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{{short description|1995 Japanese animated science fiction anthology film}}
{{short description|1995 Japanese animated science fiction anthology film}}
{{more footnotes needed|date=August 2017}}{{Infobox film
{{Infobox film
| name = Memories
| name = Memories
| image = Memories 1995 poster.png
| image = Memories 1995 poster.png
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| budget =
| budget =
}}
}}
'''''Memories''''' (also ''Otomo Katsuhiro's Memories'') is a 1995 [[Japanese film|Japanese]] [[Animated film|animated]] [[Science fiction film|science fiction]] [[anthology film]] with [[Katsuhiro Otomo]] as executive producer, and based on three of his [[manga]] short stories. The film is composed of three shorts: {{nihongo|''Magnetic Rose''|彼女の想いで|Kanojo no Omoide}}, directed by [[Studio 4°C]] co-founder [[Kōji Morimoto]] and written by [[Satoshi Kon]]; {{nihongo|''Stink Bomb''|最臭兵器|Saishū-heiki}}, directed by [[Tensai Okamura]] of ''[[Darker than Black]]'' fame and written by Otomo, and {{nihongo|''Cannon Fodder''|大砲の街|Taihō no Machi}}, written and directed by Otomo himself.
'''''Memories''''' is a 1995 [[Japanese film|Japanese]] [[Animated film|animated]] [[Science fiction film|science fiction]] [[anthology film]] with [[Katsuhiro Otomo]] as executive producer, and based on three of his [[manga]] short stories. The film is composed of three shorts: {{nihongo|''Magnetic Rose''|彼女の想いで|Kanojo no Omoide}}, directed by [[Studio 4°C]] co-founder [[Kōji Morimoto]] and written by [[Satoshi Kon]]; {{nihongo|''Stink Bomb''|最臭兵器|Saishū-heiki}}, directed by [[Tensai Okamura]] and written by Otomo, and {{nihongo|''Cannon Fodder''|大砲の街|Taihō no Machi}}, written and directed by Otomo himself.


Originally released on home video in North America by [[Sony Pictures Home Entertainment]], [[Discotek Media]] acquired the rights in 2020 along with Mill Creek Entertainment. Their 2021 [[Blu-ray]] release includes English subtitles and a new English dub produced by [[NYAV Post]] (for ''Magnetic Rose'') and Sound Cadence Studios (for ''Stink Bomb'' and ''Cannon Fodder'').<ref>{{Cite web|last=Sherman|first=Jennifer|date=2021-02-04|title=Memories Anthology's English Dub Streams on February 6|url=https://www.animenewsnetwork.com/news/2021-02-04/memories-anthology-english-dub-streams-on-february-6/.169120|url-status=live|access-date=2021-06-16|website=Anime News Network|language=en}}</ref><ref>{{cite web |last=Chapman |first=Paul |url= https://www.crunchyroll.com/anime-news/2020/05/03-1/discotek-announces-memories-urusei-yatsura-movies-and-more|title= Discotek Announces Memories, Urusei Yatsura Movies, and More|work=[[Crunchyroll]]|access-date= November 14, 2020}}</ref>
Originally released on home video in North America by [[Sony Pictures Home Entertainment]], [[Discotek Media]] acquired the rights in 2020 along with Mill Creek Entertainment. Their 2021 [[Blu-ray]] release includes English subtitles and a new English dub produced by [[NYAV Post]] (for ''Magnetic Rose'') and Sound Cadence Studios (for ''Stink Bomb'' and ''Cannon Fodder'').<ref>{{Cite web|last=Sherman|first=Jennifer|date=2021-02-04|title=Memories Anthology's English Dub Streams on February 6|url=https://www.animenewsnetwork.com/news/2021-02-04/memories-anthology-english-dub-streams-on-february-6/.169120|access-date=2021-06-16|website=Anime News Network|language=en}}</ref><ref>{{cite web |last=Chapman |first=Paul |url= https://www.crunchyroll.com/anime-news/2020/05/03-1/discotek-announces-memories-urusei-yatsura-movies-and-more|title= Discotek Announces Memories, Urusei Yatsura Movies, and More|work=[[Crunchyroll]]|access-date= November 14, 2020}}</ref>


==Plot==
==Plot==
===''Magnetic Rose''===
===''Magnetic Rose''===
The ''Corona'', a deep space salvage freighter, is out on a mission when it encounters a distress signal and responds to it. They come upon a spaceship graveyard orbiting a giant space station. The crew's two engineers, Heintz and Miguel, enter it to get a closer look.
The ''Corona'', a deep space salvage freighter, is out on a mission when it encounters a distress signal and responds to it. They come upon a spaceship graveyard orbiting a giant space station. The crew's two engineers, Heintz and Miguel, enter it to get a closer look. Once inside, they discover an opulent European interior and several furnished rooms in varying states of decay, but find no signs of life.
⚫
Once inside, they discover an opulent European interior and several furnished rooms (in varying states of decay) but find no signs of life. They discover that the station belongs to a once-famous opera diva named Eva Friedel who disappeared after the murder of her fiancé, Carlo Rambaldi, a fellow singer. Continuing the search for the source of the signal, the engineers split up, with each experiencing paranormal encounters, including strange noises and visions of Eva. Miguel enters the dilapidated underbelly of the station, and in a cavernous chamber, he finds a broken piano playing the distress signal. He begins to hallucinate and Eva suddenly runs up to kiss him.
⚫
Heintz finds a theater stage and sees Eva, who stabs him when he approaches. Suddenly paralyzed, Heintz relives a memory of his family, with his wife and daughter Emily. The illusion disappears when Eva takes his wife's form and tells him that he "will never leave". Heintz rushes to save Miguel, only to find that he had been seduced by Eva into thinking he is Carlo. Eva reveals to Heintz that she murdered the real Carlo for refusing to marry her and has forced others to look like him. She makes Heintz relive his daughter's death and nearly convinces him to join her. He resists and shoots the massive computer embedded in the ceiling causing the AI hologram of Eva to malfunction.


⚫
The men learn that the station belongs to a once-famous opera diva named Eva Friedel who disappeared after the murder of her fiancé, Carlo Rambaldi, a fellow singer. Continuing to search for the distress signal's source, the engineers split up, with each experiencing paranormal encounters, including strange noises and visions of Eva. Miguel enters the dilapidated underbelly of the station, and in a cavernous chamber, he finds a broken piano playing the distress signal. He begins to hallucinate and Eva suddenly runs up to kiss him. Heintz finds a theater stage and sees Eva, who stabs him when he approaches. Suddenly paralyzed, Heintz relives a memory of his wife and his daughter Emily. The illusion disappears when Eva takes his wife's form and tells him that he "will never leave".
⚫
The ''Corona'' has been struggling against a powerful magnetic field coming from the station, pulling the ship towards it. In desperation, they fire a powerful [[Directed-energy weapon|energy cannon]], gouging the structure deep enough to reach the cavern. Heintz is ejected into space (along with Eva's past victims), as Eva hauntingly sings to a conjured audience. The ''Corona'' is crushed and becomes part of the rose-like shape around the station. The episode ends with the whereabouts of the real (and deceased) Eva being shown, and a representation of Eva talking romantically with Miguel as the two now exist only in Eva's lingering memories. Heintz is last seen drifting in space, still alive.

⚫
Heintz rushes to save Miguel, but Miguel disappears deeper into the cavern, having been seduced by Eva into thinking he is Carlo. Eva reveals to Heintz that she murdered the real Carlo for refusing to marry her and has since forced others to relive his likeness. She makes Heintz relive Emily's death, and entices Heintz to stay with his daughter's [[Doppelgänger|doppelganger]]. Heintz resists and shoots the massive computer embedded in the ceiling of the cavern, causing the [[AI]] hologram of Eva to malfunction.

⚫
Meanwhile, the ''Corona'' has been struggling against a powerful magnetic field coming from the station, pulling the ship towards it. In desperation, the crewmen Aoshima and Ivanov fire a powerful [[Directed-energy weapon|energy cannon]]; gouging the structure deep enough to reach the cavern before leaving on the escape pod. Heintz is ejected into space along with the skeletons of Eva's past victims, as Eva hauntingly sings to a conjured audience. The ''Corona'' is crushed and becomes part of the rose-shaped structure around the station. The whereabouts of the real (and long-deceased) Eva is shown, and a representation of Eva is seen talking romantically with Miguel (now fully embracing his new identity as Carlo). Heintz is last seen drifting in space, still alive.


===''Stink Bomb''===
===''Stink Bomb''===
This story is based in part on the [[Gloria Ramirez]] incident. In it, lab technician Nobuo Tanaka, battling the [[flu]], mistakes some experimental pills for cold pills and swallows one. The pills are part of a [[Biological agent|biological weapon]] program, reacting to the flu shot already in his body. Tanaka soon develops a deadly body odor and becomes a walking weapon of mass destruction. While taking a nap, the odor he emits kills everyone in the laboratory. Horrified, he reports the incident to headquarters, as they instruct him to deliver the experimental drug to [[Tokyo]]. Meanwhile, the odor he emits grows stronger to where it affects several miles of the surrounding area, killing every living thing that smells his odor, except flowers and plants (which are seemingly strengthened by the odor). The odor is so potent that neither [[gas mask]]s nor [[NBC suit]]s offer any protection against its effects. His odor kills everything in the [[Yamanashi_Prefecture|Yamanashi Prefecture]], including all 200,000 inhabitants of [[Kōfu]] city. Nobuo continues on to [[Tokyo]] unaware of the death his smell is causing, but the rest of the country is in a complete panic. The head of the research company and the Japanese military deduce that Tanaka is causing the poisonous gas and order him to be killed. The [[Japan Self-Defense Forces|Japan Self Defense Forces]] try in vain to stop Nobuo, causing immense collateral damage to the Japanese countryside, but to no avail, as the chemicals on Nobuo smell interfere with the targeting systems of their weapons.
Lab technician Nobuo Tanaka, battling the [[flu]], mistakes some experimental pills for medicine and swallows one. The pills were intended to help soldiers counter [[Biological agent|biological weapons]], but it reacts to a flu shot already in his body. Tanaka soon develops a deadly body odor and becomes a walking weapon of mass destruction. While taking a nap, the odor he emits kills everyone in the laboratory. Horrified, he reports the incident to headquarters, who instruct him to deliver the experimental drug to [[Tokyo]].


Meanwhile, the odor he emits grows stronger to where it affects several miles of the surrounding area, killing every living thing that smells his odor, except flowers and plants (which are seemingly strengthened by the odor). The odor is so potent that neither [[gas mask]]s nor [[NBC suit]]s offer any protection against its effects. His odor kills everything in the [[Yamanashi Prefecture]], including all 200,000 inhabitants of [[Kōfu]] city. Nobuo continues on to Tokyo unaware of the death his smell is causing, but the rest of the country is in a complete panic. The head of the research company and the Japanese military deduce that Tanaka is causing the poisonous gas and order him to be killed. The [[Japan Self-Defense Forces|Japan Self Defense Forces]] try in vain to stop Nobuo, causing immense collateral damage to the Japanese countryside, but to no avail, as the chemicals in Nobuo's smell interfere with the targeting systems of their weapons.
⚫
The [[United States Forces Japan|U.S. military]], who have been observing the situation to that point, utilizes [[Treaty of Mutual Cooperation and Security between the United States and Japan|Japanese policy]] to take over the operation, and calls in a [[NASA]] unit with space suits to try and capture Nobuo alive. Unaware of this operation, the Japanese army collapses part of the bridge to prevent Nobuo from escaping, trapping him in a tunnel. They turn on wind generators loaded with [[liquid nitrogen]] in an attempt to freeze him. Nobuo becomes scared, disabling the machines while leaving the three astronauts unscathed. The soldiers force Nobuo into an exosuit and bring him back to military headquarters in Tokyo. Nobuo makes his way through the headquarters building, unaware that he is the source of the biological contamination. He then opens his exosuit, killing everyone.


⚫
The [[United States Forces Japan|U.S. military]], who have been observing the situation to that point, utilizes [[Treaty of Mutual Cooperation and Security between the United States and Japan|Japanese policy]] to take over the operation, and calls in a [[NASA]] unit with space suits to try and capture Nobuo alive. After Nobuo enters a tunnel, the Japanese army collapses part of the bridge and the tunnel behind him, trapping him with only one way out. They turn on wind generators in an attempt to stop the odor's advance. As the soldiers in space suits approach Nobuo, he becomes scared and more of his odor bursts out of him, disabling the lights and wind generators.
⚫
===''Cannon Fodder''===
⚫
In a walled city perpetually at war, everyone's livelihood depends upon maintaining and firing the enormous cannons that make up most of the city. Nearly every building in the city is equipped with cannons of varying size, able to fire huge artillery shells over the city walls. The story is centered on a young boy and his father, who works as a lowly cannon-loader.


After the cloud settles, the soldiers appear to have subdued Nobuo. One of the suit-wearing soldiers is escorted to the military headquarters in Tokyo and delivers the drug. Then the visor opens, revealing that it is actually Nobuo inside the suit, still unaware of his deadly odor. He then opens his suit, killing everyone.
The city is surrounded by clouds of smoke and dust provoked by the shots fired by the cannons. Despite news of successful bombardment of the "enemy moving city" by the local media, there is not any visual confirmation that it is true, or even if there is an enemy at all.

⚫
===''Cannon Fodder''===
⚫
In a walled city perpetually at war, everyone's livelihood depends upon maintaining and firing the enormous cannons that make up most of the city. Nearly every building in the city is equipped with cannons of varying size, able to fire huge artillery shells over the city walls. The story is animated into one [[long take]], conveying the daily life of a young schoolboy; his father, who works as a lowly cannon-loader; and his mother, a munitions factory worker.


The boy's father is blamed for a safety mishap at work and made to stand next to the cannon without safety gear while it fires.
The city is surrounded by a crater-filled wasteland that is covered in clouds of smoke and dust provoked by the cannon fire. Despite propaganda emphasizing the threat of the enemy, there is no visual confirmation that this is true, or even if there is an enemy at all. The boy's father is assigned to one of the city's largest cannons: an enormous red [[railway gun]] that is personally fired by a lavishly-dressed officer. The father is blamed for a safety mishap, and made to stand next to the cannon without safety gear while it is fired again.


In the end, the boy comes home from school and hears a television news reporter talking about the near-destruction of the enemy city. The boy hops into his bed, saying that someday he wants to be the exalted officer who fires the cannons. As he sleeps, a [[civil defense siren]] sounds and a blue light sweeps across the window.
That night, the family is at home and hears a news report proclaiming the devastation unleashed on the enemy city. The boy then asks his father why they are fighting in the first place, only for his father to tell him that he will understand when he is older. As the boy gets into his bed, he fantasizes becoming the lavish officer who fires the cannons. As he sleeps, a [[civil defense siren]] sounds and a blue light sweeps across the window.


==Cast==
==Cast==
Line 50: Line 54:
!Character
!Character
!Japanese
!Japanese
!English<ref>{{Cite web|last=Sevakis|first=Justin|date=|title=Twitter|url=https://twitter.com/worldofcrap/status/1353179416063406080|url-status=live|archive-url=|archive-date=|access-date=January 27, 2021|website=Twitter}}</ref><ref>{{Cite web|last=|first=|date=|title=Sound Cadence|url=https://twitter.com/SoundCadence/status/1338669733412032513|url-status=live|archive-url=|archive-date=|access-date=|website=Twitter}}</ref>
!English<ref>{{Cite web|last=Sevakis|first=Justin|date=|title=Twitter|url=https://twitter.com/worldofcrap/status/1353179416063406080|archive-url=|archive-date=|access-date=January 27, 2021|website=Twitter}}</ref><ref>{{Cite web|last=|first=|date=|title=Sound Cadence|url=https://twitter.com/SoundCadence/status/1338669733412032513|archive-url=|archive-date=|access-date=|website=Twitter}}</ref>
|-
|-
! colspan="3" |Magnetic Rose
! colspan="3" |Magnetic Rose
Line 135: Line 139:
|}
|}


==Production details==
==Production==
===''Magnetic Rose''===
===''Magnetic Rose''===
Directed by [[Kōji Morimoto]] and animated by [[Studio 4°C]]. Script by noted anime director [[Satoshi Kon]], based on a story by [[Katsuhiro Otomo]]. This episode featured music from Puccini's ''[[Madama Butterfly]]'' and ''[[Tosca]]''. Specifically sampled in the episode was ''Un Bel Di Vedremo'' and ''Con Onor Muore... Tu, tu? Piccolo iddio'' from ''Madama Butterfly'' and ''Non la Sospiri, la Nostra Casetta'' from Act I of ''Tosca''.
Directed by [[Kōji Morimoto]] and animated by [[Studio 4°C]]. Script by noted anime director [[Satoshi Kon]], based on a story by [[Katsuhiro Otomo]]. This episode featured music from Puccini's ''[[Madama Butterfly]]'' and ''[[Tosca]]''. Specifically sampled in the episode was ''Un Bel Di Vedremo'' and ''Con Onor Muore... Tu, tu? Piccolo iddio'' from ''Madama Butterfly'' and ''Non la Sospiri, la Nostra Casetta'' from Act I of ''Tosca''.
Line 144: Line 148:
Directed by [[Tensai Okamura]] and animated by [[Madhouse (company)|Madhouse]]. Script by Katsuhiro Otomo. Music is by [[Jun Miyake]] and uses jazz and funk as its main influence, adding to the film's chaotic, comedic nature.
Directed by [[Tensai Okamura]] and animated by [[Madhouse (company)|Madhouse]]. Script by Katsuhiro Otomo. Music is by [[Jun Miyake]] and uses jazz and funk as its main influence, adding to the film's chaotic, comedic nature.


It is mentioned in the interview featurette that the story for ''Stink Bomb'' is based on an [[Death of Gloria Ramirez|actual event]].<ref name=GloriaRamirez>{{cite web| url= http://www.straightdope.com/columns/read/999/whats-the-story-on-the-toxic-lady| title= What's the story on the "toxic lady"?|access-date=2013-06-27 |publisher=The Straight Dope|first=Cecil|last=Adams| date= 22 March 1996}}</ref>
It is mentioned in the interview featurette that the story for ''Stink Bomb'' is based on [[Death of Gloria Ramirez|an actual event]].<ref name=GloriaRamirez>{{cite web| url= http://www.straightdope.com/columns/read/999/whats-the-story-on-the-toxic-lady| title= What's the story on the "toxic lady"?|access-date=2013-06-27 |publisher=The Straight Dope|first=Cecil|last=Adams| date= 22 March 1996}}</ref>

Otomo initially asked Yoshiaki Kawajiri to direct the film, but Kawajiri did not accept because the script was different from his own style. Kawajiri was involved in storyboard revisions as a supervisor, and also worked on the tunnel scene as a key animator.<ref>{{cite web |url=https://febri.jp/febri_talk/okamura_tensai_3/ |script-title=ja:岡村天斎③ 多くの人に助けられた初監督作『最臭兵器』 | language=ja |access-date=April 17, 2023 |publisher=Febri |archive-url=https://web.archive.org/web/20230407043408/https://febri.jp/febri_talk/okamura_tensai_3/|archive-date= April 7, 2023 |date=7 April 2023 }}</ref>


===''Cannon Fodder''===
===''Cannon Fodder''===
Line 159: Line 165:
* [[List of animated feature films]]
* [[List of animated feature films]]
* [[List of package films]]
* [[List of package films]]
* ''[[Neo Tokyo (film)|Neo Tokyo]]'' - An Otomo anthology film from 1987.
* ''[[Neo Tokyo (film)|Neo Tokyo]]'' – An Otomo anthology film from 1987.
* ''[[Robot Carnival]]'' - An Otomo anthology film from 1987.
* ''[[Robot Carnival]]'' – An Otomo anthology film from 1987.
* ''[[Short Peace]]'' - An Otomo anthology film from 2013.
* ''[[Short Peace]]'' – An Otomo anthology film from 2013.


==References==
==References==
Line 167: Line 173:


==External links==
==External links==
* {{bcdb title|id=63291|title=Memorîzu}}
* {{AllMovie title|154334|Memories}}
* {{Amg movie|154334|Memories}}
* {{IMDb title|id=0113799|title=Memories}}
* {{IMDb title|id=0113799|title=Memories}}
* {{anime News Network|anime|424|Memories}}
* {{anime News Network|anime|424|Memories}}
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[[Category:Discotek Media]]
[[Category:Discotek Media]]
[[Category:Japanese anthology films]]
[[Category:Japanese anthology films]]
[[Category:Fantasy adventure films]]
[[Category:Japanese fantasy adventure films]]
[[Category:Films directed by Katsuhiro Otomo]]
[[Category:Films directed by Katsuhiro Otomo]]
[[Category:Films set in Yamanashi Prefecture]]
[[Category:Films set in Yamanashi Prefecture]]
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[[Category:Japanese adult animated films]]
[[Category:Japanese adult animated films]]
[[Category:Japanese animated science fiction films]]
[[Category:Japanese animated science fiction films]]
[[Category:Films scored by Yoko Kanno]]
[[Category:1995 science fiction films]]

Latest revision as of 21:42, 5 July 2024

Memories
Japanese theatrical release poster
Directed byKōji Morimoto (Magnetic Rose)
Tensai Okamura (Stink Bomb)
Katsuhiro Otomo (Chief, Cannon Fodder)
Screenplay bySatoshi Kon (Magnetic Rose)
Katsuhiro Otomo (Stink Bomb, Cannon Fodder)
Story byKatsuhiro Otomo
Based onMagnetic Rose, Stink Bomb and Cannon Fodder
by Katsuhiro Otomo
Produced byAtsushi Sugita
Fumio Sameshima
Yoshimasa Mizuo
Hiroaki Inoue
Eiko Tanaka (Magnetic Rose, Cannon Fodder)
Masao Maruyama (Stink Bomb)
Edited byTakeshi Seyama
Music byTakkyū Ishino (opening and closing credits)
Yoko Kanno (Magnetic Rose)
Jun Miyake (Stink Bomb)
Hiroyuki Nagashima (Cannon Fodder)
Production
companies
Studio 4°C (Magnetic Rose, Cannon Fodder)
Madhouse (Stink Bomb)
Distributed byShochiku
Release date
  • December 23, 1995 (1995-12-23)
Running time
113 min
CountryJapan
LanguageJapanese

Memories is a 1995 Japanese animated science fiction anthology film with Katsuhiro Otomo as executive producer, and based on three of his manga short stories. The film is composed of three shorts: Magnetic Rose (彼女の想いで, Kanojo no Omoide), directed by Studio 4°C co-founder Kōji Morimoto and written by Satoshi Kon; Stink Bomb (最臭兵器, Saishū-heiki), directed by Tensai Okamura and written by Otomo, and Cannon Fodder (大砲の街, Taihō no Machi), written and directed by Otomo himself.

Originally released on home video in North America by Sony Pictures Home Entertainment, Discotek Media acquired the rights in 2020 along with Mill Creek Entertainment. Their 2021 Blu-ray release includes English subtitles and a new English dub produced by NYAV Post (for Magnetic Rose) and Sound Cadence Studios (for Stink Bomb and Cannon Fodder).[1][2]

Plot

[edit]

Magnetic Rose

[edit]

The Corona, a deep space salvage freighter, is out on a mission when it encounters a distress signal and responds to it. They come upon a spaceship graveyard orbiting a giant space station. The crew's two engineers, Heintz and Miguel, enter it to get a closer look. Once inside, they discover an opulent European interior and several furnished rooms in varying states of decay, but find no signs of life.

The men learn that the station belongs to a once-famous opera diva named Eva Friedel who disappeared after the murder of her fiancé, Carlo Rambaldi, a fellow singer. Continuing to search for the distress signal's source, the engineers split up, with each experiencing paranormal encounters, including strange noises and visions of Eva. Miguel enters the dilapidated underbelly of the station, and in a cavernous chamber, he finds a broken piano playing the distress signal. He begins to hallucinate and Eva suddenly runs up to kiss him. Heintz finds a theater stage and sees Eva, who stabs him when he approaches. Suddenly paralyzed, Heintz relives a memory of his wife and his daughter Emily. The illusion disappears when Eva takes his wife's form and tells him that he "will never leave".

Heintz rushes to save Miguel, but Miguel disappears deeper into the cavern, having been seduced by Eva into thinking he is Carlo. Eva reveals to Heintz that she murdered the real Carlo for refusing to marry her and has since forced others to relive his likeness. She makes Heintz relive Emily's death, and entices Heintz to stay with his daughter's doppelganger. Heintz resists and shoots the massive computer embedded in the ceiling of the cavern, causing the AI hologram of Eva to malfunction.

Meanwhile, the Corona has been struggling against a powerful magnetic field coming from the station, pulling the ship towards it. In desperation, the crewmen Aoshima and Ivanov fire a powerful energy cannon; gouging the structure deep enough to reach the cavern before leaving on the escape pod. Heintz is ejected into space along with the skeletons of Eva's past victims, as Eva hauntingly sings to a conjured audience. The Corona is crushed and becomes part of the rose-shaped structure around the station. The whereabouts of the real (and long-deceased) Eva is shown, and a representation of Eva is seen talking romantically with Miguel (now fully embracing his new identity as Carlo). Heintz is last seen drifting in space, still alive.

Stink Bomb

[edit]

Lab technician Nobuo Tanaka, battling the flu, mistakes some experimental pills for medicine and swallows one. The pills were intended to help soldiers counter biological weapons, but it reacts to a flu shot already in his body. Tanaka soon develops a deadly body odor and becomes a walking weapon of mass destruction. While taking a nap, the odor he emits kills everyone in the laboratory. Horrified, he reports the incident to headquarters, who instruct him to deliver the experimental drug to Tokyo.

Meanwhile, the odor he emits grows stronger to where it affects several miles of the surrounding area, killing every living thing that smells his odor, except flowers and plants (which are seemingly strengthened by the odor). The odor is so potent that neither gas masks nor NBC suits offer any protection against its effects. His odor kills everything in the Yamanashi Prefecture, including all 200,000 inhabitants of Kōfu city. Nobuo continues on to Tokyo unaware of the death his smell is causing, but the rest of the country is in a complete panic. The head of the research company and the Japanese military deduce that Tanaka is causing the poisonous gas and order him to be killed. The Japan Self Defense Forces try in vain to stop Nobuo, causing immense collateral damage to the Japanese countryside, but to no avail, as the chemicals in Nobuo's smell interfere with the targeting systems of their weapons.

The U.S. military, who have been observing the situation to that point, utilizes Japanese policy to take over the operation, and calls in a NASA unit with space suits to try and capture Nobuo alive. After Nobuo enters a tunnel, the Japanese army collapses part of the bridge and the tunnel behind him, trapping him with only one way out. They turn on wind generators in an attempt to stop the odor's advance. As the soldiers in space suits approach Nobuo, he becomes scared and more of his odor bursts out of him, disabling the lights and wind generators.

After the cloud settles, the soldiers appear to have subdued Nobuo. One of the suit-wearing soldiers is escorted to the military headquarters in Tokyo and delivers the drug. Then the visor opens, revealing that it is actually Nobuo inside the suit, still unaware of his deadly odor. He then opens his suit, killing everyone.

Cannon Fodder

[edit]

In a walled city perpetually at war, everyone's livelihood depends upon maintaining and firing the enormous cannons that make up most of the city. Nearly every building in the city is equipped with cannons of varying size, able to fire huge artillery shells over the city walls. The story is animated into one long take, conveying the daily life of a young schoolboy; his father, who works as a lowly cannon-loader; and his mother, a munitions factory worker.

The city is surrounded by a crater-filled wasteland that is covered in clouds of smoke and dust provoked by the cannon fire. Despite propaganda emphasizing the threat of the enemy, there is no visual confirmation that this is true, or even if there is an enemy at all. The boy's father is assigned to one of the city's largest cannons: an enormous red railway gun that is personally fired by a lavishly-dressed officer. The father is blamed for a safety mishap, and made to stand next to the cannon without safety gear while it is fired again.

That night, the family is at home and hears a news report proclaiming the devastation unleashed on the enemy city. The boy then asks his father why they are fighting in the first place, only for his father to tell him that he will understand when he is older. As the boy gets into his bed, he fantasizes becoming the lavish officer who fires the cannons. As he sleeps, a civil defense siren sounds and a blue light sweeps across the window.

Cast

[edit]
Cast
Character Japanese English[3][4]
Magnetic Rose
Heinz Beckner Tsutomu Isobe Marc Swint
Ivanov Shouzou Iizuka Frank Todaro
Miguel Costrela Kouichi Yamadera Robbie Daymond
Aoshima Shigeru Chiba Derek Stephen Prince
Emily Ami Hasegawa Alexa Careccia
Eva Friedel Gara Takashima Laura Post
Stink Bomb
Nobuo Tanaka Hideyuki Hori Stephen Fu
Oomaeda Ken'ichi Ogata Chris Guerrero
Kamata Osamu Saka Gianni Matragrano
Grandma Hisako Kyouda Karen Kahler
Nirasaki Michio Hazama Steven Kelly
Sakiko Kayoko Fujii Kira Buckland
General Officer Ryouichi Tanaka Mike Pollock
Cannon Fodder
Boy Yuu Hayashi Jack Britton
Father Keaton Yamada Mike Pollock
Mother Keiko Yamamoto Ellen-Ray Hennessey (as Elley Ray)
Teacher Ryuuji Nakagi Michael Sorich
Loading Operator Nobuaki Fukuda Phillip Sacramento
Commander Hidetoshi Nakamura Ray Hurd

Production

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Magnetic Rose

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Directed by Kōji Morimoto and animated by Studio 4°C. Script by noted anime director Satoshi Kon, based on a story by Katsuhiro Otomo. This episode featured music from Puccini's Madama Butterfly and Tosca. Specifically sampled in the episode was Un Bel Di Vedremo and Con Onor Muore... Tu, tu? Piccolo iddio from Madama Butterfly and Non la Sospiri, la Nostra Casetta from Act I of Tosca.

Music was composed by Yoko Kanno and largely influenced by Giacomo Puccini's Madama Butterfly. It is primarily operatic and highly involved, reflecting the serious, intense nature the film takes on as it progresses.

Stink Bomb

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Directed by Tensai Okamura and animated by Madhouse. Script by Katsuhiro Otomo. Music is by Jun Miyake and uses jazz and funk as its main influence, adding to the film's chaotic, comedic nature.

It is mentioned in the interview featurette that the story for Stink Bomb is based on an actual event.[5]

Otomo initially asked Yoshiaki Kawajiri to direct the film, but Kawajiri did not accept because the script was different from his own style. Kawajiri was involved in storyboard revisions as a supervisor, and also worked on the tunnel scene as a key animator.[6]

Cannon Fodder

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Written and directed by Katsuhiro Otomo and animated by Studio 4 °C. Music by Hiroyuki Nagashima. The score of Cannon Fodder is difficult to categorize; blending brass band, orchestral and avant-garde compositional techniques.

Through unusual animation techniques, the illusion is created that the film consists of one continuous shot or long take.

Reception

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In 2001, Animage magazine ranked Memories 68th in their list of the 100 greatest anime productions.[7] The film was met with positive reviews, although reception for each of the three stories varied. Magnetic Rose has generally been deemed the best episode,[8][9][10] with critics at Anime Meta-Review and T.H.E.M Anime saying it alone made the film worth watching.[11][12] Anime Academy thought it was "a pure symphonic treat from start to finish” and “running only forty-five minutes, it can still be compared with the greatest anime productions in every single aspect from animation to storyline."[9] John Wallis of DVD Talk called it "a great opener, a strong, moving story of love, loss, haunting heartbreak, and horror chills."[13] Magnetic Rose was also regarded as "a science fiction marvel" by Homemademech’s Mark McPherson, who praised its dialogue and realistic presentation of outer space physics.[14] Chris Beveridge from Mania.com, however, felt that the story had "some feel of being done before to some degree."[15]

Comments on Stink Bomb and Cannon Fodder were less favorable. T.H.E.M. Anime reviewer Carlos Ross stated that "the other two entries don't quite equal the sheer excellence of ‘Magnetic Rose’.[12] McPherson referred to Stink Bomb by saying "compared to the other episodes of Memories, it's the weakest and less creative of the bunch",[14] while Anime Jump’s Chad Clayton thought Cannon Fodder did not "match the complexity of the preceding two films."[10] Stink Bomb was nonetheless praised for its humor and high quality visuals.[9][10][11][12][13][14][15] Cannon Fodder was viewed as "the strongest work in terms of its allegorical message" by DVD Talk,[13] and visually "inventive" by both Anime Jump and Anime Academy.[9][10] Tasha Robinson at SciFi.com described the animation of every episode as "stellar", claiming the film as a whole went "well beyond memorable".[8]

See also

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References

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  1. ^ Sherman, Jennifer (2021-02-04). "Memories Anthology's English Dub Streams on February 6". Anime News Network. Retrieved 2021-06-16.
  2. ^ Chapman, Paul. "Discotek Announces Memories, Urusei Yatsura Movies, and More". Crunchyroll. Retrieved November 14, 2020.
  3. ^ Sevakis, Justin. "Twitter". Twitter. Retrieved January 27, 2021.
  4. ^ "Sound Cadence". Twitter.
  5. ^ Adams, Cecil (22 March 1996). "What's the story on the "toxic lady"?". The Straight Dope. Retrieved 2013-06-27.
  6. ^ 岡村天斎③ 多くの人に助けられた初監督作『最臭兵器』 (in Japanese). Febri. 7 April 2023. Archived from the original on April 7, 2023. Retrieved April 17, 2023.
  7. ^ "Animage Top-100 Anime Listing". Anime News Network. 2001-01-15. Retrieved 2009-03-15.
  8. ^ a b Robinson, Tasha. "Memories". SciFi.com. Archived from the original on March 18, 2009. Retrieved 2009-03-15.
  9. ^ a b c d Kain; Kjeldoran. "Memories". Anime Academy. Archived from the original on 2009-08-05. Retrieved 2009-03-15.
  10. ^ a b c d Clayton, Chad (2005-08-06). "Memories". Anime Jump. Archived from the original on November 8, 2007. Retrieved 2009-03-15.
  11. ^ a b Shelton, Andrew (2006-08-20). "AMR: Memories". Anime Meta-Review. Archived from the original on October 31, 2007. Retrieved 2009-03-15.
  12. ^ a b c Ross, Carlos. "Memories". T.H.E.M. Anime Reviews. Retrieved 2009-03-15.
  13. ^ a b c Wallis, John (2004-02-18). "Memories". DVD Talk. Retrieved 2009-03-15.
  14. ^ a b c McPherson, Mark (2004-05-20). "Memories Anime Review". Homemademech. Archived from the original on 2008-10-10. Retrieved 2009-03-15.
  15. ^ a b Beveridge, Chris (2005-02-22). "Memories". Mania.com. Archived from the original on 2009-02-10. Retrieved 2009-03-15.
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