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{{short description|American designer|bot=PearBOT 5}}
{{Use mdy dates|date=February 2015}}
{{Use mdy dates|date=February 2015}}
{{likeresume|date=March 2017}}
{{likeresume|date=March 2017}}
{{Infobox artist
{{Infobox artist
| name = Kyle Cooper
| name = Kyle Cooper
| image =
| image =
| caption = Marina Abramović during the 2012 [[Vienna International Film Festival]]
| caption = Kyle Cooper, 2008

| birth_date = {{birth date and age|1962|07|13}}
| birth_place = [[Salem, Massachusetts]]
| birth_date =
| birth_place = [[Salem, Massachusetts]]
| website = "https://prologue.com/"
| website = https://prologue.com/
| imagesize =
| imagesize =
| field = [[Title Sequence]] Design
| field = [[Title Sequence]] Design
| training = [[University of Massachusetts Amherst]]<br />[[Yale School of Art]]
| training = [[University of Massachusetts Amherst]]<br />[[Yale School of Art]]
| influenced_by =
| influenced_by =
| influenced =
| influenced =
}}
}}


{{for|the South African rugby union player|Kyle Cooper (rugby player)}}
{{for|the South African rugby union player|Kyle Cooper (rugby union)}}
'''Kyle Cooper''' (Born July 13, 1962) is an American designer known for his work creating [[title sequence]]s for motion pictures. He has produced and directed over 350 visual effects sequences and main title sequences across a broad array of film and various broadcast mediums.<ref name=":0">{{Cite web|url=https://www.imdb.com/name/nm0178204/bio|title=Kyle Cooper|website=IMDb|access-date=2017-05-08}}</ref>
'''Kyle Cooper''' is an American [[designer]] known for his [[Title sequence|main title sequence]] work. He has produced and directed over 350 visual effects and title sequences for [[Film|motion pictures]] and [[Broadcasting|broadcast]].<ref name=":0">{{Cite web|url=https://www.imdb.com/name/nm0178204/bio|title=Kyle Cooper|website=IMDb|access-date=2017-05-08}}</ref>


== Early life and education ==
== Early life ==


=== Childhood ===
=== Childhood ===
Cooper was born on a Friday the 13th in [[Salem, Massachusetts]]. As a child, Cooper spent his days obsessed with sketching monsters.<ref name="aiga">{{cite web|url=http://www.aiga.org/medalist-kyle-cooper/|title=Kyle Cooper|publisher=AIGA|accessdate=May 3, 2014}}</ref> He was also fascinated by comic books, monster makeup books, and horror movies. Cooper stated in an interview with Revert to Saved that he had always wanted to be a film director, “I’ve always been interested in film and editing—more specifically, the juxtaposition of images in film or on a single page. However, I felt it more comprehensive to tell stories over time. Print design can provide great single moments, but I wanted to work with a sequence that had a beginning, middle and end". <ref>{{Cite web|url=http://reverttosaved.com/2009/03/26/from-the-archives-an-interview-with-kyle-cooper/|title=From the archives: an interview with Kyle Cooper|website=Revert to Saved|access-date=2017-05-08}}</ref>
Cooper was born on a Friday the 13th in [[Salem, Massachusetts]]. As a child, Cooper spent his days obsessed with sketching monsters.<ref name="aiga">{{cite web|url=http://www.aiga.org/medalist-kyle-cooper/|title=Kyle Cooper|publisher=AIGA|archive-url=https://web.archive.org/web/20140705012216/http://www.aiga.org/medalist-kyle-cooper/|access-date=May 3, 2014|archive-date=July 5, 2014}}</ref> He was also fascinated by comic books, monster makeup books, and horror movies. Cooper stated in an interview with Revert to Saved that he had always wanted to be a film director, “I’ve always been interested in film and editing—more specifically, the juxtaposition of images in film or on a single page. However, I felt it more comprehensive to tell stories over time. Print design can provide great single moments, but I wanted to work with a sequence that had a beginning, middle and end".<ref>{{Cite web|url=http://reverttosaved.com/2009/03/26/from-the-archives-an-interview-with-kyle-cooper/|title=From the archives: an interview with Kyle Cooper|website=Revert to Saved|access-date=2017-05-08}}</ref>


During a recent panel at FITC in Toronto, Cooper admitted that he is a witch. He was born on Friday the 13th in Salem, and is one of many powerful witches tied to the area. He may have been joking, but was he?
=== Education ===
=== Education ===
When it came time for Cooper to go to college, he attended the [[University of Massachusetts Amherst]], studying interior architecture. While on the brink of failing, he convinced his professor to let him pass by making a promise -- that he would never actually work as an interior designer.<ref name="aiga" />
When it came time for Cooper to go to college, he attended the [[University of Massachusetts Amherst]], studying interior architecture. While on the brink of failing, he convinced his professor to let him pass by making a promise -- that he would never actually work as an interior designer.<ref name="aiga" />
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=== Early work ===
=== Early work ===
After graduating with his [[Master of Fine Arts|M.F.A.]] from the [[Yale School of Art]], Cooper went on to work at [[R/GA]] (then known as R/Greenberg Associates) from 1988 to 1996, first in New York City and then Los Angeles. During this period, Cooper created the title sequence for the 1995 American crime film [[Seven (1995 film)]], a seminal work which received critical acclaim<ref>{{cite book|url=http://www.indexbook.com/libro.php?435|title=Uncredited – Graphic Design and Opening Titles in Movies|last=Solana|first=Gemma|publisher=Index Book|year=2008|isbn=84-96309-52-5|edition=2nd|location=Barcelona|pages=|authorlink=|author2=Antonio Boneu|accessdate=28 March 2010}}</ref> and is credited for inspring a number of younger designers for years to come. According to Cooper, at the time he made the title sequence for [[Seven (1995 film)|Seven]], main title sequences were behind what was happening in print, music videos, and commercials. Cooper has stated he aimed to create main titles that would raise the bar creatively for future title sequences.<ref>{{cite web|url=http://watchthetitles.com/articles/00169-Se7en|title=Stars Aligned for Se7en's Main Title|last=Wolting|first=Femke|date=2010-02-12|publisher=SubmarineChannel|author2=Remco Vlaanderen|accessdate=2010-03-25}}</ref>
After graduating with his [[Master of Fine Arts|M.F.A.]] from the [[Yale School of Art]], Cooper went on to work at [[R/GA]] (then known as R/Greenberg Associates) from 1988 to 1996, first in New York City and then Los Angeles. During this period, Cooper created the title sequence for the 1995 American crime film ''[[Seven (1995 film)|Seven]]'', a seminal work which received critical acclaim<ref>{{cite book|url=http://www.indexbook.com/libro.php?435|title=Uncredited – Graphic Design and Opening Titles in Movies|last=Solana|first=Gemma|publisher=Index Book|year=2008|isbn=978-84-96309-52-4|edition=2nd|location=Barcelona|author2=Antonio Boneu|access-date=28 March 2010}}</ref> and is credited for inspiring a number of younger designers for years to come. According to Cooper, at the time he made the title sequence for Seven main title sequences were behind what was happening in print, music videos, and commercials. Cooper has stated he aimed to create main titles that would raise the bar creatively for future title sequences.<ref>{{cite web|url=http://watchthetitles.com/articles/00169-Se7en|title=Stars Aligned for Se7en's Main Title|last=Wolting|first=Femke|date=2010-02-12|publisher=SubmarineChannel|author2=Remco Vlaanderen|access-date=2010-03-25}}</ref>


=== Founded companies ===
=== Founded companies ===
In 1996, Cooper founded Imaginary Forces with Peter Frankfurt and Chip Houghton. Imaginary Forces went on to become one of the most successful creative agencies in Hollywood that came out of the West Coast division of [[R/GA]]. “We have spent a long time building and refining a brilliant creative and production team… Keeping this group together as our own company is truly exciting,” commented Cooper about the name change.<ref>{{Cite news|url=https://variety.com/1996/scene/vpage/title-card-change-rga-la-becomes-imaginary-forces-1117435870/|title=Title card change: RGA/LA becomes Imaginary Forces|last=Weiner|first=Rex|date=1996-12-02|work=|access-date=|archive-url=|archive-date=|dead-url=|publisher=Variety|via=}}</ref> Too involved by the business side of running a design company the size of Imaginary Forces, Cooper decided it was time for him to focus more on his creative work. In 2003, Cooper left imaginary forces and founded Prologue, a creative agency in which he works in a small team while concentrating on creating title sequences.
In 1996, Cooper founded Imaginary Forces with Peter Frankfurt and Chip Houghton. Imaginary Forces went on to become one of the most successful creative agencies in Hollywood that came out of the West Coast division of [[R/GA]]. “We have spent a long time building and refining a brilliant creative and production team… Keeping this group together as our own company is truly exciting,” commented Cooper about the name change.<ref>{{Cite news|url=https://variety.com/1996/scene/vpage/title-card-change-rga-la-becomes-imaginary-forces-1117435870/|title=Title card change: RGA/LA becomes Imaginary Forces|last=Weiner|first=Rex|date=1996-12-02|publisher=Variety}}</ref> Too involved by the business side of running a design company the size of Imaginary Forces, Cooper decided it was time for him to focus more on his creative work. In 2003, Cooper left Imaginary Forces and founded Prologue, a creative agency in which he works in a small team while concentrating on creating title sequences.


=== Influences ===
=== Influences ===
Cooper has claimed his greatest influence in his choice of profession is Stephen Frankfurt’s opening title sequence for [[To Kill a Mockingbird (film)]]. Cooper also pulls inspiration from [[William Shakespeare]] – his former production company, Imaginary Forces, takes its name from a line in the prologue of [[Henry V (play)|Shakespeare's Henry V (play)]]. The idea to name the company after this prologue is based on the idea that opening titles often act like a prologue to a film. This of course can also be seen as an influence for his current company, “Prologue”. All that said, [[Wired (magazine)]] notes Cooper isn’t typically hired due to a signature “style”. He’s hired to "dig under the celluloid and tap into the symbolism of a film".<ref>{{Cite news|url=https://www.wired.com/2004/06/cooper/|title=The Dark Genius of Kyle Cooper|last=Gibson|first=Jon M.|work=WIRED|access-date=2017-05-08|language=en-US}}</ref> This was a precedent he started with some of his earliest work, notably [[Seven (1995 film)]].
Cooper has claimed his greatest influence in his choice of profession is Stephen Frankfurt’s opening title sequence for ''[[To Kill a Mockingbird (film)|To Kill a Mockingbird]]''. Cooper also pulls inspiration from [[William Shakespeare]] – his former production company, Imaginary Forces, takes its name from a line in the prologue of Shakespeare's ''[[Henry V (play)|Henry V]]''. The idea to name the company after this prologue is based on the idea that opening titles often act like a prologue to a film. This of course can also be seen as an influence for his current company, “Prologue”. All that said, [[Wired (magazine)|Wired Magazine]] notes Cooper isn’t typically hired due to a signature “style”. He’s hired to "dig under the celluloid and tap into the symbolism of a film".<ref>{{Cite magazine|url=https://www.wired.com/2004/06/cooper/|title=The Dark Genius of Kyle Cooper|last=Gibson|first=Jon M.|magazine=WIRED|access-date=2017-05-08|language=en-US}}</ref> This was a precedent he started with some of his earliest work, notably ''Seven''.

=== Seven Title Sequence ===
Cooper's work on [[David Fincher]]'s film [[Seven (1995 film)|Seven]] is arguably his most iconic work. The sequence is notable for its use table-top photography and tactile techniques. Industry website [[Art of the Title|Art-of-the-Title]] describes the process: "The typography itself... was hand-etched into black-surface scratchboard and manipulated during the film transfer process to further smear and jitter it." Rather than uses digital techniques Cooper's team largely assembled the sequence by hand.<ref>{{Cite web |last=Radatz |first=Ben |title=Se7en |url=https://www.artofthetitle.com/title/se7en/ |access-date=2023-08-22 |website=[[Art of the Title]] |language=en|date=July 10, 2012 }}</ref>

== Awards and acclaim ==
Details magazine credits Cooper with “almost single-handedly revitalizing the main title sequence as an art form”.<ref>{{Cite news|url=http://fitc.ca/speaker/kylecooper/|title=Kyle Cooper - FITC|work=FITC|access-date=2017-05-08|language=en-US}}</ref> Los Angeles magazine calls him the “Da Vinci of main titles”.<ref name=":0" /> He is “one of the top 50 biggest and best creative thinkers from the last 20 years of advertising and consumer culture,” according to Creativity magazine.<ref name=":0" /> Wired magazine states, “Not since Saul Bass’ legendary preludes … have credits attracted such attention”.<ref name=":0" />

Cooper is a member of the Academy of Motion Picture Arts and Sciences, and holds the title of honorary Royal Designer for Industry from the Royal Society of Arts in London. He has seven Emmy nominations and two wins. In 2014, he was also the recipient of the lifetime achievement [[List of AIGA medalists|medal from the American Institute of Graphic Arts]], recognizing him for designing title sequences for film and television with a “bold and unexpected style”.<ref name="aiga" />


==Selected film, television, and game title sequences==
==Selected film, television, and game title sequences==
{{columns-list|colwidth=35em|
* ''[[The Laser Man]]'' (1988)
* ''[[The Laser Man]]'' (1988)
* ''[[She-Devil]]'' (1989)
* ''[[She-Devil (1989 film)|She-Devil]]'' (1989)
* ''[[Bird on a Wire (film)|Bird on a Wire]]'' (1990)
* ''[[Bird on a Wire (film)|Bird on a Wire]]'' (1990)
* ''[[Home Alone]]'' (1990)
* ''[[Home Alone]]'' (1990)
Line 69: Line 79:
* ''[[True Lies]]'' (1994)
* ''[[True Lies]]'' (1994)
* ''[[Angels in the Outfield (1994 film)|Angels in the Outfield]]'' (1994)
* ''[[Angels in the Outfield (1994 film)|Angels in the Outfield]]'' (1994)
* ''[[Immortal Beloved]]'' (1994)
* ''[[Immortal Beloved (1994 film)|Immortal Beloved]]'' (1994)
* ''[[The Getaway (1994 film)|The Getaway]]'' (1994)
* ''[[The Getaway (1994 film)|The Getaway]]'' (1994)
* ''[[When a Man Loves a Woman (film)|When a Man Loves a Woman]]'' (1994)
* ''[[When a Man Loves a Woman (film)|When a Man Loves a Woman]]'' (1994)
Line 115: Line 125:
* ''[[Lost in Space (film)|Lost in Space]]'' (1998)
* ''[[Lost in Space (film)|Lost in Space]]'' (1998)
* ''[[Without Limits]]'' (1998)
* ''[[Without Limits]]'' (1998)
* ''[[Mighty Joe Young (1998 film)|Might Joe Young]]'' (1998)
* ''[[Mighty Joe Young (1998 film)|Mighty Joe Young]]'' (1998)
* ''[[The Parent Trap (1998 film)|The Parent Trap]]'' (1998)
* ''[[The Parent Trap (1998 film)|The Parent Trap]]'' (1998)
* ''[[Arlington Road]]'' (1999)
* ''[[Arlington Road]]'' (1999)
Line 137: Line 147:
* ''[[Path to War]]'' (2002)
* ''[[Path to War]]'' (2002)
* ''[[Boomtown (2002 TV series)|Boomtown]]'' (2002)
* ''[[Boomtown (2002 TV series)|Boomtown]]'' (2002)
* ''[[Dreamcatcher (2003 film)|Dreamcatcher]] (2003)
* ''[[Dreamcatcher (2003 film)|Dreamcatcher]]'' (2003)
* ''[[Darkness Falls (2003 film)|Darkness Falls]]'' (2003)
* ''[[Darkness Falls (2003 film)|Darkness Falls]]'' (2003)
* ''[[Identity (film)|Identity]]'' (2003)
* ''[[Identity (2003 film)|Identity]]'' (2003)
* ''[[Angels in America (miniseries)|Angels in America]]'' (2003)
* ''[[Angels in America (miniseries)|Angels in America]]'' (2003)
* ''[[The Rundown]]'' (2003)
* ''[[The Rundown]]'' (2003)
Line 148: Line 158:
* ''[[The New World (2005 film)|The New World]]'' (2005)
* ''[[The New World (2005 film)|The New World]]'' (2005)
* ''[[Superman Returns]]'' (2006)
* ''[[Superman Returns]]'' (2006)
* ''[[Scarface: The World Is Yours]]'' (2006)<ref>{{cite web |title=Sierra Entertainment Partners With Hollywood's Prologue Films For Scarface: The World Is Yours Intro Title Sequence |url=https://www.gamesindustry.biz/articles/sierra-entertainment-partners-with-hollywoods-prologue-films-for-scarface-the-world-is-yours-intro-title-sequence |website=GamesIndustry.biz |access-date=25 October 2021 |language=en |date=October 4, 2006}}</ref>
* [[Scarface: The World Is Yours]] (2006)
* ''[[Spider-Man 3]]'' (2007)
* ''[[Spider-Man 3]]'' (2007)
* ''[[Across the Universe (film)|Across the Universe]]'' (2007)
* ''[[Across the Universe (film)|Across the Universe]]'' (2007)
* ''[[Iron Man (2008 film)|Iron Man]] (2008)
* ''[[Iron Man (2008 film)|Iron Man]]'' (2008)
* ''[[The Incredible Hulk (film)|The Incredible Hulk]]'' (2008)
* ''[[The Incredible Hulk (film)|The Incredible Hulk]]'' (2008)
* ''[[Tropic Thunder]]'' (2008)
* ''[[Tropic Thunder]]'' (2008)
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* ''[[American Horror Story]]'' (2011)
* ''[[American Horror Story]]'' (2011)
* ''[[The Secret Life of Walter Mitty (2013 film)|The Secret Life Of Walter Mitty]]'' (2013)
* ''[[The Secret Life of Walter Mitty (2013 film)|The Secret Life Of Walter Mitty]]'' (2013)
* ''[[Godzilla (2014)|Godzilla]]'' (2014)
* ''[[Metal Gear Solid V: The Phantom Pain]]'' (2015)
* ''[[Metal Gear Solid V: The Phantom Pain]]'' (2015)
* ''[[Scream Queens (2015 TV series)|Scream Queens]]'' (2015)
* ''[[Scream Queens (2015 TV series)|Scream Queens]]'' (2015)
* ''[[Limitless (TV series)|Limitless]]'' (2015)
* ''[[Limitless (TV series)|Limitless]]'' (2015)
* ''[[Feud (TV series)|Feud]]'' (2017)
* ''[[Feud (TV series)|Feud]]'' (2017)
* ''[[Resident Evil 2 (2019 video game)|Resident Evil 2 (Remake)]]'' (2019)
* ''[[Death Stranding]]'' (TBA)
* ''[[Death Stranding]]'' (2019)

* ''[[Godzilla: King of the Monsters (2019 film)|Godzilla: King of the Monsters]]'' (2019)
== Awards and acclaim ==
* ''[[Godzilla vs. Kong]]'' (2021)
Details magazine credits Cooper with “almost single-handedly revitalizing the main title sequence as an art form”.<ref>{{Cite news|url=http://fitc.ca/speaker/kylecooper/|title=Kyle Cooper - FITC|work=FITC|access-date=2017-05-08|language=en-US}}</ref> Los Angeles magazine calls him the “Da Vinci of main titles”.<ref name=":0" /> He is “one of the top 50 biggest and best creative thinkers from the last 20 years of advertising and consumer culture,” according to Creativity magazine.<ref name=":0" /> Wired magazine states, “Not since Saul Bass’ legendary preludes … have credits attracted such attention”.<ref name=":0" />
* ''[[Death Stranding 2]]'' (TBA)

}}
Cooper is a member of the Academy of Motion Picture Arts and Sciences, and holds the title of honorary Royal Designer for Industry from the Royal Society of Arts in London. He has seven Emmy nominations and two wins. He was also the recipient of the lifetime achievement medal from the American Institute of Graphic Arts, recognizing him for designing title sequences for film and television with a “bold and unexpected style”.


==References==
==References==
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[[Category:AIGA medalists]]
[[Category:AIGA medalists]]
[[Category:Artists from Salem, Massachusetts]]
[[Category:Artists from Salem, Massachusetts]]
[[Category:1962 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:Year of birth missing (living people)]]

Latest revision as of 11:24, 28 May 2024

Kyle Cooper
Born
BildungUniversity of Massachusetts Amherst
Yale School of Art
Known forTitle Sequence Design
Websitehttps://prologue.com/

Kyle Cooper is an American designer known for his main title sequence work. He has produced and directed over 350 visual effects and title sequences for motion pictures and broadcast.[1]

Early life

[edit]

Childhood

[edit]

Cooper was born on a Friday the 13th in Salem, Massachusetts. As a child, Cooper spent his days obsessed with sketching monsters.[2] He was also fascinated by comic books, monster makeup books, and horror movies. Cooper stated in an interview with Revert to Saved that he had always wanted to be a film director, “I’ve always been interested in film and editing—more specifically, the juxtaposition of images in film or on a single page. However, I felt it more comprehensive to tell stories over time. Print design can provide great single moments, but I wanted to work with a sequence that had a beginning, middle and end".[3]

Bildung

[edit]

When it came time for Cooper to go to college, he attended the University of Massachusetts Amherst, studying interior architecture. While on the brink of failing, he convinced his professor to let him pass by making a promise -- that he would never actually work as an interior designer.[2]

Cooper then went on to earn his Master of Fine Arts in graphic design at Yale University in 1988.[2] He studied independently with renowned American modernist Paul Rand during his time there. Cooper wrote his thesis on director Sergei Eisenstein, and was awarded the Mohawk Paper Traveling Fellowship to complete his thesis research in the then Soviet Union.[1]

Career

[edit]

Early work

[edit]

After graduating with his M.F.A. from the Yale School of Art, Cooper went on to work at R/GA (then known as R/Greenberg Associates) from 1988 to 1996, first in New York City and then Los Angeles. During this period, Cooper created the title sequence for the 1995 American crime film Seven, a seminal work which received critical acclaim[4] and is credited for inspiring a number of younger designers for years to come. According to Cooper, at the time he made the title sequence for Seven main title sequences were behind what was happening in print, music videos, and commercials. Cooper has stated he aimed to create main titles that would raise the bar creatively for future title sequences.[5]

Founded companies

[edit]

In 1996, Cooper founded Imaginary Forces with Peter Frankfurt and Chip Houghton. Imaginary Forces went on to become one of the most successful creative agencies in Hollywood that came out of the West Coast division of R/GA. “We have spent a long time building and refining a brilliant creative and production team… Keeping this group together as our own company is truly exciting,” commented Cooper about the name change.[6] Too involved by the business side of running a design company the size of Imaginary Forces, Cooper decided it was time for him to focus more on his creative work. In 2003, Cooper left Imaginary Forces and founded Prologue, a creative agency in which he works in a small team while concentrating on creating title sequences.

Influences

[edit]

Cooper has claimed his greatest influence in his choice of profession is Stephen Frankfurt’s opening title sequence for To Kill a Mockingbird. Cooper also pulls inspiration from William Shakespeare – his former production company, Imaginary Forces, takes its name from a line in the prologue of Shakespeare's Henry V. The idea to name the company after this prologue is based on the idea that opening titles often act like a prologue to a film. This of course can also be seen as an influence for his current company, “Prologue”. All that said, Wired Magazine notes Cooper isn’t typically hired due to a signature “style”. He’s hired to "dig under the celluloid and tap into the symbolism of a film".[7] This was a precedent he started with some of his earliest work, notably Seven.

Seven Title Sequence

[edit]

Cooper's work on David Fincher's film Seven is arguably his most iconic work. The sequence is notable for its use table-top photography and tactile techniques. Industry website Art-of-the-Title describes the process: "The typography itself... was hand-etched into black-surface scratchboard and manipulated during the film transfer process to further smear and jitter it." Rather than uses digital techniques Cooper's team largely assembled the sequence by hand.[8]

Awards and acclaim

[edit]

Details magazine credits Cooper with “almost single-handedly revitalizing the main title sequence as an art form”.[9] Los Angeles magazine calls him the “Da Vinci of main titles”.[1] He is “one of the top 50 biggest and best creative thinkers from the last 20 years of advertising and consumer culture,” according to Creativity magazine.[1] Wired magazine states, “Not since Saul Bass’ legendary preludes … have credits attracted such attention”.[1]

Cooper is a member of the Academy of Motion Picture Arts and Sciences, and holds the title of honorary Royal Designer for Industry from the Royal Society of Arts in London. He has seven Emmy nominations and two wins. In 2014, he was also the recipient of the lifetime achievement medal from the American Institute of Graphic Arts, recognizing him for designing title sequences for film and television with a “bold and unexpected style”.[2]

Selected film, television, and game title sequences

[edit]

References

[edit]
  1. ^ a b c d e "Kyle Cooper". IMDb. Retrieved May 8, 2017.
  2. ^ a b c d "Kyle Cooper". AIGA. Archived from the original on July 5, 2014. Retrieved May 3, 2014.
  3. ^ "From the archives: an interview with Kyle Cooper". Revert to Saved. Retrieved May 8, 2017.
  4. ^ Solana, Gemma; Antonio Boneu (2008). Uncredited – Graphic Design and Opening Titles in Movies (2nd ed.). Barcelona: Index Book. ISBN 978-84-96309-52-4. Retrieved March 28, 2010.
  5. ^ Wolting, Femke; Remco Vlaanderen (February 12, 2010). "Stars Aligned for Se7en's Main Title". SubmarineChannel. Retrieved March 25, 2010.
  6. ^ Weiner, Rex (December 2, 1996). "Title card change: RGA/LA becomes Imaginary Forces". Variety.
  7. ^ Gibson, Jon M. "The Dark Genius of Kyle Cooper". WIRED. Retrieved May 8, 2017.
  8. ^ Radatz, Ben (July 10, 2012). "Se7en". Art of the Title. Retrieved August 22, 2023.
  9. ^ "Kyle Cooper - FITC". FITC. Retrieved May 8, 2017.
  10. ^ "Sierra Entertainment Partners With Hollywood's Prologue Films For Scarface: The World Is Yours Intro Title Sequence". GamesIndustry.biz. October 4, 2006. Retrieved October 25, 2021.
[edit]