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{{Infobox album
{{Infobox album
| name = Mortal Kombat (1995): <br> Original Motion Picture Score
| name = Mortal Kombat: <br> Original Motion Picture Score
| type = Film score
| type = Film score
| artist = [[George S. Clinton]]
| artist = [[George S. Clinton]]
Line 13: Line 13:
| label = [[Rykodisc]]
| label = [[Rykodisc]]
| producer =
| producer =
| misc = {{Extra chronology
| prev_title =
| artist = Mortal Kombat
⚫
| prev_year =
| type = soundtrack
| next_title =
| prev_title = [[Mortal Kombat (1995 soundtrack)|Mortal Kombat (1995): <br> Original Motion Picture Soundtrack]]
⚫
| next_year =
⚫
| prev_year = 1994
| title = Mortal Kombat (1995): <br> Original Motion Picture Score
| year = 1995
| next_title = [[Mortal Kombat Annihilation#Music|Mortal Kombat Annihilation]]
⚫
| next_year = 1997
}}
}}
}}


'''''Mortal Kombat (1995): Original Motion Picture Score''''' is the instrumental score album released to accompany the ''[[Mortal Kombat (1995 film)|Mortal Kombat]]'' film. The music was composed by [[George S. Clinton]] with additional guitar work provided by [[Buckethead]] and drums by [[Bryan Mantia|Brain]].
'''''Mortal Kombat: Original Motion Picture Score''''' is the instrumental score album released to accompany the ''[[Mortal Kombat (1995 film)|Mortal Kombat]]'' (1995) film. The music was composed by [[George S. Clinton]] with additional guitar work provided by [[Buckethead]] and drums by [[Bryan Mantia|Brain]].


Clinton based his main themes on traditional [[taiko]] drums, emphasizing the film's mystical atmosphere and Asian-influenced style. It is also notable that he used [[Shakuhachi]] flute, didgeridoos and a [[Tuvan throat singing|Tuvan throat singer]] to give a more exotic musical landscape unlike other similar scores of the early 1990s.
Clinton based his main themes on Japanese [[taiko]] drums, emphasizing the film's mystical atmosphere and Asian-influenced style. He used [[Shakuhachi]] flute, [[didgeridoos]] and a [[Tuvan throat singing|Tuvan throat singer]] to give the film a more exotic musical landscape than following traditional orchestral scores.


In an interview with ''[[The Hollywood Reporter]]'' celebrating the 20th anniversary of the film, Clinton said,
In a 2015 interview, Clinton said,
{{quote| For the first test screening they had put a temporary score under it that was mainly traditional orchestral action music, and it became clear that the target audience, which was used to hearing techno music blasting during game play, was not happy with that approach. So that gave me the opportunity to come up with an approach I called “Techno-Taiko-Orcho.” My score would have a techno core with a layer of Asian ethnic instruments (Taiko drums, shakuhachi, Tuvan throat singer) surrounded by an orchestra. But not just a regular orchestra, a Testosterone Orchestra. No treble clef instruments (no flutes, clarinets, trumpets, violins, etc.). Just 18 violas, 14 celli, six basses and lots of low brass — and percussion. It was massive. When music supervisors John Houlihan and Sharon Boyle introduced me to guitar wizard Buckethead, I knew he would become a major element in my score as well.<ref>http://www.hollywoodreporter.com/heat-vision/mortal-kombat-movie-oral-history-815287</ref>}}
{{quote| For the first test screening they had put a temporary score under it that was mainly traditional orchestral action music, and it became clear that the target audience, which was used to hearing techno music blasting during game play, was not happy with that approach. So that gave me the opportunity to come up with an approach I called “Techno-Taiko-Orcho.” My score would have a techno core with a layer of Asian ethnic instruments (Taiko drums, shakuhachi, Tuvan throat singer) surrounded by an orchestra. But not just a regular orchestra, a Testosterone Orchestra. No treble clef instruments (no flutes, clarinets, trumpets, violins, etc.). Just 18 violas, 14 celli, six basses and lots of low brass — and percussion. It was massive. When music supervisors John Houlihan and Sharon Boyle introduced me to guitar wizard Buckethead, I knew he would become a major element in my score as well.<ref>{{cite web |last=Couch|first=Aaron |title='Mortal Kombat': Untold Story of the Movie That "Kicked the Hell" Out of Everyone |url=https://www.hollywoodreporter.com/heat-vision/mortal-kombat-movie-oral-history-815287 |work=[[The Hollywood Reporter]]|date=August 18, 2015|access-date=September 14, 2016}}</ref>}}


Clinton also created the sound effect that suggests the presence of Shang Tsung in the film echoing the usage of multiple didgeridoos in a hall, a popular musical choice along with segments of this score that are used extensively in other film teasers and trailers,<ref>{{cite web|url=http://www.soundtrack.net/trailers/composer-trailer.php?id=365 |title="Mortal Kombat Score" review|publisher=[[SoundtrackNet]]|accessdate=2015-05-12}}</ref> most notable in [[Roland Emmerich]]'s ''[[Godzilla (1998 film)|Godzilla]]'' and the ''[[Final Destination]]'' franchise.
Clinton created the sound effect that suggests the presence of Shang Tsung in the film with a Tuvan throat singer which along with other segments of this score were used extensively in other film teasers and trailers,<ref>{{cite web|url=http://www.soundtrack.net/trailers/composer-trailer.php?id=365 |title="Mortal Kombat Score" review|publisher=[[SoundtrackNet]]|accessdate=2015-05-12}}</ref> most notable in [[Roland Emmerich]]'s ''[[Godzilla (1998 film)|Godzilla]]'' and the ''[[Final Destination]]'' franchise.


The album contains two tracks not used in the film named "Farewell" and "Kids" with the latter heard at the end of the sequel ''[[Mortal Kombat: Annihilation]]''.
The album contains two tracks not used in the film named "Farewell" and "Kids". The latter can be heard at the end of the sequel ''[[Mortal Kombat Annihilation]]''.


==Reception==
==Reception==
⚫
''[[Los Angeles Times]]'' critic Kevin Thomas characterized it as a "driving, hard-edged" score <ref>{{cite news|url=http://articles.latimes.com/1995-08-21/entertainment/ca-37326_1_mortal-kombat|title="Mortal Kombat Score" review|newspaper=[[LA Times]]|accessdate=2015-05-12}}</ref>.
The score was well received by fans of the movie and the video game.<ref>{{cite web|url=https://www.amazon.com/Mortal-Kombat-Original-Motion-Picture/dp/B000000GSS/ref=sr_1_1?ie=UTF8&qid=1431438601&sr=8-1&keywords=mortal+kombat+score
⚫
|title="Mortal Kombat Score" review|publisher=[[Amazon.com]]|accessdate=2015-05-12}}</ref> ''[[Los Angeles Times]]'' critic Kevin Thomas characterized it as a "driving, hard-edged" score.<ref>{{cite news|url=http://articles.latimes.com/1995-08-21/entertainment/ca-37326_1_mortal-kombat|title="Mortal Kombat Score" review|newspaper=[[LA Times]]|accessdate=2015-05-12}}</ref> George S. Clinton went to receive a [[Broadcast Music, Inc.|BMI Film award]] for his work on the film in 1996.


==Track listing==
==Track listing==
#"A Taste of Things to Come"
#"A Taste of Things to Come"
#"Liu Vs. Sub-Zero"
#"Liu Vs. Sub-Zero" featuring [[Buckethead]]
#"It Has Begun"
#"It Has Begun"
#"The Garden" featuring [[Buckethead]]
#"The Garden" featuring [[Buckethead]]
#"Goro Vs. Art" featuring Buckethead
#"Goro Vs. Art" featuring Buckethead
#"Banquet"
#"Banquet" featuring Buckethead
#"Liu Vs. Kitana"
#"Liu Vs. Kitana"
#"Liu's Dream" featuring Buckethead
#"Liu's Dream" featuring Buckethead
#"Liu Vs. Reptile" featuring Buckethead
#"Liu Vs. Reptile" featuring Buckethead
#"Stairway"
#"Stairway"
#"Goro Goro"
#"Goro Goro" featuring Buckethead
#"Kidnapped"
#"Kidnapped"
#"Zooom"
#"Zooom"

Revision as of 07:40, 29 June 2024

Mortal Kombat:
Original Motion Picture Score
Film score by
George S. Clinton
ReleasedOctober 11, 1995
GenreElectronica
Length42:01
LabelRykodisc
Mortal Kombat chronology
Mortal Kombat (1995):
Original Motion Picture Soundtrack
(1994) 		Mortal Kombat (1995):
Original Motion Picture Score
(1995) 		Mortal Kombat Annihilation
(1997)

Mortal Kombat: Original Motion Picture Score is the instrumental score album released to accompany the Mortal Kombat (1995) film. The music was composed by George S. Clinton with additional guitar work provided by Buckethead and drums by Brain.

Clinton based his main themes on Japanese taiko drums, emphasizing the film's mystical atmosphere and Asian-influenced style. He used Shakuhachi flute, didgeridoos and a Tuvan throat singer to give the film a more exotic musical landscape than following traditional orchestral scores.

In a 2015 interview, Clinton said,

For the first test screening they had put a temporary score under it that was mainly traditional orchestral action music, and it became clear that the target audience, which was used to hearing techno music blasting during game play, was not happy with that approach. So that gave me the opportunity to come up with an approach I called “Techno-Taiko-Orcho.” My score would have a techno core with a layer of Asian ethnic instruments (Taiko drums, shakuhachi, Tuvan throat singer) surrounded by an orchestra. But not just a regular orchestra, a Testosterone Orchestra. No treble clef instruments (no flutes, clarinets, trumpets, violins, etc.). Just 18 violas, 14 celli, six basses and lots of low brass — and percussion. It was massive. When music supervisors John Houlihan and Sharon Boyle introduced me to guitar wizard Buckethead, I knew he would become a major element in my score as well.[1]

Clinton created the sound effect that suggests the presence of Shang Tsung in the film with a Tuvan throat singer which along with other segments of this score were used extensively in other film teasers and trailers,[2] most notable in Roland Emmerich's Godzilla and the Final Destination franchise.

The album contains two tracks not used in the film named "Farewell" and "Kids". The latter can be heard at the end of the sequel Mortal Kombat Annihilation.

Reception

Los Angeles Times critic Kevin Thomas characterized it as a "driving, hard-edged" score [3].

Track listing

  1. "A Taste of Things to Come"
  2. "Liu Vs. Sub-Zero" featuring Buckethead
  3. "It Has Begun"
  4. "The Garden" featuring Buckethead
  5. "Goro Vs. Art" featuring Buckethead
  6. "Banquet" featuring Buckethead
  7. "Liu Vs. Kitana"
  8. "Liu's Dream" featuring Buckethead
  9. "Liu Vs. Reptile" featuring Buckethead
  10. "Stairway"
  11. "Goro Goro" featuring Buckethead
  12. "Kidnapped"
  13. "Zooom"
  14. "Johnny Vs. Scorpion" featuring Buckethead
  15. "Hand and Shadow" featuring Buckethead
  16. "Scorpion and Sub-Zero" featuring Buckethead
  17. "Soul Snatchin'"
  18. "On the Beach"
  19. "Johnny Cage" featuring Buckethead
  20. "Goro Chase" featuring Buckethead
  21. "Evening Bells"
  22. "Monks"
  23. "Friends"
  24. "Flawless Victory" featuring Buckethead
  25. "Farewell"
  26. "Kids"

References

  1. ^ Couch, Aaron (August 18, 2015). "'Mortal Kombat': Untold Story of the Movie That "Kicked the Hell" Out of Everyone". The Hollywood Reporter. Retrieved September 14, 2016.
  2. ^ ""Mortal Kombat Score" review". SoundtrackNet. Retrieved 2015-05-12.
  3. ^ ""Mortal Kombat Score" review". LA Times. Retrieved 2015-05-12.
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