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{{Short description|1956 film by Max Nosseck}}
{{Infobox film
{{Infobox film
| name = Singing in the Dark
| name = Singing in the Dark
| image = SingingInTheDark.jpg
| image = SingingInTheDark.jpg
| caption = Screenshot from movie, showing Leo pursuing a nightclub career.
| caption = Screenshot from the film, showing Leo pursuing a nightclub career
| director = Max Nosseck
| director = [[Max Nosseck]]
| producer = Joey Adams
| producer = [[Joey Adams]]
| writer = Ann Hood (writer)<br>Aben Kandel (adaptation)<br>Stephen Kandel (writer)<br>Max Nosseck and Moyshe Oysher (story)
| writer = Ann Hood (writer)<br>Aben Kandel (adaptation)<br>[[Stephen Kandel]] (writer)<br>Max Nosseck and Moyshe Oysher (story)
| starring = Moyshe Oysher, Phyllis Hill, Joey Adams
| starring = Moyshe Oysher, Phyllis Hill, Joey Adams
| music = Moyshe Oysher
| music = Moyshe Oysher
Line 12: Line 13:
| studio =
| studio =
| distributor =
| distributor =
| released = March 7, 1956
| released = {{Film date|1956|03|07}}
| runtime =
| runtime =
| language = English
| language = English
| country = USA/America
| country = United States
| budget =
| budget =
| gross =
| gross =
}}
}}


'''Singing in the Dark''' is a 1956 black-and-white motion picture about a [[Holocaust]] survivor suffering from total amnesia who comes to the United States. It stars [[Yiddish language]] film actor [[Moishe Oysher]] in his only English-language film performance, and comedian [[Joey Adams]] (born Joseph Abramowitz), and was directed by the silent film director [[Max Nosseck]].<ref name="brandeis">[http://www.brandeis.edu/jewishfilm/Catalogue/films/singinginthedark.htm Brandeis.edu.] Accessed January 16, 2011.</ref>
'''''Singing in the Dark''''' is a 1956 American black-and-white film about a [[Holocaust]] survivor suffering from total amnesia who comes to the United States. It stars [[Yiddish language]] film actor [[Moishe Oysher]] in his only English-language film performance, comedian [[Joey Adams]] (born Joseph Abramowitz), who was also executive producer, and his wife, future gossip columnist [[Cindy Adams]], and was directed by [[Max Nosseck]].<ref name="brandeis">[http://www.brandeis.edu/jewishfilm/Catalogue/films/singinginthedark.htm Brandeis.edu.] Accessed January 16, 2011.</ref>


==Synopsis==
==Plot==
Leo, the main character, is a Holocaust survivor who suffers from total amnesia. When he immigrates to the U.S. he manages to find a job as a hotel desk clerk. When he accepts a drink in the hotel bar, he suddenly starts singing, amazing those around him—and himself—with his magnificent voice. Taking advantage of his gift, he begins singing in nightclubs. Eventually, with the help of a psychiatrist and partly as a result of a blow to the head during a mugging, his memories begin to return, and he realizes that he is the son of a great [[Jewish]] [[Hazzan]] (Cantor) in Europe. As memories of his parents, who perished in the Holocaust, return to him, he abandons his nightclub career to follow his father's footsteps as a synagogue cantor.<ref name="IMDB">[http://www.imdb.com/title/tt0049760/plotsummary IMDB.com.]</ref> The final scene shows Leo (who now remembers that his real name is "David") singing during a synagogue service.<ref name="shandler">Shandler, Jeffrey [http://books.google.com/books?id=1K6aXNLDGUUC&pg=PA42&lpg=PA42&dq=singing+in+the+dark+oysher&source=bl&ots=NOUEOGw1Qc&sig=sQYm6h8jRe9Hj12L1jDlwI6EoxA&hl=en&ei=MV4zTfCcDMnpgQeD2LitCw&sa=X&oi=book_result&ct=result&resnum=4&ved=0CCYQ6AEwAzgU#v=onepage&q=singing%20in%20the%20dark%20oysher&f=false "Jews, God, and Videotape: Religion and Media in America, NYU Press, 2009.]</ref>
Leo is a [[Holocaust survivor]] who suffers from total amnesia. When he immigrates to the U.S. he manages to find a job as a hotel desk clerk. When he accepts a drink in the hotel bar, he suddenly starts singing, amazing those around him—and himself—with his magnificent voice. Taking advantage of his gift, he begins singing in nightclubs. Eventually, with the help of a psychiatrist and partly as a result of a blow to the head during a mugging, his memories begin to return, and he realizes that he is the son of a great [[Jewish]] [[Hazzan]] in Europe. As memories of his parents, who were murdered in the Holocaust, return to him, he abandons his nightclub career to follow his father's footsteps as a synagogue cantor.


The final scene shows Leo (who now remembers that his real name is "David") singing during a synagogue service.<ref name="shandler">{{cite book |last=Shandler |first=Jeffrey |url=https://books.google.com/books?id=1K6aXNLDGUUC&pg=PA42 |title=Jews, God, and Videotape: Religion and Media in America |publisher=NYU Press |year=2009 |isbn=9780814740873 }}</ref>
In one crucial scene in the movie, Leo imagines himself ascending the [[bima]] of a ruined synagogue in Europe, singing the ancient Jewish prayer "[[El male rachamim]]" in memory of all the Jews who died in the Holocaust. By actually returning to the synagogue as a cantor, the film shows how he is restoring "the sacred music of a vanquished culture to a living Jewish community."<ref name="shandler"/>

In one crucial scene in the movie, Leo imagines himself ascending the [[Bema#Judaism|bimah]] of a ruined synagogue in Europe, singing the ancient Jewish prayer "[[El male rachamim]]" in memory of all the Jews who were murdered in the Holocaust. By actually returning to the synagogue as a cantor, the film shows how he is restoring "the sacred music of a vanquished culture to a living Jewish community."<ref name="shandler"/>

==Cast==
{{Cast listing|
* [[Moyshe Oysher]] as David aka Leo/his father
* [[Phyllis Hill]] as Ruth
* Joey Adams as Joey Napoleon
* Henry Sharp as Dr. A. Neumann
* [[Mickey Knox]] as Harry - handsome tough
* Dave Starr as Larry - ugly tough
* [[Lawrence Tierney]] as Biff Lamont
* [[Kay Medford]] as Luli
* [[Abe Simon]] as The Killer
}}


==Importance==
==Importance==
The [[National Center for Jewish Film]] notes that this "important and virtually unknown independent film" is one of the first American movies to focus on the Holocaust.<ref name="IMDB"/> It is one of the films featured in the 2004 documentary, "[[Imaginary Witness: Hollywood and the Holocaust]]."
The [[National Center for Jewish Film]] notes that this "important and virtually unknown independent film" is one of the first American movies to focus on the Holocaust.<ref name="IMDB">[https://www.imdb.com/title/tt0049760/plotsummary IMDB.com.]</ref> It is one of the films featured in the 2004 documentary "[[Imaginary Witness: Hollywood and the Holocaust]]."


Academy-award winning cinematographer [[Boris Kaufman]] filmed in post-war [[Berlin]] for this movie, including the remains of the [[Neue Synagogue]], a Jewish landmark in Germany. The film also includes footage of New York's [[Rivington Street Synagogue]].<ref name="brandeis"/>
Academy Award-winning cinematographer [[Boris Kaufman]] filmed this movie in post-war [[Berlin]], including the remains of the city's [[New Synagogue, Berlin|Neue Synagogue]]. The film also includes footage of New York's [[Rivington Street Synagogue]].<ref name="brandeis"/>


==Response==
==Response==
While the historical importance of this film is widely noted, reviews for the film itself were mixed. The 1956 [[New York Times]] review was generally favorable, calling it "light socko," and noting both "[[Damon Runyon|Runyonesque]] and [[Second Avenue (Manhattan)|Second Avenue]] overtones." It ends with the description that "Mr. Adams is no Sir [[Laurence Olivier]] but he's an expert at the wise-crack and the fast gag. Mr. Oysher, histrionically a bit heavy, can render a snappy tune or a Hebraic chant with richness. All in all, "Singing in the Dark" is light 'socko.'"<ref>[http://movies.nytimes.com/movie/review?res=9E0CE6DE113FE333A0575BC0A9659C946792D6CF New York Times Movie Review, March 8, 1956.] Accessed January 16, 2011.</ref> The National Center for Jewish Film calls it "a quirky mix of 1950s American film genres—the musical, gangster and mystery movie—and the period’s fascination with psychiatry. While Jews are not discussed directly, Jewish content is explicit, especially in the popular Yiddish songs (sung in English) and liturgical Hebrew songs."<ref name="brandeis"/>
While the historical importance of this film is widely noted, reviews for the film itself were mixed. The 1956 [[New York Times]] review was generally favorable, calling it "light socko" and noting both "[[Damon Runyon|Runyonesque]] and [[Second Avenue (Manhattan)|Second Avenue]] overtones." It ends with the description "Mr. Adams is no Sir [[Laurence Olivier]] but he's an expert at the wise-crack and the fast gag. Mr. Oysher, histrionically a bit heavy, can render a snappy tune or a Hebraic chant with richness. All in all, "Singing in the Dark" is light 'socko.'"<ref>[https://movies.nytimes.com/movie/review?res=9E0CE6DE113FE333A0575BC0A9659C946792D6CF New York Times Movie Review, March 8, 1956.] Accessed January 16, 2011.</ref> The National Center for Jewish Film calls it "a quirky mix of 1950s American film genres&mdash;the musical, gangster and mystery movie&mdash;and the period's fascination with psychiatry. While Jews are not discussed directly, Jewish content is explicit, especially in the popular Yiddish songs (sung in English) and liturgical Hebrew songs."<ref name="brandeis"/>


==Re-release==
==Re-release==
A newly restored 2011 copy is scheduled for screenings at a number of film festivals in the U.S. and overseas, including the Kulture Festival, Florida State University (March, 2011), the New York Jewish Film Festival (2011), and the Jerusalem International Film Festival (July, 2010).<ref name="brandeis"/>
A newly restored 2011 copy was scheduled for screenings at a number of film festivals in the U.S. and overseas, including the Kulture Festival, Florida State University (March, 2011), the New York Jewish Film Festival (2011), and the Jerusalem International Film Festival (July, 2010).<ref name="brandeis"/>


==References==
==References==
Line 44: Line 60:
*[http://www.brandeis.edu/jewishfilm/Catalogue/films/singinginthedark.htm Movie photos.]
*[http://www.brandeis.edu/jewishfilm/Catalogue/films/singinginthedark.htm Movie photos.]


{{Max Nosseck}}
[[Category:Holocaust films]]
[[Category:1956 films]]


[[Category:Films about the aftermath of the Holocaust]]
[[tr:Singing in the Dark]]
[[Category:1956 films]]
[[Category:Films directed by Max Nosseck]]
[[Category:Films about amnesia]]
[[Category:1950s English-language films]]
[[Category:American black-and-white films]]

Latest revision as of 03:39, 7 May 2024

Singing in the Dark
Screenshot from the film, showing Leo pursuing a nightclub career
Directed byMax Nosseck
Written byAnn Hood (writer)
Aben Kandel (adaptation)
Stephen Kandel (writer)
Max Nosseck and Moyshe Oysher (story)
Produced byJoey Adams
StarringMoyshe Oysher, Phyllis Hill, Joey Adams
CinematographyBoris Kaufman
Music byMoyshe Oysher
Release date
  • March 7, 1956 (1956-03-07)
LandVereinigte Staaten
SpracheEnglisch

Singing in the Dark is a 1956 American black-and-white film about a Holocaust survivor suffering from total amnesia who comes to the United States. It stars Yiddish language film actor Moishe Oysher in his only English-language film performance, comedian Joey Adams (born Joseph Abramowitz), who was also executive producer, and his wife, future gossip columnist Cindy Adams, and was directed by Max Nosseck.[1]

Plot

[edit]

Leo is a Holocaust survivor who suffers from total amnesia. When he immigrates to the U.S. he manages to find a job as a hotel desk clerk. When he accepts a drink in the hotel bar, he suddenly starts singing, amazing those around him—and himself—with his magnificent voice. Taking advantage of his gift, he begins singing in nightclubs. Eventually, with the help of a psychiatrist and partly as a result of a blow to the head during a mugging, his memories begin to return, and he realizes that he is the son of a great Jewish Hazzan in Europe. As memories of his parents, who were murdered in the Holocaust, return to him, he abandons his nightclub career to follow his father's footsteps as a synagogue cantor.

The final scene shows Leo (who now remembers that his real name is "David") singing during a synagogue service.[2]

In one crucial scene in the movie, Leo imagines himself ascending the bimah of a ruined synagogue in Europe, singing the ancient Jewish prayer "El male rachamim" in memory of all the Jews who were murdered in the Holocaust. By actually returning to the synagogue as a cantor, the film shows how he is restoring "the sacred music of a vanquished culture to a living Jewish community."[2]

Cast

[edit]

Importance

[edit]

The National Center for Jewish Film notes that this "important and virtually unknown independent film" is one of the first American movies to focus on the Holocaust.[3] It is one of the films featured in the 2004 documentary "Imaginary Witness: Hollywood and the Holocaust."

Academy Award-winning cinematographer Boris Kaufman filmed this movie in post-war Berlin, including the remains of the city's Neue Synagogue. The film also includes footage of New York's Rivington Street Synagogue.[1]

Response

[edit]

While the historical importance of this film is widely noted, reviews for the film itself were mixed. The 1956 New York Times review was generally favorable, calling it "light socko" and noting both "Runyonesque and Second Avenue overtones." It ends with the description "Mr. Adams is no Sir Laurence Olivier but he's an expert at the wise-crack and the fast gag. Mr. Oysher, histrionically a bit heavy, can render a snappy tune or a Hebraic chant with richness. All in all, "Singing in the Dark" is light 'socko.'"[4] The National Center for Jewish Film calls it "a quirky mix of 1950s American film genres—the musical, gangster and mystery movie—and the period's fascination with psychiatry. While Jews are not discussed directly, Jewish content is explicit, especially in the popular Yiddish songs (sung in English) and liturgical Hebrew songs."[1]

Re-release

[edit]

A newly restored 2011 copy was scheduled for screenings at a number of film festivals in the U.S. and overseas, including the Kulture Festival, Florida State University (March, 2011), the New York Jewish Film Festival (2011), and the Jerusalem International Film Festival (July, 2010).[1]

References

[edit]
  1. ^ a b c d Brandeis.edu. Accessed January 16, 2011.
  2. ^ a b Shandler, Jeffrey (2009). Jews, God, and Videotape: Religion and Media in America. NYU Press. ISBN 9780814740873.
  3. ^ IMDB.com.
  4. ^ New York Times Movie Review, March 8, 1956. Accessed January 16, 2011.
[edit]