herzberg 2005, p. 153.
  59. ^ Herzberg 2005, p. 168.
  60. ^ a b Maltin 2008, p. 93.
  61. ^ Graham 1989, p. 235.
  62. ^ Pitts 2012, pp. 14, 48, 114, 139, 357.
  63. ^ "Willard Willingham filmography". Movies & TV Dept. The New York Times. 2014. Archived from the original on 20 January 2014. Retrieved 6 January 2013.
  64. ^ a b c Graham 1989, p. 354.
  65. ^ Pitts 2012, p. 48.
  66. ^ Herzberg 2005, pp. 79–80.
  67. ^ Basinger & Arnold 2003, p. 301.
  68. ^ Pitts 2012, p. 139.
  69. ^ Pitts 2012, p. 114.
  70. ^ American Film Institute 1997, p. 367.
  71. ^ a b Lewis 2002, p. 223.
  72. ^ Scott, Vernon (22 September 1968). "One-Time Hero Audie Murphy Is Now Broke and In Debt". Sarasota Herald Tribune. p. 9. Retrieved 10 October 2013.
  73. ^ a b Boggs 2011, pp. 189–194.
  74. ^ Nott 2005, pp. 181–185.
  75. ^ Graham 1989, p. 310.
  76. ^ "Audie Murphy". Hollywood Walk of Fame. Retrieved 30 December 2013.
  77. ^ a b Graham 1989, p. 347.
  78. ^ Starr 2003, pp. 199–204.
  79. ^ Hoffman 2012, pp. 93, 195.
  80. ^ Fagen 2003, pp. 234–235.
  81. ^ Fagen 2003, p. 392.
  82. ^ Library of Congress. "Sierra LC control no. 97520955". Retrieved 10 October 2013.
  83. ^ Fagen 2003, p. 233.
  84. ^ Library of Congress. "The Red Badge of Courage LC control no. 87706206". Retrieved 10 October 2013.
  85. ^ Mauldin, Bill (11 June 1971). "Parting Shots". LIFE. Vol. 70, no. 22. p. 77. Retrieved 22 May 2014.
  86. ^ Fagen 2003, p. 91.
  87. ^ Fagen 2003, p. 139.
  88. ^ Graham 1989, pp. 348–49.
  89. ^ Fagen 2003, p. 197.
  90. ^ Fagen 2003, p. 98.
  91. ^ a b c d e f g Graham 1989, p. 349.
  92. ^ Fagen 2003, p. 449.
  93. ^ Fagen 2003, p. 350.
  94. ^ Fagen 2003, p. 137.
  95. ^ Fagen 2003, p. 130.
  96. ^ a b Nott 2005, p. 105.
  97. ^ Fagen 2003, pp. 472–473.
  98. ^ a b c d e Graham 1989, p. 350.
  99. ^ Fagen 2003, p. 198.
  100. ^ Fagen 2003, p. 293.
  101. ^ DiLeo 2004, p. 253.
  102. ^ Fagen 2003, p. 349.
  103. ^ Library of Congress. "Ride a Crooked Trail LC control no. 96522822". Retrieved 10 October 2013.
  104. ^ Maltin 2008, p. 566.
  105. ^ Graham 1989, pp. 350–351.
  106. ^ Fagen 2003, p. 294.
  107. ^ a b c d e f Graham 1989, p. 351.
  108. ^ Fagen 2003, pp. 486–487.
  109. ^ Fagen 2003, p. 79.
  110. ^ Fagen 2003, p. 459.
  111. ^ Library of Congress (1960). "The Unforgiven LC control no. 95510622". Retrieved 10 October 2013.
  112. ^ Fagen 2003, p. 206.
  113. ^ Fagen 2003, p. 383.
  114. ^ Nott 2005, p. 118.
  115. ^ Fagen 2003, p. 323.
  116. ^ Graham 1989, pp. 351–352.
  117. ^ a b c d e f g Graham 1989, p. 352.
  118. ^ Fagen 2003, p. 397.
  119. ^ Edwards 1997, pp. 106–107.
  120. ^ a b c d e f g Graham 1989, p. 353.
  121. ^ Fagen 2003, p. 391.
  122. ^ Fagen 2003, p. 192.
  123. ^ Fagen 2003, p. 329.
  124. ^ Fagen 2003, p. 66.
  125. ^ Fagen 2003, p. 15.
  126. ^ Fagen 2003, p. 19.
  127. ^ Fagen 2003, p. 196.
  128. ^ Fagen 2003, p. 429.
  129. ^ Fagen 2003, p. 168.
  130. ^ Fagen 2003, p. 438.
  131. ^ a b Library of Congress. "Whispering Smith LC control no. 2012605754". OCLC 609638022. Retrieved 10 October 2013.
  132. ^ a b Dept. of Defense (24 September 1955). "Message to TAGO from H.D. Kight, Public Information Division, detailing an appearance on the Ed Sullivan Show by Audie L. Murphy". File Unit: Official Military Personnel File of Audie Murphy, 1942–1945. U.S. National Archives and Records Administration ARC Identifier 299780. Archived from the original on 13 October 2013. Retrieved 10 October 2013.
  133. ^ Obituaries (6 December 1991). "Mel Dinelli, 79, Dies; Wrote Films and Plays". The New York Times. Retrieved 10 October 2013.
  134. ^ a b Dept. of Defense (1974), Broken Bridge, Series: Motion Picture Films from "The Big Picture" Television Program Series, 1860–1985, U.S. National Archives and Records Administration ARC Identifier 2569746, archived from the original on 13 October 2013, retrieved 12 October 2013
  135. ^ Simpson 1975, p. 411.
  136. ^ Terrace 2013, p. 139.
  137. ^ Paley Center Collection. "Steve Allen in Movieland". The Paley Center for Media. Retrieved 4 July 2018.
  138. ^ Terrace 1985, p. 454.
  139. ^ Library of Congress. "The Chevy Show.1959-09-27 LC control no. 98507797". Retrieved 10 October 2013.
  140. ^ a b Army Pictorial Center. "Catalog of The Big Picture". Retrieved 10 October 2013.
  141. ^ Dept. of Defense (1975). The Third Division in Korea. Series: Motion Picture Films from "The Big Picture" Television Program Series, 1860 - 1985. U.S. National Archives and Records Administration ARC Identifier 2569572. Retrieved 10 October 2013.
  142. ^ Landing of 3rd Infantry Division and 47th Division Redesignated the 3rd Division, New Orleans Port of Embarkation and Lawson Field, Ft. Benning, Georgia, 12/01/1954 – 12/03/1954. Series: Motion Picture Films from the Army Library Copy Collection, 1860 - 1985. National Archives and Records Administration ARC Identifier 27088. Retrieved 19 October 2013.
  143. ^ Dept. of Defense. "Beyond the Call, Part II". U.S. National Archives and Records Administration ARC Identifier 4523895. Retrieved 10 October 2013.
  144. ^ Library of Congress (1960). "Ford Startime.The Man LC control no. 96500439". Retrieved 10 October 2013.
  145. ^ Spearman 1906.
  146. ^ Bristow 2007, pp. 13–16.
  147. ^ Smith 2010, p. 168.
  148. ^ Willis, Larryann (2001). "The Mystery of the Mythical This Is Your Life Show" (PDF). Newsletter of the Audie Murphy Research Foundation. pp. 6–12. Retrieved 10 October 2013.
  149. ^ Farmers Weekly (3 October 1951). "Radio Program to Honor Two Farm Youths". Illinois Digital Newspaper Collection. University of Illinois. p. 1. Retrieved 18 June 2014.
  150. ^ Grams, Martin Jr. (January 2000). Radio Drama: A Comprehensive Chronicle of American Network Programs, 1932–1962. McFarland & Company, Inc. p. 74. ISBN 978-0-7864-0051-5.
  151. ^ Dept. of the Treasury. "Medal of Honor with Audie Murphy". U.S. National Archives and Records Administration ARC Identifier 5727074. Retrieved 10 October 2013.
  152. ^ National Security Training Commission (1956). "Annual Report to the Congress". US Government Printing Office. p. 32. Retrieved 5 March 2016.

References

[edit]

Further reading

[edit]
  • Williamson, Thames (1933). The Woods Colt : a Novel of the Ozark Hills. Harcourt, Brace and Company. OCLC 1399074.
  • Hargrove, Marion; Williamson, Thames (c. 1955). Final script : "The Woods Colt". Audie Murphy Productions. OCLC 40402371.
[edit]