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{{short description|American filmmaker}}
{{Short description|American filmmaker (1943–2020)}}
{{BLP IMDb refimprove|date=May 2009}}
{{More citations needed|date=December 2020}}
{{Infobox person
'''David Giler''' (1943-2020) was an American filmmaker who had been active in the motion picture industry since the early 1960s.
| name = David Giler
| image = <!-- filename only, no "File:" or "Image:" prefix, and no enclosing [[brackets]] -->
| alt = <!-- descriptive text for use by speech synthesis (text-to-speech) software -->
| caption =
| birth_name = David Kevin Giler
| birth_date = {{Birth date|1943|7|23}}
| birth_place = [[New York City]], U.S.
| death_date = {{Death date and age|2020|12|19|1943|1|10}}
| death_place = [[Bangkok]], Thailand
| occupation = Film/television producer, screenwriter
| years_active = 1962–2017
| notable_works = {{ubl|''[[Alien (film)|Alien]]''|''[[The Parallax View]]''}}
| spouse = {{marriage|end=div.|[[Nancy Kwan]]|1970|1972}}
}}
'''David Kevin Giler,''' (July 23, 1943<ref>1943 births in New York City, on Ancestry.com.</ref> – December 19, 2020) was an American filmmaker who had been active in the film industry since the early 1960s.


==Career==
==Career==
===Television===
===Television===
Giler's father Bernie (1908–1967) was a writer. Giler began his career collaborating with his father for television programs such as ''[[The Gallant Men]]'' ("Signals for an End Run") (1962), ''[[Kraft Suspense Theatre]]'' ("Leviathan Five")(1964), ''[[Burke's Law (1963 TV series)|Burke's Law]]'' ("Who Killed the Man on the White Horse?") (1965), and ''[[The Girl from U.N.C.L.E.]]'' ("The Low Blue C Affair") (1967).
Giler's father Bernie (1908–1967) was a writer. Giler began his career collaborating with his father for television programs such as ''[[The Gallant Men]]'' ("Signals for an End Run") (1962), ''[[Kraft Suspense Theatre]]'' ("Leviathan Five") (1964), ''[[Burke's Law (1963 TV series)|Burke's Law]]'' ("Who Killed the Man on the White Horse?") (1965), and ''[[The Girl from U.N.C.L.E.]]'' ("The Low Blue C Affair") (1967).


Giler's father died in 1967 and he began to be credited on his own on such shows as ''[[The Man from U.N.C.L.E.]]'' ("The Matterhorn Affair") (1967), and ''[[The Bold Ones: The Lawyers]]'' ("The Crowd Pleaser") (1969).
Giler's father died in 1967 and he began to be credited on his own on such shows as ''[[The Man from U.N.C.L.E.]]'' ("The Matterhorn Affair") (1967), and ''[[The Bold Ones: The Lawyers]]'' ("The Crowd Pleaser") (1969).
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Giler had begun writing feature films. In 1968 he was reportedly writing a script called ''Our Bag''.<ref>{{cite news|author=Martin, B.|date=Oct 3, 1968|title=4 star acquires 'cops, robbers'|work=Los Angeles Times|id={{ProQuest|155951850}}}}</ref>
Giler had begun writing feature films. In 1968 he was reportedly writing a script called ''Our Bag''.<ref>{{cite news|author=Martin, B.|date=Oct 3, 1968|title=4 star acquires 'cops, robbers'|work=Los Angeles Times|id={{ProQuest|155951850}}}}</ref>


His first produced credit was the critically reviled ''[[Myra Breckinridge (film)|Myra Breckinridge]]'', an adaptation of [[Gore Vidal]]'s controversial novel. The resulting movie was a disaster but Giler's script – heavily rewritten by director [[Michael Sarne]] – was much praised.<ref>{{Cite news|title=Shell shock on the 'Myra' set--and it's not a war film|date=Oct 19, 1969|work=Los Angeles Times|id={{ProQuest|156394933}}}}</ref><ref>[https://search.proquest.com/docview/156445525 "Borgnine due in mystery"]. ''Los Angeles Times''</ref> a remake of ''[[The Postman Always Rings Twice (1946 film)|The Postman Always Rings Twice]]''.<ref>{{Cite news|title=The postman rings thrice|author=A. H. W.|date=Jul 23, 1972|work=New York Times|id={{ProQuest|119538974}}}}</ref> and adapted ''The King Must Die''.<ref>{{Cite news|title=Welcome back, vincente|author=A. H. W.|date=Dec 10, 1972|work=New York Times|id={{ProQuest|119456138}}}}</ref> Neither was made. He did some uncredited rewriting on ''[[Skin Game]]'' (1971).
His first produced credit was the critically reviled ''[[Myra Breckinridge (film)|Myra Breckinridge]]'', an adaptation of [[Gore Vidal]]'s controversial novel. The resulting movie was a disaster but Giler's script – heavily rewritten by director [[Michael Sarne]] – was much praised.<ref>{{Cite news|title=Shell shock on the 'Myra' set--and it's not a war film|date=Oct 19, 1969|work=Los Angeles Times|id={{ProQuest|156394933}}}}</ref><ref>[https://search.proquest.com/docview/156445525 "Borgnine due in mystery"]. ''Los Angeles Times''</ref> He wrote a remake of ''[[The Postman Always Rings Twice (1946 film)|The Postman Always Rings Twice]]''<ref>{{Cite news|title=The postman rings thrice|author=A. H. W.|date=Jul 23, 1972|work=New York Times|id={{ProQuest|119538974}}}}</ref> and adapted ''The King Must Die''<ref>{{Cite news|title=Welcome back, vincente|author=A. H. W.|date=Dec 10, 1972|work=New York Times|id={{ProQuest|119456138}}}}</ref> but both were shelved. He did some uncredited rewriting on ''[[Skin Game]]'' (1971).


He was credited on ''[[The Parallax View]]'' (1974). In 1975 Giler turned to directing, his only film to date in that capacity, ''[[The Black Bird]]''.<ref>{{cite news|author=Warga, W.|date=Sep 15, 1974|title=The spadework behind a 'falcon' remake|work=Los Angeles Times|id={{ProQuest|157643253}}}}</ref>
He was credited on ''[[The Parallax View]]'' (1974). In 1975 Giler turned to directing, his only film in that capacity, ''[[The Black Bird]]''.<ref>{{cite news|author=Warga, W.|date=Sep 15, 1974|title=The spadework behind a 'falcon' remake|work=Los Angeles Times|id={{ProQuest|157643253}}}}</ref>


Giler wrote ''[[Fun with Dick and Jane (1977 film)|Fun with Dick and Jane]]'' (1977), and an adaptation of ''[[Fear of Flying (novel)|Fear of Flying]]'' that was never filmed.<ref>{{cite news|author=Murphy, M.|date=Mar 22, 1976|title=MOVIE CALL SHEET|work=Los Angeles Times|id={{ProQuest|157977486}}}}</ref>
Giler wrote ''[[Fun with Dick and Jane (1977 film)|Fun with Dick and Jane]]'' (1977) and an adaptation of ''[[Fear of Flying (novel)|Fear of Flying]]'' that was never filmed.<ref>{{cite news|author=Murphy, M.|date=Mar 22, 1976|title=MOVIE CALL SHEET|work=Los Angeles Times|id={{ProQuest|157977486}}}}</ref>


===Walter Hill===
===Walter Hill===
Giler formed the production company [[Brandywine Productions]] with [[Walter Hill]] and [[Gordon Carroll]] and in 1979 the trio co-produced and rewrote the script for the legendary horror thriller ''[[Alien (film)|Alien]]''. He and Hill became embroiled in a much-publicized behind-the-scenes fight with ''Alien'''s original writer, [[Dan O'Bannon]], over who was to receive screenplay credit. Giler and Hill claim they completely rewrote the script <ref>{{cite magazine|title=Interview with David Giler|magazine=Cinefantastique|url=http://weyland-yutaniarchives.blogspot.co.uk/2009/09/david-giler-cinefantastique-interview.html}}</ref> and therefore wanted to relegate O'Bannon to a 'story by' credit only. O'Bannon claimed they did little more than change the names of the characters and dialogue. Ultimately, O'Bannon was the only one to receive credit for the screenplay in the final film, alongside a 'story by' co-credit with [[Ronald Shusett]].
Giler formed the production company [[Brandywine Productions]] with [[Walter Hill]] and [[Gordon Carroll]] and in 1979, the trio co-produced and rewrote the script for the legendary horror thriller, ''[[Alien (film)|Alien]]''. He and Hill became embroiled in a much-publicized behind-the-scenes fight with ''Alien''{{'s}} original writer, [[Dan O'Bannon]], over who was to receive screenplay credit. Giler and Hill claim they completely rewrote the script <ref>{{cite magazine|title=Interview with David Giler|magazine=Cinefantastique|url=http://weyland-yutaniarchives.blogspot.co.uk/2009/09/david-giler-cinefantastique-interview.html}}</ref> and therefore wanted to relegate O'Bannon to a 'story by' credit only. O'Bannon claimed they did little more than change the names of the characters and dialogues. Ultimately, O'Bannon was the only one to receive credit for the screenplay in the final film, alongside a 'story by' co-credit with [[Ronald Shusett]].


Giler and Hill later wrote ''[[Southern Comfort (1981 film)|Southern Comfort]]'', and wrote the storyline, alongside [[James Cameron]], which became the basis for Cameron's 1986 sequel, ''[[Aliens (film)|Aliens]]''.
Giler and Hill later wrote ''[[Southern Comfort (1981 film)|Southern Comfort]]'', and wrote the storyline, alongside [[James Cameron]], that became the basis for Cameron's 1986 sequel, ''[[Aliens (film)|Aliens]]''.


Giler on his own wrote the comedy ''[[The Money Pit]]'' (1986). He did an uncredited rewrite on ''[[Beverly Hills Cop II]]'' (1987) and produced ''[[Rustlers' Rhapsody]]'' (1985). He wrote a remake of ''[[The Decline of the American Empire]]'' which was not filmed.<ref>{{cite news|author=Charles Champlin|work=The Los Angeles Times|date=Mar 19, 1987|title=Remaking decline would be a perilous ploy|id={{ProQuest|435570791}}}}</ref>
Giler on his own wrote the comedy ''[[The Money Pit]]'' (1986). He did an uncredited rewrite on ''[[Beverly Hills Cop II]]'' (1987) and produced ''[[Rustlers' Rhapsody]]'' (1985). He wrote a remake of ''[[The Decline of the American Empire]]'' which was not filmed.<ref>{{cite news|author=Charles Champlin|work=The Los Angeles Times|date=Mar 19, 1987|title=Remaking decline would be a perilous ploy|id={{ProQuest|435570791}}}}</ref>
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Giler and Hill wrote and produced ''[[Undisputed (film)|Undisputed]]''.
Giler and Hill wrote and produced ''[[Undisputed (film)|Undisputed]]''.

==Personal life==
Giler was married to actress [[Nancy Kwan]] from 1970 until their divorce in 1972.

On December 19, 2020, he died of cancer at his home in [[Bangkok]].<ref>{{Cite web|title=David Giler Dies: ‘Alien’ Franchise Producer, ‘The Parallax View’ Writer Was 77|url=https://deadline.com/2020/12/david-giler-dead-obituary-screenwriter-producer-alien-the-money-pit-77-1234660175/|access-date=December 21, 2020|website=Deadline}}</ref><ref>{{cite web|url=https://variety.com/2020/film/news/david-giler-dead-alien-1234867896/|title=David Giler, Writer-Producer on ‘Alien’ Franchise, Dies at 77|publisher=Variety}}</ref>


==Filmography==
==Filmography==
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|{{no}}
|{{no}}
|[[Mike Sarne]]
|[[Mike Sarne]]
|Also uncredited producer
|
|-
|-
! scope="row" |''[[The Parallax View]]''
! scope="row" |''[[The Parallax View]]''
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|{{yes}}
|{{yes}}
|[[Ridley Scott]]
|[[Ridley Scott]]
|Also uncredited script revisions
|
|-
|-
! scope="row" |''[[Southern Comfort (1981 film)|Southern Comfort]]''
! scope="row" |''[[Southern Comfort (1981 film)|Southern Comfort]]''
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|1986
|1986
|{{yes}}
|{{yes}}
|{{yes|Executive}}
|{{Partial|Executive}}
|[[Richard Benjamin]]
|[[Richard Benjamin]]
|
|
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|1986
|1986
|{{Partial|Story}}
|{{Partial|Story}}
|{{yes|Executive}}
|{{Partial|Executive}}
|[[James Cameron]]
|[[James Cameron]]
|
|
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|1995
|1995
|{{no}}
|{{no}}
|{{yes|Executive}}
|{{Partial|Executive}}
|[[Ernest Dickerson]]
|[[Ernest Dickerson]]
|Based on ''[[Tales from the Crypt (TV series)|Tales from the Crypt]]'' television series
|Based on ''[[Tales from the Crypt (TV series)|Tales from the Crypt]]'' television series
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|1996
|1996
|{{no}}
|{{no}}
|{{yes|Executive}}
|{{Partial|Executive}}
|[[Gilbert Adler]]
|[[Gilbert Adler]]
|Based on ''Tales from the Crypt'' television series
|Based on ''Tales from the Crypt'' television series
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|}
|}
{| class="wikitable plainrowheaders sortable"
{| class="wikitable plainrowheaders sortable"
|+Uncredited works
|+Uncredited written works
!Title
!Title
!Year
!Year
!Role
!Notes
!Notes
|-
! scope="row" |''[[Myra Breckinridge]]''
|1970
|Producer
|
|-
|-
! scope="row" |''[[Skin Game]]''
! scope="row" |''[[Skin Game]]''
|1971
|1971
|Directed by [[Paul Bogart]]
|Writer
|
|-
|-
! scope="row" |''[[Alien (film)|Alien]]''
!scope="row" |''[[First Blood]]''
|1982
|1979
|Directed by [[Ted Kotcheff]]
|Script revisions
|
|-
|-
! scope="row" |''[[Beverly Hills Cop II]]''
! scope="row" |''[[Beverly Hills Cop II]]''
|1987
|1987
|Writer
|Directed by [[Tony Scott]]
|Directed by [[Tony Scott]]
|}
|}
Line 222: Line 233:
|{{yes}}
|{{yes}}
|{{no}}
|{{no}}
|Episode "Signals for an End Run"
|Episode: "Signals for an End Run"
|-
|-
! scope="row" |''[[Kraft Suspense Theatre]]''
! scope="row" |''[[Kraft Suspense Theatre]]''
Line 228: Line 239:
|{{yes}}
|{{yes}}
|{{no}}
|{{no}}
|Episode "Leviathan Five"
|Episode: "Leviathan Five"
|-
|-
! scope="row" |''[[Burke's Law (1963 TV series)|Burke's Law]]''
! scope="row" |''[[Burke's Law (1963 TV series)|Burke's Law]]''
Line 234: Line 245:
|{{yes}}
|{{yes}}
|{{no}}
|{{no}}
|Episode "Who Killed the Man on the White Horse?"
|Episode: "Who Killed the Man on the White Horse?"
|-
|-
! scope="row" |''[[The Girl from U.N.C.L.E.]]''
! scope="row" |''[[The Girl from U.N.C.L.E.]]''
Line 240: Line 251:
|{{yes}}
|{{yes}}
|{{no}}
|{{no}}
|Episode "The Low Blue C Affair"
|Episode: "The Low Blue C Affair"
|-
|-
! scope="row" |''[[The Man from U.N.C.L.E.]]''
! scope="row" |''[[The Man from U.N.C.L.E.]]''
Line 246: Line 257:
|{{yes}}
|{{yes}}
|{{no}}
|{{no}}
|Episode "The Matterhorn Affair"
|Episode: "The Matterhorn Affair"
|-
|-
! scope="row" |''[[The Bold Ones: The Lawyers]]''
! scope="row" |''[[The Bold Ones: The Lawyers]]''
Line 252: Line 263:
|{{Partial|Story}}
|{{Partial|Story}}
|{{no}}
|{{no}}
|Episode "The Crowd Pleaser"
|Episode: "The Crowd Pleaser"
|-
|-
! scope="row" |''[[Tales from the Crypt (TV series)|Tales from the Crypt]]''
! scope="row" |''[[Tales from the Crypt (TV series)|Tales from the Crypt]]''
|1989–1996
|1989–1996
|{{no}}
|{{no}}
|{{yes|Executive}}
|{{Partial|Executive}}
|93 episodes
|93 episodes
|-
|-
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|1992
|1992
|{{no}}
|{{no}}
|{{yes|Executive}}
|{{Partial|Executive}}
|Television film
|Television film
|-
|-
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|1993–1994
|1993–1994
|{{no}}
|{{no}}
|{{yes|Executive}}
|{{Partial|Executive}}
|5 episodes
|5 episodes
|-
|-
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|1995
|1995
|{{no}}
|{{no}}
|{{yes|Executive}}
|{{Partial|Executive}}
|Television film
|Television film
|-
|-
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|1997
|1997
|{{no}}
|{{no}}
|{{yes|Executive}}
|{{Partial|Executive}}
|10 episodes
|10 episodes
|}
|}
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{{DEFAULTSORT:Giler, David}}
{{DEFAULTSORT:Giler, David}}
[[Category:American filmmakers]]
[[Category:1943 births]]
[[Category:Living people]]
[[Category:2020 deaths]]
[[Category:1930 births]]
[[Category:Filmmakers from New York (state)]]
[[Category:Hugo Award-winning writers]]
[[Category:Deaths from cancer in Thailand]]

Revision as of 10:10, 3 July 2024

David Giler
Born
David Kevin Giler

(1943-07-23)July 23, 1943
DiedDecember 19, 2020(2020-12-19) (aged 77)
Bangkok, Thailand
Occupation(s)Film/television producer, screenwriter
Years active1962–2017
Notable work
Spouse
(m. 1970; div. 1972)

David Kevin Giler, (July 23, 1943[1] – December 19, 2020) was an American filmmaker who had been active in the film industry since the early 1960s.

Career

Television

Giler's father Bernie (1908–1967) was a writer. Giler began his career collaborating with his father for television programs such as The Gallant Men ("Signals for an End Run") (1962), Kraft Suspense Theatre ("Leviathan Five") (1964), Burke's Law ("Who Killed the Man on the White Horse?") (1965), and The Girl from U.N.C.L.E. ("The Low Blue C Affair") (1967).

Giler's father died in 1967 and he began to be credited on his own on such shows as The Man from U.N.C.L.E. ("The Matterhorn Affair") (1967), and The Bold Ones: The Lawyers ("The Crowd Pleaser") (1969).

Eigenschaften

Giler had begun writing feature films. In 1968 he was reportedly writing a script called Our Bag.[2]

His first produced credit was the critically reviled Myra Breckinridge, an adaptation of Gore Vidal's controversial novel. The resulting movie was a disaster but Giler's script – heavily rewritten by director Michael Sarne – was much praised.[3][4] He wrote a remake of The Postman Always Rings Twice[5] and adapted The King Must Die[6] but both were shelved. He did some uncredited rewriting on Skin Game (1971).

He was credited on The Parallax View (1974). In 1975 Giler turned to directing, his only film in that capacity, The Black Bird.[7]

Giler wrote Fun with Dick and Jane (1977) and an adaptation of Fear of Flying that was never filmed.[8]

Walter Hill

Giler formed the production company Brandywine Productions with Walter Hill and Gordon Carroll and in 1979, the trio co-produced and rewrote the script for the legendary horror thriller, Alien. He and Hill became embroiled in a much-publicized behind-the-scenes fight with Alien's original writer, Dan O'Bannon, over who was to receive screenplay credit. Giler and Hill claim they completely rewrote the script [9] and therefore wanted to relegate O'Bannon to a 'story by' credit only. O'Bannon claimed they did little more than change the names of the characters and dialogues. Ultimately, O'Bannon was the only one to receive credit for the screenplay in the final film, alongside a 'story by' co-credit with Ronald Shusett.

Giler and Hill later wrote Southern Comfort, and wrote the storyline, alongside James Cameron, that became the basis for Cameron's 1986 sequel, Aliens.

Giler on his own wrote the comedy The Money Pit (1986). He did an uncredited rewrite on Beverly Hills Cop II (1987) and produced Rustlers' Rhapsody (1985). He wrote a remake of The Decline of the American Empire which was not filmed.[10]

Hill and Giler executive produced Tales from the Crypt and Tales from the Cryptkeeper for cable channel HBO. They returned to the Alien franchise, producing (and co-writing with Larry Ferguson) Alien 3 (1992). They were credited as producers on Alien Resurrection (1997) but had minimal involvement with it; the same applies for the other sequels.

Giler and Hill wrote and produced Undisputed.

Personal life

Giler was married to actress Nancy Kwan from 1970 until their divorce in 1972.

On December 19, 2020, he died of cancer at his home in Bangkok.[11][12]

Filmography

Films

Titel Year Autor Producer Director Notes
Myra Breckinridge 1970 Yes No Mike Sarne Also uncredited producer
The Parallax View 1974 Yes No Alan J. Pakula
The Black Bird 1975 Yes No Himself Directorial Debut
Fun with Dick and Jane 1977 Yes No Ted Kotcheff
Alien 1979 No Yes Ridley Scott Also uncredited script revisions
Southern Comfort 1981 Yes Yes Walter Hill
Rustlers' Rhapsody 1985 No Yes Hugh Wilson
The Money Pit 1986 Yes Executive Richard Benjamin
Aliens 1986 Story Executive James Cameron
Let It Ride 1989 No Yes Joe Pytka
Alien 3 1992 Yes Yes David Fincher
Demon Knight 1995 No Executive Ernest Dickerson Based on Tales from the Crypt television series
Bordello of Blood 1996 No Executive Gilbert Adler Based on Tales from the Crypt television series
Alien Resurrection 1997 No Yes Jean-Pierre Jeunet
Undisputed 2002 Yes Yes Walter Hill
Ritual 2002 No Yes Avi Nesher Based on Tales from the Crypt television series
Alien vs. Predator 2004 No Yes Paul W. S. Anderson
Aliens vs. Predator: Requiem 2007 No Yes The Brothers Strause
Prometheus 2012 No Yes Ridley Scott
Alien: Covenant 2017 No Yes Ridley Scott
Uncredited written works
Titel Year Notes
Skin Game 1971 Directed by Paul Bogart
First Blood 1982 Directed by Ted Kotcheff
Beverly Hills Cop II 1987 Directed by Tony Scott

Television

Titel Year Autor Producer Notes
The Gallant Men 1962 Yes No Episode: "Signals for an End Run"
Kraft Suspense Theatre 1964 Yes No Episode: "Leviathan Five"
Burke's Law 1965 Yes No Episode: "Who Killed the Man on the White Horse?"
The Girl from U.N.C.L.E. 1967 Yes No Episode: "The Low Blue C Affair"
The Man from U.N.C.L.E. 1967 Yes No Episode: "The Matterhorn Affair"
The Bold Ones: The Lawyers 1969 Story No Episode: "The Crowd Pleaser"
Tales from the Crypt 1989–1996 No Executive 93 episodes
Two-Fisted Tales 1992 No Executive Television film
Tales from the Cryptkeeper 1993–1994 No Executive 5 episodes
Rebel Highway 1994 No Yes 4 episodes
W.E.I.R.D. World 1995 No Executive Television film
Perversions of Science 1997 No Executive 10 episodes

References

  1. ^ 1943 births in New York City, on Ancestry.com.
  2. ^ Martin, B. (Oct 3, 1968). "4 star acquires 'cops, robbers'". Los Angeles Times. ProQuest 155951850.
  3. ^ "Shell shock on the 'Myra' set--and it's not a war film". Los Angeles Times. Oct 19, 1969. ProQuest 156394933.
  4. ^ "Borgnine due in mystery". Los Angeles Times
  5. ^ A. H. W. (Jul 23, 1972). "The postman rings thrice". New York Times. ProQuest 119538974.
  6. ^ A. H. W. (Dec 10, 1972). "Welcome back, vincente". New York Times. ProQuest 119456138.
  7. ^ Warga, W. (Sep 15, 1974). "The spadework behind a 'falcon' remake". Los Angeles Times. ProQuest 157643253.
  8. ^ Murphy, M. (Mar 22, 1976). "MOVIE CALL SHEET". Los Angeles Times. ProQuest 157977486.
  9. ^ "Interview with David Giler". Cinefantastique.
  10. ^ Charles Champlin (Mar 19, 1987). "Remaking decline would be a perilous ploy". The Los Angeles Times. ProQuest 435570791.
  11. ^ "David Giler Dies: 'Alien' Franchise Producer, 'The Parallax View' Writer Was 77". Deadline. Retrieved December 21, 2020.
  12. ^ "David Giler, Writer-Producer on 'Alien' Franchise, Dies at 77". Variety.