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The '''Iowa Writers' Workshop''', at the [[University of Iowa]], is a graduate-level [[creative writing]] program.<ref name="Where Great Writers are Made">{{Cite news| url=https://www.theatlantic.com/doc/200708/edward-delaney-mfa| title=Where Great Writers are Made |first=Edward J. |last=Delaney | date=August 2007| work=The Atlantic}}</ref> At 87 years, it is the oldest writing program offering a [[Master of Fine Arts]] (MFA) degree in the [[United States]]. Its acceptance rate is between 2.7%<ref>{{cite web |last1=Warner |first1=John |title=On Elite Rejection: The Iowa Writers' Workshop Story |url=https://www.insidehighered.com/blogs/just-visiting/elite-rejection-iowa-writers-workshop-story |website=Inside Higher Ed |access-date=July 17, 2023}}</ref> and 3.7%.<ref>{{cite web |title=Iowa |
The '''Iowa Writers' Workshop''', at the [[University of Iowa]], is a graduate-level [[creative writing]] program.<ref name="Where Great Writers are Made">{{Cite news| url=https://www.theatlantic.com/doc/200708/edward-delaney-mfa| title=Where Great Writers are Made |first=Edward J. |last=Delaney | date=August 2007| work=The Atlantic}}</ref> At 87 years, it is the oldest writing program offering a [[Master of Fine Arts]] (MFA) degree in the [[United States]]. Its acceptance rate is between 2.7%<ref>{{cite web |last1=Warner |first1=John |title=On Elite Rejection: The Iowa Writers' Workshop Story |url=https://www.insidehighered.com/blogs/just-visiting/elite-rejection-iowa-writers-workshop-story |website=Inside Higher Ed |date=August 3, 2017|access-date=July 17, 2023}}</ref> and 3.7%.<ref>{{cite web |title=Iowa Writers' Workshop – Acceptance Rate, Alumni, Overview, and More |url=https://collegegazette.com/iowa-writers-workshop-acceptance-rate-alumni-overview-and-more/ |website=College Gazette|date=November 18, 2021 |access-date=July 17, 2023}}</ref> On the university's behalf, the workshop administers the [[Truman Capote Award for Literary Criticism]] and the [[Iowa Short Fiction Award]]. |
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The workshop's current director is the writer [[Lan Samantha Chang]] |
The workshop's current director is the writer [[Lan Samantha Chang]],<ref>{{Cite web |date=April 4, 2023 |title=Chang wins 2023 Anisfield-Wolf Book Award for latest novel |url=https://now.uiowa.edu/2023/04/chang-wins-2023-anisfield-wolf-book-award-latest-novel |access-date=June 26, 2023 |website=Iowa Now |publisher=The University of Iowa|language=en}}</ref> under whom its endowment has grown from $2.6 million to $12.5 million.<ref>{{cite web |last1=Zhang |first1=Ada |title=The Radical Vision of Lan Samantha Chang |url=https://apublicspace.org/news/detail/the-radical-vision-of-lan-samantha-chang |website=A Public Space |date=December 9, 2023|access-date=January 1, 2024}}</ref> |
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== History == |
== History == |
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In 1897, theater producer George Cram Cook began teaching a class called "Verse-Making", effectively the University of Iowa's first |
In 1897, theater producer [[George Cram Cook]] began teaching a class called "Verse-Making", effectively the University of Iowa's first creative writing class.<ref name=UiowaNelson>{{cite web |last1=Nelson |first1=Emily |title=Iowa: Shaping literature's landscape for more than a century |url=https://stories.uiowa.edu/iowa-shaping-literature-landscape-more-century |publisher=Uiowa.edu |access-date=July 27, 2023}}</ref> In 1922, Dean Carl Seashore of the University of Iowa Graduate College allowed creative writing to be accepted as theses for advanced degrees. Later, the School of Letters began selecting students for writing courses in which they were tutored by resident and visiting writers. The Iowa Writers' Workshop began as an official program in 1936, with [[Wilbur Schramm]] as its first director.<ref>{{cite web |title=Iowa Writer's Workshop |url=https://www.neh.gov/about/awards/national-humanities-medals/iowa-writers-workshop |publisher=National Endowment for the Humanities |access-date=June 14, 2023}}</ref> |
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Under [[Paul Engle]], its second director from 1941 to 1965, the program became a national landmark and was divided into fiction and poetry. He partnered with ''[[Esquire (magazine)|Esquire]]'' for a 1959 symposium titled "The Writer in Mass Culture" that included as guests [[Norman Mailer]], [[Ralph Ellison]], and [[Mark Harris (author)|Mark Harris]], and was covered in ''[[Newsweek]]''. In 1962, Engle and his wife, [[Hualing Nieh Engle]], started the country's first translation workshop, which led to the creation of the university's MFA program in literary translation. In 1967, the couple founded the International Writing Program,<ref |
Under [[Paul Engle]], its second director from 1941 to 1965, the program became a national landmark and was divided into fiction and poetry. He partnered with ''[[Esquire (magazine)|Esquire]]'' for a 1959 symposium titled "The Writer in Mass Culture" that included as guests [[Norman Mailer]], [[Ralph Ellison]], and [[Mark Harris (author)|Mark Harris]], and was covered in ''[[Newsweek]]''. In 1962, Engle and his wife, [[Hualing Nieh Engle]], started the country's first translation workshop, which led to the creation of the university's MFA program in literary translation. In 1967, the couple founded the International Writing Program,<ref name=UiowaNelson /> and in 1976, they were nominated for the [[Nobel Peace Prize]] for their work facilitating creative and cultural exchange through the International Writing Program. A reported over 300 writers supported them for the honor, which the Nobel Committee eventually did not give that year.<ref>{{cite web |title=A HORSEMAN'S SON AND A BAD GIRL |url=https://iwp.uiowa.edu/91st/vol1-num2/a-horsemans-son-and-a-bad-girl |publisher=University of Iowa International Writing Program |access-date=July 27, 2023}}</ref> |
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Engle secured donations for the workshop from the business community for about 20 years, including locals such as [[Maytag]] and [[Quaker Oats]], as well as [[U.S. Steel]] and ''[[Reader's Digest]]''.<ref name= Bennett>{{cite web|last=Bennett|first=Eric|title=How Iowa Flattened Literature|url=http://chronicle.com/article/How-Iowa-Flattened-Literature/144531/|work=MFA vs. NYC: The Two Cultures of American Fiction|publisher=Faber and Faber and n+1|access-date=April 2, 2014|date=February 10, 2014}}</ref> Between 1953 and 1956, the [[Rockefeller Foundation]] donated $40,000. [[Henry Luce]], the publisher of ''[[Time (magazine)|TIME]]'' and ''[[Life (magazine)|Life]]'' magazines, and [[Gardner Cowles Jr.]], who published ''[[Look (American magazine)|Look]]'' magazine, provided publicity for the workshop's events.{{citation needed|date=May 2015}} |
Engle secured donations for the workshop from the business community for about 20 years, including locals such as [[Maytag]] and [[Quaker Oats]], as well as [[U.S. Steel]] and ''[[Reader's Digest]]''.<ref name= Bennett>{{cite web|last=Bennett|first=Eric|title=How Iowa Flattened Literature|url=http://chronicle.com/article/How-Iowa-Flattened-Literature/144531/|work=MFA vs. NYC: The Two Cultures of American Fiction|publisher=Faber and Faber and n+1|access-date=April 2, 2014|date=February 10, 2014}}</ref> Between 1953 and 1956, the [[Rockefeller Foundation]] donated $40,000. [[Henry Luce]], the publisher of ''[[Time (magazine)|TIME]]'' and ''[[Life (magazine)|Life]]'' magazines, and [[Gardner Cowles Jr.]], who published ''[[Look (American magazine)|Look]]'' magazine, provided publicity for the workshop's events.{{citation needed|date=May 2015}} |
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Subsequent directors were George Starbuck (1965–69),<ref>{{Cite web|url=https://writersworkshop.uiowa.edu/about |
Subsequent directors were George Starbuck (1965–69),<ref name=HistoryIWW>{{Cite web|url=https://writersworkshop.uiowa.edu/about|title = About the Writers' Workshop |website= Iowa Writers' Workshop |publisher= College of Liberal Arts & Sciences | The University of Iowa}}</ref> [[John Leggett]] (1969–86),<ref name=SF>{{cite news|first1=John|last1=McMurtrie|title=John Leggett, former director of Iowa Writers' Workshop, dies at 97|url=http://blog.sfgate.com/bookmarks/2015/01/26/john-leggett-former-director-of-iowa-writers-workshop-dies-at-97/|access-date=January 31, 2015|work=SF Chronicle|date=January 26, 2015}}</ref> and [[Frank Conroy (author)|Frank Conroy]] (1987–2005), whose 19 years at the helm made him the longest-serving director. |
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[[Lan Samantha Chang]] was appointed the Workshop's sixth director in 2006.<ref |
[[Lan Samantha Chang]] was appointed the Workshop's sixth director in 2006.<ref name=HistoryIWW /> She is the program's first female, first Asian American, and first nonwhite director, and has held the role for 17 years. |
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=== Locations === |
=== Locations === |
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The Writers' Workshop originated in temporary military barracks-style buildings near the Iowa River, the present location of the Iowa Memorial Union, but in 1966 moved to the English-Philosophy Building. In 1997, it moved to its current location, Dey House. The Glenn Schaeffer Library and Archives, an extension including a library and reading room, classrooms, and faculty offices, was added to Dey House in 2006.<ref |
The Writers' Workshop originated in temporary military barracks-style buildings near the Iowa River, the present location of the Iowa Memorial Union, but in 1966 moved to the English-Philosophy Building. In 1997, it moved to its current location, Dey House. The Glenn Schaeffer Library and Archives, an extension including a library and reading room, classrooms, and faculty offices, was added to Dey House in 2006.<ref name=UiowaNelson /> |
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== Organization == |
== Organization == |
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=== |
=== Methodology === |
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The Workshop was formed by Norman Foerster's passionate support for creative writing and [[Wilbur Schramm|Wilbur Schramm's]] conviction that writing should be as technical and rigorous a pursuit as any traditional literature degree. The workshop model for higher education creative writing was created in that pursuit of technical intensity. The model constantly exposed students to outside opinions on their |
The Workshop was formed by Norman Foerster's passionate support for creative writing and [[Wilbur Schramm|Wilbur Schramm's]] conviction that writing should be as technical and rigorous a pursuit as any traditional literature degree. The workshop model for higher education creative writing was created in that pursuit of technical intensity. The model constantly exposed students to outside opinions on their fiction and created a pressurized atmosphere that forced students to rein in their emotional reactions and consider their work analytically. The Workshop operated without the characteristic assumption of the time that artists needed to be unleashed, instead opting to focus and refine them.<ref>{{Citation |title=Autobardolatry |date=2009-08-30 |url=http://dx.doi.org/10.2307/j.ctvjsf59f.5 |work=The Program Era |pages=77–126 |access-date=2023-11-07 |publisher=Harvard University Press|doi=10.2307/j.ctvjsf59f.5 }}</ref> While intended to serve fiction writers, the Workshop began to change in the 1970s when its first nonfiction thesis was accepted. Ever since, the Workshop has produced many literary journalists and shaped public perception of creative nonfiction.<ref>{{Cite journal |last=Dowling |first=David |date=2016 |title=Beyond the Program Era: Tracy Kidder, John D'Agata, and the Rise of Literary Journalism at the Iowa Writers' Workshop |journal=Literary Journalism Studies |volume=8 |issue=1 |pages=52–56 |via=EBSCO Communication Source}}</ref> |
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=== Curriculum and courses === |
=== Curriculum and courses === |
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The program's curriculum requires students to take a small number of classes each semester, including the Graduate Fiction Workshop or Graduate Poetry Workshop and one or two additional literature seminars. These requirements are meant to prepare students for the realities of professional writing, where self-discipline is paramount. The graduate workshop courses meet weekly. Before each three-hour class, a small number of students submit material for critical reading by their peers. The class consists of a round-table discussion during which the students and the instructor discuss each piece. How classes are conducted varies by teacher and between poetry and fiction. The ideal result is not only that writers come away with insights into their work's strengths and weaknesses, but that the class as a whole derives insight, whether general or specific, about the process of writing.<ref name=nyt86>{{Cite news| url=https://www.nytimes.com/1986/05/25/magazine/can-writing-be-taught-in-iowa.html | title=Can Writing Be Taught in Iowa? |first=Maureen |last=Howard | date=May 25, 1986| work=The New York Times}}</ref> |
The program's curriculum requires students to take a small number of classes each semester, including the Graduate Fiction Workshop or Graduate Poetry Workshop and one or two additional literature seminars. These requirements are meant to prepare students for the realities of professional writing, where self-discipline is paramount. The graduate workshop courses meet weekly. Before each three-hour class, a small number of students submit material for critical reading by their peers. The class consists of a round-table discussion during which the students and the instructor discuss each piece. How classes are conducted varies by teacher and between poetry and fiction. The ideal result is not only that writers come away with insights into their work's strengths and weaknesses, but that the class as a whole derives insight, whether general or specific, about the process of writing.<ref name=nyt86>{{Cite news| url=https://www.nytimes.com/1986/05/25/magazine/can-writing-be-taught-in-iowa.html | title=Can Writing Be Taught in Iowa? |first=Maureen |last=Howard | date=May 25, 1986| work=The New York Times}}</ref> |
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When the Workshop received the National Humanities Medal in 2002, then director Conroy explained its ethos: "It is a focused program, like [[Juilliard]]. We read constantly, rereading the classics. They can write anything they want. We teach them what |
When the Workshop received the National Humanities Medal in 2002, then director Conroy explained its ethos: "It is a focused program, like [[Juilliard]]. We read constantly, rereading the classics. They can write anything they want. We teach them what we've learned as writers."<ref>{{cite web |title=Iowa Writer's Workshop |url=https://www.neh.gov/about/awards/national-humanities-medals/iowa-writers-workshop |publisher=National Endowment for the Humanities |access-date=June 14, 2023}}</ref> |
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In a 2022 interview, Chang said: <blockquote>We don't have a quota about where people are from or what kind of writing they do. What we look for is work that is filled with energy, work that interests us. I'm sure, every year, there are many, many very good writers who go elsewhere because we don't admit them. But we try to be very open. I would say that we look for work that excites us. Frank Conroy used to describe it as feeling someone reaching off the page at you when you're reading, feeling tension in the language.<ref>{{cite web |last1=Otosirieze |title=In Conversation with Lan Samantha Chang, Director of the Iowa |
In a 2022 interview, Chang said: <blockquote>We don't have a quota about where people are from or what kind of writing they do. What we look for is work that is filled with energy, work that interests us. I'm sure, every year, there are many, many very good writers who go elsewhere because we don't admit them. But we try to be very open. I would say that we look for work that excites us. Frank Conroy used to describe it as feeling someone reaching off the page at you when you're reading, feeling tension in the language.<ref>{{cite web |last1=Otosirieze |title=In Conversation with Lan Samantha Chang, Director of the Iowa Writers' Workshop |url=https://opencountrymag.com/in-conversation-with-lan-samantha-chang-director-of-the-iowa-writers-workshop/ |website=Open Country Mag |date=July 23, 2022|access-date=June 14, 2023}}</ref></blockquote> |
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The workshop has been described as "[proof of] the value of an MFA."<ref>{{cite web |last1=Reimann |first1=Matt |title=How the Iowa Writers' Workshop Proves the Value of an MFA |url=https://blog.bookstellyouwhy.com/how-iowa-writers-workshop-proves-the-value-of-an-mfa |website=Books Tell You Why |access-date=July 17, 2023}}</ref> |
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=== Faculty and alumni === |
=== Faculty and alumni === |
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''See category: {{Cl|Iowa_Writers'_Workshop_alumni|Iowa Writers' Workshop alumni}}'' |
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Former faculty have included [[Kurt Vonnegut]], [[Philip Roth]], [[John Cheever]], and [[Marilynne Robinson]]. |
Former faculty have included [[Kurt Vonnegut]], [[Philip Roth]], [[John Cheever]], and [[Marilynne Robinson]]. |
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As of January 2023, the workshop's faculty are [[Jamel Brinkley]], [[Charles D'Ambrosio]], [[Margot Livesey]], and Ladee Hubbard in fiction; [[Ethan Canin]] in English and creative writing; [[James Galvin (poet)|James Galvin]], [[Mark Levine (poet)|Mark Levine]], [[Tracie Morris]], [[Elizabeth Willis]] in poetry; and Program Director [[Lan Samantha Chang]]. Visiting faculty are [[Alexia Arthurs]], [[Tom Drury]] and Amy Parker.<ref>{{Cite web|url=https://writersworkshop.uiowa.edu/ |
As of January 2023, the workshop's faculty are [[Jamel Brinkley]], [[Charles D'Ambrosio]], [[Margot Livesey]], and Ladee Hubbard in fiction; [[Ethan Canin]] in English and creative writing; [[James Galvin (poet)|James Galvin]], [[Mark Levine (poet)|Mark Levine]], [[Tracie Morris]], [[Elizabeth Willis]] in poetry; and Program Director [[Lan Samantha Chang]]. Visiting faculty are [[Alexia Arthurs]], [[Tom Drury]] and Amy Parker.<ref>{{Cite web|url=https://writersworkshop.uiowa.edu/faculty|title = People | Iowa Writers' Workshop | College of Liberal Arts & Sciences | the University of Iowa}}</ref> |
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== Reputation and influence == |
== Reputation and influence == |
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In 1986, during the 50th anniversary of the Workshop, ''[[The New York Times]]'' wrote: "At 50, the Iowa workshop is something of a dowager, standing unshakably in the mainstream of our literary life."<ref |
In 1986, during the 50th anniversary of the Workshop, ''[[The New York Times]]'' wrote: "At 50, the Iowa workshop is something of a dowager, standing unshakably in the mainstream of our literary life."<ref name=nyt86 /> |
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In 2019, five graduates won [[Guggenheim Fellowships]].<ref>{{cite web |last1=Riehl |first1=John |title= |
In 2019, five graduates won [[Guggenheim Fellowships]].<ref>{{cite web |last1=Riehl |first1=John |title=IWP's Merrill awarded Guggenheim Fellowship |url=https://now.uiowa.edu/2019/04/iwps-merrill-awarded-guggenheim-fellowship |website=Iowa Now|publisher=The University of Iowa|date=April 16, 2019 |access-date=July 17, 2023}}</ref> In April 2021, the [[American Academy of Arts and Letters]] recognized seven graduates and former faculty: five graduates and a former visiting faculty member received awards, and an alumna was elected to membership. In response to the news, Chang said: <blockquote>The graduates being distinguished by the American Academy of Arts and Letters in 2021 came to the Iowa Writers' Workshop over a period of more than four decades. This reflects the strength and longevity of the Iowa Writers' Workshop and creative writing at Iowa.<ref>{{cite web |title=Seven writers with Iowa ties earn prestigious literary honors |url=https://writersworkshop.uiowa.edu/news/2021/04/seven-writers-iowa-ties-earn-prestigious-literary-honors |publisher=Writers' Workshop: University of Iowa|date=April 21, 2021 |access-date=June 14, 2023}}</ref></blockquote> |
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Graduates have gone on to become directors of other notable creative writing MFA programs, including [[Wallace Stegner]] at [[Stanford University]], [[Eileen Pollack]] at the [[University of Michigan]], [[Vance Bourjaily]] at [[Louisiana State University]],<ref>{{cite web |last1=Weber |first1=Bruce |title=Vance Bourjaily, Novelist Exploring Postwar America, Dies at 87 |url=https://www.nytimes.com/2010/09/03/arts/03bourjaily.html |website=The New York Times |access-date=July 17, 2023}}</ref> [[Bret Anthony Johnston]] at the [[University of Texas, Austin]]'s [[Michener Center for Writers|Michener Center]],<ref>{{cite web |last1=Fedorko |first1=Rebecca |title=The University of Texas taps Bret Johnston to serve as director of the Michener Center for Writers |url=https://communityimpact.com/austin/education/2017/07/19/university-texas-elects-bret-johnston-director-michener-center-for-writers/ |website=Community Impact |access-date=July 17, 2023}}</ref> and [[Adam Haslett]] at [[The City University of New York]]'s [[Hunter College]]. They have also become top editors at major publishers. These include [[Haki R. Madhubuti]], founder of [[Third World Press]]; [[Jill Bialosky]], executive editor and vice president at [[W. W. Norton & Company]]; and Thomas Gebremedhin, vice president and executive editor of [[Doubleday (publisher)|Doubleday]].<ref>{{cite web |title=My Path to Penguin Random House: |
Graduates have gone on to become directors of other notable creative writing MFA programs, including [[Wallace Stegner]] at [[Stanford University]], [[Eileen Pollack]] at the [[University of Michigan]], [[Vance Bourjaily]] at [[Louisiana State University]],<ref>{{cite web |last1=Weber |first1=Bruce |title=Vance Bourjaily, Novelist Exploring Postwar America, Dies at 87 |url=https://www.nytimes.com/2010/09/03/arts/03bourjaily.html |website=The New York Times|date=September 3, 2010 |access-date=July 17, 2023}}</ref> [[Bret Anthony Johnston]] at the [[University of Texas, Austin]]'s [[Michener Center for Writers|Michener Center]],<ref>{{cite web |last1=Fedorko |first1=Rebecca |title=The University of Texas taps Bret Johnston to serve as director of the Michener Center for Writers |url=https://communityimpact.com/austin/education/2017/07/19/university-texas-elects-bret-johnston-director-michener-center-for-writers/ |website=Community Impact |date=July 19, 2017 |access-date=July 17, 2023}}</ref> and [[Adam Haslett]] at [[The City University of New York]]'s [[Hunter College]]. They have also become top editors at major publishers. These include [[Haki R. Madhubuti]], founder of [[Third World Press]]; [[Jill Bialosky]], executive editor and vice president at [[W. W. Norton & Company]]; and Thomas Gebremedhin, vice president and executive editor of [[Doubleday (publisher)|Doubleday]].<ref>{{cite web |title=My Path to Penguin Random House: Doubleday's Thomas Gebremedhin |url=https://global.penguinrandomhouse.com/announcements/my-path-to-penguin-random-house-doubledays-thomas-gebremedhin/ |publisher=Penguin Random House |access-date=July 17, 2023}}</ref> Among them have also been editors of major publications, including [[D. Herbert Lipson]] of ''[[Ebony (magazine)|Ebony]]'', and curators, such as Christine Kuan, former CEO and director of [[Sotheby]]'s Institute of Art New York. |
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On the [[HBO]] show ''[[Girls (TV Series)|Girls]]'', the character Hannah Horvath enrolls in the Iowa Writers' Workshop.<ref>{{cite web |last1=Kachka |first1=Boris |title=What ''Girls'' Got Wrong (and Right!) About the Iowa Writers' Workshop |url=https://www.vulture.com/2015/01/what-girls-got-wrong-about-iowas-mfa-program.html |website=Vulture |date=January 19, 2015|access-date=June 14, 2023}}</ref> |
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== Awards won by |
== Awards won by faculty and alumni == |
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=== Pulitzer Prizes === |
=== Pulitzer Prizes === |
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==== Fiction ==== |
==== Fiction ==== |
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*[[Paul Harding (author)|Paul Harding]], 2010 Pulitzer for ''[[Tinkers (novel)|Tinkers]]'', MFA, English, 2000. |
*[[Paul Harding (author)|Paul Harding]], 2010 Pulitzer for ''[[Tinkers (novel)|Tinkers]]'', MFA, English, 2000. |
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*[[Andrew Sean Greer]], 2018 Pulitzer for ''[[Less (novel)|Less]]'', former visiting faculty member. |
*[[Andrew Sean Greer]], 2018 Pulitzer for ''[[Less (novel)|Less]]'', former visiting faculty member. |
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*[[Jayne Anne Phillips]], 2024 Pulitzer for ''[[Night Watch (Phillips novel)|Night Watch]]'', MFA, 1978.<ref>{{Cite web |title=UI alumna Phillips wins 2024 Pulitzer Prize for Fiction {{!}} Iowa Now - The University of Iowa |url=https://now.uiowa.edu/news/2024/05/ui-alumna-phillips-wins-2024-pulitzer-prize-fiction|first=Sara Epstein |last=Moninger |date=May 7, 2024|access-date=2024-05-08 |website=now.uiowa.edu |language=en}}</ref> |
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==== Journalism ==== |
==== Journalism ==== |
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*[[Louise Glück]], faculty |
*[[Louise Glück]], faculty |
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*[[Charles Wright (poet)|Charles Wright]], 2014–16, MFA '70 |
*[[Charles Wright (poet)|Charles Wright]], 2014–16, MFA '70 |
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*[[Juan Felipe Herrera]], 2015–17, MFA '91<ref>{{cite web |last1=McKinney |first1=Cristobal |title=Former US Poet Laureate Reflects on His Writing and the Iowa |
*[[Juan Felipe Herrera]], 2015–17, MFA '91<ref>{{cite web |last1=McKinney |first1=Cristobal |title=Former US Poet Laureate Reflects on His Writing and the Iowa Writers' Workshop |url=https://writersworkshop.uiowa.edu/news/2017/07/former-us-poet-laureate-reflects-his-writing-and-iowa-writers-workshop |publisher=Writers' Workshop: The University of Iowa|date=July 13, 2017 |access-date=June 14, 2023}}</ref> |
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*[[Joy Harjo]], 2019–20, MFA '78, the first [[Native Americans in the United States|Native American]] person to hold the position<ref>{{cite web |title=Librarian of Congress Names Joy Harjo the Nation's 23rd Poet Laureate |url=https://writersworkshop.uiowa.edu |
*[[Joy Harjo]], 2019–20, MFA '78, the first [[Native Americans in the United States|Native American]] person to hold the position<ref>{{cite web |title=Librarian of Congress Names Joy Harjo the Nation's 23rd Poet Laureate |url=https://writersworkshop.uiowa.edu/news/2019/06/librarian-congress-names-joy-harjo-nations-23rd-poet-laureate |publisher=Writers' Workshop: University of Iowa |date=June 19, 2019|access-date=June 14, 2023}}</ref> |
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=== Booker Prize === |
=== Booker Prize === |
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*[[Eleanor Catton]], 2013, for ''[[The Luminaries]]'', |
*[[Eleanor Catton]], 2013, for ''[[The Luminaries]]'', alumna |
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=== National Humanities Medal === |
=== National Humanities Medal === |
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== References == |
== References == |
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{{Reflist| |
{{Reflist|30em}} |
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== Further reading == |
== Further reading == |
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[[Category:Iowa Writers' Workshop| ]] |
[[Category:Iowa Writers' Workshop| ]] |
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⚫ | |||
[[Category:American writers' organizations]] |
[[Category:American writers' organizations]] |
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[[Category:Creative writing programs]] |
[[Category:Creative writing programs]] |
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⚫ | |||
[[Category:National Humanities Medal recipients]] |
[[Category:National Humanities Medal recipients]] |
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[[Category: |
[[Category:University of Iowa]] |
Latest revision as of 11:16, 21 May 2024
![]() Dey House, home of the Iowa Writers' Workshop | |
Other name | University of Iowa Writers' Workshop |
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Typ | MFA degree program |
Established | 1936 |
Director | Lan Samantha Chang |
Students | 90 (Fall 2022) |
Standort | , , Vereinigte Staaten 41°40′02″N 91°32′06″W / 41.66727°N 91.53502°W |
Website | writersworkshop |
The Iowa Writers' Workshop, at the University of Iowa, is a graduate-level creative writing program.[1] At 87 years, it is the oldest writing program offering a Master of Fine Arts (MFA) degree in the United States. Its acceptance rate is between 2.7%[2] and 3.7%.[3] On the university's behalf, the workshop administers the Truman Capote Award for Literary Criticism and the Iowa Short Fiction Award.
The workshop's current director is the writer Lan Samantha Chang,[4] under whom its endowment has grown from $2.6 million to $12.5 million.[5]
History
[edit]In 1897, theater producer George Cram Cook began teaching a class called "Verse-Making", effectively the University of Iowa's first creative writing class.[6] In 1922, Dean Carl Seashore of the University of Iowa Graduate College allowed creative writing to be accepted as theses for advanced degrees. Later, the School of Letters began selecting students for writing courses in which they were tutored by resident and visiting writers. The Iowa Writers' Workshop began as an official program in 1936, with Wilbur Schramm as its first director.[7]
Under Paul Engle, its second director from 1941 to 1965, the program became a national landmark and was divided into fiction and poetry. He partnered with Esquire for a 1959 symposium titled "The Writer in Mass Culture" that included as guests Norman Mailer, Ralph Ellison, and Mark Harris, and was covered in Newsweek. In 1962, Engle and his wife, Hualing Nieh Engle, started the country's first translation workshop, which led to the creation of the university's MFA program in literary translation. In 1967, the couple founded the International Writing Program,[6] and in 1976, they were nominated for the Nobel Peace Prize for their work facilitating creative and cultural exchange through the International Writing Program. A reported over 300 writers supported them for the honor, which the Nobel Committee eventually did not give that year.[8]
Engle secured donations for the workshop from the business community for about 20 years, including locals such as Maytag and Quaker Oats, as well as U.S. Steel and Reader's Digest.[9] Between 1953 and 1956, the Rockefeller Foundation donated $40,000. Henry Luce, the publisher of TIME and Life magazines, and Gardner Cowles Jr., who published Look magazine, provided publicity for the workshop's events.[citation needed]
Subsequent directors were George Starbuck (1965–69),[10] John Leggett (1969–86),[11] and Frank Conroy (1987–2005), whose 19 years at the helm made him the longest-serving director.
Lan Samantha Chang was appointed the Workshop's sixth director in 2006.[10] She is the program's first female, first Asian American, and first nonwhite director, and has held the role for 17 years.
Standorte
[edit]The Writers' Workshop originated in temporary military barracks-style buildings near the Iowa River, the present location of the Iowa Memorial Union, but in 1966 moved to the English-Philosophy Building. In 1997, it moved to its current location, Dey House. The Glenn Schaeffer Library and Archives, an extension including a library and reading room, classrooms, and faculty offices, was added to Dey House in 2006.[6]
Organization
[edit]Methodology
[edit]The Workshop was formed by Norman Foerster's passionate support for creative writing and Wilbur Schramm's conviction that writing should be as technical and rigorous a pursuit as any traditional literature degree. The workshop model for higher education creative writing was created in that pursuit of technical intensity. The model constantly exposed students to outside opinions on their fiction and created a pressurized atmosphere that forced students to rein in their emotional reactions and consider their work analytically. The Workshop operated without the characteristic assumption of the time that artists needed to be unleashed, instead opting to focus and refine them.[12] While intended to serve fiction writers, the Workshop began to change in the 1970s when its first nonfiction thesis was accepted. Ever since, the Workshop has produced many literary journalists and shaped public perception of creative nonfiction.[13]
Curriculum and courses
[edit]The program's curriculum requires students to take a small number of classes each semester, including the Graduate Fiction Workshop or Graduate Poetry Workshop and one or two additional literature seminars. These requirements are meant to prepare students for the realities of professional writing, where self-discipline is paramount. The graduate workshop courses meet weekly. Before each three-hour class, a small number of students submit material for critical reading by their peers. The class consists of a round-table discussion during which the students and the instructor discuss each piece. How classes are conducted varies by teacher and between poetry and fiction. The ideal result is not only that writers come away with insights into their work's strengths and weaknesses, but that the class as a whole derives insight, whether general or specific, about the process of writing.[14]
When the Workshop received the National Humanities Medal in 2002, then director Conroy explained its ethos: "It is a focused program, like Juilliard. We read constantly, rereading the classics. They can write anything they want. We teach them what we've learned as writers."[15]
In a 2022 interview, Chang said:
We don't have a quota about where people are from or what kind of writing they do. What we look for is work that is filled with energy, work that interests us. I'm sure, every year, there are many, many very good writers who go elsewhere because we don't admit them. But we try to be very open. I would say that we look for work that excites us. Frank Conroy used to describe it as feeling someone reaching off the page at you when you're reading, feeling tension in the language.[16]
Faculty and alumni
[edit]Former faculty have included Kurt Vonnegut, Philip Roth, John Cheever, and Marilynne Robinson.
As of January 2023, the workshop's faculty are Jamel Brinkley, Charles D'Ambrosio, Margot Livesey, and Ladee Hubbard in fiction; Ethan Canin in English and creative writing; James Galvin, Mark Levine, Tracie Morris, Elizabeth Willis in poetry; and Program Director Lan Samantha Chang. Visiting faculty are Alexia Arthurs, Tom Drury and Amy Parker.[17]
Reputation and influence
[edit]In 1986, during the 50th anniversary of the Workshop, The New York Times wrote: "At 50, the Iowa workshop is something of a dowager, standing unshakably in the mainstream of our literary life."[14]
In 2019, five graduates won Guggenheim Fellowships.[18] In April 2021, the American Academy of Arts and Letters recognized seven graduates and former faculty: five graduates and a former visiting faculty member received awards, and an alumna was elected to membership. In response to the news, Chang said:
The graduates being distinguished by the American Academy of Arts and Letters in 2021 came to the Iowa Writers' Workshop over a period of more than four decades. This reflects the strength and longevity of the Iowa Writers' Workshop and creative writing at Iowa.[19]
Graduates have gone on to become directors of other notable creative writing MFA programs, including Wallace Stegner at Stanford University, Eileen Pollack at the University of Michigan, Vance Bourjaily at Louisiana State University,[20] Bret Anthony Johnston at the University of Texas, Austin's Michener Center,[21] and Adam Haslett at The City University of New York's Hunter College. They have also become top editors at major publishers. These include Haki R. Madhubuti, founder of Third World Press; Jill Bialosky, executive editor and vice president at W. W. Norton & Company; and Thomas Gebremedhin, vice president and executive editor of Doubleday.[22] Among them have also been editors of major publications, including D. Herbert Lipson of Ebony, and curators, such as Christine Kuan, former CEO and director of Sotheby's Institute of Art New York.
On the HBO show Girls, the character Hannah Horvath enrolls in the Iowa Writers' Workshop.[23]
Awards won by faculty and alumni
[edit]Pulitzer Prizes
[edit]Fiction
[edit]- Robert Penn Warren, 1947 Pulitzer for All the King's Men, former faculty member.
- Wallace Stegner, 1972 Pulitzer for Angle of Repose, MA, 1932; PhD, English, 1935.
- James Alan McPherson, 1977 Pulitzer for Elbow Room, MFA, 1969; former faculty member.
- John Cheever, 1979 Pulitzer for The Stories of John Cheever, former faculty member.
- Jane Smiley, 1992 Pulitzer for A Thousand Acres, MA, 1975; MFA, English, 1976; PhD, English, 1978.
- Philip Roth, 1998 Pulitzer for American Pastoral, former faculty member.
- Michael Cunningham, 1999 Pulitzer for The Hours, MFA, English, 1980.
- Marilynne Robinson, 2005 Pulitzer for Gilead, emeritus faculty member.
- Paul Harding, 2010 Pulitzer for Tinkers, MFA, English, 2000.
- Andrew Sean Greer, 2018 Pulitzer for Less, former visiting faculty member.
- Jayne Anne Phillips, 2024 Pulitzer for Night Watch, MFA, 1978.[24]
Journalism
[edit]- Tracy Kidder, 1982 Pulitzer in general nonfiction for The Soul of a New Machine, MFA, 1974.
Poetry
[edit]- Karl Shapiro, 1945 Pulitzer for V-Letter and Other Poems, former faculty member
- Robert Lowell, 1947 Pulitzer for Lord Weary's Castle, 1974 Pulitzer for The Dolphin, former faculty member
- Robert Penn Warren, 1958 Pulitzer for Poems 1954–56, Now and Then, 1980 Pulitzer for Poems 1976–78, former faculty member
- W. D. Snodgrass, 1960 Pulitzer for Heart's Needle, BA, 1949; MA, 1951; MFA, 1953
- John Berryman, 1965 Pulitzer for 77 Dream Songs, former faculty member
- Anthony Hecht, 1968 Pulitzer for The Hard Hours, attended Workshop but did not graduate
- Donald Justice, 1980 Pulitzer for Selected Poems, alumnus and former faculty member
- Carolyn Kizer, 1985 Pulitzer for Yin, former faculty member
- Rita Dove, 1987 Pulitzer for Thomas and Beulah, MFA, 1977
- Mona Van Duyn, 1991 Pulitzer for Near Changes, MA, English, 1943
- James Tate, 1992 Pulitzer for Selected Poems, MFA, 1967
- Louise Glück, 1993 Pulitzer for The Wild Iris, former faculty member
- Philip Levine, 1995 Pulitzer for The Simple Truth, MFA, 1957; former faculty member
- Jorie Graham, 1996 Pulitzer for The Dream of the Unified Field, MFA, English, 1978; former faculty member
- Charles Wright, 1998 Pulitzer for Black Zodiac, MFA, 1963
- Mark Strand, 1999 Pulitzer for Blizzard of One, MA, 1962; former faculty member
- Robert Hass, 2008 Pulitzer for Time and Materials, frequent visiting faculty member
- Philip Schultz, 2008 Pulitzer for Failure, MFA, English, 1971
U.S. Poets Laureate
[edit]- Mark Strand, 2019–20, MFA '78.
- Rita Dove, 1993, MFA '77, the youngest person and first African American to hold the position
- Philip Levine
- Robert Penn Warren, faculty
- Mona Jane Van Duyn, faculty
- Robert Hass, faculty
- Louise Glück, faculty
- Charles Wright, 2014–16, MFA '70
- Juan Felipe Herrera, 2015–17, MFA '91[25]
- Joy Harjo, 2019–20, MFA '78, the first Native American person to hold the position[26]
Booker Prize
[edit]- Eleanor Catton, 2013, for The Luminaries, alumna
National Humanities Medal
[edit]- Rita Dove, 1996
- Iowa Writers' Workshop, 2003
MacArthur Fellowship
[edit]- Yiyun Li, 2003
References
[edit]- ^ Delaney, Edward J. (August 2007). "Where Great Writers are Made". The Atlantic.
- ^ Warner, John (August 3, 2017). "On Elite Rejection: The Iowa Writers' Workshop Story". Inside Higher Ed. Retrieved July 17, 2023.
- ^ "Iowa Writers' Workshop – Acceptance Rate, Alumni, Overview, and More". College Gazette. November 18, 2021. Retrieved July 17, 2023.
- ^ "Chang wins 2023 Anisfield-Wolf Book Award for latest novel". Iowa Now. The University of Iowa. April 4, 2023. Retrieved June 26, 2023.
- ^ Zhang, Ada (December 9, 2023). "The Radical Vision of Lan Samantha Chang". A Public Space. Retrieved January 1, 2024.
- ^ a b c Nelson, Emily. "Iowa: Shaping literature's landscape for more than a century". Uiowa.edu. Retrieved July 27, 2023.
- ^ "Iowa Writer's Workshop". National Endowment for the Humanities. Retrieved June 14, 2023.
- ^ "A HORSEMAN'S SON AND A BAD GIRL". University of Iowa International Writing Program. Retrieved July 27, 2023.
- ^ Bennett, Eric (February 10, 2014). "How Iowa Flattened Literature". MFA vs. NYC: The Two Cultures of American Fiction. Faber and Faber and n+1. Retrieved April 2, 2014.
- ^ a b "About the Writers' Workshop". Iowa Writers' Workshop. College of Liberal Arts & Sciences | The University of Iowa.
- ^ McMurtrie, John (January 26, 2015). "John Leggett, former director of Iowa Writers' Workshop, dies at 97". SF Chronicle. Retrieved January 31, 2015.
- ^ "Autobardolatry", The Program Era, Harvard University Press, pp. 77–126, August 30, 2009, doi:10.2307/j.ctvjsf59f.5, retrieved November 7, 2023
- ^ Dowling, David (2016). "Beyond the Program Era: Tracy Kidder, John D'Agata, and the Rise of Literary Journalism at the Iowa Writers' Workshop". Literary Journalism Studies. 8 (1): 52–56 – via EBSCO Communication Source.
- ^ a b Howard, Maureen (May 25, 1986). "Can Writing Be Taught in Iowa?". The New York Times.
- ^ "Iowa Writer's Workshop". National Endowment for the Humanities. Retrieved June 14, 2023.
- ^ Otosirieze (July 23, 2022). "In Conversation with Lan Samantha Chang, Director of the Iowa Writers' Workshop". Open Country Mag. Retrieved June 14, 2023.
- ^ "People | Iowa Writers' Workshop | College of Liberal Arts & Sciences | the University of Iowa".
- ^ Riehl, John (April 16, 2019). "IWP's Merrill awarded Guggenheim Fellowship". Iowa Now. The University of Iowa. Retrieved July 17, 2023.
- ^ "Seven writers with Iowa ties earn prestigious literary honors". Writers' Workshop: University of Iowa. April 21, 2021. Retrieved June 14, 2023.
- ^ Weber, Bruce (September 3, 2010). "Vance Bourjaily, Novelist Exploring Postwar America, Dies at 87". The New York Times. Retrieved July 17, 2023.
- ^ Fedorko, Rebecca (July 19, 2017). "The University of Texas taps Bret Johnston to serve as director of the Michener Center for Writers". Community Impact. Retrieved July 17, 2023.
- ^ "My Path to Penguin Random House: Doubleday's Thomas Gebremedhin". Penguin Random House. Retrieved July 17, 2023.
- ^ Kachka, Boris (January 19, 2015). "What Girls Got Wrong (and Right!) About the Iowa Writers' Workshop". Vulture. Retrieved June 14, 2023.
- ^ Moninger, Sara Epstein (May 7, 2024). "UI alumna Phillips wins 2024 Pulitzer Prize for Fiction | Iowa Now - The University of Iowa". now.uiowa.edu. Retrieved May 8, 2024.
- ^ McKinney, Cristobal (July 13, 2017). "Former US Poet Laureate Reflects on His Writing and the Iowa Writers' Workshop". Writers' Workshop: The University of Iowa. Retrieved June 14, 2023.
- ^ "Librarian of Congress Names Joy Harjo the Nation's 23rd Poet Laureate". Writers' Workshop: University of Iowa. June 19, 2019. Retrieved June 14, 2023.
Further reading
[edit]- Bennett, Eric (2015). Workshops of Empire: Stegner, Engle, and American Creative Writing during the Cold War. University of Iowa Press. Retrieved July 17, 2023.
- Dana, Robert (1999). A community of writers. University of Iowa Press. ISBN 978-0-87745-668-1.
- Glass, Loren (2016). After the Program Era: The Past, Present, and Future of Creative Writing in the University. University of Iowa Press. Retrieved July 17, 2023.
- Grimes, Tom (2001). The Workshop: Seven Decades of the Iowa Writers Workshop. Hyperion. ISBN 978-0-7868-8672-2.