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{{Short description|British choral conductor and musicologist}}
{{Short description|British choral conductor and musicologist}}
{{Use dmy dates|date=April 2022}}
{{Use dmy dates|date=April 2022}}
{{BLP sources|date=August 2014}}
{{Infobox person
{{Infobox person
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| name = Peter Phillips
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| website = [[https://www.thetallisscholars.co.uk/peter-phillips Tallis Scholars]]</br>[[https://www.gimell.com Gimell Records]]
| website = [[https://www.thetallisscholars.co.uk/peter-phillips Tallis Scholars]]<br />[[https://www.gimell.com Gimell Records]]
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'''Peter Phillips''' (born 15 October 1953)<ref>Fabrice Fitch. [http://www.oxfordmusiconline.com/subscriber/article/grove/music/44553 "Phillips, Peter (ii)."] In [[Grove Music Online]]. Oxford Music Online. Retrieved 21/09/2009.</ref> is a British choral conductor and musicologist.<ref>{{cite book |date=2015 |last=Gant |first=Andrew |title=O sing unto the Lord : a history of English church music |publisher=Profile Books |location=London, UK |page=148 |ISBN= 9781781252475 }}</ref> He is the founder of the [[The Tallis Scholars|Tallis Scholars]]<ref>{{cite web|title=The Tallis Scholars|url=http://www.thetallisscholars.co.uk/|website=thetallisscholars.co.uk|accessdate=2014-07-30}}</ref> as well as Gimell Records.<ref>{{cite web |title=Gimell Records |url=http://www.gimell.com/ |accessdate=2014-07-30 |website=gimell.com}}</ref> He has been the owner of the [[Musical Times]] since 1993.<ref>{{cite magazine |date=May 1996 |author=<!--Not stated--> |title=Contents |magazine=The Musical Times |location=London, UK |edition=Vol. cxxxvii No. 1839 |publisher=Peter Phillips |page=3}} </ref>
'''Peter Phillips''' (born 15 October 1953)<ref>Fabrice Fitch. [http://www.oxfordmusiconline.com/subscriber/article/grove/music/44553 "Phillips, Peter (ii)."] In [[Grove Music Online]]. Oxford Music Online. Retrieved 21/09/2009.</ref> is a British choral conductor and musicologist.<ref>{{cite book |date=2015 |last=Gant |first=Andrew |title=O sing unto the Lord : a history of English church music |publisher=Profile Books |location=London, UK |page=148 |isbn= 9781781252475 }}</ref> He is the founder of the [[The Tallis Scholars|Tallis Scholars]]<ref>{{cite web|title=The Tallis Scholars|url=http://www.thetallisscholars.co.uk/|website=thetallisscholars.co.uk|accessdate=2014-07-30}}</ref> as well as [[Gimell Records]].<ref>{{cite web |title=Gimell Records |url=http://www.gimell.com/ |accessdate=2014-07-30 |website=gimell.com}}</ref> He has been the owner of the [[Musical Times]] since 1995.<ref>{{cite magazine |date=May 1996 |author=<!--Not stated--> |title=Contents |magazine=The Musical Times |location=London, UK |edition=Vol. cxxxvii No. 1839 |publisher=Peter Phillips |page=3}} </ref>


==Early life and education==
==Early life and education==
Phillips was born in Southampton and educated at [[Winchester College]] (1967–71) and [[St John's College, Oxford]] (Organ Scholar 1972–75).<ref>{{cite magazine |date=May 1992 |author=Dennis Shrock |title=An Interview With Peter Phillips: Director of the Tallis Scholars |magazine=The Choral Journal |location=Oklahoma, USA |edition=Vol. 32 No. 10 |publisher=American Choral Directors Association |page=7}} </ref> He studied music with [[Hugh Macdonald (musicologist)|Hugh Macdonald]], [[Denis Arnold]] and [[David Wulstan]].<ref>{{cite web |url=https://www-oxfordmusiconline-com.wikipedialibrary.idm.oclc.org/grovemusic/display/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000044553?rskey=mbcqJr&result=2 |title=Phillips, Peter(ii) |author=Fabrice Fitch |website=www-oxfordmusiconline-com |date= 2001-01-20 |access-date=2024-06-21}}</ref> He subsequently taught at [[Oxford University]], [[Trinity College of Music]] and the [[Royal College of Music]] in London (where he directed the Chamber Choir in succession to [[David Willcocks]]), but had resigned all these posts by 1988 in order to pursue a full-time career in conducting.
Phillips was born to Nigel Sayer Phillips and Patricia Ann Witchell, (née Wyatt) in Southampton. He was educated at [[Winchester College]] (1967–71) and [[St John's College, Oxford]] (Organ Scholar 1972–75).<ref>{{cite magazine |date=May 1992 |author=Dennis Shrock |title=An Interview With Peter Phillips: Director of the Tallis Scholars |magazine=The Choral Journal |location=Oklahoma, USA |edition=Vol. 32 No. 10 |publisher=American Choral Directors Association |page=7}} </ref> He studied music with [[Hugh Macdonald (musicologist)|Hugh Macdonald]], [[Denis Arnold]] and [[David Wulstan]].<ref>{{cite web |url=https://www.oxfordmusiconline.com/grovemusic/display/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000044553 |title=Phillips, Peter(ii) |author=Fabrice Fitch |website=www-oxfordmusiconline-com |date= 2001-01-20 |access-date=2024-06-21}}</ref> He subsequently taught at [[Oxford University]], [[Trinity College of Music]] and the [[Royal College of Music]] in London (where he directed the Chamber Choir in succession to [[David Willcocks]]), but had resigned all these posts by 1988 in order to pursue a full-time career in conducting.


==The Tallis Scholars==
==The Tallis Scholars==
Phillips's first concert with the Tallis Scholars took place in [[St Mary Magdalen's Church, Oxford|St Mary Magdalen's Church]] in Oxford on 3 November 1973. The group was made up of choral scholars (hence the use of the word 'Scholars' in the title) and layclerks from the leading Oxbridge choral foundations.<ref>{{cite book |date=2017 |last=Rees |first=Owen |title=Know-it-all classical music : the 50 most significant genres, composers & forms, each explained in under a minute |publisher=Wellfleet Press |location=New York, USA |page=43 |ISBN= 9781577151500 }}</ref> From the beginning, Phillips aimed to produce a distinctive sound, influenced by choirs he admired, in particular the Clerkes of Oxenford.<ref>{{cite web |url=https://www.sjc.ox.ac.uk/discover/people/peter-phillips/ |title=Peter Phillips |author=<!--Not stated--> |website=sjc.ox.ac.uk |access-date=2024-06-21}}</ref> However the repertoire he chose was idiosyncratic, based in his desire to explore neglected corners of the polyphonic repertories, continental as much as English. This first concert included music by [[Jacob Obrecht|Obrecht]], [[Johannes Ockeghem|Ockeghem]] and [[Orlande de Lassus|Lassus]]. After the foundation of [[Gimell Records]] in 1980,<ref>{{cite web |url=https://www.gramophone.co.uk/features/article/gramophone-magazine-a-history-the-1980s |title=Gramophone magazine: a history – the 1980s |author=James Jolly |website=gramophone.co.uk |date= 2024-01-18 |access-date=2024-06-21}}</ref> the Tallis Scholars have gone on to fill many gaps in the recording catalogue, making discs devoted to such relatively unknown composers as [[Manuel Cardoso (composer)|Cardoso]],<ref>{{cite web |url=https://www.gramophone.co.uk/review/cardoso-sacred-choral-works |title=Cardoso Sacred Choral Works |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> [[Robert White (composer)|White]],<ref>{{cite web |url=https://www.gramophone.co.uk/review/robert-white-sacred-music-for-choir|title=Robert White Sacred Music for Choir |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> [[Jacobus Clemens non Papa|Clemens]],<ref>{{cite web |url=https://www.gramophone.co.uk/review/clemens-non-papa-sacred-choral-works |title=Clemens Non Papa: Sacred Choral Work |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> [[Nicolas Gombert|Gombert]]<ref>{{cite web |url=https://www.gramophone.co.uk/reviews/review?slug=gombert-magnificat-5-8 |title=Gombert 5-8 Magnificat |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> and [[Jean Mouton|Mouton]].<ref>{{cite web |url=https://www.nytimes.com/2010/03/30/arts/music/30tallis.html |title=Making Some Hits From 1500 Sound Fresh Again |author=Vivien Schweitzer |website=nytimes.com |date=2010-03-10 |access-date=2024-06-21}}</ref>
Phillips's first concert with the Tallis Scholars took place in [[St Mary Magdalen's Church, Oxford|St Mary Magdalen's Church]] in Oxford on 3 November 1973. The group was made up of choral scholars (hence the use of the word 'Scholars' in the title) and layclerks from the leading Oxbridge choral foundations.<ref>{{cite book |date=2017 |last=Rees |first=Owen |title=Know-it-all classical music : the 50 most significant genres, composers & forms, each explained in under a minute |publisher=Wellfleet Press |location=New York, USA |page=43 |isbn= 9781577151500 }}</ref> From the beginning, Phillips aimed to produce a distinctive sound, influenced by choirs he admired, in particular the Clerkes of Oxenford.<ref>{{cite web |url=https://www.sjc.ox.ac.uk/discover/people/peter-phillips/ |title=Peter Phillips |author=<!--Not stated--> |website=sjc.ox.ac.uk |access-date=2024-06-21}}</ref> However the repertoire he chose was idiosyncratic, based in his desire to explore neglected corners of the polyphonic repertories, continental as much as English. This first concert included music by [[Jacob Obrecht|Obrecht]], [[Johannes Ockeghem|Ockeghem]], [[Orlande de Lassus|Lassus]] and [[Tomás Luis de Victoria|Victoria]]. After the foundation of [[Gimell Records]] in 1980,<ref>{{cite web |url=https://www.gramophone.co.uk/features/article/gramophone-magazine-a-history-the-1980s |title=Gramophone magazine: a history – the 1980s |author=James Jolly |website=gramophone.co.uk |date= 2024-01-18 |access-date=2024-06-21}}</ref> the Tallis Scholars have gone on to fill many gaps in the recording catalogue, making discs devoted to such relatively unknown composers as [[Manuel Cardoso (composer)|Cardoso]],<ref>{{cite web |url=https://www.gramophone.co.uk/review/cardoso-sacred-choral-works |title=Cardoso Sacred Choral Works |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> [[Robert White (composer)|White]],<ref>{{cite web |url=https://www.gramophone.co.uk/review/robert-white-sacred-music-for-choir|title=Robert White Sacred Music for Choir |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> [[Jacobus Clemens non Papa|Clemens]],<ref>{{cite web |url=https://www.gramophone.co.uk/review/clemens-non-papa-sacred-choral-works |title=Clemens Non Papa: Sacred Choral Work |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> [[Nicolas Gombert|Gombert]],<ref>{{cite web |url=https://www.gramophone.co.uk/reviews/review?slug=gombert-magnificat-5-8 |title=Gombert 5-8 Magnificat |author=<!--Not stated--> |website=gramophone.co.uk|access-date=2024-06-21}}</ref> [[Jean Mouton|Mouton]],<ref>{{cite web |url=https://www.nytimes.com/2010/03/30/arts/music/30tallis.html |title=Making Some Hits From 1500 Sound Fresh Again |author=Vivien Schweitzer |website=[[The New York Times]] |date=2010-03-10 |access-date=2024-06-21}}</ref> [[John Browne (composer)|Browne]] and [[Robert Fayrfax|Fayrfax]].


Since winning the Gramophone Record of the Year Award in 1987,<ref>{{cite book |date=2017 |last=Rees |first=Owen |title=Know-it-all classical music : the 50 most significant genres, composers & forms, each explained in under a minute |publisher=Wellfleet Press |location=New York, USA |page=43 |ISBN= 9781577151500 }}</ref> the Tallis Scholars have been recognised as one of the world's leading ensemble in interpreting renaissance polyphony. That 1987 disc inaugurated a career-long project of recording all of Josquin des Prez’s masses, ready for the 500th anniversary of the composer’s death, in 2021. The ninth and last disc in the series also won an Award entitled Record of the Year – from the BBC Music Magazine – in 2021, 34 years after the first one.<ref>{{cite web |url=https://www.sjc.ox.ac.uk/discover/people/peter-phillips/ |title=Peter Phillips |author=<!--Not stated--> |website=sjc.ox.ac.uk |access-date=2024-06-21}}</ref>
Since winning the [[Gramophone Classical Music Awards|Gramophone Record of the Year Award]] in 1987,<ref>{{cite book |date=2017 |last=Rees |first=Owen |title=Know-it-all classical music : the 50 most significant genres, composers & forms, each explained in under a minute |publisher=Wellfleet Press |location=New York, USA |page=43 |isbn= 9781577151500 }}</ref> the Tallis Scholars have been recognised as one of the world's leading ensemble in interpreting renaissance polyphony. That 1987 disc inaugurated a career-long project of recording all of Josquin des Prez’s masses, ready for the 500th anniversary of the composer’s death, in 2021. The ninth and last disc in the series also won an Award entitled Record of the Year – from the [[BBC Music Magazine]] – in 2021, 34 years after the first one.<ref>{{cite web |url=https://www.sjc.ox.ac.uk/discover/people/peter-phillips/ |title=Peter Phillips |author=<!--Not stated--> |website=sjc.ox.ac.uk |access-date=2024-06-21}}</ref>


In 2013 he directed the Tallis Scholars in a 99-concert year of events, to celebrate the 40th anniversary of the group. Amongst other countries they visited New Zealand for the first time, Australia for the seventh time, Japan for the 14th time, and the US for the 61st.<ref>{{cite magazine |date=November 2013 |author=James Naughtie |title=Peter Phillips |magazine=BBC Music Magazine |location=Bristol, UK |publisher=Immediate Media Co |page=33}} </ref>
In 2013 he directed the Tallis Scholars in a 99-concert year of events, to celebrate the 40th anniversary of the group. Amongst other countries they visited New Zealand for the first time, Australia for the seventh time, Japan for the 14th time, and the US for the 61st.<ref>{{cite magazine |date=November 2013 |author=James Naughtie |title=Peter Phillips |magazine=BBC Music Magazine |location=Bristol, UK |publisher=Immediate Media Co |page=33}} </ref> As of 2021, The Tallis Scholars have given more than two-thirds of their 2,500 concerts outside the UK. In November 2023 they celebrated their 50th anniversary with a special concert in the Middle Temple Hall in London


===Relationship with John Tavener===
===Relationship with John Tavener===
Phillips first met the composer [[John Tavener]] in 1977, which led to a lifelong friendship.<ref>{{cite web |url=https://www-oxfordmusiconline-com.wikipedialibrary.idm.oclc.org/grovemusic/display/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000044553?rskey=mbcqJr&result=2 |title=Phillips, Peter(ii) |author=Fabrice Fitch |website=www-oxfordmusiconline-com |date= 2001-01-20 |access-date=2024-06-21}}</ref> For many years Tavener was the only living composer to write for The Tallis Scholars,<ref>{{cite web |url=https://www.spectator.co.uk/article/peter-phillips-i-saw-the-other-side-of-john-taverner/ |title=Peter Phillips: I saw the other side of John Taverner |author=Peter Phillips |website=spectator.co.uk |date= 2013-11-23 |access-date=2024-06-21}}</ref> a connection which resulted in pieces such as the ''Ikon of Light'' (1984),<ref>{{cite magazine |date=July 1984 |author=Kenneth Loveland |title=Cheltenham |magazine=The Musical Times |location=Sevenoaks, UK |edition=Vol. cxxv No. 1697 |publisher=Orpheus |page=519}} </ref> ''Let not the Prince be silent'' (1988), ''the Lord's Prayer'' (1999), ''Tribute to Cavafy'' (1999) and ''The Requiem Fragments'' (2014), which was dedicated to Phillips.<ref>{{cite web |url=https://www.bbc.com/news/entertainment-arts-28419869 |title=John Tavener works receive Proms world premieres |author=Jason Caffrey |website=bbc.com |date= 2014-07-23 |access-date=2024-06-21}}</ref>
Phillips first met the composer [[John Tavener]] in 1977, which led to a lifelong friendship.<ref>{{cite web |url=https://www.oxfordmusiconline.com/grovemusic/display/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000044553 |title=Phillips, Peter(ii) |author=Fabrice Fitch |website=www-oxfordmusiconline-com |date= 2001-01-20 |access-date=2024-06-21}}</ref> For many years Tavener was the only living composer to write for The Tallis Scholars,<ref>{{cite web |url=https://www.spectator.co.uk/article/peter-phillips-i-saw-the-other-side-of-john-taverner/ |title=Peter Phillips: I saw the other side of John Taverner |author=Peter Phillips |website=spectator.co.uk |date= 2013-11-23 |access-date=2024-06-21}}</ref> a connection which resulted in pieces such as the ''Ikon of Light'' (1984),<ref>{{cite magazine |date=July 1984 |author=Kenneth Loveland |title=Cheltenham |magazine=The Musical Times |location=Sevenoaks, UK |edition=Vol. cxxv No. 1697 |publisher=Orpheus |page=519}} </ref> ''Let not the Prince be silent'' (1988), ''the Lord's Prayer'' (1999), ''Tribute to Cavafy'' (1999) and ''The Requiem Fragments'' (2014), which was dedicated to Phillips.<ref>{{cite web |url=https://www.bbc.com/news/entertainment-arts-28419869 |title=John Tavener works receive Proms world premieres |author=Jason Caffrey |website=bbc.com |date= 2014-07-23 |access-date=2024-06-21}}</ref>


===Relationship with other composers===
===Relationship with other composers===
In more recent years Phillips has commissioned [[Eric Whitacre]],<ref>{{cite web |url=https://www.classicfm.com/composers/whitacre/news/eric-whitacre-and-tallis-scholars-new-single-previ/ |title=Eric Whitacre and the Tallis Scholars new single preview |author=<!--Not stated--> |website=classicfm.com |date= 2013-03-13 |access-date=2024-06-21}}</ref> [[Gabriel Jackson (composer)|Gabriel Jackson]],<ref>{{cite web |url=https://www.timeout.com/london/opera-classical-music/the-tallis-scholars-1 |title=The Tallis Scholars |author=<!--Not stated--> |website=timeout.com |date= 2015-08-27 |access-date=2024-06-21}}</ref> [[Nico Muhly]],<ref>{{cite web |url=https://www.churchtimes.co.uk/articles/2022/7-october/books-arts/music/music-review-no-resting-place-by-nico-muhly |title=Music review: No Resting Place by Nico Muhly |author=James Mustard |website=churchtimes.co.uk |date= 2022-10-07 |access-date=2024-06-21}}</ref> [[Ivan Moody (composer)|Ivan Moody]],<ref>{{cite web |url=https://www.gramophone.co.uk/classical-music-news/article/ivan-moody-composer-musicologist-and-gramophone-writer-has-died |title=Ivan Moody, composer, musicologist and Gramophone writer, has died |author=Martin Cullingford |website=gramophone.co.uk |date= 2024-01-24 |access-date=2024-06-21}}</ref> [[John Woolrich]],<ref>{{cite web |url=https://www.fabermusic.com/music/book-of-elegies-a-2488 |title=A Book of Elegies |author=<!--Not stated--> |website=fabermusic.com |access-date=2024-06-21}}</ref> [[Matthew Martin (organist)|Matthew Martin]],<ref>{{cite web |url=https://www.ram.ac.uk/people/matthew-martin |title=Matthew Martin |author=<!--Not stated--> |website=ram.ac.uk |access-date=2024-06-21}}</ref> [[Christopher Willcock]],<ref>{{cite web |url=https://www.theage.com.au/entertainment/music/bass-twist-a-lay-down-miserere-20040816-gdyg9p.html |title=Bass twist, a lay down Miserere |author=<!--Not stated--> |website=theage.com.au |date= 2004-04-16 |access-date=2024-06-21}}</ref> [[Michael Nyman]], [[David Lang (composer)|David Lang]] and in 2014 made a disc entirely dedicated to [[Arvo Pärt]]'s [[tintinnabuli]] style.
In more recent years Phillips has commissioned [[Eric Whitacre]], [[Gabriel Jackson (composer)|Gabriel Jackson]], [[Nico Muhly]], [[Ivan Moody (composer)|Ivan Moody]], [[John Woolrich]], [[Matthew Martin (organist)|Matthew Martin]], [[Christopher Willcock]], [[Michael Nyman]]; and in 2014 made a disc entirely dedicated to Arvo Pärt's [[Tintinnabuli|tintinnabuli]] style.


===Appearing at the Proms===
===Appearing at the Proms===
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== Other conducting work ==
== Other conducting work ==
In 1985 Phillips was invited by [[Philippe Herreweghe]] to conduct [[La Chapelle Royale]] of Paris and the [[Netherlands Chamber Choir]], which sparked a lifelong interest in working with groups trained outside the Anglican choral tradition. These invitations also promoted in Phillips an interest in European culture, cuisines and languages. He has owned property in Paris since 1989 and given interviews in French, German, Italian and Spanish. He is also a student of Arabic (in which he has not given an interview). As of 2021, The Tallis Scholars have given more than two-thirds of their 2500 concerts outside the UK.
In 1985 Phillips was invited by [[Philippe Herreweghe]] to conduct [[La Chapelle Royale]] of Paris and the [[Netherlands Chamber Choir]], which sparked a lifelong interest in working with groups trained outside the Anglican choral tradition. These invitations also promoted in Phillips an interest in European culture, cuisines and languages. He has owned property in Paris since 1989 and given interviews in French, German, Italian and Spanish. He is also a student of Arabic (in which he has not given an interview).


Phillips started a collaboration with the BBC Singers in 2003, with whom he has now appeared in nearly 25 productions, most recently in May 2021 in a live broadcast from Maida Vale, featuring Mexican polyphony written for [[Puebla Cathedral]]. He has recorded with the Spanish group El León de Oro (Oviedo). He also currently has projects in preparation with Intrada (Moscow), [[Estonian Philharmonic Chamber Choir]], The [[Nederlands Kamerkoor|Netherlands Chamber Choir]] and the Taipei Chamber Singers.
Phillips started a collaboration with the BBC Singers in 2003, with whom he has now appeared in nearly 25 productions, most recently in May 2023. In 2021 he conducted them in a live broadcast from Maida Vale, featuring Mexican polyphony written for [[Puebla Cathedral]].<ref>{{cite web |url=https://www.bbc.co.uk/events/e2n84f |title=Peter Phillips conducts music of the Renaissance from South America |author=<!--Not stated--> |website=bbc.co.uk |date= 2021-05-21 |access-date=2024-06-21}}</ref><ref>{{cite web |url=https://www.thetimes.com/culture/tv-radio/article/bbc-singers-phillips-review-ancient-canticles-and-motets-ideally-paced-and-delivered-6lbvhvkrx |title=BBC Singers/Phillips review — ancient canticles and motets ideally paced and delivered |author=Richard Morrison |website=thetimes.com |date= 2023-09-13 |access-date=2024-06-21}}</ref> He has recorded with the Spanish group El León de Oro (Oviedo). Other groups he has worked with include Intrada (Moscow), [[Estonian Philharmonic Chamber Choir]] and the Danish Radio Choir.

In 2018 he gave a six-part series of lectures on [[BBC Radio 3]], entitled ''The Glories of Polyphony''.


== Educational work ==
== Educational work ==
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In 2014 Phillips helped to establish the first of three London International Choral Competitions at [[St John's Smith Square]]. Among the judges were [[John Rutter]], [[Emma Kirkby]], Alastair Hume, Mark Williams and [[James O'Donnell (organist)|James O'Donnell]]. Featured composers have been [[John Tavener]], [[Gabriel Jackson (composer)|Gabriel Jackson]] and [[Arvo Pärt]].<ref>{{cite web |url=https://www.theguardian.com/music/2017/nov/23/british-choirs-arent-the-best-but-they-could-be-with-better-support |title=British choirs aren't the best – but they could be with better support |author=Peter Phillips |website=The Guardian |date= 2017-11-23 |access-date=2024-06-21}}</ref>
In 2014 Phillips helped to establish the first of three London International Choral Competitions at [[St John's Smith Square]]. Among the judges were [[John Rutter]], [[Emma Kirkby]], Alastair Hume, Mark Williams and [[James O'Donnell (organist)|James O'Donnell]]. Featured composers have been [[John Tavener]], [[Gabriel Jackson (composer)|Gabriel Jackson]] and [[Arvo Pärt]].<ref>{{cite web |url=https://www.theguardian.com/music/2017/nov/23/british-choirs-arent-the-best-but-they-could-be-with-better-support |title=British choirs aren't the best – but they could be with better support |author=Peter Phillips |website=The Guardian |date= 2017-11-23 |access-date=2024-06-21}}</ref>


Phillips has recently become a founding trustee of the Muze Trust, a charity designed to help with musical education in Zambia. At the invitation of Paul Kelly he visited Lusaka in 2010, directing Vox Zambesi in a concert and a recording, and continuing as a Trustee to the present.
Phillips became a founding trustee of the Muze Trust, a charity designed to help with musical education in Zambia. At the invitation of Paul Kelly he visited Lusaka in 2010, directing Vox Zambesi in a concert and a recording, and continuing as a Trustee until 2023.


== Publications ==
== Publications ==
Phillips wrote a regular column for ''[[The Spectator]]'' on all aspects of classical music from January 1983 to May 2016.<ref>{{Cite news |last=Phillips |first=Peter |date=5 May 2016 |title=Last words |work=The Spectator |url=https://www.spectator.co.uk/article/last-words-5-may-2016/ |url-access=registration |access-date=5 October 2023}}</ref>
Phillips wrote a regular column for ''[[The Spectator]]'' on all aspects of classical music from January 1983 to May 2016.<ref>{{Cite news |last=Phillips |first=Peter |date=5 May 2016 |title=Last words |work=The Spectator |url=https://www.spectator.co.uk/article/last-words-5-may-2016/ |url-access=registration |access-date=5 October 2023}}</ref>


In 1995 he became the owner and publisher of the [[Musical Times]] – the oldest continuously published music journal in the world.<ref>{{cite magazine |date=May 1996 |author=<!--Not stated--> |title=Contents |magazine=The Musical Times |location=London, UK |edition=Vol. cxxxvii No. 1839 |publisher=Peter Phillips |page=3}} </ref> Phillips has also written for the [[Times Literary Supplement]], Early Music Magazine,<ref>{{cite magazine |date=August 2005 |author=Peter Phillips |title=Treble or Soprano?|magazine=Early Music |location=Oxford, UK |edition=Vol.33 No. 3 |publisher=Oxford University Press |page=495}} </ref> [[The Times]],<ref>{{cite web |url=https://www.thetimes.com/article/the-drama-of-the-passion-outperforms-even-the-most-tragic-opera-qxvqjxt2q03 |title=The drama of the Passion outperforms even the most tragic opera |author=Peter Phillips |website=The Times|date= 2009-04-09 |access-date=2024-06-21}}</ref> [[The Guardian]],<ref>{{cite web |url=https://www.theguardian.com/music/2017/nov/23/british-choirs-arent-the-best-but-they-could-be-with-better-support |title=British choirs aren't the best – but they could be with better support |author=Peter Phillips |website=The Guardian |date= 2017-11-23 |access-date=2024-06-21}}</ref> the Musical Times,<ref>{{cite magazine |date=Spring 2001 |author=Peter Phillips |title=Leading Notes: Beyond Words |magazine=Musical Times |location=London, England |edition=Vol.142 No. 1874 |publisher=Peter Phillips |page=2}} </ref> the Royal Academy Magazine, the [[London Review of Books]],<ref>{{cite web |url=https://www.lrb.co.uk/the-paper/v45/n24/peter-phillips/hickup-over-the-littany |title=Hickup over the Littany |author=Peter Phillips |website=lrb.co.uk |date= 2023-12-14 |access-date=2024-06-21}}</ref> the [[BBC Music Magazine]]<ref>{{cite web |url=https://www.classical-music.com/features/works/was-renaissance-mass-inspired-roll-die?fbclid=IwZXh0bgNhZW0CMTEAAR0xQeRCmLtOuvM-R5dK6TX2mn-Ba7aHT1rG4RfxMmwnv8GWbYTdUkWBaEI_aem_ZmFrZWR1bW15MTZieXRlcw |title=Was Josquin's Mass of the Dice inspired by the roll of a die? |author=Peter Phillips |website=classical-music.com |date= 2022-10-01 |access-date=2024-06-21}}</ref> and the [[Evening Standard]].{{Citation needed|date=October 2023}} He featured in Bernard D Sherman's 2003 book ''Inside Early Music: Conversations with Performers''.<ref>{{cite book |date=2003 |last=Sherman |first=Bernard |title=Inside Early Music: Conversations with Performers |publisher=Oxford University Press |location=Oxford, England |page=3 |ISBN= 978-0195169454 }}</ref>
In 1995 he became the owner and publisher of the [[Musical Times]] – the oldest continuously published music journal in the world.<ref>{{cite magazine |date=May 1996 |author=<!--Not stated--> |title=Contents |magazine=The Musical Times |location=London, UK |edition=Vol. cxxxvii No. 1839 |publisher=Peter Phillips |page=3}} </ref> Phillips has also written for the [[Times Literary Supplement]], Early Music Magazine,<ref>{{cite magazine |date=August 2005 |author=Peter Phillips |title=Treble or Soprano?|magazine=Early Music |location=Oxford, UK |edition=Vol.33 No. 3 |publisher=Oxford University Press |page=495}} </ref> [[The Times]],<ref>{{cite web |url=https://www.thetimes.com/article/the-drama-of-the-passion-outperforms-even-the-most-tragic-opera-qxvqjxt2q03 |title=The drama of the Passion outperforms even the most tragic opera |author=Peter Phillips |website=The Times|date= 2009-04-09 |access-date=2024-06-21}}</ref> [[The Guardian]],<ref>{{cite web |url=https://www.theguardian.com/music/2017/nov/23/british-choirs-arent-the-best-but-they-could-be-with-better-support |title=British choirs aren't the best – but they could be with better support |author=Peter Phillips |website=The Guardian |date= 2017-11-23 |access-date=2024-06-21}}</ref> the Musical Times,<ref>{{cite magazine |date=Spring 2001 |author=Peter Phillips |title=Leading Notes: Beyond Words |magazine=Musical Times |location=London, England |edition=Vol.142 No. 1874 |publisher=Peter Phillips |page=2}} </ref> the Royal Academy Magazine, the [[London Review of Books]],<ref>{{cite journal |url=https://www.lrb.co.uk/the-paper/v45/n24/peter-phillips/hickup-over-the-littany |title=Hickup over the Littany |author=Peter Phillips |journal=London Review of Books |date= 2023-12-14 |volume=45 |issue=24 |access-date=2024-06-21}}</ref> the [[BBC Music Magazine]]<ref>{{cite web |url=https://www.classical-music.com/features/works/was-renaissance-mass-inspired-roll-die?fbclid=IwZXh0bgNhZW0CMTEAAR0xQeRCmLtOuvM-R5dK6TX2mn-Ba7aHT1rG4RfxMmwnv8GWbYTdUkWBaEI_aem_ZmFrZWR1bW15MTZieXRlcw |title=Was Josquin's Mass of the Dice inspired by the roll of a die? |author=Peter Phillips |website=classical-music.com |date= 2022-10-01 |access-date=2024-06-21}}</ref> and the [[Evening Standard]].{{Citation needed|date=October 2023}} He featured in Bernard D Sherman's 2003 book ''Inside Early Music: Conversations with Performers''.<ref>{{cite book |date=2003 |last=Sherman |first=Bernard |title=Inside Early Music: Conversations with Performers |publisher=Oxford University Press |location=Oxford, England |page=3 |isbn= 978-0195169454 }}</ref>


He has written three books:
He has written three books:
Line 89: Line 90:


== Awards and honours ==
== Awards and honours ==
In 1990 Phillips was the subject of [[The South Bank Show]], introduced by [[Melvyn Bragg]]. It followed the course of renaissance polyphony through England and the Netherlands and was entitled "A Personal Odyssey".<ref>{{cite web |url=https://www.gramophone.co.uk/review/tallis-scholars-south-bank-show |title=Tallis Scholars South Bank Show |author=<!--Not stated--> |website=gramophone.co.uk |access-date=2024-06-21}}</ref><ref>{{cite news |date=2002-10-08 |work=Aberdeen Evening Press |author=Roddy Phillips |title=Byrdsong |url= https://www.britishnewspaperarchive.co.uk/viewer/bl/0000445/19901130/125/0006 |page=6 |location=Aberdeen, UK }}</ref>

In 2005, Phillips was made a Chevalier de l’[[Ordre des Arts et des Lettres]] by the French Minister of Culture, a decoration intended to honour individuals who have contributed to the understanding of French culture in the world, in his case [[Josquin des Prez]].
In 2005, Phillips was made a Chevalier de l’[[Ordre des Arts et des Lettres]] by the French Minister of Culture, a decoration intended to honour individuals who have contributed to the understanding of French culture in the world, in his case [[Josquin des Prez]].


From 2008 to 2016 he was made a Reed Rubin Director of Music at [[Merton College, Oxford]], and in 2010 a Bodley Fellow.<ref>{{cite web |url=https://www.merton.ox.ac.uk/people/peter-phillips |title=Peter Phillips |author=<!--Not stated--> |website=merton.ox.ac.uk |access-date=2024-06-21}}</ref> In 2021 he was elected an Honorary Fellow of St John’s College, Oxford, where he had been Organ Scholar from 1972 to 1975.
From 2008 to 2016 he was a Reed Rubin Director of Music at [[Merton College, Oxford]], and in 2010 a Bodley Fellow.<ref>{{cite web |url=https://www.merton.ox.ac.uk/people/peter-phillips |title=Peter Phillips |author=<!--Not stated--> |website=merton.ox.ac.uk |access-date=2024-06-21}}</ref> In 2021 he was elected an Honorary Fellow of St John’s College, Oxford, where he had been Organ Scholar from 1972 to 1975.<ref>{{cite web |url=https://www.sjc.ox.ac.uk/discover/people/peter-phillips/ |title=Peter Phillips |author=<!--Not stated--> |website=sjc.ox.ac.uk |access-date=2024-06-21}}</ref>


With the Tallis Scholars he has received:<ref>{{cite web |url=https://www.classicfm.com/music-news/latest-news/gimell-records-celebrates-30th-anniversary/ |title=Gimell Records celebrates 30th anniversary |author=<!--Not stated--> |website=classicfm.com |access-date=2024-06-21}}</ref>
With the Tallis Scholars he has received:<ref>{{cite web |url=https://www.classicfm.com/music-news/latest-news/gimell-records-celebrates-30th-anniversary/ |title=Gimell Records celebrates 30th anniversary |author=<!--Not stated--> |website=classicfm.com |access-date=2024-06-21}}</ref>
* [[Gramophone Awards]] in 1987, 1991, 1994 and 2005
* [[Gramophone Awards]] in 1987, 1991, 1994, 2005 and 2021
* [[Diapason d'Or]] de l’Année in 1989 and 2012
* [[Diapason d'Or]] de l’Année in 1989 and 2012
* Grammy nominations in 2002, 2009 and 2010
* Grammy nominations in 2002, 2009 and 2010
Line 104: Line 107:


== References ==
== References ==
{{Portal|Biography}}
<references/>
<references/>



Revision as of 15:53, 10 July 2024

Peter Phillips
Phillips in St Andrew-by-the-Wardrobe in 2006
Born (1953-10-15) 15 October 1953 (age 70)
NationalityBritish
Alma materSt John's College, Oxford
Occupation(s)Choral conductor, musicologist
Spouses
Children3
Website[Tallis Scholars]
[Gimell Records]

Peter Phillips (born 15 October 1953)[1] is a British choral conductor and musicologist.[2] He is the founder of the Tallis Scholars[3] as well as Gimell Records.[4] He has been the owner of the Musical Times since 1995.[5]

Early life and education

Phillips was born to Nigel Sayer Phillips and Patricia Ann Witchell, (née Wyatt) in Southampton. He was educated at Winchester College (1967–71) and St John's College, Oxford (Organ Scholar 1972–75).[6] He studied music with Hugh Macdonald, Denis Arnold and David Wulstan.[7] He subsequently taught at Oxford University, Trinity College of Music and the Royal College of Music in London (where he directed the Chamber Choir in succession to David Willcocks), but had resigned all these posts by 1988 in order to pursue a full-time career in conducting.

The Tallis Scholars

Phillips's first concert with the Tallis Scholars took place in St Mary Magdalen's Church in Oxford on 3 November 1973. The group was made up of choral scholars (hence the use of the word 'Scholars' in the title) and layclerks from the leading Oxbridge choral foundations.[8] From the beginning, Phillips aimed to produce a distinctive sound, influenced by choirs he admired, in particular the Clerkes of Oxenford.[9] However the repertoire he chose was idiosyncratic, based in his desire to explore neglected corners of the polyphonic repertories, continental as much as English. This first concert included music by Obrecht, Ockeghem, Lassus and Victoria. After the foundation of Gimell Records in 1980,[10] the Tallis Scholars have gone on to fill many gaps in the recording catalogue, making discs devoted to such relatively unknown composers as Cardoso,[11] White,[12] Clemens,[13] Gombert,[14] Mouton,[15] Browne and Fayrfax.

Since winning the Gramophone Record of the Year Award in 1987,[16] the Tallis Scholars have been recognised as one of the world's leading ensemble in interpreting renaissance polyphony. That 1987 disc inaugurated a career-long project of recording all of Josquin des Prez’s masses, ready for the 500th anniversary of the composer’s death, in 2021. The ninth and last disc in the series also won an Award entitled Record of the Year – from the BBC Music Magazine – in 2021, 34 years after the first one.[17]

In 2013 he directed the Tallis Scholars in a 99-concert year of events, to celebrate the 40th anniversary of the group. Amongst other countries they visited New Zealand for the first time, Australia for the seventh time, Japan for the 14th time, and the US for the 61st.[18] As of 2021, The Tallis Scholars have given more than two-thirds of their 2,500 concerts outside the UK. In November 2023 they celebrated their 50th anniversary with a special concert in the Middle Temple Hall in London

Relationship with John Tavener

Phillips first met the composer John Tavener in 1977, which led to a lifelong friendship.[19] For many years Tavener was the only living composer to write for The Tallis Scholars,[20] a connection which resulted in pieces such as the Ikon of Light (1984),[21] Let not the Prince be silent (1988), the Lord's Prayer (1999), Tribute to Cavafy (1999) and The Requiem Fragments (2014), which was dedicated to Phillips.[22]

Relationship with other composers

In more recent years Phillips has commissioned Eric Whitacre,[23] Gabriel Jackson,[24] Nico Muhly,[25] Ivan Moody,[26] John Woolrich,[27] Matthew Martin,[28] Christopher Willcock,[29] Michael Nyman, David Lang and in 2014 made a disc entirely dedicated to Arvo Pärt's tintinnabuli style.

Appearing at the Proms

Phillips gave his first Promenade concert in 1988, since when he has appeared eight more times, always with the Tallis Scholars, though in 2007 also with the BBC Singers, when the two groups joined forces to give the first modern performance of Striggio's 60-part Mass Ecco si beato giorno. Phillips and The Tallis Scholars appeared at the Proms on 4 August 2014 to help mark the anniversary of the outbreak of World War I, with a Requiem written for them by John Tavener, televised on BBC 4. In 2018 they returned to the Albert Hall to sing a specially adapted Compline service.[30]

Other conducting work

In 1985 Phillips was invited by Philippe Herreweghe to conduct La Chapelle Royale of Paris and the Netherlands Chamber Choir, which sparked a lifelong interest in working with groups trained outside the Anglican choral tradition. These invitations also promoted in Phillips an interest in European culture, cuisines and languages. He has owned property in Paris since 1989 and given interviews in French, German, Italian and Spanish. He is also a student of Arabic (in which he has not given an interview).

Phillips started a collaboration with the BBC Singers in 2003, with whom he has now appeared in nearly 25 productions, most recently in May 2023. In 2021 he conducted them in a live broadcast from Maida Vale, featuring Mexican polyphony written for Puebla Cathedral.[31][32] He has recorded with the Spanish group El León de Oro (Oviedo). Other groups he has worked with include Intrada (Moscow), Estonian Philharmonic Chamber Choir and the Danish Radio Choir.

In 2018 he gave a six-part series of lectures on BBC Radio 3, entitled The Glories of Polyphony.

Educational work

In 2000 Peter Phillips and David Woodcock set up the first Tallis Scholars Summer School in Oakham.[33] This was followed in 2005 by an extension in Seattle (US), and in 2007 by one in Sydney, Australia. He has also been involved with similar courses in Rimini, Evora and Barcelona. He lectured on the John Hall pre-University course in Venice from 1981 to 2019.[34]

Phillips began an association with Merton College Chapel in 1974 when, as an undergraduate, he directed Tallis's 'Why fum'th in fight' as a prelude to a performance of Vaughan Williams's Fantasia on a Theme of Thomas Tallis. The Tallis Scholars recorded regularly in Merton Chapel between 1976 and 1987, returning more permanently in 2005. In 2006, with the help of Jessica Rawson and Simon Jones, Phillips established a new choral foundation at the College.[35] This choir sang its first services under Phillips and Benjamin Nicholas in October 2008.[36]

In 2014 Phillips helped to establish the first of three London International Choral Competitions at St John's Smith Square. Among the judges were John Rutter, Emma Kirkby, Alastair Hume, Mark Williams and James O'Donnell. Featured composers have been John Tavener, Gabriel Jackson and Arvo Pärt.[37]

Phillips became a founding trustee of the Muze Trust, a charity designed to help with musical education in Zambia. At the invitation of Paul Kelly he visited Lusaka in 2010, directing Vox Zambesi in a concert and a recording, and continuing as a Trustee until 2023.

Publications

Phillips wrote a regular column for The Spectator on all aspects of classical music from January 1983 to May 2016.[38]

In 1995 he became the owner and publisher of the Musical Times – the oldest continuously published music journal in the world.[39] Phillips has also written for the Times Literary Supplement, Early Music Magazine,[40] The Times,[41] The Guardian,[42] the Musical Times,[43] the Royal Academy Magazine, the London Review of Books,[44] the BBC Music Magazine[45] and the Evening Standard.[citation needed] He featured in Bernard D Sherman's 2003 book Inside Early Music: Conversations with Performers.[46]

He has written three books:

  • English Sacred Music 1549–1649 (Gimell, 1991, ISBN 978-0-9515784-0-7)[47]
  • What We Really Do: The Tallis Scholars (Musical Times, 2nd edition, 2013 ISBN 978-0-9545777-2-8)[48]
  • The Blue French (Musical Times, 1st edition, 2023 ISBN 978-0-9545777-3-5)

Awards and honours

In 1990 Phillips was the subject of The South Bank Show, introduced by Melvyn Bragg. It followed the course of renaissance polyphony through England and the Netherlands and was entitled "A Personal Odyssey".[49][50]

In 2005, Phillips was made a Chevalier de l’Ordre des Arts et des Lettres by the French Minister of Culture, a decoration intended to honour individuals who have contributed to the understanding of French culture in the world, in his case Josquin des Prez.

From 2008 to 2016 he was a Reed Rubin Director of Music at Merton College, Oxford, and in 2010 a Bodley Fellow.[51] In 2021 he was elected an Honorary Fellow of St John’s College, Oxford, where he had been Organ Scholar from 1972 to 1975.[52]

With the Tallis Scholars he has received:[53]

  • Gramophone Awards in 1987, 1991, 1994, 2005 and 2021
  • Diapason d'Or de l’Année in 1989 and 2012
  • Grammy nominations in 2002, 2009 and 2010
  • Record of the Year from the BBC Music Magazine in 2021

His 1980 recording of Allegri's Miserere was said by the BBC Music Magazine to be one of the 50 greatest recordings of all time.[54]

In 2009 the Tallis Scholars were voted by Early Music Today the fourth most influential early group in the history of the genre, after the instrumental ensembles of David Munrow, John Eliot Gardiner and Christopher Hogwood.[55] In 2013 they were voted into the Gramophone Hall of Fame[56] – about 120 names from the entire history of classical recording – the only early music group to be so listed.

References

  1. ^ Fabrice Fitch. "Phillips, Peter (ii)." In Grove Music Online. Oxford Music Online. Retrieved 21/09/2009.
  2. ^ Gant, Andrew (2015). O sing unto the Lord : a history of English church music. London, UK: Profile Books. p. 148. ISBN 9781781252475.
  3. ^ "The Tallis Scholars". thetallisscholars.co.uk. Retrieved 30 July 2014.
  4. ^ "Gimell Records". gimell.com. Retrieved 30 July 2014.
  5. ^ "Contents". The Musical Times (Vol. cxxxvii No. 1839 ed.). London, UK: Peter Phillips. May 1996. p. 3.
  6. ^ Dennis Shrock (May 1992). "An Interview With Peter Phillips: Director of the Tallis Scholars". The Choral Journal (Vol. 32 No. 10 ed.). Oklahoma, USA: American Choral Directors Association. p. 7.
  7. ^ Fabrice Fitch (20 January 2001). "Phillips, Peter(ii)". www-oxfordmusiconline-com. Retrieved 21 June 2024.
  8. ^ Rees, Owen (2017). Know-it-all classical music : the 50 most significant genres, composers & forms, each explained in under a minute. New York, USA: Wellfleet Press. p. 43. ISBN 9781577151500.
  9. ^ "Peter Phillips". sjc.ox.ac.uk. Retrieved 21 June 2024.
  10. ^ James Jolly (18 January 2024). "Gramophone magazine: a history – the 1980s". gramophone.co.uk. Retrieved 21 June 2024.
  11. ^ "Cardoso Sacred Choral Works". gramophone.co.uk. Retrieved 21 June 2024.
  12. ^ "Robert White Sacred Music for Choir". gramophone.co.uk. Retrieved 21 June 2024.
  13. ^ "Clemens Non Papa: Sacred Choral Work". gramophone.co.uk. Retrieved 21 June 2024.
  14. ^ "Gombert 5-8 Magnificat". gramophone.co.uk. Retrieved 21 June 2024.
  15. ^ Vivien Schweitzer (10 March 2010). "Making Some Hits From 1500 Sound Fresh Again". The New York Times. Retrieved 21 June 2024.
  16. ^ Rees, Owen (2017). Know-it-all classical music : the 50 most significant genres, composers & forms, each explained in under a minute. New York, USA: Wellfleet Press. p. 43. ISBN 9781577151500.
  17. ^ "Peter Phillips". sjc.ox.ac.uk. Retrieved 21 June 2024.
  18. ^ James Naughtie (November 2013). "Peter Phillips". BBC Music Magazine. Bristol, UK: Immediate Media Co. p. 33.
  19. ^ Fabrice Fitch (20 January 2001). "Phillips, Peter(ii)". www-oxfordmusiconline-com. Retrieved 21 June 2024.
  20. ^ Peter Phillips (23 November 2013). "Peter Phillips: I saw the other side of John Taverner". spectator.co.uk. Retrieved 21 June 2024.
  21. ^ Kenneth Loveland (July 1984). "Cheltenham". The Musical Times (Vol. cxxv No. 1697 ed.). Sevenoaks, UK: Orpheus. p. 519.
  22. ^ Jason Caffrey (23 July 2014). "John Tavener works receive Proms world premieres". bbc.com. Retrieved 21 June 2024.
  23. ^ "Eric Whitacre and the Tallis Scholars new single preview". classicfm.com. 13 March 2013. Retrieved 21 June 2024.
  24. ^ "The Tallis Scholars". timeout.com. 27 August 2015. Retrieved 21 June 2024.
  25. ^ James Mustard (7 October 2022). "Music review: No Resting Place by Nico Muhly". churchtimes.co.uk. Retrieved 21 June 2024.
  26. ^ Martin Cullingford (24 January 2024). "Ivan Moody, composer, musicologist and Gramophone writer, has died". gramophone.co.uk. Retrieved 21 June 2024.
  27. ^ "A Book of Elegies". fabermusic.com. Retrieved 21 June 2024.
  28. ^ "Matthew Martin". ram.ac.uk. Retrieved 21 June 2024.
  29. ^ "Bass twist, a lay down Miserere". theage.com.au. 16 April 2004. Retrieved 21 June 2024.
  30. ^ "Performances of Peter Phillips at BBC Proms". bbc.co.uk. Retrieved 21 June 2024.
  31. ^ "Peter Phillips conducts music of the Renaissance from South America". bbc.co.uk. 21 May 2021. Retrieved 21 June 2024.
  32. ^ Richard Morrison (13 September 2023). "BBC Singers/Phillips review — ancient canticles and motets ideally paced and delivered". thetimes.com. Retrieved 21 June 2024.
  33. ^ "THE TALLIS SCHOLARS SUMMER SCHOOL LIMITED". find-and-update.company-information.service.gov.uk. Retrieved 21 June 2024.
  34. ^ "Alumni". johnhallvenice.com. Retrieved 21 June 2024.
  35. ^ "The Tallis Scholars, 40 years on". Gramophone. Middlesex, UK: Haymarket Consumer. January 2013. p. 11.
  36. ^ Rachel Harden (24 January 2007). "Interview: Peter Phillips, director of The Tallis Scholars..." churchtimes.co.uk. Retrieved 21 June 2024.
  37. ^ Peter Phillips (23 November 2017). "British choirs aren't the best – but they could be with better support". The Guardian. Retrieved 21 June 2024.
  38. ^ Phillips, Peter (5 May 2016). "Last words". The Spectator. Retrieved 5 October 2023.
  39. ^ "Contents". The Musical Times (Vol. cxxxvii No. 1839 ed.). London, UK: Peter Phillips. May 1996. p. 3.
  40. ^ Peter Phillips (August 2005). "Treble or Soprano?". Early Music (Vol.33 No. 3 ed.). Oxford, UK: Oxford University Press. p. 495.
  41. ^ Peter Phillips (9 April 2009). "The drama of the Passion outperforms even the most tragic opera". The Times. Retrieved 21 June 2024.
  42. ^ Peter Phillips (23 November 2017). "British choirs aren't the best – but they could be with better support". The Guardian. Retrieved 21 June 2024.
  43. ^ Peter Phillips (Spring 2001). "Leading Notes: Beyond Words". Musical Times (Vol.142 No. 1874 ed.). London, England: Peter Phillips. p. 2.
  44. ^ Peter Phillips (14 December 2023). "Hickup over the Littany". London Review of Books. 45 (24). Retrieved 21 June 2024.
  45. ^ Peter Phillips (1 October 2022). "Was Josquin's Mass of the Dice inspired by the roll of a die?". classical-music.com. Retrieved 21 June 2024.
  46. ^ Sherman, Bernard (2003). Inside Early Music: Conversations with Performers. Oxford, England: Oxford University Press. p. 3. ISBN 978-0195169454.
  47. ^ "Peter Phillips". gimell.com. Retrieved 5 October 2023.
  48. ^ "The Musical Times: What We Really Do". Themusicaltimes.blogspot.co.uk. 27 February 2004. Retrieved 1 August 2014.
  49. ^ "Tallis Scholars South Bank Show". gramophone.co.uk. Retrieved 21 June 2024.
  50. ^ Roddy Phillips (8 October 2002). "Byrdsong". Aberdeen Evening Press. Aberdeen, UK. p. 6.
  51. ^ "Peter Phillips". merton.ox.ac.uk. Retrieved 21 June 2024.
  52. ^ "Peter Phillips". sjc.ox.ac.uk. Retrieved 21 June 2024.
  53. ^ "Gimell Records celebrates 30th anniversary". classicfm.com. Retrieved 21 June 2024.
  54. ^ "Gimell Records - 50 Greatest Recordings of All Time". Gimell.com. 20 December 2011. Archived from the original on 12 December 2013. Retrieved 1 August 2014.
  55. ^ "Gimell Records celebrates 30th anniversary". classicfm.com. Retrieved 21 June 2024.
  56. ^ "2013 Hall Of Fame". gramophone.co.uk/halloffame. Gramophone. Retrieved 30 July 2014.