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{{Use dmy dates|date=February 2016}}
{{Use British English|date=February 2016}}
{{Use British English|date=February 2016}}
{{Infobox artist
{{Infobox artist
| name = Ivor Abrahams
| name = Ivor Abrahams
| honorific_suffix = {{post-nominals|country=GBR|list=[[Royal Academy of Arts|RA]]|size=100%}}
| image = NonFreeImageRemoved.svg
| image = Sundial Summer Ivor Abrahams 1975.jpg
| imagesize =
| caption = ''After Lunch'', 1975, [[Tate Gallery]]
| caption = ''Sundial Summer'', 1975, [[Tate Gallery]]
| birth_name = Ivor Abrahams
| birth_name = Ivor Abrahams
| birth_date = 10 January 1935
| birth_date = 10 January 1935
| birth_place = [[Wigan]], [[Lancashire]], England
| birth_place = [[Wigan]], Lancashire, England
| death_date = 6 January 2015 (aged 79)
| death_date = {{death date and age|2015|1|6|1935|1|10|df=yes}}
| death_place = Ramsgate, Kent
| death_place = [[Ramsgate]], Kent
| nationality = British
| nationality = British
| field = [[Sculpture]], [[Printmaking]]
| field = Sculpture, [[printmaking]]
| training = [[Saint Martin's School of Art]], 52-54
| training = {{ubl|[[Saint Martin's School of Art]], 1952–1954|[[Camberwell School of Art]], 1954–1957}}
| awards = {{ubl|[[Royal Academician]], 1989|Winston Churchill Travelling Fellowship, 1988}}
[[Camberwell School of Art]], 54-57
| awards = [[Royal Academician]], 1989
Winston Churchill Travelling Fellowship, 1988
| website = http://www.ivorabrahams.com
| website = http://www.ivorabrahams.com


}}
}}
[[File:Head_of_the_stairs.jpg|thumb|260px|''Head of the stairs'', 2001]]


'''Ivor Abrahams''' {{post-nominals|country=GBR|list=[[Royal Academy of Arts|RA]]|size=80%}} (10 January 1935 – 6 January 2015) was a British sculptor, [[Ceramic art|ceramicist]] and [[Printmaking|print maker]] best known for his polychrome sculptures and his stylised prints of garden scenes.{{sfn|The Telegraph|2015}} His career long exploration of new subject matter, novel techniques and materials made his art dealer, James Mayor, describe him as Europe's equivalent of [[Robert Rauschenberg]].{{sfn|The Independent|2015}}
[[File:NonFreeImageRemoved.svg|thumb|237px|''Still Life with Dagger'', 1963, [[Tate Gallery]]]]

'''Ivor Abrahams''' [[Royal Academician|RA]] (10th January 1935- 6th January 2015) was a British [[sculptor]], [[Ceramic art|ceramicist]] and [[Printmaking|print maker]] best known for his polychrome sculptures and his stylised prints of garden scenes<ref name="Telegraph obituray">{{cite web|title=Ivor Abrahams, artist - obituary|url=http://www.telegraph.co.uk/news/obituaries/11355454/Ivor-Abrahams-artist-obituary.html|website=The Telegraph|accessdate=13 February 2016}}</ref>. His restless search for new challenges and subjects made his art dealer, James Mayor, describe him as Europe’s equivalent of [[Robert Rauschenberg]]. Independent of any school, he has a unique artistic place.<ref>{{cite web|title=Ivor Abrahams: Maverick artist|url=http://www.independent.co.uk/news/people/ivor-abrahams-maverick-artist-acclaimed-as-an-interpreter-of-the-suburban-dream-whose-work-10016894.html|website=The Independent|accessdate=13 February 2016}}</ref>


==Early life==
==Early life==
Ivor Abrahams was born 10th January 1935 in [[Wigan]], [[Lancashire]] to a Jewish family, the eldest of 2 children. He studied sculpture at [[Saint Martin's School of Art]] under [[Frank Martin (sculptor)|Frank Martin]] and [[Anthony Caro]] 1952-54, and [[Camberwell School of Art]] under Karel Vogel and Martin Bloch 1954-57<ref name="Eden and other suburbs">{{cite book|last1=Andrew|first1=Lambirth|title=The Life and Work of Ivor Abrahams ‘Eden and other Suburbs’|date=2012|publisher=Samson and Company|isbn=978-1-906593-81-0|url=http://sansomandcompany.co.uk/shopping/eden-and-other-suburbs/|accessdate=13 February 2016}}</ref>. In 1957, he became apprentice to the Fiorini Bronze Foundry and went on to work as a display artist for Adele Rootstein.
Ivor Abrahams was born 10 January 1935 in [[Wigan]], Lancashire to a [[Jewish]] family,{{sfn|Rubinstein|Jolles|Rubinstein|2011|p=10}} the eldest of 2 children. Both parents were born in Manchester area - Ray (Rachael) née Kalisky / Kay and Harry (Hyman) Abrahams - but all four grandparents came from eastern Europe. He studied sculpture at [[Saint Martin's School of Art]] under [[Frank Martin (sculptor)|Frank Martin]] and [[Anthony Caro]] 1952–54, and [[Camberwell School of Art]] under Karel Vogel and Martin Bloch 1954–57.{{sfn|Lambirth|2012a}} In 1957, he became apprentice to the Fiorini Bronze Foundry,<ref>[https://www.artsheritage.co.uk/fiorini-c1qjr Fiorini Bronze Foundry]</ref> and went on to work as a display artist for [[Adel Rootstein]].


==Work==
==Work==
His first show, in 1960, was at the Portal Gallery with [[Peter Blake (artist)|Peter Blake]]. Through [[Eduardo Paolozzi]], he was included in the landmark 1961 [[Institute of Contemporary Arts|ICA]] exhibition 26 Young Sculptors, together with Philip King and [[Maurice Agis]], friends from the St Martin’s days.<ref name="Clive Sinclair">{{cite book|title=Clive Sinclair on Ivor Abrahams|date=1994|publisher=Bernard Jacobson Ltd|isbn=1 872784 17 8|edition=Modern British Masters Volume X}}</ref>
His first show, in 1960, was at the Portal Gallery with [[Peter Blake (artist)|Peter Blake]]. Through [[Eduardo Paolozzi]], he was included in the landmark 1961 [[Institute of Contemporary Arts|ICA]] exhibition ''26 Young Sculptors'', together with [[Phillip King (sculptor)|Phillip King]] and [[Maurice Agis]], friends from the St Martin's days.{{sfn|Sinclair|1994}}


By the late 1960’s Abrahams had found inspiration in the imagery of domestic gardens.<ref name="Telegraph obituray" /><ref name="Eden and other suburbs" /> . As well as bronze, he started using new material for his work, nylon flocking, pre-vulcanized latex, styrene and plastics<ref name="Eden and other suburbs" />. After a solo show at the Richard Feigen Gallery in New York in 1970, he established his international reputation with a major museum show at the [[Kölnischer Kunstverein|Kolnisher Kunstverein Cologne]] in 1973. In 1975, he meets James Mayor who invited him to show the following year at the [[Mayor Gallery]], thus beginning a fruitful association which continued till his death (6).
By the late 1960s Abrahams had found inspiration in the imagery of domestic gardens.{{sfn|The Telegraph|2015}}{{sfn|Lambirth|2012a}} As well as bronze, he started using new material for his work, nylon flocking, pre-vulcanized latex, styrene and plastics.{{sfn|Lambirth|2012a}} After a solo show at the Richard Feigen Gallery in New York in 1970, he established his international reputation with a major museum show at the [[Kölnischer Kunstverein|Kolnisher Kunstverein Cologne]] in 1973. In 1975, he met James Mayor who invited him to show the following year at the [[Mayor Gallery]], thus beginning an association which continued till his death.


Abrahams’ print output includes his garden series and the acclaimed suites celebrating [[Edmund Burke]] and [[Edgar Allan Poe]] showcased in a Royal Academy exhibition in 2010. His substantial body of graphic work was published by Bernard Jacobson<ref name="Telegraph obituray" /> who regularly exhibited his work in London and the US<ref name="Eden and other suburbs" /><ref name="Clive Sinclair" />. In 1982, [[Bryan Robertson]] organised an exhibition of the sculptures at the Warwick Arts Trust and in 1984, he was invited to mount his first sculpture retrospective at the [[Yorkshire Sculpture Park]].<ref name="Telegraph obituray" />
Abrahams' print output includes his garden series and suites celebrating [[Edmund Burke]] and [[Edgar Allan Poe]] showcased in a Royal Academy exhibition in 2010. His body of prints was published by Bernard Jacobson{{sfn|The Telegraph|2015}} who regularly exhibited his work in London and the US.{{sfn|Lambirth|2012a}}{{sfn|Sinclair|1994}} In 1982, [[Bryan Robertson]] organised an exhibition of the sculptures at the Warwick Arts Trust and in 1984 he was invited to mount his first sculpture retrospective at the [[Yorkshire Sculpture Park]].{{sfn|The Telegraph|2015}}


Abrahams’ post-Cubist architectural structures<ref name="Eden and other suburbs" /> of the 90s resulted in a commission by the Goodwood Sculpture Park and the purchase of the Bronze ‘Head of the Stairs’ by the Royal Borough of Kensington & Chelsea<ref>{{cite web|title=IVOR ABRAHAMS: HEAD OF THE STAIRS|url=http://www.sculpture.org.uk/sculpture/520/head-of-the-stairs|website=Cass Sculpture Foundation|accessdate=13 February 2016}}</ref><ref>{{cite web|title=Bronze Sculpture Head of the Stair by Ivor Abrahams RA|url=http://www.geograph.org.uk/photo/2382836|website=Geograph|accessdate=13 February 2016}}</ref>.
Abrahams' post-Cubist architectural structures{{sfn|Lambirth|2012a}} of the 90s resulted in a commission by the Goodwood Sculpture Park and the purchase of the bronze ''{{'}}Head of the Stairs{{'}}'' by the Royal Borough of Kensington & Chelsea.<ref>{{cite web|title=IVOR ABRAHAMS: HEAD OF THE STAIRS|url=http://www.sculpture.org.uk/sculpture/520/head-of-the-stairs|website=Cass Sculpture Foundation|access-date=13 February 2016|url-status=dead|archive-url=https://web.archive.org/web/20160304062625/http://www.sculpture.org.uk/sculpture/520/head-of-the-stairs|archive-date=4 March 2016|df=dmy-all}}</ref><ref>{{cite web|title=Bronze Sculpture Head of the Stair by Ivor Abrahams RA|url=https://www.geograph.org.uk/photo/2382836|website=Geograph|access-date=13 February 2016}}</ref>
In the 2000’s a series of owls and cockerels, using various media, including enamel on steel epoxy resin and decal, culminated in the 2005 [[Mayor Gallery]] exhibition ‘A Parliament of Owls’<ref name="Eden and other suburbs" />. 2007 saw a mini retrospective entitled ‘The Four Seasons of Ivor Abrahams’ at One Canada Square in Canary Wharf<ref name="Eden and other suburbs" />. In 2008 the [[Henry Moore Institute]] mounted an exhibition of early work untitled ‘By Leafy Ways’ showing the 1972 film of the same name<ref name="oup">{{cite book|title=A Dictonary of Modern and Contemporary Art|date=2009|publisher=Oxford University Press|isbn=978-0199239665|edition=2 edition}}</ref><ref name="Henry Moore Institute">{{cite web|title=By Leafy Ways: Early works by Ivor Abrahams|url=https://www.henry-moore.org/hmi/exhibitions/past-exhibitions/2008/by-leafy-ways|website=Henry Moore Institute|accessdate=13 February 2016}}</ref>, which prompted a reintroduction of the Garden image. In 2012, a major retrospective at the [[Royal West of England Academy]] was accompanied by Andrew Lambirth monograph: Eden and Other Suburbs, the Life and Work of Ivor Abrahams<ref name="Eden and other suburbs" /><ref name="Memorable imagery">{{cite web|last1=Andrew|first1=Lambirth|title=Memorable imagery|url=http://www.spectator.co.uk/2012/02/memorable-imagery/|website=The Spectator|accessdate=13 February 2016}}</ref>.


In the 2000s a series of owls and cockerels, using various media, including enamel on steel epoxy resin and decal, culminated in the 2005 [[Mayor Gallery]] exhibition 'A Parliament of Owls'.{{sfn|Lambirth|2012a}} 2007 saw a mini retrospective entitled ''{{'}}The Four Seasons of Ivor Abrahams{{'}}'' at One Canada Square in Canary Wharf.{{sfn|Lambirth|2012a}} In 2008 the [[Henry Moore Institute]] mounted an exhibition of early work untitled ''{{'}}By Leafy Ways{{'}}'' showing the 1972 film of the same name,{{sfn|OUP|2009}}<ref name="Henry Moore Institute">{{cite web|title=By Leafy Ways: Early works by Ivor Abrahams|url=https://www.henry-moore.org/hmi/exhibitions/past-exhibitions/2008/by-leafy-ways|website=Henry Moore Institute|access-date=13 February 2016}}</ref> which prompted a reintroduction of the Garden image. In 2012, a retrospective at the [[Royal West of England Academy]] was accompanied by an Andrew Lambirth monograph: Eden and Other Suburbs, the Life and Work of Ivor Abrahams.{{sfn|Lambirth|2012a}}{{sfn|Lambirth|2012b}}
==Selected public collections==


==Selected public collections==
{{columns-start|num=2}}
{{columns-start|num=2}}
'''UK'''
'''UK'''
* [[Aberdeen Art Gallery]]
* [[Aberdeen Art Gallery]]
* [[Arnolfini|Arnolfini Gallery, Bristol]]
* [[Arnolfini, Bristol|Arnolfini Gallery, Bristol]]
* [[Arts Council of Great Britain]]
* [[Arts Council of Great Britain]]
* [[British Council|British Council, London]]
* [[British Council|British Council, London]]
Line 58: Line 52:
* [[Victoria and Albert Museum]], London
* [[Victoria and Albert Museum]], London
* [[Walker Art Gallery]], Liverpool
* [[Walker Art Gallery]], Liverpool




{{column}}
{{column}}
'''Europe'''
'''Europe'''
* [[Bibliothèque nationale de France]]
* [[Bibliothèque nationale de France]]
* Boijmans Museum, Rotterdam
* [[Museum Boijmans Van Beuningen|Boijmans Museum, Rotterdam]]
* [[Strasbourg Museum of Modern and Contemporary Art]]
* Strasburg Museum


'''US'''
'''US'''
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==References==
==References==
{{reflist}}
{{reflist}}

==Sources==
{{refbegin}}
#{{ODNB
| first1 = James| last1 = Huntington-Whiteley
| id = 109052
| title = Ivor Abrahams
| publisher = OUP
| edition =
| date = 2019
}}
#{{cite book
| first1 = Andrew| last1 = Lambirth
| title = Eden and Other Suburbs - The Life and Work of Sculptor Ivor Abrahams
| date = 2012a
| publisher = Sansom
| isbn = 978-1906593810
}}
#{{cite magazine
| first1 = Andrew| last1 = Lambirth
| title = Memorable imagery
| url = http://www.spectator.co.uk/2012/02/memorable-imagery/
| publisher = The Spectator
| date = 11 February 2012b
|magazine=The Spectator
| archive-url = https://web.archive.org/web/20160305001905/https://www.spectator.co.uk/2012/02/memorable-imagery/
| archive-date = 5 March 2016
| url-status=live
}}
#{{cite book
| title = A Dictionary of Modern and Contemporary Art
| date = 2009
| publisher = OUP
| isbn = 978-0199239665
| edition = 2
| ref = {{sfnref|OUP|2009}}
}}
#{{cite book
| first1 = William D| last1 = Rubinstein
| first2 = Michael | last2 = Jolles
| first3 = Hilary L | last3 = Rubinstein
| title = The Palgrave Dictionary of Anglo-Jewish History
|author-link1=William Rubinstein
|author-link3=Hilary L. Rubinstein
| publisher = Palgrave Macmillan
| date = 2011
| isbn = 978-1403939104
}}
#{{cite book
| last = Sinclair | first=Clive
| title = Clive Sinclair on Ivor Abrahams
| date = 1994
| publisher = Bernard Jacobson
| isbn = 978-1872784175
| series = Modern British Masters
| volume = X
}}
#{{cite news
| title = Ivor Abrahams: Maverick artist
| url = https://www.independent.co.uk/news/people/ivor-abrahams-maverick-artist-acclaimed-as-an-interpreter-of-the-suburban-dream-whose-work-10016894.html
| last1 = The Independent
| first1 = John McEwen
| date = 1 February 2015
| archive-url = https://web.archive.org/web/20160304140050/https://www.independent.co.uk/news/people/ivor-abrahams-maverick-artist-acclaimed-as-an-interpreter-of-the-suburban-dream-whose-work-10016894.html
| archive-date = 4 March 2016
| url-status=live
}}
#{{cite news
| title = Ivor Abrahams, artist – obituary
| url = https://www.telegraph.co.uk/news/obituaries/11355454/Ivor-Abrahams-artist-obituary.html
| last1 = The Telegraph
| date = 19 January 2015
| archive-url = https://web.archive.org/web/20150119202911/https://www.telegraph.co.uk/news/obituaries/11355454/Ivor-Abrahams-artist-obituary.html
| archive-date = 19 January 2015
| url-status=live
}}
{{refend}}


==External links==
==External links==
*[http://www.ivorabrahams.com]
* [http://www.ivorabrahams.com Ivor Abrahams Official site]
*[http://www.tate.org.uk/art/artisits/ivor-abrahams-622]
* [http://www.tate.org.uk/art/artists/ivor-abrahams-622 Abrahams at the Tate Gallery]
* [http://collection.britishcouncil.org/collection/artists/abrahams-ivor-1935 Abrahams at the British Council]
*[http://www.mayorgallery.com/artits/78-ivor-abrahams/exhibitions/]
*[http://www.bbc.co.uk/arts/yourpaintings/artists/ivor-abrahams]
* [http://www.mayorgallery.com/artists/78-ivor-abrahams/exhibitions/ Ivor Abrahams exhibitions at the Mayor Gallery]
* [https://www.jacobsongallery.com/ivor-abrahams Ivor Abrahams exhibitions at the Bernard Jacobson Gallery]
*[http://www.artnet.com/search/artworks/?q=ivor%20abrahams]
* [http://www.artnet.com/search/artworks/?q=ivor%20abrahams Abrahams on ArtNet]
*[http://www.jacobsongraphics.co.uk/content.php?flash=yes&nav=artistsdetails&ArtistID=2]
* {{Art UK bio}}
*[http://collection.britishcouncil.org/collection/artists/abrahams-ivor-1935]


{{Authority control}}
{{Authority control}}
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[[Category:1935 births]]
[[Category:1935 births]]
[[Category:2015 deaths]]
[[Category:2015 deaths]]
[[Category:20th-century English sculptors]]
[[Category:21st-century English sculptors]]
[[Category:English printmakers]]
[[Category:Royal Academicians]]
[[Category:Contemporary sculptors]]
[[Category:Contemporary sculptors]]
[[Category:English contemporary artists]]
[[Category:English contemporary artists]]
[[Category:British contemporary artists]]
[[Category:English Jews]]
[[Category:English male sculptors]]
[[Category:English printmakers]]
[[Category:English sculptors]]
[[Category:Royal Academicians]]

{{DEFAULTSORT:Abrahams, Ivor}}

Latest revision as of 20:20, 21 April 2024

Ivor Abrahams
Sundial Summer, 1975, Tate Gallery
Born
Ivor Abrahams

10 January 1935
Wigan, Lancashire, England
Died6 January 2015(2015-01-06) (aged 79)
Ramsgate, Kent
NationalityBritish
Bildung
Known forSculpture, printmaking
Awards
Websitehttp://www.ivorabrahams.com
Head of the stairs, 2001

Ivor Abrahams RA (10 January 1935 – 6 January 2015) was a British sculptor, ceramicist and print maker best known for his polychrome sculptures and his stylised prints of garden scenes.[1] His career long exploration of new subject matter, novel techniques and materials made his art dealer, James Mayor, describe him as Europe's equivalent of Robert Rauschenberg.[2]

Early life

[edit]

Ivor Abrahams was born 10 January 1935 in Wigan, Lancashire to a Jewish family,[3] the eldest of 2 children. Both parents were born in Manchester area - Ray (Rachael) née Kalisky / Kay and Harry (Hyman) Abrahams - but all four grandparents came from eastern Europe. He studied sculpture at Saint Martin's School of Art under Frank Martin and Anthony Caro 1952–54, and Camberwell School of Art under Karel Vogel and Martin Bloch 1954–57.[4] In 1957, he became apprentice to the Fiorini Bronze Foundry,[5] and went on to work as a display artist for Adel Rootstein.

Work

[edit]

His first show, in 1960, was at the Portal Gallery with Peter Blake. Through Eduardo Paolozzi, he was included in the landmark 1961 ICA exhibition 26 Young Sculptors, together with Phillip King and Maurice Agis, friends from the St Martin's days.[6]

By the late 1960s Abrahams had found inspiration in the imagery of domestic gardens.[1][4] As well as bronze, he started using new material for his work, nylon flocking, pre-vulcanized latex, styrene and plastics.[4] After a solo show at the Richard Feigen Gallery in New York in 1970, he established his international reputation with a major museum show at the Kolnisher Kunstverein Cologne in 1973. In 1975, he met James Mayor who invited him to show the following year at the Mayor Gallery, thus beginning an association which continued till his death.

Abrahams' print output includes his garden series and suites celebrating Edmund Burke and Edgar Allan Poe showcased in a Royal Academy exhibition in 2010. His body of prints was published by Bernard Jacobson[1] who regularly exhibited his work in London and the US.[4][6] In 1982, Bryan Robertson organised an exhibition of the sculptures at the Warwick Arts Trust and in 1984 he was invited to mount his first sculpture retrospective at the Yorkshire Sculpture Park.[1]

Abrahams' post-Cubist architectural structures[4] of the 90s resulted in a commission by the Goodwood Sculpture Park and the purchase of the bronze 'Head of the Stairs' by the Royal Borough of Kensington & Chelsea.[7][8]

In the 2000s a series of owls and cockerels, using various media, including enamel on steel epoxy resin and decal, culminated in the 2005 Mayor Gallery exhibition 'A Parliament of Owls'.[4] 2007 saw a mini retrospective entitled 'The Four Seasons of Ivor Abrahams' at One Canada Square in Canary Wharf.[4] In 2008 the Henry Moore Institute mounted an exhibition of early work untitled 'By Leafy Ways' showing the 1972 film of the same name,[9][10] which prompted a reintroduction of the Garden image. In 2012, a retrospective at the Royal West of England Academy was accompanied by an Andrew Lambirth monograph: Eden and Other Suburbs, the Life and Work of Ivor Abrahams.[4][11]

Selected public collections

[edit]

References

[edit]
  1. ^ a b c d The Telegraph 2015.
  2. ^ The Independent 2015.
  3. ^ Rubinstein, Jolles & Rubinstein 2011, p. 10.
  4. ^ a b c d e f g h Lambirth 2012a.
  5. ^ Fiorini Bronze Foundry
  6. ^ a b Sinclair 1994.
  7. ^ "IVOR ABRAHAMS: HEAD OF THE STAIRS". Cass Sculpture Foundation. Archived from the original on 4 March 2016. Retrieved 13 February 2016.
  8. ^ "Bronze Sculpture Head of the Stair by Ivor Abrahams RA". Geograph. Retrieved 13 February 2016.
  9. ^ OUP 2009.
  10. ^ "By Leafy Ways: Early works by Ivor Abrahams". Henry Moore Institute. Retrieved 13 February 2016.
  11. ^ Lambirth 2012b.

Sources

[edit]
  1. Huntington-Whiteley, James (2019). "Ivor Abrahams". Oxford Dictionary of National Biography (online ed.). OUP. doi:10.1093/ref:odnb/109052. (Subscription or UK public library membership required.)
  2. Lambirth, Andrew (2012a). Eden and Other Suburbs - The Life and Work of Sculptor Ivor Abrahams. Sansom. ISBN 978-1906593810.
  3. Lambirth, Andrew (11 February 2012b). "Memorable imagery". The Spectator. The Spectator. Archived from the original on 5 March 2016.
  4. A Dictionary of Modern and Contemporary Art (2 ed.). OUP. 2009. ISBN 978-0199239665.
  5. Rubinstein, William D; Jolles, Michael; Rubinstein, Hilary L (2011). The Palgrave Dictionary of Anglo-Jewish History. Palgrave Macmillan. ISBN 978-1403939104.
  6. Sinclair, Clive (1994). Clive Sinclair on Ivor Abrahams. Modern British Masters. Vol. X. Bernard Jacobson. ISBN 978-1872784175.
  7. The Independent, John McEwen (1 February 2015). "Ivor Abrahams: Maverick artist". Archived from the original on 4 March 2016.
  8. The Telegraph (19 January 2015). "Ivor Abrahams, artist – obituary". Archived from the original on 19 January 2015.
[edit]