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|image2=Oberheim 4 voice.jpg |width2=163 |caption2=[[Oberheim polyphonic|4-Voice]] (1975)
|image2=Oberheim 4 voice.jpg |width2=163 |caption2=[[Oberheim polyphonic|4-Voice]] (1975)
}}
}}
Tom Oberheim founded the company in 1969, originally as a designer and [[contract manufacturer]] of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),<ref name="analogdays">{{cite book |title=Analog Days |last1=Pinch |first1=Trevor |last2=Trocco |first2=Frank |publisher=Harvard University Press |year=2002 |pages=270 |url=https://books.google.com/books?id=3hjvWzkMK-sC&q=Trevor%20Pinch%2C%20Frank%20Trocco%2C%20Analog%20Days&pg=PA270 |isbn=0-674-01617-3}}</ref>, and briefly a retail dealer for [[ARP Instruments, Inc.|ARP Instruments]],<ref name="analogdays"/> eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital [[Music sequencer|music sequencers]].
Tom Oberheim founded the company in 1969, originally as a designer and [[contract manufacturer]] of electronic effects devices for Maestro, including the PS-1A Phase Shifter and RM-1 Ring Modulator,<ref name="analogdays">{{cite book |title=Analog Days |last1=Pinch |first1=Trevor |last2=Trocco |first2=Frank |publisher=Harvard University Press |year=2002 |pages=270 |url=https://books.google.com/books?id=3hjvWzkMK-sC&q=Trevor%20Pinch%2C%20Frank%20Trocco%2C%20Analog%20Days&pg=PA270 |isbn=0-674-01617-3}}</ref><ref>{{Cite web |title=Tom Oberheim |url=https://www.redbullmusicacademy.com/lectures/tom-oberheim-polyphonic-one-love |access-date=2023-08-05 |website=www.redbullmusicacademy.com |language=en}}</ref> and briefly a retail dealer for [[ARP Instruments, Inc.|ARP Instruments]].<ref name="analogdays" /> The company's first product released under its own name was the Oberheim DS-2, one of the first digital [[Music sequencer|music sequencers]].


In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole [[Voltage-controlled filter|filter]] that could operate as a [[Low-pass filter|low-pass]], [[High-pass filter|high-pass]], [[Band-pass filter|band-pass]], or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time.
In 1975, Oberheim introduced the [[Semi-modular synthesizer|semi-modular]] Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another, or to be controlled by and layer with a keyboard synthesizer. The SEM featured a two-pole [[voltage-controlled filter]] that could operate as a [[Low-pass filter|low-pass]], [[High-pass filter|high-pass]], [[Band-pass filter|band-pass]], or band-reject filter, giving it a different sound than the Moog and ARP four-pole low-pass [[Ladder filter|ladder filters]] popular at the time.


The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series of [[Polyphonic synthesizer|polyphonic synthesizers]], beginning with the [[Oberheim TVS-1A|2-Voice]], followed by the [[Oberheim Polyphonic Synthesizer|4-Voice]],<ref name="redbull"/> and, in 1977, the 8-Voice<ref name="oberheim8voice">{{cite web |title=Oberheim Eight Voice |url=http://www.vintagesynth.com/oberheim/8voice.php |publisher=Vintage Synth Explorer}}</ref> which combined a 4-Voice with an external module of four additional SEMs. An optional [[programmer]] module, capable of storing and recalling 16 instances of some of the sound settings, was available for the 4-Voice and 8-Voice. These were among the first commercially-available polyphonic synthesizers.
The company later combined multiple SEM modules with a digitally-scanned keyboard and a two-channel sequencer to create a series of [[Polyphonic synthesizer|polyphonic synthesizers]], beginning with the [[Oberheim TVS-1A|2-Voice]], followed by the [[Oberheim Polyphonic Synthesizer|4-Voice]] and 8-Voice.<ref name="redbull" /><ref name="oberheim8voice">{{cite web |title=Oberheim Eight Voice |url=http://www.vintagesynth.com/oberheim/8voice.php |publisher=Vintage Synth Explorer}}</ref> An optional [[programmer]] module, capable of storing and recalling 16 instances of some of the sound settings, was available for the 4-Voice and 8-Voice. These were among the first commercially-available polyphonic synthesizers.


{{clear right}}
{{clear right}}
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|image2=Oberheim OB-X.jpg |caption2=[[Oberheim OB-X|OB-X]] (1979) |width2=222
|image2=Oberheim OB-X.jpg |caption2=[[Oberheim OB-X|OB-X]] (1979) |width2=222
|image3=<!-- [[WP:NFCC]] violation: Oberheim OB8.jpg --> |caption3=[[Oberheim OB-8|OB-8]] (1983) |width3=200 }}
|image3=<!-- [[WP:NFCC]] violation: Oberheim OB8.jpg --> |caption3=[[Oberheim OB-8|OB-8]] (1983) |width3=200 }}
In 1977, Oberheim introduced the monophonic [[Oberheim OB-1|OB-1]], the world's first completely programmable synthesizer. In 1978-1981 it was followed by the polyphonic [[Oberheim OB-X|OB-X]], [[Oberheim OB-Xa|OB-Xa]] and [[Oberheim OB-SX|OB-SX]]. The final model of the series, [[Oberheim OB-8|OB-8]], was released in 1983; it used [[digitally controlled oscillator]]s to improve stability. The OB-series synthesizers replaced the relatively bulky SEMs with internal voice expansion cards which supported microprocessor control of synthesis parameters and also utilized common cabinetry and power supplies.<ref name="sos1998">{{cite journal
In 1977, Oberheim introduced the monophonic [[Oberheim OB-1|OB-1]], the world's first completely programmable synthesizer. In 1978-1981 it was followed by the polyphonic [[Oberheim OB-X|OB-X]], [[Oberheim OB-Xa|OB-Xa]], and OB-SX. The final model of the series, [[Oberheim OB-8|OB-8]], was released in 1983. The OB-X and OB-Xa were flagship models available in 4, 6 and 8-voice configurations (with the OB-8 available solely as an 8-voice unit), whereas the OB-SX contained fewer programming options. The OB-series synthesizers replaced the relatively bulky SEMs with internal voice expansion cards which supported digital control of synthesis parameters and also utilized common cabinetry and power supplies.<ref name="sos1998">{{cite journal
| title = Oberheim OBX, OBXa & OB8
| title = Oberheim OBX, OBXa & OB8
| url = https://www.soundonsound.com/reviews/oberheim-obx-obxa-ob8
| url = https://www.soundonsound.com/reviews/oberheim-obx-obxa-ob8
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|image5=Oberheim Matrix-6.jpg|caption5=[[Oberheim Matrix synthesizers|Matrix-6]] (1985)|width5=222
|image5=Oberheim Matrix-6.jpg|caption5=[[Oberheim Matrix synthesizers|Matrix-6]] (1985)|width5=222
}}
}}
Oberheim introduced the [[Oberheim Xpander|Xpander]] in 1984, further expanding that product series with the [[Oberheim Matrix synthesizers|Matrix-6]] and the [[Oberheim Matrix synthesizers|Matrix-12]]. The [[Oberheim Matrix synthesizers|Matrix-1000]], though bearing the Matrix name, was marketed after Oberheim was acquired by Gibson.<ref name="sos1994">
Oberheim introduced the [[Oberheim Xpander|Xpander]] digitally-controlled polyphonic synthesizer in 1984, followed by the [[Oberheim Matrix synthesizers|Matrix-6]] and the [[Oberheim Matrix synthesizers|Matrix-12]]. The [[Oberheim Matrix synthesizers|Matrix-1000]], though bearing the Matrix name, was marketed after Oberheim was acquired by Gibson.<ref name="sos1994">
{{cite journal
{{cite journal
| title = Oberheim Matrix 1000
| title = Oberheim Matrix 1000
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|image1=Oberheim DMX.jpg |caption1=[[Oberheim DMX|DMX]] (c.1981){{Citation needed|date=April 2011}} |width1=170
|image1=Oberheim DMX.jpg |caption1=[[Oberheim DMX|DMX]] (c.1981){{Citation needed|date=April 2011}} |width1=170
|image2=Oberheim DX.jpg |caption2=[[Oberheim DX|DX]] (c.1983){{Citation needed|date=April 2011}} |width2=160
|image2=Oberheim DX.jpg |caption2=[[Oberheim DX|DX]] (c.1983){{Citation needed|date=April 2011}} |width2=160
|image3=Oberheim Prommer (ROM toaster).jpg|caption3=[[Oberheim Prommer|Prommer]] (1984) |width3=145 }}</div>
|image3=Oberheim Prommer.jpg|caption3=[[Oberheim Prommer|Prommer]] (1984) |width3=181 }}</div>



===Oberheim/Gibson===
===Oberheim/Gibson===
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|style="border:0;"|{{multiple image |direction=vertical |align=center |width=140
|style="border:0;"|{{multiple image |direction=vertical |align=center |width=140
|image1=Oberheim Matrix-1000 (black).jpg|caption1=[[Oberheim Matrix synthesizers|Matrix-1000]] (1988)
|image1=Oberheim Matrix-1000 (black).jpg|caption1=[[Oberheim Matrix synthesizers|Matrix-1000]] (1988)
|image2=Gibson Echoplex Digital Pro.jpg|caption2=<span style="font-size:90%;">Oberheim / Gibson <br/>&nbsp; &nbsp; Echoplex Digital Pro</span> <ref name="echoplex">
|image2=Gibson Echoplex Digital Pro.jpg|caption2=<span style="font-size:90%;">Oberheim / Gibson <br/>&nbsp; &nbsp; Echoplex Digital Pro</span><ref name="echoplex">
{{cite web
{{cite web
| title = How the Gibson / Oberheim Echoplex Came Together
| title = How the Gibson / Oberheim Echoplex Came Together
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|}
|}


Oberheim Electronics declared bankruptcy in 1985 and was acquired by a group of lawyers who changed the name to Oberheim ECC. Following the acquisition, Tom Oberheim was creatively still at the helm of the company for a couple of years, before leaving to found Marion Systems. After a second bankruptcy in early 1988, [[Gibson (guitar company)|Gibson Guitar Corporation]], a larger musical instrument manufacturer (who, incidentally, also owned the Maestro brand), acquired Oberheim. Gibson, under the direction of Keith McMillen (who was Gibson's Vice President and Chief of R&D at the time), produced the Oberheim OB-Mx<ref name="obmx">
Oberheim Electronics declared bankruptcy in 1985 and was acquired by a group of lawyers who changed the name to Oberheim ECC. Following the acquisition, Tom Oberheim was creatively still at the helm of the company for a couple of years, before leaving to found Marion Systems. After a second bankruptcy in early 1988, [[Gibson (guitar company)|Gibson Guitar Corporation]] acquired Oberheim. Gibson, under the direction of Keith McMillen, produced the Oberheim OB-Mx<ref name="obmx">
{{cite journal
{{cite journal
| title = Oberheim OBMx
| title = Oberheim OBMx
Line 122: Line 121:
| issue = September 1994
| issue = September 1994
| journal = Sound on Sound
| journal = Sound on Sound
}}</ref> in collaboration with D.N. "Lynx" Crowe and [[Don Buchla]]; the Oberheim Echoplex Digital Pro in collaboration with Aurisis Research (Matthias Grob, Kim Flint, Eric Obermühlner); and re-released the Oberheim Strummer and Matrix 1000.
}}</ref> in collaboration with D.N. "Lynx" Crowe and [[Don Buchla]]; the Oberheim Echoplex Digital Pro digital delay and looper in collaboration with Aurisis Research (Matthias Grob, Kim Flint, Eric Obermühlner); and re-released the Oberheim Strummer and Matrix 1000.


===Oberheim/Viscount===
===Oberheim/Viscount===
[[Image:OB12 synth.jpg|thumb|250px|[[Oberheim OB12|OB*12]] (2000)]]
[[Image:OB12 synth.jpg|thumb|250px|[[Oberheim OB12|OB*12]] (2000)]]


The Oberheim trademark was later licensed to [[Viscount (musical instrument manufacturer)|Viscount International]], an Italian digital-organ producer. Viscount developed various instruments that were very innovative for the time and are still in demand: the [[Oberheim OB12|Oberheim OB*12]] [[analog modeling synthesizer]],<ref name="sos2000">
The Oberheim trademark was later licensed to [[Viscount (musical instrument manufacturer)|Viscount International]], an Italian organ company. Viscount developed the [[Oberheim OB12|Oberheim OB*12]] [[analog modeling synthesizer]],<ref name="sos2000">
{{cite journal
{{cite journal
| title = The Synth Sequel - Oberheim/Viscount OB12 Analogue Modelling Synth
| title = The Synth Sequel - Oberheim/Viscount OB12 Analogue Modelling Synth
Line 154: Line 153:
===Tom Oberheim returns to the synthesizer market===
===Tom Oberheim returns to the synthesizer market===


In 2009, Tom Oberheim announced that he was manufacturing a new version of his classic analog [[Oberheim SEM|SEM]].<ref name="synthtopia">
In 2009, Tom Oberheim announced that he was manufacturing a new version of the SEM.<ref name="synthtopia">
{{cite web
{{cite web
| title = Tom Oberheim Introduces New Oberheim SEM Synthesizer
| title = Tom Oberheim Introduces New Oberheim SEM Synthesizer
Line 184: Line 183:
}}</ref>
}}</ref>


In 2011&ndash;2012, Tom Oberheim announced a four-voice SEM called "[[Oberheim Son Of 4 Voice|Son Of 4 Voice]]" (SO4V),<ref name="so4v2011">
In 2011&ndash;2012, Tom Oberheim announced a successor to the 4-Voice called the "Son Of 4 Voice" (SO4V),<ref name="so4v2011">
{{cite web
{{cite web
| title = Son Of 4 Voice Polyphonic Synthesizer: "SO4V"
| title = Son Of 4 Voice Polyphonic Synthesizer: "SO4V"
Line 219: Line 218:
}}
}}


At the [[NAMM]] show of January 2016, Tom Oberheim announced the [[Sequential (company)|Dave Smith Instruments]] OB-6, a collaboration with [[Dave Smith (engineer)|Dave Smith]] resulting in Tom Oberheim's first voltage-controlled multi-voiced polyphonic synth since the mid-1980s; Tom Oberheim designed the VCO/VCF part replicating his SEM module, while control features, arpeggiator/step sequencer and effects processing were designed by Smith using his Prophet platform.<ref>{{cite web|url=https://www.youtube.com/watch?v=DTbJpVlRI_o |archive-url=https://ghostarchive.org/varchive/youtube/20211212/DTbJpVlRI_o| archive-date=2021-12-12 |url-status=live|title=Dave Smith and Tom Oberheim OB-6 - A Historic Collaboration|publisher=YouTube, DaveSmith Instruments|date=21 January 2016|access-date=2016-01-24}}{{cbignore}}</ref>
At the [[NAMM Show]] in January 2016, Tom Oberheim announced the [[Sequential (company)|Dave Smith Instruments]] OB-6, a collaboration with [[Dave Smith (engineer)|Dave Smith]] resulting in Tom Oberheim's first voltage-controlled multi-voiced polyphonic synth since the mid-1980s; Tom Oberheim designed the VCO/VCF part replicating his SEM module, while control features, arpeggiator/step sequencer and effects processing were designed by Smith using his Prophet platform.<ref>{{cite web|url=https://www.youtube.com/watch?v=DTbJpVlRI_o |archive-url=https://ghostarchive.org/varchive/youtube/20211212/DTbJpVlRI_o| archive-date=2021-12-12 |url-status=live|title=Dave Smith and Tom Oberheim OB-6 - A Historic Collaboration|publisher=YouTube, DaveSmith Instruments|date=21 January 2016|access-date=2016-01-24}}{{cbignore}}</ref>


===Oberheim trademark returned===
===Oberheim trademark returned===


In July 2019, JC Curleigh, CEO of [[Gibson (guitar company)|Gibson]], returned the Oberheim trademark and IP back to Tom Oberheim as "a gesture of goodwill to the musical instrument industry."<ref>{{cite web |title=Gibson Returns Oberheim Trademark to Namesake Founder As "Gesture of Goodwill" |url=https://guitar.com/news/industry-news/gibson-returns-tom-oberheim-trademark/ |website=Guitar.com |access-date=28 August 2019}}</ref>
In July 2019, Gibson CEO JC Curleigh returned the Oberheim trademark and IP to Tom Oberheim as "a gesture of goodwill to the musical instrument industry."<ref>{{cite web |title=Gibson Returns Oberheim Trademark to Namesake Founder As "Gesture of Goodwill" |url=https://guitar.com/news/industry-news/gibson-returns-tom-oberheim-trademark/ |website=Guitar.com |access-date=28 August 2019}}</ref>


In May of 2022, the new Oberheim released the OB-X8, the company's first synthesizer in decades. As with the [[Sequential (company)|Sequential]]-made OB6, the OB-X8 was designed and built in collaboration with longtime friend Dave Smith, and it combines the original Oberheim's three signature OB polysynths-the OB-X, the OB-Xa and the OB-8-in a single unit.
In May of 2022, the new Oberheim released the OB-X8, the company's first synthesizer in decades. As with the [[Sequential (company)|Sequential]]-made OB6, the OB-X8 was designed and built in collaboration with longtime friend Dave Smith, and it combines the original Oberheim's three signature OB polysynths-the OB-X, the OB-Xa and the OB-8-in a single unit.
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===Legacy===
===Legacy===


Both Marcus Ryle and Michel Doidic worked for Oberheim as instrument designers before helping develop the [[ADAT]] multitrack digital tape recorder for [[Alesis]], (a 'prosumer' grade digital recording multitrack deck designed to compete with the Tascam DA series of digital multitracks) and then moving on to found [[Line 6 (company)|Line 6]] together.<ref name="vail1993">
Both Marcus Ryle and Michel Doidic worked for Oberheim as instrument designers before helping develop the [[ADAT]] multitrack digital tape recorder for [[Alesis]], (a 'prosumer' grade [[digital recording]] multitrack deck designed to compete with the Tascam DA series of digital multitracks) and then moving on to found [[Line 6 (company)|Line 6]] together.<ref name="vail1993">
{{cite book
{{cite book
| title = Vintage Synthesizers
| title = Vintage Synthesizers
Line 260: Line 259:
*[http://www.viscount.it Viscount Italy] main site
*[http://www.viscount.it Viscount Italy] main site
*[http://www.tomoberheim.com TomOberheim.com] The new Oberheim site
*[http://www.tomoberheim.com TomOberheim.com] The new Oberheim site
*[https://www.namm.org/library/oral-history/tom-oberheim Tom Oberheim] NAMM Oral History Interview (2005)
*[https://www.namm.org/library/oral-history/tom-oberheim Tom Oberheim Interview] at [[NAMM Oral History Program|NAMM Oral History Collection]] (2005)


{{Electrophones}}
{{Electrophones}}

Latest revision as of 12:03, 8 August 2024

Oberheim Electronics
IndustrieElectronic musical instruments
Gegründet1969 in Los Angeles, United States
GründerTom Oberheim
SuccessorOberheim
Hauptsitz,
Vereinigte Staaten
ProdukteSynthesizers, Sequencers, Signal processing, Drum machines
Websiteoberheim.com

Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim.[1][2]

History and products

[edit]
SEM (1974)
4-Voice (1975)

Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro, including the PS-1A Phase Shifter and RM-1 Ring Modulator,[3][4] and briefly a retail dealer for ARP Instruments.[3] The company's first product released under its own name was the Oberheim DS-2, one of the first digital music sequencers.

In 1975, Oberheim introduced the semi-modular Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another, or to be controlled by and layer with a keyboard synthesizer. The SEM featured a two-pole voltage-controlled filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP four-pole low-pass ladder filters popular at the time.

The company later combined multiple SEM modules with a digitally-scanned keyboard and a two-channel sequencer to create a series of polyphonic synthesizers, beginning with the 2-Voice, followed by the 4-Voice and 8-Voice.[1][5] An optional programmer module, capable of storing and recalling 16 instances of some of the sound settings, was available for the 4-Voice and 8-Voice. These were among the first commercially-available polyphonic synthesizers.

OB-1 (1978/1979)
OB-X (1979)

In 1977, Oberheim introduced the monophonic OB-1, the world's first completely programmable synthesizer. In 1978-1981 it was followed by the polyphonic OB-X, OB-Xa, and OB-SX. The final model of the series, OB-8, was released in 1983. The OB-X and OB-Xa were flagship models available in 4, 6 and 8-voice configurations (with the OB-8 available solely as an 8-voice unit), whereas the OB-SX contained fewer programming options. The OB-series synthesizers replaced the relatively bulky SEMs with internal voice expansion cards which supported digital control of synthesis parameters and also utilized common cabinetry and power supplies.[6]

Xpander (1984)
Matrix-6 (1985)

Oberheim introduced the Xpander digitally-controlled polyphonic synthesizer in 1984, followed by the Matrix-6 and the Matrix-12. The Matrix-1000, though bearing the Matrix name, was marketed after Oberheim was acquired by Gibson.[7][8]

Oberheim drum machines

[edit]

Oberheim's DMX drum machine, a staple of early hip-hop music,[9] lent its name to the Producer Davy DMX, electro musician DMX Krew, and is still used in dancehall reggae music.

Prommer (1984)

Oberheim/Gibson

[edit]
Oberheim / Gibson
    Echoplex Digital Pro
[10]
OB-Mx (1994)

Oberheim Electronics declared bankruptcy in 1985 and was acquired by a group of lawyers who changed the name to Oberheim ECC. Following the acquisition, Tom Oberheim was creatively still at the helm of the company for a couple of years, before leaving to found Marion Systems. After a second bankruptcy in early 1988, Gibson Guitar Corporation acquired Oberheim. Gibson, under the direction of Keith McMillen, produced the Oberheim OB-Mx[11] in collaboration with D.N. "Lynx" Crowe and Don Buchla; the Oberheim Echoplex Digital Pro digital delay and looper in collaboration with Aurisis Research (Matthias Grob, Kim Flint, Eric Obermühlner); and re-released the Oberheim Strummer and Matrix 1000.

Oberheim/Viscount

[edit]
OB*12 (2000)

The Oberheim trademark was later licensed to Viscount International, an Italian organ company. Viscount developed the Oberheim OB*12 analog modeling synthesizer,[12] the GM-1000 guitar multi-effects unit,[13] the MC series of master keyboards,[14] and the OB32, a virtual tonewheel organ.[15]

Tom Oberheim returns to the synthesizer market

[edit]

In 2009, Tom Oberheim announced that he was manufacturing a new version of the SEM.[16][17][18][19]

In 2011–2012, Tom Oberheim announced a successor to the 4-Voice called the "Son Of 4 Voice" (SO4V),[20] as well as an updated version of the classic Two-Voice known as the Two-Voice Pro.[21] The "Son Of 4 Voice" and the Two Voice Pro started shipping in 2014.[22]

MIDI-to-CV converter panel for the SEM
EuroModular SEM (2015)

At the NAMM Show in January 2016, Tom Oberheim announced the Dave Smith Instruments OB-6, a collaboration with Dave Smith resulting in Tom Oberheim's first voltage-controlled multi-voiced polyphonic synth since the mid-1980s; Tom Oberheim designed the VCO/VCF part replicating his SEM module, while control features, arpeggiator/step sequencer and effects processing were designed by Smith using his Prophet platform.[23]

Oberheim trademark returned

[edit]

In July 2019, Gibson CEO JC Curleigh returned the Oberheim trademark and IP to Tom Oberheim as "a gesture of goodwill to the musical instrument industry."[24]

In May of 2022, the new Oberheim released the OB-X8, the company's first synthesizer in decades. As with the Sequential-made OB6, the OB-X8 was designed and built in collaboration with longtime friend Dave Smith, and it combines the original Oberheim's three signature OB polysynths-the OB-X, the OB-Xa and the OB-8-in a single unit.

Legacy

[edit]

Both Marcus Ryle and Michel Doidic worked for Oberheim as instrument designers before helping develop the ADAT multitrack digital tape recorder for Alesis, (a 'prosumer' grade digital recording multitrack deck designed to compete with the Tascam DA series of digital multitracks) and then moving on to found Line 6 together.[25]

See also

[edit]

References

[edit]
  1. ^ a b "Session Transcript: Tom Oberheim". Red Bull Music Academy, Barcelona 2008. Archived from the original on 2018-05-07. Retrieved 2016-11-27.
  2. ^ Susan Caust Farrell (1981). Directory of contemporary American musical instrument makers. University of Missouri Press. pp. 101. ISBN 978-0-8262-0322-9. Oberheim Electronics 1973 -wikipedia -wapedia.
  3. ^ a b Pinch, Trevor; Trocco, Frank (2002). Analog Days. Harvard University Press. p. 270. ISBN 0-674-01617-3.
  4. ^ "Tom Oberheim". www.redbullmusicacademy.com. Retrieved 2023-08-05.
  5. ^ "Oberheim Eight Voice". Vintage Synth Explorer.
  6. ^ "Oberheim OBX, OBXa & OB8". Sound on Sound (September 1998).
  7. ^ "Oberheim Matrix 1000". Sound on Sound (June 1994).
  8. ^ "Access Oberheim Matrix 1000 Programmer". Sound on Sound (September 1996).
  9. ^ "Oberheim DMX". Vintage Synth Explorer.
  10. ^ Matthias Grob. "How the Gibson / Oberheim Echoplex Came Together". Loopers-Delight.com.
  11. ^ "Oberheim OBMx". Sound on Sound (September 1994).
  12. ^ "The Synth Sequel - Oberheim/Viscount OB12 Analogue Modelling Synth". Sound on Sound (September 2000).
  13. ^ Oberheim GM-1000 - 24bit Digital Signal Processor - Operating Manual (PDF). Oberheim (Viscount joint venture).
  14. ^ "Stereo MCS - Oberheim/Viscount MC3000 & MC2000 Controller Keyboard". Sound on Sound (November 1999).
  15. ^ "Oberheim/Viscount OB3-squared". Sound on Sound (September 1997).
  16. ^ "Tom Oberheim Introduces New Oberheim SEM Synthesizer". Synthtopia.com. June 4, 2009.
  17. ^ "Tom Oberheim". TomOberheim.com. 2009. Archived from the original on 2009-08-09. — Tom Oberheim reissued SEM in 2009.
  18. ^ "Tom Oberheim Synthesizer Expander Module with MIDI to CV Panel". audioMIDI.com. Archived from the original on 2009-08-15.
  19. ^ "Tom Oberheim SEMs Shipping - First Impression". MATRIXSYNTH. September 30, 2009.
  20. ^ "Son Of 4 Voice Polyphonic Synthesizer: "SO4V"". TomOberheim.com. 2011. Archived from the original on 2011-02-07. — Tom Oberheim announces Oberheim 4 Voice in 2011.
  21. ^ "New! Two Voice Pro Synthesizer". TomOberheim.com. 2012. Archived from the original on 2012-03-24. — Tom Oberheim announces Oberheim Two Voice Pro in 2012.
  22. ^ "Tom Oberheim". TomOberheim.com. 2013.
  23. ^ "Dave Smith and Tom Oberheim OB-6 - A Historic Collaboration". YouTube, DaveSmith Instruments. 21 January 2016. Archived from the original on 2021-12-12. Retrieved 2016-01-24.
  24. ^ "Gibson Returns Oberheim Trademark to Namesake Founder As "Gesture of Goodwill"". Guitar.com. Retrieved 28 August 2019.
  25. ^ Mark Vail (1993). Vintage Synthesizers. Miller Freeman Books. p. 21. ISBN 0-87930-603-3.
[edit]