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{{Short description|American arts patron (1876–1970)}}
⚫
'''Mary Louise Curtis''' (August 6, 1876 in [[Boston, Massachusetts]] &ndash; January 4, 1970 in [[Philadelphia, Pennsylvania]]),<ref>Friedrich, Otto. ''Decline and Fall''. Harper and Row, 1970, p. 475</ref><ref name=bok1>Bok, Edward W. (1920) ''The [[Americanization]] of Edward Bok''. Lakeside Classics edition, R.R. Donnelley & Sons Co., [[Chicago, Illinois]], pp. 149, 199-200.<!-- ISBN needed --></ref> was the founder of the [[Curtis Institute of Music]] in Philadelphia. She was the only child of the magazine and newspaper [[magnate]] [[Cyrus Hermann Kotzschmar Curtis|Cyrus Curtis]] and [[Louisa Knapp Curtis]], the founder and editor of the ''[[Ladies Home Journal]]''.<ref>Damon-Moore, Helen(1994), ''Magazines for the millions: gender and commerce in the 'Ladies' Home Journal' and 'The Saturday Evening Post', [[State University of New York|State University of New York Press]], p. 18.<!--ISBN needed--></ref>
{{Infobox person
| name = Mary Louise (Curtis) Bok Zimbalist
| image = Mary Lewis Curtis.jpg
| image_size =
| birth_name = Mary Louise Curtis
| birth_date = {{Birth date|1876|08|06}}
| birth_place = [[Boston]], [[Massachusetts]], U.S.
| death_date = {{Death date and age|1970|01|04|1876|08|06}}
| death_place = [[Philadelphia]], [[Pennsylvania]], U.S.
| nationality = American
| occupation = Philanthropist
| known_for = Founder of the [[Curtis Institute of Music]]
| parents = [[Cyrus H. K. Curtis]] and [[Louisa Knapp Curtis]]
| spouses = {{plainlist|
* {{marriage|[[Edward Bok]]|1896|1930|end=died}}
* {{marriage|[[Efrem Zimbalist]]|1943}}
}}
}}


⚫
'''Mary Louise Curtis''' (August 6, 1876 in [[Boston]], [[Massachusetts]] &ndash; January 4, 1970 in [[Philadelphia]], [[Pennsylvania]])<ref>Friedrich, Otto. ''Decline and Fall''. Harper and Row, 1970, p. 475</ref><ref name=bok1>Bok, Edward W. (1920) ''The [[Americanization]] of Edward Bok''. Lakeside Classics edition, R.R. Donnelley & Sons Co., [[Chicago, Illinois]], pp. 149, 199-200.<!-- ISBN needed --></ref> was the founder of the [[Curtis Institute of Music]] in Philadelphia. She was the only child of the magazine and newspaper magnate [[Cyrus H. K. Curtis]] and [[Louisa Knapp Curtis]], the founder and editor of the ''[[Ladies' Home Journal]]''.<ref>Damon-Moore, Helen(1994), ''Magazines for the millions: gender and commerce in the 'Ladies' Home Journal' and 'The Saturday Evening Post','' [[State University of New York|State University of New York Press]], p. 18.<!--ISBN needed--></ref>
⚫
Aged 13, writing under her mother's maiden name (as '''Mary L. Knapp'''), she was one of sixteen people on the staff of ''[[Ladies' Home Journal]]'' in 1890, the first year of [[Edward W. Bok]]'s long tenure as editor of the magazine. In 1896, at the age of nineteen, she married Bok, who was fourteen years her senior.<ref>Damon-Moore, Helen (1994) ''Magazines for the millions: gender and commerce in the Ladies' Home Journal and The Saturday Evening Post'', State University of New York Press, pp. 74, 79.<!-- ISBN needed --></ref> The couple had two sons, [[Curtis Bok|William Curtis Bok and Cary Curtis Bok]].<ref name=Friedrich1>Friedrich, Otto. ''Decline and Fall''. Harper and Row, 1970, p. 126.<!-- ISBN needed --></ref> Her husband retired from the magazine in 1919, and they spent their winters in [[Florida]], where they built the [[Bok Tower Gardens]] near [[Lake Wales]]. The marriage of Mary Louise and Edward Bok lasted 34 years until his death in 1930. {{citation needed|date=May 2014}}


She has also been credited with funding many of the landscape improvements made to the inner waterfront of the [[Camden, Maine]] village harbor during the early to mid-1900s.<ref>Hebert, Richard A. ''[https://books.google.com/books?id=1g8hAQAAMAAJ&q=%22Mary+Louise+Zim&pg=PA396 Modern Maine: Its Historic Background People and Resources]'', Vol. II, p. 396. New York: Lewis Historical Publishing Company, Inc., 1951.</ref>
⚫
==Settlement Music School==


==Early life and first marriage==
⚫
Mary Louise became involved with the [[Settlement Music School]] at the age of 48. At the time, the school was focused on providing musical training to young immigrants. In 1917, she made a gift to the school of $150,000 for a Settlement Music House. The music house's goal was "Americanization among the foreign population of Philadelphia." A close friend of the Bok family, pianist [[Josef Hofmann]], played a recital at the school's dedication.<ref name="Stoddard2000">{{cite journal|last=Stoddard|first=Maynard Good|title=A Legacy of Music. The Curtis Institute of Music in Philadelphia|journal=The Saturday Evening Post|date=January 1, 2000|accessdate=May 11, 2009}}</ref> Today this facility on Queen Street in Philadelphia is known as the Mary Louise Curtis Branch.<ref>{{cite web|last=Anonymous |title=The History of Settlement Music School |url=http://www.smsmusic.org/about/history.php?t=1 |accessdate=May 11, 2009 |deadurl=yes |archiveurl=https://web.archive.org/web/20090601230650/http://www.smsmusic.org/about/history.php?t=1 |archivedate=June 1, 2009 |df= }}</ref>
⚫
Aged 13, writing under her mother's maiden name (as Mary L. Knapp), she was one of sixteen people on the staff of ''[[Ladies' Home Journal]]'' in 1890, the first year of [[Edward Bok|Edward W. Bok]]'s long tenure as editor of the magazine. In 1896, at the age of nineteen, she married Bok, who was fourteen years her senior.<ref>Damon-Moore, Helen (1994) ''Magazines for the millions: gender and commerce in the Ladies' Home Journal and The Saturday Evening Post'', State University of New York Press, pp. 74, 79.<!-- ISBN needed --></ref> The couple had two sons, [[Curtis Bok|William Curtis Bok]] and Cary William Bok.<ref name=Friedrich1>Friedrich, Otto. ''Decline and Fall''. Harper and Row, 1970, p. 126.<!-- ISBN needed --></ref>

Her husband retired from the magazine in 1919, and they spent their winters in [[Florida]], where they built the [[Bok Tower Gardens]] near [[Lake Wales, Florida|Lake Wales]]. The marriage of Mary Louise and Edward Bok lasted 34 years until his death in 1930.<ref>"[https://www.newspapers.com/image/617034052/?terms=%22Edward%20Bok%22 Bok Dies Near Singing Tower at Lake Walls]." Miami, Florida: ''The Miami Herald'', January 10, 1930, pp. 1, 3 (subscription required).</ref><ref>"[https://www.newspapers.com/image/617034104/?terms=%22Edward%20Bok%22&match=1 Bok Achieved Success from Humble Beginning]." Miami, Florida: ''The Miami Herald'', January 10, 1930, p. 3 (subscription required).</ref>

⚫
==Settlement Music School==
[[File:Mary Louise Curtis Branch Settlement Music School 416 Queen St Philadelphia PA (DSC 3880).jpg|thumb|Mary Louise Curtis Branch, Settlement Music School, 416 Queen St., Philadelphia.]]
⚫
She became involved with the [[Settlement Music School]] at the age of 48. At the time, the school was focused on providing musical training to young immigrants. In 1917, she made a gift to the school of $150,000 for a Settlement Music House. The music house's goal was "Americanization among the foreign population of Philadelphia." A close friend of the Bok family, pianist [[Josef Hofmann]], played a recital at the school's dedication.<ref name="Stoddard2000">{{cite journal|last=Stoddard|first=Maynard Good|title=A Legacy of Music. The Curtis Institute of Music in Philadelphia|journal=The Saturday Evening Post|date=January 1, 2000}}</ref> Today, this facility on Queen Street in Philadelphia is known as the Mary Louise Curtis Branch.<ref>{{cite web|last=Anonymous |title=The History of Settlement Music School |url=http://www.smsmusic.org/about/history.php?t=1 |accessdate=May 11, 2009 |url-status=dead |archiveurl=https://web.archive.org/web/20090601230650/http://www.smsmusic.org/about/history.php?t=1 |archivedate=June 1, 2009 }}</ref>


==Curtis Institute of Music==
==Curtis Institute of Music==
⚫
In 1924, she established the [[Curtis Institute of Music]], which she named in honor of her father, who also had a great interest in music. After consulting with musician friends, including [[Josef Hofmann]] and [[Leopold Stokowski]], on how best to help musically gifted young people, Mrs. Bok purchased three mansions on Philadelphia's [[Rittenhouse Square]] and had them joined and renovated. She established a faculty of prominent performing artists and made several gifts to the institute, eventually leaving it with an endowment of $12 million.<ref name="Stoddard2000"/><ref>Anonymous. "In Philadelphia", ''Time Magazine'', June 13, 1927.</ref>


She was the chief beneficiary of her father's estate, inheriting assets estimated at $18 to 20 million when he died in 1933. At this time, she became the largest shareholder, director and a vice president of [[Curtis Publishing Company|Curtis Publishing]].<ref name=bok1/> She founded the [[Curtis Hall Arboretum]] at the family residence in [[Wyncote, Pennsylvania]].<ref>"[https://www.newspapers.com/image/176097054/?terms=%22Mary%20Louise%20Curtis%22%20and%20Arboretum&match=1 Residents Oppose Curtis Gift Park]." Philadelphia, Pennsylvania: ''The Philadelphia Inquirer'', January 5, 1937, p. 3 (subscription required).</ref><ref>"[https://www.newspapers.com/image/176112368/?terms=%22Mary%20Louise%20Curtis%22%20and%20Arboretum&match=1 Cheltenham Takes Curtis Estate Gift: 40-Acre Tract Will Be Turned Into Arboretum, Open to Visitors]." Philadelphia, Pennsylvania: ''The Philadelphia Inquirer'', January 10, 1937, p. 24 (subscription required).</ref>
⚫
In 1924, she established the '''Curtis Institute of Music''', which she named in honor of her father, who also had a great interest in music. After consulting with musician friends, including [[Josef Hofmann]] and [[Leopold Stokowski]], on how best to help musically gifted young people, Mrs. Bok purchased three mansions on Philadelphia's [[Rittenhouse Square]] and had them joined and renovated. She established a faculty of prominent performing artists and made several gifts to the institute, eventually leaving it with an endowment of $12 million.<ref name="Stoddard2000"/><ref>Anonymous. "In Philadelphia", ''Time Magazine'', June 13, 1927.</ref>


It was revealed on March 13, 1958, that she had been awarded the [[Philadelphia Art Alliance]]'s Medal of Achievement for "advancement of or outstanding achievement in the arts." Alliance president Laurence H. Eldredge made the announcement at the organization's annual dinner.<ref>[https://www.newspapers.com/image/177970272/?terms=%22Philadelphia%20Art%20Alliance%22&match=1 "Honored Again: Art Alliance Medal Goes to Mrs. Zimbalist]." Philadelphia, Pennsylvania: ''The Philadelphia Inquirer'', March 14, 1958, p. 42 (subscription required).</ref>
She was the chief beneficiary of her father's estate, inheriting assets estimated at $18 to 20 million when he died in 1933. At this time she became the largest shareholder, director and a vice president of [[Curtis Publishing Company|Curtis Publishing]].<ref name=bok1/> She founded the [[Curtis Hall Arboretum]] at the family residence in [[Wyncote, Pennsylvania]]. {{citation needed|date=May 2014}}


==The Research Studio==
==The Research Studio and other philanthropic efforts==
⚫
[[File:Public Library and Amphitheatre, Camden, Maine (30114829045).jpg|thumb|Mary Louise Curtis Bok donated the property for the Camden Public Library to the town of Camden, Maine in 1916]] She gave [[J. Andre Smith|Andre Smith]] sufficient patronage to enable him to establish an artist's colony known as The Research Studio (now the [[Maitland Art Center]]) in [[Maitland, Florida]]. The two met through a mutual friend, stage actress [[Annie Russell]], with whom he had worked in summer theater in Connecticut. Mrs. Bok had already served Russell as a patron, funding the [[Annie Russell Theatre]] at [[Rollins College]], Winter Park. Mrs. Bok, in addition to her other philanthropic pursuits, funded Smith's artist colony, which they named The Research Studio. Built between 1934 and 1937 (with additional construction in the 1940s), The Research Studio was dedicated to what Smith inscribed in one of the courtyards: ''"The artist's job is to explore, to announce new visions, and to open new doors."<ref>Dickinson, Joy Wallace. "[https://web.archive.org/web/20221212112610/https://www.baltimoresun.com/os-joy-wallace-dickinson-0101-20161219-column.html Hotels, art sparkled at New Year's debuts]." Baltimore, Maryland, ''The Baltimore Sun'', January 2, 2017.</ref><ref>"A Heritage of Art and Soul." Orlando, Florida: ''Orlando Sentinel'', January 20, 2007.</ref>


⚫
At the time of its opening (the first artists arrived in 1938, coinciding with an inaugural exhibition in the gallery space), it was one of the few art galleries in the state of Florida. Among the nationally prominent artists who lived and worked at the studio were [[Milton Avery]], [[Ralston Crawford]], [http://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500124333 Ernest D. Roth], [[Arnold Blanch]], [[Doris Lee]], and [[Elizabeth Sparhawk-Jones]].<ref name=Interview>{{cite web|author=Ruth Gurin Bowman|url=http://www.aaa.si.edu/collections/interviews/oral-history-interview-elizabeth-sparhawkjones-12378|title=Oral history interview with Elizabeth Sparhawk-Jones|publisher=Archives of American Art, Smithsonian Institution|date=April 26, 1964|accessdate=March 28, 2015 }}</ref>
⚫
Curtis Bok gave [[J. Andre Smith|Andre Smith]] sufficient patronage to enable him to establish an artist's colony known as The Research Studio (now the [[Maitland Art Center]]) in [[Maitland, Florida]]. The two met through a mutual friend, stage actress [[Annie Russell]], with whom he had worked in summer theater in Connecticut. Mrs. Bok had already served Russell as a patron, funding the [[Annie Russell Theatre]] at [[Rollins College]], Winter Park. Mrs. Bok, in addition to her other philanthropic pursuits, funded Smith's artist colony, which they named The Research Studio. Built between 1934 and 1937 (with additional construction in the 1940s), the Research Studio was dedicated to what Smith inscribed in one of the courtyards: ''"The artist's job is to explore, to announce new visions, and to open new doors."'' {{citation needed|date=May 2014}}


She also became known for purchasing and preserving important music manuscripts in order to bring manuscripts together in the collections of academic institutions, conservatories, libraries, and state archives in order to facilitate easier use of these resources by musicians and researchers.<ref>Albrect, Otto E. ''[https://archive.org/details/censusofautograp00albr/page/300/mode/2up?q=zimbalist A census of autograph music manuscripts of European composers in American libraries]'', pp. 3, 8, 165, 249, 256, 264, 267, 294-301, 322, 328. Philadelphia, Pennsylvania: University of Pennsylvania Press, 1953.</ref>
⚫
At the time of its opening (the first artists arrived in 1938, coinciding with an inaugural exhibition in the gallery space), it was one of the few art galleries in the state of Florida. Among the nationally prominent artists who lived and worked at the studio were [[Milton Avery]], [[Ralston Crawford]], [http://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500124333 Ernest D. Roth], [[Arnold Blanch]], [[Doris Lee]],<ref>[http://winterparkmag.com/winterparkmag/index.php?option=com_content&task=view&id=577&Itemid=73 winterparkmag.com]{{dead link|date=June 2017 |bot=InternetArchiveBot |fix-attempted=yes }}, accessed May 2, 2014.</ref> and [[Elizabeth Sparhawk-Jones]].<ref name=Interview>{{cite web |author=Ruth Gurin Bowman | url=http://www.aaa.si.edu/collections/interviews/oral-history-interview-elizabeth-sparhawkjones-12378 | title=Oral history interview with Elizabeth Sparhawk-Jones, 1964 Apr. 26 | publisher=Archives of American Art, Smithsonian Institution |date=April 26, 1964 | accessdate=March 28, 2015 }}</ref>


==Married Efrem Zimbalist==
==Marriage to Efrem Zimbalist==
In 1943, she married the director of the Curtis Institute, violinist [[Efrem Zimbalist]].
In 1943, she married the director of the Curtis Institute, violinist [[Efrem Zimbalist]].<ref name="nytimes-obit">{{cite news |title=Mrs. Efrem Zimbalist Sr., Curtis Heiress, Is Dead |url=https://www.nytimes.com/1970/01/06/archives/mrs-efrem-zimbalist-sr-curtis-heiress-is-dead-publishers-daughter.html |accessdate=9 September 2018 |work=The New York Times |date=6 January 1970 |ref=nytimes-obit}}</ref>

⚫
Together with one of her sons, Cary, she controlled 32 percent of [[Curtis Publishing Company]] through its final turbulent years. She held a seat on the board of directors but reportedly "rarely attended board meetings during these declining years - refusing either to sell the stocks they had held all their lives or to exercise the authority that those stocks gave them." <ref name=Friedrich1/> She finally did resign her seat on the board of directors in 1967, a few years before the final dissolution of Curtis Publishing and her death.<ref>Friedrich, Otto. ''Decline and Fall''. Harper and Row, 1970, p. 276.<!-- ISBN needed --></ref>
==Curtis Publishing==
⚫
Together with one of her sons, Cary, she controlled 32 percent of [[Curtis Publishing Company]] through its final turbulent years. She held a seat on the board of directors but reportedly "rarely attended board meetings during these declining years - refusing either to sell the stocks they had held all their lives or to exercise the authority that those stocks gave them."<ref name=Friedrich1/> She finally did resign her seat on the board of directors in 1967, a few years before the final dissolution of Curtis Publishing and her death.<ref>Friedrich, Otto. ''Decline and Fall''. Harper and Row, 1970, p. 276.<!-- ISBN needed --></ref>


==References==
==References==
{{reflist}}
<references/>

==External links==
*"[https://curtisarchives.libraryhost.com/repositories/2/archival_objects/4461 Bok, Mary Louise [see also Zimbalist, Mary Louise Curtis Bok<nowiki>]</nowiki>, 1941-1942]" (founder's business and personal correspondence), Curtis Institute of Music, Philadelphia, Pennsylvania, retrieved online December 12, 2022.
*"Mary Louise Zimbalist (previously Mary Louise Curtis Bok)," in "[https://findingaids.library.upenn.edu/records/UPENN_RBML_PUSP.MS.COLL.91 Eugene Ormandy papers]," Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania, Philadelphia, Pennsylvania, retrieved online December 12, 2022.


{{Cyrus Curtis}}
{{Cyrus Curtis}}
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{{Authority control}}
{{Authority control}}


{{DEFAULTSORT:Zimbalist, Mary Louise Curtis Bok}}
{{DEFAULTSORT:Curtis, Mary Louise}}
[[Category:1876 births]]
[[Category:1876 births]]
[[Category:1970 deaths]]
[[Category:1970 deaths]]
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[[Category:American magazine writers]]
[[Category:American magazine writers]]
[[Category:Curtis Institute of Music people]]
[[Category:Curtis Institute of Music people]]
[[Category:American business executives]]
[[Category:American media executives]]
[[Category:People from Cheltenham, Pennsylvania]]
[[Category:People from Cheltenham, Pennsylvania]]
[[Category:Writers from Boston]]
[[Category:Writers from Boston]]
[[Category:Writers from Philadelphia]]
[[Category:Writers from Philadelphia]]
[[Category:Zimbalist family]]
[[Category:Zimbalist family|Mary Louise Curtis Bok]]

Latest revision as of 18:11, 28 July 2024

Mary Louise (Curtis) Bok Zimbalist
Born
Mary Louise Curtis

(1876-08-06)August 6, 1876
Boston, Massachusetts, U.S.
DiedJanuary 4, 1970(1970-01-04) (aged 93)
Philadelphia, Pennsylvania, U.S.
NationalityAmerican
OccupationPhilanthropist
Known forFounder of the Curtis Institute of Music
Spouses
​
​
(m. 1896; died 1930)​
​
(m. 1943)​
Parent(s)Cyrus H. K. Curtis and Louisa Knapp Curtis

Mary Louise Curtis (August 6, 1876 in Boston, Massachusetts – January 4, 1970 in Philadelphia, Pennsylvania)[1][2] was the founder of the Curtis Institute of Music in Philadelphia. She was the only child of the magazine and newspaper magnate Cyrus H. K. Curtis and Louisa Knapp Curtis, the founder and editor of the Ladies' Home Journal.[3]

She has also been credited with funding many of the landscape improvements made to the inner waterfront of the Camden, Maine village harbor during the early to mid-1900s.[4]

Early life and first marriage

[edit]

Aged 13, writing under her mother's maiden name (as Mary L. Knapp), she was one of sixteen people on the staff of Ladies' Home Journal in 1890, the first year of Edward W. Bok's long tenure as editor of the magazine. In 1896, at the age of nineteen, she married Bok, who was fourteen years her senior.[5] The couple had two sons, William Curtis Bok and Cary William Bok.[6]

Her husband retired from the magazine in 1919, and they spent their winters in Florida, where they built the Bok Tower Gardens near Lake Wales. The marriage of Mary Louise and Edward Bok lasted 34 years until his death in 1930.[7][8]

Settlement Music School

[edit]
Mary Louise Curtis Branch, Settlement Music School, 416 Queen St., Philadelphia.

She became involved with the Settlement Music School at the age of 48. At the time, the school was focused on providing musical training to young immigrants. In 1917, she made a gift to the school of $150,000 for a Settlement Music House. The music house's goal was "Americanization among the foreign population of Philadelphia." A close friend of the Bok family, pianist Josef Hofmann, played a recital at the school's dedication.[9] Today, this facility on Queen Street in Philadelphia is known as the Mary Louise Curtis Branch.[10]

Curtis Institute of Music

[edit]

In 1924, she established the Curtis Institute of Music, which she named in honor of her father, who also had a great interest in music. After consulting with musician friends, including Josef Hofmann and Leopold Stokowski, on how best to help musically gifted young people, Mrs. Bok purchased three mansions on Philadelphia's Rittenhouse Square and had them joined and renovated. She established a faculty of prominent performing artists and made several gifts to the institute, eventually leaving it with an endowment of $12 million.[9][11]

She was the chief beneficiary of her father's estate, inheriting assets estimated at $18 to 20 million when he died in 1933. At this time, she became the largest shareholder, director and a vice president of Curtis Publishing.[2] She founded the Curtis Hall Arboretum at the family residence in Wyncote, Pennsylvania.[12][13]

It was revealed on March 13, 1958, that she had been awarded the Philadelphia Art Alliance's Medal of Achievement for "advancement of or outstanding achievement in the arts." Alliance president Laurence H. Eldredge made the announcement at the organization's annual dinner.[14]

The Research Studio and other philanthropic efforts

[edit]
Mary Louise Curtis Bok donated the property for the Camden Public Library to the town of Camden, Maine in 1916

She gave Andre Smith sufficient patronage to enable him to establish an artist's colony known as The Research Studio (now the Maitland Art Center) in Maitland, Florida. The two met through a mutual friend, stage actress Annie Russell, with whom he had worked in summer theater in Connecticut. Mrs. Bok had already served Russell as a patron, funding the Annie Russell Theatre at Rollins College, Winter Park. Mrs. Bok, in addition to her other philanthropic pursuits, funded Smith's artist colony, which they named The Research Studio. Built between 1934 and 1937 (with additional construction in the 1940s), The Research Studio was dedicated to what Smith inscribed in one of the courtyards: "The artist's job is to explore, to announce new visions, and to open new doors."[15][16]

At the time of its opening (the first artists arrived in 1938, coinciding with an inaugural exhibition in the gallery space), it was one of the few art galleries in the state of Florida. Among the nationally prominent artists who lived and worked at the studio were Milton Avery, Ralston Crawford, Ernest D. Roth, Arnold Blanch, Doris Lee, and Elizabeth Sparhawk-Jones.[17]

She also became known for purchasing and preserving important music manuscripts in order to bring manuscripts together in the collections of academic institutions, conservatories, libraries, and state archives in order to facilitate easier use of these resources by musicians and researchers.[18]

Marriage to Efrem Zimbalist

[edit]

In 1943, she married the director of the Curtis Institute, violinist Efrem Zimbalist.[19]

Curtis Publishing

[edit]

Together with one of her sons, Cary, she controlled 32 percent of Curtis Publishing Company through its final turbulent years. She held a seat on the board of directors but reportedly "rarely attended board meetings during these declining years - refusing either to sell the stocks they had held all their lives or to exercise the authority that those stocks gave them."[6] She finally did resign her seat on the board of directors in 1967, a few years before the final dissolution of Curtis Publishing and her death.[20]

References

[edit]
  1. ^ Friedrich, Otto. Decline and Fall. Harper and Row, 1970, p. 475
  2. ^ a b Bok, Edward W. (1920) The Americanization of Edward Bok. Lakeside Classics edition, R.R. Donnelley & Sons Co., Chicago, Illinois, pp. 149, 199-200.
  3. ^ Damon-Moore, Helen(1994), Magazines for the millions: gender and commerce in the 'Ladies' Home Journal' and 'The Saturday Evening Post', State University of New York Press, p. 18.
  4. ^ Hebert, Richard A. Modern Maine: Its Historic Background People and Resources, Vol. II, p. 396. New York: Lewis Historical Publishing Company, Inc., 1951.
  5. ^ Damon-Moore, Helen (1994) Magazines for the millions: gender and commerce in the Ladies' Home Journal and The Saturday Evening Post, State University of New York Press, pp. 74, 79.
  6. ^ a b Friedrich, Otto. Decline and Fall. Harper and Row, 1970, p. 126.
  7. ^ "Bok Dies Near Singing Tower at Lake Walls." Miami, Florida: The Miami Herald, January 10, 1930, pp. 1, 3 (subscription required).
  8. ^ "Bok Achieved Success from Humble Beginning." Miami, Florida: The Miami Herald, January 10, 1930, p. 3 (subscription required).
  9. ^ a b Stoddard, Maynard Good (January 1, 2000). "A Legacy of Music. The Curtis Institute of Music in Philadelphia". The Saturday Evening Post.
  10. ^ Anonymous. "The History of Settlement Music School". Archived from the original on June 1, 2009. Retrieved May 11, 2009.
  11. ^ Anonymous. "In Philadelphia", Time Magazine, June 13, 1927.
  12. ^ "Residents Oppose Curtis Gift Park." Philadelphia, Pennsylvania: The Philadelphia Inquirer, January 5, 1937, p. 3 (subscription required).
  13. ^ "Cheltenham Takes Curtis Estate Gift: 40-Acre Tract Will Be Turned Into Arboretum, Open to Visitors." Philadelphia, Pennsylvania: The Philadelphia Inquirer, January 10, 1937, p. 24 (subscription required).
  14. ^ "Honored Again: Art Alliance Medal Goes to Mrs. Zimbalist." Philadelphia, Pennsylvania: The Philadelphia Inquirer, March 14, 1958, p. 42 (subscription required).
  15. ^ Dickinson, Joy Wallace. "Hotels, art sparkled at New Year's debuts." Baltimore, Maryland, The Baltimore Sun, January 2, 2017.
  16. ^ "A Heritage of Art and Soul." Orlando, Florida: Orlando Sentinel, January 20, 2007.
  17. ^ Ruth Gurin Bowman (April 26, 1964). "Oral history interview with Elizabeth Sparhawk-Jones". Archives of American Art, Smithsonian Institution. Retrieved March 28, 2015.
  18. ^ Albrect, Otto E. A census of autograph music manuscripts of European composers in American libraries, pp. 3, 8, 165, 249, 256, 264, 267, 294-301, 322, 328. Philadelphia, Pennsylvania: University of Pennsylvania Press, 1953.
  19. ^ "Mrs. Efrem Zimbalist Sr., Curtis Heiress, Is Dead". The New York Times. 6 January 1970. Retrieved 9 September 2018.
  20. ^ Friedrich, Otto. Decline and Fall. Harper and Row, 1970, p. 276.
[edit]
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