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{{short description|American film director and screenwriter|bot=PearBOT 5}}
{{Infobox person
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| name = Kerry Conran
| name = Kerry Conran
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| birth_name = Kerry Scott Conran
| birth_name = Kerry Scott Conran
| birth_date = {{Birth date and age|1964|11|6|mf=yes}}
| birth_date =
| birth_place = [[Flint, Michigan]], United States
| birth_place = [[Flint, Michigan]], United States
| occupation = Film director, screenwriter
| occupation = Film director, screenwriter
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By Kevin Conran '''Kerry Scott Conran''' (born November 6, 1964) is an American [[film director]] and screenwriter, best known for creating and directing the 2004 [[Pulp magazine|pulp]] science fiction film ''[[Sky Captain and the World of Tomorrow]]''.
'''Kerry Scott Conran''' is an American [[film director]] and screenwriter, best known for creating and directing the 2004 [[Pulp magazine|pulp]] science fiction film ''[[Sky Captain and the World of Tomorrow]]''.


==Early life and influences==
==Early life and influences==
Conran was born in Flint, Michigan. He was educated at the [[California Institute of the Arts]]. He grew up watching such classic adventure [[movies]] and [[Serial film|serials]] as ''[[King Kong (1933 film)|King Kong]]'', ''[[Lost Horizon (1937 film)|Lost Horizon]]'', ''[[Metropolis (1927 film)|Metropolis]]'', and ''[[Flash Gordon (serial)|Flash Gordon]]'' on a [[Local community|local]] [[television channel]].<ref>{{cite web | last = Adams| first = John| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref><ref>{{cite web|last = Adams| first = John| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref>
Conran was born in Flint, Michigan. He was educated at the [[California Institute of the Arts]]. He grew up watching such classic adventure [[movies]] and [[Serial film|serials]] as ''[[King Kong (1933 film)|King Kong]]'', ''[[Lost Horizon (1937 film)|Lost Horizon]]'', ''[[Metropolis (1927 film)|Metropolis]]'', and ''[[Flash Gordon (serial)|Flash Gordon]]'' on a [[Local community|local]] [[television channel]].<ref name="auto">{{cite web | last = Adams| first = John Joseph| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref>


He was impressed by the whimsy and imagination of these films. He explained in an interview with [[John Joseph Adams]] that the adventure films of the 1930s era were not limited by what was practical, but only by the imaginations of the creators. He stated that he found this element lacking in most modern adventure films, which he described as "almost too well informed... and more cynical".<ref>{{cite web | last = Adams| first = John| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref> As a result, he had aspired ever since his childhood to create an adventure film or serial in the same vein as the aforementioned escapist adventures of the 1930s. He spent much of his childhood making short super-8 movies.<ref>{{cite web| last = Axmaker| first = Sean
He was impressed by the whimsy and imagination of these films. He explained in an interview with [[John Joseph Adams]] that the adventure films of the 1930s era were not limited by what was practical, but only by the imaginations of the creators. He stated that he found this element lacking in most modern adventure films, which he described as "almost too well informed... and more cynical".<ref name="auto"/> As a result, he had aspired ever since his childhood to create an adventure film or serial in the same vein as the aforementioned escapist adventures of the 1930s. He spent much of his childhood making short super-8 movies.<ref name="auto1">{{cite web| last = Axmaker| first = Sean| title = "At the cusp of a renaissance": Kerry Conran| url = http://www.greencine.com/article?action=view&articleID=148| url-status = dead| archiveurl = https://web.archive.org/web/20071013173553/http://www.greencine.com/article?action=view&articleID=148| archivedate = 2007-10-13}}</ref> Upon becoming an adult, he entered the [[California Institute of Arts]]. Although he was enrolled in a [[live-action]] [[Course (education)|course]], he became enamored with the abilities of those in [[animation]] courses to create whatever was in their [[imagination]]. He realized that they were not bound by such things as practicality or the [[Physical law|rules of physics]], but only by their imaginations.<ref name="auto2">{{cite web | last = Conran| first = Kerry| title = Sky Captain and the World of Tomorrow (Widescreen Special Collector's Edition)| website = Amazon| url=https://www.amazon.com/Captain-Tomorrow-Widescreen-Special-Collectors/dp/B0006IIPIK}}</ref> As a result, he devised the idea of making a film with live actors, but computer-generated backgrounds.<ref name="auto" />
|title = "At the cusp of a renaissance": Kerry Conran| url=http://www.greencine.com/article?action=view&articleID=148}}</ref> Upon becoming an adult, he entered the [[California Institute of Arts]]. Although he was enrolled in a [[live-action]] [[Course (education)|course]], he became enamored with the abilities of those in [[animation]] courses to create whatever was in their [[imagination]]. He realized that they were not bound by such things as practicality or the [[Physical law|rules of physics]], but only by their imaginations.<ref>{{cite web | last = Conran| first = Kerry| title = Sky Captain and the World of Tomorrow (Widescreen Special Collector's Edition)| url=http://www.amazon.com/Captain-Tomorrow-Widescreen-Special-Collectors/dp/B0006IIPIK}}</ref> As a result, he devised the idea of making a film with live actors, but computer-animated backgrounds.<ref>{{cite web| last = Adams| first = John| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref>


==Career==
==Career==
When he had fully figured out how he was going to go about making the movie, he enlisted the help of his brother Kevin and a few friends. At first, he planned to make a feature-length seven-chapter serial, which he would release independently. He eventually decided to make only a six-minute [[Teaser trailer|teaser]] instead, as it would take him several decades to create the backgrounds for a full-length feature. He set up a [[blue-screen]] in his [[apartment]], and some of his [[friends]] acted in the roles. He created the backgrounds for the black and white [[Short film|short]] over the course of four years with his [[Macintosh|Mac]] [[computer]]. He could not afford a good computer or equipment, so he used equipment given him in payment for projects that he worked on, such as desktop publishing of articles. His computer (including the equipment he earned) was outdated and slow. He dropped out of society, and spent all of his free time creating the short, working only enough to support himself and his project. He later remarked that he "had no life", and would sometimes hide under his desk in a fetal position, feeling tempted to give up on his project.<ref>{{cite web| last = Sampson| first = Mike| title = INT: Kerry Conran|url=http://www.joblo.com/movie-news/interview-kerry-conran}}</ref><ref>{{cite web| last = Sampson| first = Mike| title = INT: Kerry Conran| url=http://www.joblo.com/movie-news/interview-kerry-conran}}</ref>
When he had fully figured out how he was going to go about making the movie, he enlisted the help of his brother Kevin and a few friends. At first, he planned to make a feature-length seven-chapter serial, which he would release independently. He eventually decided to make only a six-minute [[Teaser trailer|teaser]] instead, as it would take him several decades to create the backgrounds for a full-length feature. He set up a [[Chroma key|blue-screen]] in his [[apartment]], and some of his [[friendship|friends]] acted in the roles. He created the backgrounds for the black and white [[Short film|short]] over the course of four years with his [[Macintosh|Mac]] [[computer]]. He could not afford better equipment, so he used equipment given him in payment for projects that he worked on, such as desktop publishing of articles. His computer (including the equipment he earned) was outdated and slow. He dropped out of society, and spent all of his free time creating the short, working only enough to support himself and his project. He later remarked that he "had no life", and would sometimes hide under his desk in a fetal position, feeling tempted to give up on his project.<ref>{{cite web| last = Sampson| first = Mike| title = INT: Kerry Conran| url = http://www.joblo.com/movie-news/interview-kerry-conran| access-date = 2011-04-05| archive-date = 2018-09-28| archive-url = https://web.archive.org/web/20180928052236/http://www.joblo.com/movie-news/interview-kerry-conran| url-status = dead}}</ref>


He modeled the [[Tone (literature)|tone]] and visuals of the short on the [[cinematography]] in ''[[The Third Man]]'',<ref>{{cite web | last = Adams | first = John| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref> and based the look of the [[robots]] featured in the short on those in the Superman cartoon ''[[The Mechanical Monsters]]''. The short took four years to complete. When finished, it was entitled ''Sky Captain and the Flying Legion In: The World of Tomorrow - Chapter One: The Mechanical Monsters'', but it is usually referred to merely as ''The World of Tomorrow''.
He modeled the [[Tone (literature)|tone]] and visuals of the short on the [[cinematography]] in ''[[The Third Man]]'',<ref name="auto" /> and based the look of the [[robots]] featured in the short on those in the Superman cartoon ''[[The Mechanical Monsters]]''. The short took four years to complete. When finished, it was entitled ''Sky Captain and the Flying Legion In: The World of Tomorrow - Chapter One: The Mechanical Monsters'', but it is usually referred to merely as ''The World of Tomorrow''.


Kevin Conran invited Marsha Oglesby, a [[film producer|movie producer]] and friend of his wife, to look at the short. She was impressed by the scope and ambition of the short, especially as it was made entirely in Kerry Conran's apartment. She referred the Conran brothers to producer [[Jon Avnet]], who agreed to help the Conran brothers make a feature-length film, and found [[funding]] for the project. Kerry Conran wrote and directed the feature-length film, entitled ''[[Sky Captain and the World of Tomorrow]]'', Kevin Conran served as the [[concept art]]ist, [[production designer]], and [[costume designer]], and his younger sister Kirsten served as [[Art director#In film|art director]].<ref>{{cite web | last = Conran| first = Kerry| title = Sky Captain and the World of Tomorrow (Widescreen Special Collector's Edition)| url=http://www.amazon.com/Captain-Tomorrow-Widescreen-Special-Collectors/dp/B0006IIPIK}}</ref> At first, Kerry Conran intended for the film to be a seven-part black and white serial, but Jon Avnet convinced him to make it without chapters, and in color. As a result, Kerry Conran and [[visual effects supervisor]] Darin Hollings developed a color style based on [[Technicolor#Two-color Technicolor|two-strip]] and [[Technicolor#Three-strip Technicolor|three-strip]] [[Technicolor]].<ref>{{cite web| last = Desowitz| first = Bill| title = Meet the Sky Captain Visionary: Q&A with Kerry Conran| url=http://archives.awn.com/articles/production/meet-isky-captaini-visionary-qa-kerry-conran/page/3%2C1}}</ref> ''Sky Captain and the World of Tomorrow'' was filmed, for the most part, entirely on blue-screen, with backgrounds, [[Cinematic techniques#Lighting|lighting]], and other effects added in post-production. However, due to time and budget constraints, one set was partially built, and another was fully built. ''Sky Captain and the World of Tomorrow'' was released in 2004, by [[Paramount Pictures]].<ref>{{cite web| last = Axmaker| first = Sean | title = "At the cusp of a renaissance": Kerry Conran| url=http://www.greencine.com/article?action=view&articleID=148}}</ref> It was given fairly favorable reviews by [[film critic|critics]],<ref>{{cite web| last =| first =| title = Sky Captain and the World of Tomorrow (2004)| url=http://www.rottentomatoes.com/m/sky_captain/}}</ref> but did not do well at the box-office.
Kevin Conran invited Marsha Oglesby, a [[film producer|movie producer]] and friend of his wife, to look at the short. She was impressed by the scope and ambition of the short, especially as it was made entirely in Kerry Conran's apartment. She referred the Conran brothers to producer [[Jon Avnet]], who agreed to help the Conran brothers make a feature-length film, and found [[funding]] for the project. Kerry Conran wrote and directed the feature-length film, entitled ''[[Sky Captain and the World of Tomorrow]]'', Kevin Conran served as the [[concept art]]ist, [[production designer]], and [[costume designer]], and his younger sister Kirsten served as [[Art director#In film|art director]].<ref name="auto2"/> At first, Kerry Conran intended for the film to be a seven-part black and white serial, but Jon Avnet convinced him to make it without chapters, and in color. As a result, Kerry Conran and [[visual effects supervisor]] Darin Hollings developed a color style based on [[Technicolor#Two-color Technicolor|two-strip]] and [[Technicolor#Three-strip Technicolor|three-strip]] [[Technicolor]].<ref>{{cite web| last = Desowitz| first = Bill| title = Meet the Sky Captain Visionary: Q&A with Kerry Conran| url = http://archives.awn.com/articles/production/meet-isky-captaini-visionary-qa-kerry-conran/page/3%2C1| url-status = dead| archiveurl = https://web.archive.org/web/20110811180205/http://archives.awn.com/articles/production/meet-isky-captaini-visionary-qa-kerry-conran/page/3,1| archivedate = 2011-08-11}}</ref> ''Sky Captain and the World of Tomorrow'' was filmed, for the most part, entirely on blue-screen, with backgrounds, [[Cinematic techniques#Lighting|lighting]], and other effects added in post-production. However, due to time and budget constraints, one set was partially built, and another was fully built. ''Sky Captain and the World of Tomorrow'' was released in 2004, by [[Paramount Pictures]].<ref name="auto1"/> It was given fairly favorable reviews by [[film critic|critics]],<ref>{{cite web| last =| first =| title = Sky Captain and the World of Tomorrow (2004)| website =[[Rotten Tomatoes]]| url=http://www.rottentomatoes.com/m/sky_captain/}}</ref> but did not do well at the box office.


Afterwards, Conran was slated to direct ''[[John Carter of Mars (film)|John Carter of Mars]]'', an adaptation of the [[Edgar Rice Burroughs]] novel ''[[A Princess of Mars]]'', but left the project for unknown reasons. Conran, who had replaced [[Robert Rodriguez]], was replaced by [[Jon Favreau]] after leaving the project. Paramount executives decided not to continue with the project, citing their desire to put their resources toward the Star Trek franchise. Disney then picked up the option for Pixar's [[Andrew Stanton]] to direct.<ref>{{cite news|title=WALL-E helmer Andrew Stanton talks John Carter of Mars |first=Fred |last=Topel |work=[[Sci Fi Wire]] |date=2009-01-09 |url=http://scifiwire.com/2009/01/wall-e-helmer-andrew-stanton-talks-john-carter-of-mars.php}}</ref> Conran planned to work on an original project with friend and former schoolmate [[Robert Gordon (screenwriter)|Robert Gordon]].<ref>{{cite web| last = Knowles| first = Harry| title = UPDATED!! JOHN CARTER OF MARS has a new director and he's so money...|url=http://www.aintitcool.com/node/21482}}</ref><ref>{{cite web| last = Brevet| first = Brad| title = INTERVIEW: Helmer Kerry Conran Talks SKY CAPTAIN – Part 2|url=http://www.ropeofsilicon.com/article/interview_helmer_kerry_conran_talks_sky_captain_part_2}}</ref> He has stated that he prefers to adapt original material.<ref>{{cite web| last = Brevet| first = Brad| title = INTERVIEW: Helmer Kerry Conran Talks SKY CAPTAIN – Part 2|url=http://www.ropeofsilicon.com/article/interview_helmer_kerry_conran_talks_sky_captain_part_2}}</ref>
Afterwards, Conran was slated to direct ''[[John Carter of Mars (film)|John Carter of Mars]]'', an adaptation of the [[Edgar Rice Burroughs]] novel ''[[A Princess of Mars]]'', after having initially turned it down twice. Before production could commence, [[Sherry Lansing]] stepped down from Paramount and the studio had lost interest in the project.<ref name="ConranUpdate" /> Conran, who had replaced [[Robert Rodriguez]], was replaced by [[Jon Favreau]] after leaving the project. Paramount executives decided not to continue with the project, citing their desire to put their resources toward the Star Trek franchise. Disney then picked up the option for Pixar's [[Andrew Stanton]] to direct.<ref>{{cite news|title=WALL-E helmer Andrew Stanton talks John Carter of Mars |first=Fred |last=Topel |work=[[Sci Fi Wire]] |date=2009-01-09 |url=http://scifiwire.com/2009/01/wall-e-helmer-andrew-stanton-talks-john-carter-of-mars.php |url-status=dead |archiveurl=https://web.archive.org/web/20090218105151/http://scifiwire.com/2009/01/wall-e-helmer-andrew-stanton-talks-john-carter-of-mars.php |archivedate=2009-02-18 }}</ref> Conran planned to work on an original project with friend and former schoolmate [[Robert Gordon (screenwriter)|Robert Gordon]].<ref>{{cite web| last = Knowles| first = Harry| title = UPDATED!! JOHN CARTER OF MARS has a new director and he's so money...|url=http://www.aintitcool.com/node/21482}}</ref><ref name="auto3">{{cite web| last = Brevet| first = Brad| title = INTERVIEW: Helmer Kerry Conran Talks SKY CAPTAIN – Part 2|url=http://www.ropeofsilicon.com/article/interview_helmer_kerry_conran_talks_sky_captain_part_2}}</ref> He has stated that he prefers to adapt original material.<ref name="auto3"/>


Conran directed a 2006 Christmas-themed [[Coca-Cola]] commercial entitled ''The Greatest Gift'', on which Kevin Conran served as production designer along with other key ''Sky Captain and the World of Tomorrow'' collaborators, including Eric Adkins and Erik Jessen.
Conran directed a 2006 Christmas-themed [[Coca-Cola]] commercial entitled ''The Greatest Gift'', on which he served as production designer along with other key ''Sky Captain and the World of Tomorrow'' collaborators, including Eric Adkins and Erik Jessen.


In 2012, Conran and ''Sky Captain and the World of Tomorrow'' collaborator Stephen Lawes co-directed a short film written by Conran entitled ''Gumdrop''. ''Sky Captain'' collaborators Jon Avnet, Marsha Oglesby, Sean Cushing, Todd Toon, and Kevin Chalk were also involved in making the short.<ref>{{cite web| title = Full cast and crew for Gumdrop (2012) |url=http://www.imdb.com/title/tt2516350/fullcredits#cast}}</ref> Conran also worked on the 2012 [[proof of concept]] short film ''Monster Roll'', along with ''Sky Captain'' collaborators Dan Blank (who directed the short), Eric Adkins, Erik Jessen, and Takashi Takeoka.<ref>{{cite web| title = Full cast and crew for Monster Roll (2012) |url=http://www.imdb.com/title/tt2272364/fullcredits#cast}}</ref>
In 2012, Conran and ''Sky Captain and the World of Tomorrow'' collaborator Stephen Lawes co-directed a short film written by Conran entitled ''Gumdrop''. ''Sky Captain'' collaborators Jon Avnet, Marsha Oglesby, Sean Cushing, Todd Toon, and Kevin Chalk were also involved in making the short.<ref>{{cite web| title = Full cast and crew for Gumdrop (2012) |website=[[IMDb]] |url=https://www.imdb.com/title/tt2516350/fullcredits#cast}}</ref> Conran also worked on the 2012 [[proof of concept]] short film ''Monster Roll'', along with ''Sky Captain'' collaborators Dan Blank (who directed the short), Eric Adkins, Erik Jessen, and Takashi Takeoka.<ref>{{cite web| title = Full cast and crew for Monster Roll (2012) |website=[[IMDb]] |url=https://www.imdb.com/title/tt2272364/fullcredits#cast}}</ref>

Conran at one point was to direct ''[[Truckers (film)|Truckers]]'' for [[DreamWorks Animation]] before the project was shelved. He was to also collaborate with [[Sam Raimi]] on an adaptation of ''[[The Shadow]]'' and a separate project based on ''[[Doc Savage]]''. [[Sony Pictures]], which held the rights to both characters, lost interest in both projects sometime afterwards. Following a string of films that failed to go into production, Conran opted to step away from the limelight, "I decided I was just going to disappear, I'd just do my own stuff, and that's basically what I've been doing. I've not been idle, I've been doing stuff that's more about the experimentation [of ''Sky Captain'']." He is open to making more films and has shown some admiration towards the [[Marvel Cinematic Universe]].<ref name="ConranUpdate">{{cite web|url=https://moviehole.net/interview-kerry-conran-how-sky-captain-and-the-world-of-tomorrow-changed-the-world/|title=Interview: Kerry Conran : How Sky Captain and the World of Tomorrow Changed the World|website=Movie Hole|last=Turney|first=Drew|date=October 29, 2019|access-date=May 19, 2021}}</ref>


==Legacy==
==Legacy==
''Sky Captain and the World of Tomorrow'' has come to be considered a landmark in special effects, as it is the first major motion picture to be shot completely on blue-screen with computer-generated backgrounds (with the exception of the two sets built due to time and budget constraints), and is the film that brought this medium into vogue. Such films as [[Sin City (film)|''Sin City'']], [[300 (film)|''300'']], and [[The Spirit (film)|''The Spirit'']] are all influenced by ''Sky Captain and the World of Tomorrow'' in this respect. However, Kerry Conran has stated that he did not intend to create a new genre or medium, nor did he use his method of shooting on blue-screen as a gimmick. In his interview with John Joseph Adams, he stated: "I have always come at this from the perspective of filmmaking and developed the techniques used in this film out of necessity and never really sought to interest other computer aficionados".<ref>{{cite web | last = Adams| first = John| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref> However, he did acknowledge that his film had indeed become influential, albeit unintentionally: "That wasn't really the intention. Whether or not that what evolved from this maybe... which is a possibility. The intention was to tell that particular story with those particular visuals that we used.... and if history says it’s something else....".<ref>{{cite web | last = Adams| first = John| title = Interview with Kerry Conran| url=http://www.moviehabit.com/essay.php?story=conran_04}}</ref>
''Sky Captain and the World of Tomorrow'' has come to be considered a landmark in special effects, as it is the first major motion picture to be shot completely on blue-screen with computer-generated backgrounds (with the exception of the two sets built due to time and budget constraints), and is the film that brought this medium into vogue. Such films as [[Sin City (film)|''Sin City'']], [[300 (film)|''300'']], and [[The Spirit (2008 film)|''The Spirit'']] are all influenced by ''Sky Captain and the World of Tomorrow'' in this respect. However, Kerry Conran has stated that he did not intend to create a new genre or medium, nor did he use his method of shooting on blue-screen as a gimmick. In his interview with John Joseph Adams, he stated: "I have always come at this from the perspective of filmmaking and developed the techniques used in this film out of necessity and never really sought to interest other computer aficionados".<ref name="auto"/> However, he did acknowledge that his film had indeed become influential, albeit unintentionally: "That wasn't really the intention. Whether or not that what evolved from this maybe... which is a possibility. The intention was to tell that particular story with those particular visuals that we used.... and if history says it’s something else....".<ref name="auto"/>


==References==
==References==
Line 39: Line 41:
==External links==
==External links==
*{{IMDb name|id=0175775|name=Kerry Conran}}
*{{IMDb name|id=0175775|name=Kerry Conran}}
*[http://www.macdirectory.com/newmd/Mac/pages/ntrvu/JudeLaw/ MacDirectory Interviews - Jude Law]
*[https://web.archive.org/web/20061104094239/http://www.macdirectory.com/newmd/mac/pages/ntrvu/judelaw/ MacDirectory Interviews - Jude Law]
*[http://www.moviehabit.com/essay.php?story=conran_04 Interview with Kerry Conran - Moviehabit]
*[http://www.moviehabit.com/essay.php?story=conran_04 Interview with Kerry Conran - Moviehabit]
*[http://www.greencine.com/article?action=view&articleID=148 "At the cusp of a renaissance": Kerry Conran]
*[https://web.archive.org/web/20071013173553/http://www.greencine.com/article?action=view&articleID=148 "At the cusp of a renaissance": Kerry Conran]
*[http://www.ropeofsilicon.com/interview_helmer_kerry_conran_talks_sky_captain/ INTERVIEW: Helmer Kerry Conran Talks SKY CAPTAIN - Rope of Silicon]
*[http://www.ropeofsilicon.com/interview_helmer_kerry_conran_talks_sky_captain/ INTERVIEW: Helmer Kerry Conran Talks SKY CAPTAIN - Rope of Silicon]
*[http://www.joblo.com/movie-news/interview-kerry-conran INT: Kerry Conran - Joblo.com]
*[http://www.joblo.com/movie-news/interview-kerry-conran INT: Kerry Conran - Joblo.com] {{Webarchive|url=https://web.archive.org/web/20180928052236/http://www.joblo.com/movie-news/interview-kerry-conran |date=2018-09-28 }}
*[http://www.kevinconran.com/kevinconran/Home.html Kevinconran.com]
*[https://web.archive.org/web/20120119001459/http://www.kevinconran.com/kevinconran/Home.html Kevinconran.com]


{{Authority control}}
{{Authority control}}


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Conran, Kerry
| ALTERNATIVE NAMES =
| SHORT DESCRIPTION = American film director and screenwriter
| DATE OF BIRTH = November 6, 1964
| PLACE OF BIRTH = [[Flint, Michigan]], United States
| DATE OF DEATH =
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Conran, Kerry}}
{{DEFAULTSORT:Conran, Kerry}}
[[Category:American film directors]]
[[Category:21st-century American screenwriters]]
[[Category:American male screenwriters]]
[[Category:American male screenwriters]]
[[Category:California Institute of the Arts alumni]]
[[Category:California Institute of the Arts alumni]]
[[Category:People from Flint, Michigan]]
[[Category:Writers from Flint, Michigan]]
[[Category:1964 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:Film directors from Michigan]]
[[Category:Film directors from Michigan]]
[[Category:American science fiction film directors]]
[[Category:Screenwriters from Michigan]]
[[Category:Year of birth missing (living people)]]

Latest revision as of 09:28, 20 July 2024

Kerry Conran
Born
Kerry Scott Conran

Flint, Michigan, United States
Occupation(s)Film director, screenwriter
Known forSky Captain and the World of Tomorrow (2004)

Kerry Scott Conran is an American film director and screenwriter, best known for creating and directing the 2004 pulp science fiction film Sky Captain and the World of Tomorrow.

Early life and influences

[edit]

Conran was born in Flint, Michigan. He was educated at the California Institute of the Arts. He grew up watching such classic adventure movies and serials as King Kong, Lost Horizon, Metropolis, and Flash Gordon on a local television channel.[1]

He was impressed by the whimsy and imagination of these films. He explained in an interview with John Joseph Adams that the adventure films of the 1930s era were not limited by what was practical, but only by the imaginations of the creators. He stated that he found this element lacking in most modern adventure films, which he described as "almost too well informed... and more cynical".[1] As a result, he had aspired ever since his childhood to create an adventure film or serial in the same vein as the aforementioned escapist adventures of the 1930s. He spent much of his childhood making short super-8 movies.[2] Upon becoming an adult, he entered the California Institute of Arts. Although he was enrolled in a live-action course, he became enamored with the abilities of those in animation courses to create whatever was in their imagination. He realized that they were not bound by such things as practicality or the rules of physics, but only by their imaginations.[3] As a result, he devised the idea of making a film with live actors, but computer-generated backgrounds.[1]

Career

[edit]

When he had fully figured out how he was going to go about making the movie, he enlisted the help of his brother Kevin and a few friends. At first, he planned to make a feature-length seven-chapter serial, which he would release independently. He eventually decided to make only a six-minute teaser instead, as it would take him several decades to create the backgrounds for a full-length feature. He set up a blue-screen in his apartment, and some of his friends acted in the roles. He created the backgrounds for the black and white short over the course of four years with his Mac computer. He could not afford better equipment, so he used equipment given him in payment for projects that he worked on, such as desktop publishing of articles. His computer (including the equipment he earned) was outdated and slow. He dropped out of society, and spent all of his free time creating the short, working only enough to support himself and his project. He later remarked that he "had no life", and would sometimes hide under his desk in a fetal position, feeling tempted to give up on his project.[4]

He modeled the tone and visuals of the short on the cinematography in The Third Man,[1] and based the look of the robots featured in the short on those in the Superman cartoon The Mechanical Monsters. The short took four years to complete. When finished, it was entitled Sky Captain and the Flying Legion In: The World of Tomorrow - Chapter One: The Mechanical Monsters, but it is usually referred to merely as The World of Tomorrow.

Kevin Conran invited Marsha Oglesby, a movie producer and friend of his wife, to look at the short. She was impressed by the scope and ambition of the short, especially as it was made entirely in Kerry Conran's apartment. She referred the Conran brothers to producer Jon Avnet, who agreed to help the Conran brothers make a feature-length film, and found funding for the project. Kerry Conran wrote and directed the feature-length film, entitled Sky Captain and the World of Tomorrow, Kevin Conran served as the concept artist, production designer, and costume designer, and his younger sister Kirsten served as art director.[3] At first, Kerry Conran intended for the film to be a seven-part black and white serial, but Jon Avnet convinced him to make it without chapters, and in color. As a result, Kerry Conran and visual effects supervisor Darin Hollings developed a color style based on two-strip and three-strip Technicolor.[5] Sky Captain and the World of Tomorrow was filmed, for the most part, entirely on blue-screen, with backgrounds, lighting, and other effects added in post-production. However, due to time and budget constraints, one set was partially built, and another was fully built. Sky Captain and the World of Tomorrow was released in 2004, by Paramount Pictures.[2] It was given fairly favorable reviews by critics,[6] but did not do well at the box office.

Afterwards, Conran was slated to direct John Carter of Mars, an adaptation of the Edgar Rice Burroughs novel A Princess of Mars, after having initially turned it down twice. Before production could commence, Sherry Lansing stepped down from Paramount and the studio had lost interest in the project.[7] Conran, who had replaced Robert Rodriguez, was replaced by Jon Favreau after leaving the project. Paramount executives decided not to continue with the project, citing their desire to put their resources toward the Star Trek franchise. Disney then picked up the option for Pixar's Andrew Stanton to direct.[8] Conran planned to work on an original project with friend and former schoolmate Robert Gordon.[9][10] He has stated that he prefers to adapt original material.[10]

Conran directed a 2006 Christmas-themed Coca-Cola commercial entitled The Greatest Gift, on which he served as production designer along with other key Sky Captain and the World of Tomorrow collaborators, including Eric Adkins and Erik Jessen.

In 2012, Conran and Sky Captain and the World of Tomorrow collaborator Stephen Lawes co-directed a short film written by Conran entitled Gumdrop. Sky Captain collaborators Jon Avnet, Marsha Oglesby, Sean Cushing, Todd Toon, and Kevin Chalk were also involved in making the short.[11] Conran also worked on the 2012 proof of concept short film Monster Roll, along with Sky Captain collaborators Dan Blank (who directed the short), Eric Adkins, Erik Jessen, and Takashi Takeoka.[12]

Conran at one point was to direct Truckers for DreamWorks Animation before the project was shelved. He was to also collaborate with Sam Raimi on an adaptation of The Shadow and a separate project based on Doc Savage. Sony Pictures, which held the rights to both characters, lost interest in both projects sometime afterwards. Following a string of films that failed to go into production, Conran opted to step away from the limelight, "I decided I was just going to disappear, I'd just do my own stuff, and that's basically what I've been doing. I've not been idle, I've been doing stuff that's more about the experimentation [of Sky Captain]." He is open to making more films and has shown some admiration towards the Marvel Cinematic Universe.[7]

Legacy

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Sky Captain and the World of Tomorrow has come to be considered a landmark in special effects, as it is the first major motion picture to be shot completely on blue-screen with computer-generated backgrounds (with the exception of the two sets built due to time and budget constraints), and is the film that brought this medium into vogue. Such films as Sin City, 300, and The Spirit are all influenced by Sky Captain and the World of Tomorrow in this respect. However, Kerry Conran has stated that he did not intend to create a new genre or medium, nor did he use his method of shooting on blue-screen as a gimmick. In his interview with John Joseph Adams, he stated: "I have always come at this from the perspective of filmmaking and developed the techniques used in this film out of necessity and never really sought to interest other computer aficionados".[1] However, he did acknowledge that his film had indeed become influential, albeit unintentionally: "That wasn't really the intention. Whether or not that what evolved from this maybe... which is a possibility. The intention was to tell that particular story with those particular visuals that we used.... and if history says it’s something else....".[1]

References

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  1. ^ a b c d e f Adams, John Joseph. "Interview with Kerry Conran".
  2. ^ a b Axmaker, Sean. ""At the cusp of a renaissance": Kerry Conran". Archived from the original on 2007-10-13.
  3. ^ a b Conran, Kerry. "Sky Captain and the World of Tomorrow (Widescreen Special Collector's Edition)". Amazon.
  4. ^ Sampson, Mike. "INT: Kerry Conran". Archived from the original on 2018-09-28. Retrieved 2011-04-05.
  5. ^ Desowitz, Bill. "Meet the Sky Captain Visionary: Q&A with Kerry Conran". Archived from the original on 2011-08-11.
  6. ^ "Sky Captain and the World of Tomorrow (2004)". Rotten Tomatoes.
  7. ^ a b Turney, Drew (October 29, 2019). "Interview: Kerry Conran : How Sky Captain and the World of Tomorrow Changed the World". Movie Hole. Retrieved May 19, 2021.
  8. ^ Topel, Fred (2009-01-09). "WALL-E helmer Andrew Stanton talks John Carter of Mars". Sci Fi Wire. Archived from the original on 2009-02-18.
  9. ^ Knowles, Harry. "UPDATED!! JOHN CARTER OF MARS has a new director and he's so money..."
  10. ^ a b Brevet, Brad. "INTERVIEW: Helmer Kerry Conran Talks SKY CAPTAIN – Part 2".
  11. ^ "Full cast and crew for Gumdrop (2012)". IMDb.
  12. ^ "Full cast and crew for Monster Roll (2012)". IMDb.
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